OXFORD CLASSICAL MONOGRAPHS Published under the supervision of a Committee of the Faculty of Classics in the University of Oxford The aim of the Oxford Classical Monograph series (which replaces the Oxford Classical and Philosophical Monographs) is to publish books based on the best theses on Greek and Latin literature, ancient history, and ancient philosophy examined by the Faculty Board of Classics The Homeric Hymn to Aphrodite Introduction, Text, and Commentary ANDREW FAULKNER OXFORD UNIVBR.SITY PR.BSS OXFORD \JNIVRRSITY PRP.SS Great Clarendon Street, Oxford ox2 6DP Oxford University Press is a department of the Uni,•ersity of Oxford. 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J Preface THE Homeric Hymn to Aphrodite has received a good deal of scholarly attention since it was first printed in Florence in 1488, but no extensive commentary has ever been produced on the poem. In the twentieth century, Allen, Halliday, and Sikes (AS 1904, AHS 1936), and CAssola (1975) treated the poem admirably in their editions of the entire corpus of the Homeric Hymns, but the attention that they were able to give to Aphr. was naturally limited by the broad scope of their work. J. van Eck (VE) gave individual attention to the hymn in his doctoral thesis presented to the University of Utrecht in 1978 (a commentary with a short introduction), but, despite many useful observations, he left much work to be done (N. van der Ben also offered much of value in his short response to van Eck in 1986). The present commentary, a substantially revised and expanded version of my Oxford D.Phil. thesis, does not pretend to be exhaust ive, but it does aim to be inclusive and draws upon linguistic, literary, historical, and archaeological evidence in order to throw light on the text of Aphr. and the questions that it raises. Ultimately, it is hoped that this book will provide the reader with the necessary tools to make informed decisions about the poem and related matters, and serve as a base for further scholarship. A good deal of attention has been paid to parallels (both linguistic and thematic) elsewhere in Greek literature. These are often an indispensable aid to understand ing and are also given in order to help situate the Hymn to Aphrodite within the Greek poetic tradition. The purpose of including parallels in later Greek poetry may be less immediately evident. As has traditionally been the practice, these are at times provided where there is the possibility of imitatio (such cases are summarized in the Introduction). Later parallels are also, however, given when there is no question of imitatio: these are provided for those scholars working on later texts who will approach this commentary with an interest in this information, and in the belief that the practice oflater Greek poets can shed light on earlier poetry. In certain respects my viii Preface approach to the commentary might be described as traditional. I do, however, make use of work in the field of narratology, which I have become convinced is very profitably applied to ancient texts, and I have dedicated a good amount of time to considering parallels in Near Eastern literature, an avenue of research which has been fruit fully expanded by scholars in recent years. I have been cautious not to confine myself to minutiae. Textual problems and matters of interpretation of individual words or lines are dealt with as they arise, but an effort has always been made to indicate when and how they affect the wider interpretation of the passage, or the whole poem. For a task of this kind, I have naturally benefited from the work of many scholars who have come before me; my debt to them is signalled throughout the book. I should also like to record here my thanks to several individuals: I am most grateful to Dr Nicholas Richardson, first my D.Phil. supervisor and then my adviser for the press; his constant willingness to read and discuss my work, his acute scholarship, and his many suggestions for improvement have greatly clarified and expanded my thinking. Dr Richardson, who is now preparing a commentary on three of the four long Homeric Hymns (excluding Demeter) for the Cambridge Greek and Latin Classics series, very kindly allowed me to see a draft of his own work on the Hymn to Aphrodite once my thesis was complete; it was a great help to compare our opinions on particular matters at this later stage. To Dr Malcolm Campbell I am indebted for the suggestion that I undertake work on Aphr., and for much else as well. During my time as an undergraduate and research student at St Andrews University, I also profited from the learning of Professor Stephen Halliwell and the entire department there. I spent a very profitable six months in Amsterdam working with Professor Irene de Jong. Also while in Amsterdam, I benefited from the advice of Professor Jan Bremer and the late Professor C. J. Ruijgh. Back in Britain, my D.Phil. examiners Dr Richard Rutherford and Professor Alex Garvie both read my thesis with great care and offered many very valuable suggestions for improvement. I am grateful as well to Professor Gregory Hutchinson, Professor Jasper Griffin, Dr Ewen Bowie, and Dr Bruno Currie, for their helpful criticism and encouragement. Dr Martin West kindly read my thesis and made many suggestions for improvement. Dr
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