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The History of Theatre in Anchorage, Alaska 1915-2005: From a Wilderness Tent to a Multi-Million Dollar Stage PDF

263 Pages·2009·1.5 MB·English
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THE HISTORY OF THEATRE IN ANCHORAGE, ALASKA 1915-2005 From a Wilderness Tent to a Multi-Million Dollar Stage Catherine J. Stadem With a Preface by John Strohmeyer The Edwin Mellen Press Lewiston •Queenston• Lampeter Library of Congress Cataloging-in-Publication Data Stadem, Catherine [J.] The history of theatre in Anchorage, Alaska 1915-2005 :from a wilderness tent to a multi-million dollar stage I Catherine J. Stadem; with a preface by John Strohmeyer .. p.cm. Includes bibliographical references and index .. ISBN-13: 978-0-7734-3882-8 ISBN-10: 0-7734-3882-3 1 .. Theater--Alaska--Anchorage--History--20th century. 2 .. Theater--Alaska-- Anchorage--History--21st century. L Title. PN2277 .. A53S73 2009 792.09798'3 5--dc22 2009029302 hors serie. A CIP catalog record for this book is available from the British Library .. Front cover: Waitingfor Godot, January 200.3. Cyrano's Off Center Playhouse, Anchorage, Alaska.. Private collection, Carl Johnson Photography Used by permission Copyright © 2009 Catherine I. Stadem All rights reserved. For information contact The Edwin Mellen Press The Edwin Mellen Press Box450 Box67 Lewiston, New York Queenston, Ontario USA 14092-0450 CANADA LOS 1LO The Edwin Mellen Press, Ltd. Lampeter, Ceredigion, Wales UNITED KINGDOM SA48 8LT Printed in the United States of America Table of Contents Preface by John Strohmeyer i Acknowledgements v Introduction 1 Chapter 1 The Early Years, 1915–1946: Building the foundation of a cultural heritage 5 Chapter 2 Frank Brink, the “Father of Anchorage theatre: Teacher, director, playwright and composer leaves lasting mark 13 Chapter 3 Anchorage Community Theatre: A community of theatre for families endures 31 Chapter 4 Soldiers on Stage: World War II brings talent to growing city 45 Chapter 5 Jack Wandell and the Anchorage Drama Lab: Quality theatre versus the Red Scare 81 Chapter 6 Theatre Guild, 1970–1990: Innovation’s heights and burnout 99 Chapter 7 University theatre: Training artists for an uncertain future 111 Chapter 8 The Alaska Repertory Theatre: A story of money and art 123 Chapter 9 Out North Theatre Company: Out of the closet, into the spotlight 145 Chapter 10 Theatre for children: Movement begins with parents 155 Chapter 11 Ups and downs: 1980–2000 and beyond in a boom-bust economy 167 Chapter 12 Cyrano’s, Eccentric Theatre Company and others look to 21st century: The heirs of 1915 carry on 207 Epilogue 219 Bibliography 221 Index 223 List of Photographs Cover Waiting for Godot, by Samuel Beckett, produced by Eccentric Theatre Company, Cyrano’s Off Center Playhouse, directed by Dick Reichman, January 2003. From left, Shane Mitchell (Vladimir), Jeff McCamish (Lucky), Wayne Mitchell (Estragon), and in rear Jerry Harper (Pozzo). Black and white Photograph 1 View of tent city 1915, Ship Creek area, a settlement that became Anchorage, Alaska. From the Marie Silverman Collection, Archives and Special Collections, University of Alaska Anchorage. Photograph 2 Shown in rehearsal is well-known motion picture and stage actor Charlton Heston, who served in the Army at Fort Richardson, Alaska, during World War II. Heston starred in The Male Animal, by James Thurber and Elliot Nugent, produced by the Richardson Players, Fort Richardson Theatre, in February 1946. The show was directed by Bruce Marcus, with a set designed by Lowell Brody. Photograph 3 The cast of The Male Animal, by James Thurber and Elliot Nugent, produced by the Richardson Players, Fort Richardson Theatre, featured Charlton Heston, and the cast included Judy Bowers, Beulah Eli and Lt. Walter Heeb. February 1946. Photograph 4 First meeting of Anchorage Little Theatre Group, 1946. The meeting took place at the American Legion Log Cabin, a downtown venue sometimes used for stage productions. By the time the group produced its second show, Thornton Wilder’s Our Town, the Charter Members of Anchorage Little Theatre had grown to 58. Photograph 5 Our Town, by Thornton Wilder, produced by Anchorage Little Theatre, Anchorage High School Auditorium, directed by Frank Brink, June 1946. Photograph 6 A scene from Detective Story, by Sidney Kingsley, produced by Anchorage Community College Theater Workshop, Romig Hill Auditorium, directed by Jack Wandell, January 1956. The first full-length play to be performed in the 2,000- seat Romig Hill Auditorium (later West Anchorage High School Auditorium). Photograph 7 A scene from Detective Story, by Sidney Kingsley, Anchorage Community College Theater Workshop, Romig Hill Auditorium, directed by Jack Wandell, January 1956. (See Photograph 6 for details.) Photograph 8 The cast and crew of Death of a Salesman, by Arthur Miller, produced by Anchorage Community College Theater Workshop, Romig Hill Auditorium, directed by Jack Wandell, April/May 1956. Photograph 9 Journalist, actor, director and filmmaker Jack Wandell founded the Anchorage Drama Lab and was active in the Anchorage theatre scene for a decade, beginning in 1954. Photograph 10 Arsenic and Old Lace, by Joseph Kesselring, produced by Anchorage Community College Theater Workshop, Romig Hill Auditorium, directed by Frank Brink, set designed by Betty Park, March 1957. Guest star Boris Karloff donated his fee to support Anchorage theatre. Local cast included Ellen Maxon, Kay Garvine, Robert Yates, William Trotman, Cecil Abbott and Donna Peterson. Photograph 11 Look Homeward Angel, produced by Elmendorf Theatre Guild, McKinley Theatre, Elmendorf Air Force Base, directed by Bryden Moon with set design by Sol Gerstenfeld, February 1961. Cast included Martha Piper, James C. Hancock, Bill Ferguson, Luis Howard, Gary Jackson, Bill Baker, Mary Lou Wilson, Kathryn Hurley, Jo Downs, Bill Reguerira and Delores Hyskell. Photograph 12 The most powerful recorded earthquake in U.S. and North American history occurred in Anchorage, Alaska, on March 27, 1964. A banner advertising a production of Our Town spanned Fourth Avenue, which was heavily damaged in the magnitude 9.2 earthquake. Photograph 13 After the Fall, by Arthur Miller, produced by The Guild of the Anchorage Community College Theatre Division, Anchorage Community Theatre Quonset, directed by F. Kenneth Freedman, February 1973. Photograph 14 Hay Fever, by Noel Coward, produced by The Guild of the Anchorage Community College Theatre Division, Sydney Laurence Auditorium, directed by F. Kenneth Freedman, May 1973. Cast included Rick Goodfellow, Lily Ann Nielsen, Luan Schooler, Paul Hindman, Janice Lee, Paul V. Brown, Jim Morrison and Jewel Weien. Photograph 15 Bulldog Drummond, by Gerald DuMaurier, produced by The Guild of the Anchorage Community College Theatre Division, Anchorage Community Theatre Quonset, directed by Steven Steenmeyer, November 1973. Cast included F. Kenneth Freedman, Robbie Bangs, Jerry Tracy, Mike Liston, Jim Morrison and Tom Keane. Photograph 16 Hay Fever, by Noel Coward, produced by The Guild of the Anchorage Community College Theatre Division, Sydney Laurence Auditorium, directed by F. Kenneth Freedman, May 1973. Cast included Rick Goodfellow, Lily Ann Nielsen, Luan Schooler, Paul Hindman, Janice Lee, Paul V. Brown, Jim Morrison and Jewel Weien. Photograph 17 My Blue Heaven, by Jane Chambers, produced by Arctic Moon for Out North Theatre Company, ACTFEST 1985, Haines, Alaska, directed by Gene Dugan. First produced in April 1985 by Out North at the Anchorage Museum of History and Art, My Blue Heaven was the first known fully staged play in Anchorage with a homosexual theme. After its successful Anchorage production, it was entered in the Haines competition. Cast included Joyce Hollingsworth, Leslie Kleinfeld and Michael G. Wilson.

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The growth of theatre in Anchorage, Alaska, is a microcosm of theatre development throughout the United States in the twentieth century. In less than a century, Anchorage grew from its humble origins to become a vibrant frontier city of 300,000 and the cultural center of the state. Homegrown playwri
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