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The influence of the Trojan myth on national identity as shaped in the Frankish and British Trojan-origin myths and the “Roman de Brut” and the “Roman de Troie” PDF

193 Pages·2002·8.33 MB·English
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Preview The influence of the Trojan myth on national identity as shaped in the Frankish and British Trojan-origin myths and the “Roman de Brut” and the “Roman de Troie”

INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. ProQuest Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. INFLUENCE OF THE TROJAN MYTH ON NATIONAL IDENTITY AS SHAPED IN THE FRANKISH AND BRITISH TROJAN-ORIGIN MYTHS AND THE ROMAN DE BRUT AND THE ROMAN DE TROIE By CAROL BUBON KEARNS A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2002 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 3056752 ___ ® UMI UMI Microform 3056752 Copyright 2002 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Ml 48106-1346 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. ACKNOWLEDGMENTS The realization of such an undertaking could not have resulted without the help of many people. First of all, I would like to thank Dr. Christine Probes of the University of South Florida for being an inspiration. (Despite my older age, I always wanted to be just like her!) In addition to Dr. Probes, I am indebted to Drs. Mary Jane and David Schenck and John Thompson for instilling in me a love for and the basic elements of medieval French literature and culture while a student at the University of South Florida. My deep appreciation goes to the Department of Romance Languages and Literatures at the University of Florida for accepting me into their doctoral program. (Despite a long and frequent commute, the experience was wonderful!) Sincere thanks are due my advisors, Dr. William Calin and Dr. George Diller, for their invaluable guidance, analysis, and support. I am grateful to Dr. Raymond Cormier for recommending pertinent books. A debt of gratitude goes to Dr. Edward Klein for persistent encouragement and to Judy Johnson for her many prayers. Lastly, I would especially like to thank my precious family for their love and support. ii Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. TABLE OF CONTENTS page ACKNOWLEDGMENTS................................................................................. ii ABSTRACT...................................................................................................v CHAPTERS 1 INTRODUCTION......................................................................................1 2 TROJAN MYTH........................................................................................8 Sacred Troy.............................................................................................8 Trojan Cycle..........................................................................................17 Bronze Age Source................................................................................19 Myth vis-a-vis Legend...........................................................................22 Greek “Nation” versus Trojan “Nation”...............................................23 Warrior Ethic of the Hero.....................................................................31 Legacy of Hector...................................................................................35 Conclusion............................................................................................38 3 FROM FREDEGAR TO WACE: THE UNIQUE PERSPECTIVE OF THE TROJAN-ORIGIN MYTH................................................................41 Chronicle of Fredegar...........................................................................47 Fredegar 1.........................................................................................47 Fredegar II....................................................................................... 55 Liber Historiae Francorum...................................................................59 A “Unique” Perspective........................................................................ 66 Historia Brittonum................................................................................70 Geoffrey of Monmouth and Wace.........................................................80 Twelfth-Century Wales.........................................................................96 Conclusion............................................................................................98 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 4 CHIVALRY AND COURTOISIE IN THE ROMAN DE BRUT AND THE ROMAN DE TROIE...............................................................101 Shaping a System of Values................................................................101 Defining Chivalry and Courtoisie.......................................................106 The Historia vis-a-vis the Brut............................................................110 Roman de Troie.................................................................................. 126 Conclusion.......................................................................................... 168 5 CONCLUSION.......................................................................................170 WORKS CITED.......................................................................................... 174 BIOGRAPHICAL SKETCH..........................................................................182 iv Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Abstract of Dissertation Presented to the Graduate School of the University of Florida in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy INFLUENCE OF THE TROJAN MYTH ON NATIONAL IDENTITY AS SHAPED IN THE FRANKISH AND BRITISH TROJAN-ORIGIN MYTHS AND THE ROMAN DE BRUT AND THE ROMAN DE TROIE By Carol Bubon Kearns May 2002 Dr. George T. Diller Department: Romance Languages and Literatures The Trojan myth composed in the Iliad by Homer constitutes the tale of a splendid and celebrated city under siege, whose monarchy derives its strength and prestige from a long distinguished ancestry, whose aristocratic population conducts itself in a hospitable and humane fashion, and whose heroes generate military prowess and strive to bring honor to themselves and their noble lineage. The appealing attitudes and activities of the Homeric Trojans inspired medieval authors to engage them as an integral part of a “national” identity illustrated in origin myths and reworkings of the Iliad itself. Not pertaining to or involving the common people; these works were learned fictions written to enhance the prestige of the ruling classes by providing an ancient and illustrious ancestry that legitimized ascendancy and/or a code of conduct. v Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Chapter 1 defines the ancient and enduring Trojan myth. Chapter 2 introduces Trojan-origin myths of the Franks and the British and undertakes to explain why they were written during a specific period. Chapter 3 presents the “national” ideology of chivalry and courtoisie embodied in the Roman de Brut and especially in Benoit de Sainte-Maure’s Roman de Troie. Along with martial and royal characteristics, instances of “national” identity featured in the Frankish and British Trojan-origin myths came about during a comingling of cultures at the same time as an age of relative peace, strong leadership, and a renewal of learning favored the creation of each unique myth and “nation.” The Roman de Troie provided a “nation” of Anglo-Norman and Angevin elite with an identity of chivalric/courtois values to correspond to their glorious ancestors. Whether the “nations” were related by blood ties or by a common heritage, or a combination of the two, they could identify with a once- great race and i,ts tradition. vi Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. CHAPTER 1 INTRODUCTION Troy and the Trojans are special by virtue of literature. The Troy of Homer is consecrated ground considering its affiliation “with the earliest portion of the literary treasures bequeathed to us by the ancient world” (Maclaren 222). Moreover, the fall of Troy is “le grand evenement de l’histoire universelle” (Baumgartner, Entre fiction et histoire 19), for nearly all of the Late Latin chroniclers recorded it. The Aeneid and subsequent medieval Trojan-origin myths and reworkings of the Iliad were the consequence of the imaginations of countless generations. The tale of Troy, showing a city under siege, along with its heroes, its valor facing a superior force, its humanity, and its splendor, influenced a constant revival of glorious Troy in myth and literature. The Iliad’s Troy was shown to be splendid in addition to being named “sacred” by Homer. It was a “broad city,” with “wide streets.” It had “lofty gates” and “fine towers.” During the reign of Priam, it was in its stage of greatest vigor. It was a city with mighty walls, extensive enough to hold its own large population as well as its many allies who gathered there to do battle with the Greeks. From the literary description of the city, some scholars have calculated that more than 50,000 people could be accommodated (Blegen 13). It had an agora where the people of l Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.

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The Trojan myth composed in the Iliad by Homer constitutes a splendid and celebrated city under siege, whose potent monarchy is derived from a long distinguished ancestry, whose aristocratic population is humane, and whose heroes generate military prowess and strive to bring honor to themselves and
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