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The Intellectual Culture of Puritan Women, 1558–1680 PDF

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Early Modern Literature in History General Editors: Cedric C. Brown, Professor of English and Dean of the Faculty of Arts and Humanities, University of Reading; Andrew Hadfield, Professor of English, University of Sussex, Brighton Advisory Board: Donna Hamilton, University of Maryland; Jean Howard, University of Columbia; John Kerrigan, University of Cambridge; Richard McCoy, CUNY; Sharon Achinstein, University of Oxford Within the period 1520–1740 this series discusses many kinds of writing, both within and outside the established canon. The volumes may employ different theoretical perspectives, but they share an historical awareness and an interest in seeing their texts in lively negotiation with their own and successive cultures. Titles include: Andrea Brady ENGLISH FUNERARY ELEGY IN THE SEVENTEENTH CENTURY Laws in Mourning Mark Thornton Burnett CONSTRUCTING ‘MONSTERS’ IN SHAKESPEAREAN DRAMA AND EARLY MODERN CULTURE Dermot Cavanagh LANGUAGE AND POLITICS IN THE SIXTEENTH-CENTURY HISTORY PLAY Patrick Cheney MARLOWE’S REPUBLICAN AUTHORSHIP Lucan, Liberty, and the Sublime Danielle Clarke and Elizabeth Clarke (editors) ‘THIS DOUBLE VOICE’ Gendered Writing in Early Modern England David Coleman DRAMA AND THE SACRAMENTS IN SIXTEENTH-CENTURY ENGLAND Indelible Characters Katharine A. Craik READING SENSATIONS IN EARLY MODERN ENGLAND James Daybell (editor) EARLY MODERN WOMEN’S LETTER-WRITING, 1450–1700 Matthew Dimmock and Andrew Hadfield (editors) THE RELIGIONS OF THE BOOK Christian Perceptions, 1400–1660 Tobias Döring PERFORMANCES OF MOURNING IN SHAKESPEAREAN THEATRE AND EARLY MODERN CULTURE Sarah M. Dunnigan EROS AND POETRY AT THE COURTS OF MARY QUEEN OF SCOTS AND JAMES VI Mary Floyd-Wilson and Garrett A. Sullivan Jr. (editors) ENVIRONMENT AND EMBODIMENT IN EARLY MODERN ENGLAND Kenneth J.E. Graham and Philip D. Collington (editors) SHAKESPEARE AND RELIGIOUS CHANGE Teresa Grant and Barbara Ravelhofer ENGLISH HISTORICAL DRAMA, 1500–1660 Forms Outside the Canon Andrew Hadfield SHAKESPEARE, SPENSER AND THE MATTER OF BRITAIN William M. Hamlin TRAGEDY AND SCEPTICISM IN SHAKESPEARE’S ENGLAND Johanna Harris and Elizabeth Scott-Baumann (editors) THE INTELLECTUAL CULTURE OF PURITAN WOMEN, 1558–1680 Elizabeth Heale AUTOBIOGRAPHY AND AUTHORSHIP IN RENAISSANCE VERSE Chronicles of the Self Constance Jordan and Karen Cunningham (editors) THE LAW IN SHAKESPEARE Claire Jowitt (editor) PIRATES? THE POLITICS OF PLUNDER, 1550–1650 Gregory Kneidel RETHINKING THE TURN TO RELIGION IN EARLY MODERN ENGLISH LITERATURE Edel Lamb PERFORMING CHILDHOOD IN THE EARLY MODERN THEATRE The Children’s Playing Companies (1599–1613) Jean-Christopher Mayer SHAKESPEARE’S HYBRID FAITH History, Religion and the Stage Scott L. Newstok QUOTING DEATH IN EARLY MODERN ENGLAND The Poetics of Epitaphs Beyond the Tomb Jennifer Richards (editor) EARLY MODERN CIVIL DISCOURSES Marion Wynne-Davies WOMEN WRITERS AND FAMILIAL DISCOURSE IN THE ENGLISH RENAISSANCE Relative Values The series Early Modern Literature in History is published in association with the Renaissance Texts Research Centre at the University of Reading. Early Modern Literature in History Series Standing Order ISBN 978–0–333–80321–9 (outside North America only) You can receive future titles in this series as they are published by placing a standing order. Please contact your bookseller or, in case of difficulty, write to us at the address below with your name and address, the title of the series and the ISBN quoted above. Customer Services Department, Macmillan Distribution Ltd, Houndmills, Basingstoke, Hampshire RG21 6XS, England The Intellectual Culture of Puritan Women, 1558–1680 Edited by Johanna Harris Lecturer in Early Modern Literature, Lincoln College, University of Oxford and Elizabeth Scott-Baumann Lecturer in Early Modern Literature, Wadham College, University of Oxford and Research Fellow, Wolfson College, University of Oxford Selection and editorial matter © Johanna Harris and Elizabeth Scott-Baumann 2010 Individual chapters © contributors 2010 Softcover reprint of the hardcover 1st edition 2010 978-0-230-22864-1 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The authors have asserted their rights to be identified as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2010 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan in the US is a division of St Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN 978-1-349-31020-3 ISBN 978-0-230-28972-7 (eBook) DOI 10.1057/9780230289727 This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. Logging, pulping and manufacturing processes are expected to conform to the environmental regulations of the country of origin. A catalogue record for this book is available from the British Library. A catalog record for this book is available from the Library of Congress. 10 9 8 7 6 5 4 3 2 1 19 18 17 16 15 14 13 12 11 10 Contents List of Illustrations vii Acknowledgements viii Foreword ix N. H. Keeble Notes on Contributors xv List of Abbreviations xix 1 Introduction 1 Johanna Harris and Elizabeth Scott-Baumann 2 The Exemplary Anne Vaughan Lock 15 Susan M. Felch 3 The Countess of Pembroke and the Practice of Piety 28 Danielle Clarke 4 Imagining a National Church: Election and Education in the Works of Anne Cooke Bacon 42 Lynne Magnusson 5 Anne, Lady Southwell: Coteries and Culture 57 Elizabeth Clarke 6 Godly Patronage: Lucy Harington Russell, Countess of Bedford 71 Marion O’Connor 7 ‘An Ancient Mother in our Israel’: Mary, Lady Vere 84 Jacqueline Eales 8 ‘Give me thy hairt and I desyre no more’: The Song of Songs, Petrarchism and Elizabeth Melville’s Puritan Poetics 96 Sarah C. E. Ross 9 ‘But I thinke and beleeve’: Lady Brilliana Harley’s Puritanism in Epistolary Community 108 Johanna Harris v vi Contents 10 ‘Take unto ye words’: Elizabeth Isham’s ‘Booke of Rememberance’ and Puritan Cultural Forms 122 Erica Longfellow 11 Anne Bradstreet’s Poetry and Providence: Earth, Wind, and Fire 135 Susan Wiseman 12 Viscountess Ranelagh and the Authorisation of Women’s Knowledge in the Hartlib Circle 150 Ruth Connolly 13 Anna Trapnel’s Literary Geography 162 Diane Purkiss 14 Lucy Hutchinson, the Bible and Order and Disorder 176 Elizabeth Scott-Baumann 15 Pregnant Dreams in Early Modern Europe: The Philadelphian Example 190 Nigel Smith Afterword 202 David Norbrook Bibliography 214 Index 239 List of Illustrations 1 Woodcut: John Foxe, Actes and Monuments of these latter and perillous dayes touching matters of the Church (London: John Day, 1563), STC 11222, titlepage. Reproduced by permission of the Bodleian Library, Oxford 16 2 Woodcut: Latimer preaching before Edward VI, John Foxe, Actes and monuments of these latter and perillous dayes touching matters of the Church (London: John Day, 1563), STC 11222, p. 1353. Reproduced by permission of the Bodleian Library, Oxford 17 3 Map of London from An exact Delineation of the Cities of London and Westminster and the Suburbs thereof, together wth ye Burrough of Southwark and all ye Through-fares – Highwaies Streetes Lanes & Allies wth in ye same. Composed by a scale and ichnographically described by Richard Newcourt…Willm., Faithorne sculpsit.] A scale of yards, 800[(cid:2) 140 mm] (1658; BL shelfmark Maps R.17.a.3) Reproduced by permission of the British Library 164 vii Acknowledgements Foremost thanks are due to our contributors for their endorsement of the project from its inception, their efficiency, and exemplary scholar- ship. Special thanks are due to Professor David Norbrook and Professor N. H. Keeble for their contributions and for their consistent encourage- ment. Steven Hall at Palgrave, and our general editors Cedric Brown and Andrew Hadfield, have provided essential practical and intellectual sup- port. For kind permission to reproduce maps and illustrations, and for advice, we thank the British Library, the Bodleian Library, Chatsworth House and the Courtauld Institute. This collection was nurtured by the intellectual cultures of the Harris and Scott-Baumann households, and it is to them that the editors extend their deepest gratitude. viii Foreword N. H. Keeble The intellectual prospects for Puritan women, or, indeed, for a collec- tion of essays devoted to them, might not appear particularly bright. It is not difficult to come by examples of early modern Puritan opinion such as that of John Winthrop, governor of Massachusetts in the 1630s and 1640s, who was in no doubt that the ‘sad infirmity, the loss of her understanding and reason’ suffered by Anne Hopkins, the wife of the governor of Connecticut, came about by occasion of her giving herself wholly to reading and writing, and had written many books. Her husband, being very loving and tender of her, was loath to grieve her; but he saw his error, when it was too late. For if she had attended her household affairs, and such things as belong to women, and not gone out of her way and calling to meddle in such things as are proper for men, whose minds are stronger, etc., she had kept her wits, and might have improved them usefully and honourably in the place God had set her.1 Disconcertingly, highly educated Puritan women of evident creative ability could write in just these terms. For all her ‘intellectual tough- ness’, to adopt David Norbrook’s apt phrase,2 Lucy Hutchinson could reflect that, ‘as our sex, through ignorance and weakness of judgment (which in the most knowing women is inferior to the masculine under- standing of men), are apt to entertain fancies, and [be] pertinacious in them so we ought to watch our selves…and…embrace nothing rashly; but as our own imbecility is made known to us, to take heed of pre- sumption in ourselves’.3 Though in the apologia prefaced to her poems Anne Bradstreet was seeking, by anticipating it, to disarm prejudice, and was perhaps doing so with knowing irony, she was nevertheless very clear about what might be expected from her readers: I am obnoxious to each carping tongue Who says my hand a needle better fits, A poet’s pen all scorn I should thus wrong, For such despite they cast on female wits: If what I do prove well, it won’t advance, They’ll say it’s stolen, or else it was by chance. ix

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