The IliP HOP Generation The [lip Hop Generation YOUNG BLACKS AND THE CRISIS IN AFRICAN AMERICAN CULTURE Eakari Kitwana BASIC B BOOKS Basic Civitas A Member of the Perseus Books Group Copyright © 2002 by Bakari Kitwana Published by Basic Civitas Books, A Member of the Perseus Books Group All rights reserved. Printed in the United States of America. No part of this book may be reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles and reviews. For information, address Basic Books, 10 East 53rd Street, New York, NY 10022-5299. Designed by A cataloging-in-publication record for this book is available from the Library of Congress. ISBN 0-465-02978-7 First Edition 02 03 04/ 10 9 8 7 6 5 4 3 21 Contents Preface 00 Introduction 00 PART ONE: The New Crisis in African American Culture 1 The New Black Youth Culture 00 2 America's Outcasts 00 3 Race War 00 4 Where did our love go? 00 5 Young, Don't Give a Fuc* and Black 00 PART TWO: Confronting the Crisis in African American Culture 6 Activism in the Hip-Hop Generation 00 7 The Politics of the Hip-Hop Generation 00 8 The Challenge of Rap 00 Preface Our youth can be our fate or our future. If young people embrace Black culture, ground themselves in it, and feel compelled to continue the legacy, then they are our future. But if they turn their backs on the Blackness, if they have contempt for their fathers and mothers, if they do nothing but engage in self-congratulatory narratives and music about themselves and imagine that they are actually any threat to this society or that they have any future in it simply by talking negative, then they are not our fu ture; they are our fate. —Maulana Karenga, Interview in The Source, February 1996 Understanding the new crises in African American culture that have come about in my generation's lifetime—high rates of suicide and imprisonment, police brutality, the gen eration gap, the war of the sexes, Blacks selling Black self-ha tred as entertainment, among others—I often wonder what life will be like for the generation of African Americans that follows. This question has been a defining one for those of us who grew up in post-civil rights Black America, especially for our generation's intellectuals. What will be our genera- vii viii Preface tion's contribution to the centuries-long African American struggle for liberation, and how do we redefine this struggle for our time? Our parents' achievements (the civil rights and Black power movements) continue to overshadow our lives as we stmggle to answer these questions and define our gen eration's own identity and distinctiveness. Although old racial stereotypes, beliefs, and practices die hard—largely in part because America is still trapped by an unreconciled racial history—we've unquestionably inher ited a new America. This crazy, brave new world has spun on its head old ideas of race and America. The struggle for liberation in our generation is no longer just a Black thing. America is a more multicultural society than ever, and al though Blacks have become a political force, they can no longer go it alone. Even though Black-specific issues persist and America remains polarized around Black-white race re lations, the old paradigms no longer apply. Coalition-build ing with America's other racial and ethnic groups is more critical, and viable, for our generation than for any previous generation of African Americans. At the same time, our gen eration of African Americans must come to grips with the damage we do ourselves in popular culture (rap lyrics and 'hood films) and in everyday life (inadequate parenting, re sentment-filled interpersonal relationships, and inferior ed ucational performance), which stands counter to traditional ideas of Blackness. Although hip-hop, arguably the single most significant achievement of our generation, is the most visible place these issues are elucidated, it only hints at the answers we seek to the great racial questions of our time. The essence of today's Black youth culture lies much deeper than the basic elements of hip-hop culture, and it is the area beyond the