THE HAPPINESS ILLUSION The West has never been more affl uent yet the use of anti-depressants is on the increase to the extent that the World Health Organisation has declared it a major source of concern. How has this state of affairs come about and what can be done? Television and advertising media seem to know. Wherever we look they offer countless remedies for our current situation – unfortunately none of them seem to work. The Happiness Illusion explores how the metaphorical insights of fairytales have been literalised and turned into commodities. In so doing, their ability to educate and entertain has largely been lost. Instead advertising and television sell us products that offer to magically transform the way we look, how we age, where we live – both in the city and the countryside, the possibility of new jobs, and so forth. All of these are supposed to make us happy. But despite the allure of ‘retail therapy’ modern magic has lost its spell. What then are the sources of happiness in our contemporary society? Through a series of fairytales The Happiness Illusion: How the media sold us a fairytale looks at topics such as age, gender, marriage and rom-coms, Nordic Noir and the representations of therapy on television. In doing so it explores alternative ways to relate to the world in a symbolic and less literal manner – it suggests that happiness comes by making sure we don’t fall under the spell of the illusionary promises of contemporary televi- sion and advertising. Instead, happiness comes from being ourselves – warts and all. This book will be of interest to Jungian academics, fi lm, media and cultural studies academics, social psychologists and their students, as well as reaching out to those interested in fairytale studies, psychotherapists and educated cinema goers. Luke Hockley PhD is Research Professor of Media Analysis at the University of Bedfordshire, UK. He is a practicing psychotherapist and is registered with the United Kingdom Council for Psychotherapy (UKCP). Luke is joint Editor in Chief of the International Journal of Jungian Studies (IJJS) and a member of the Advisory Board for the journal Spring and lectures widely. www.lukehockley.com Nadi Fadina is a media entrepreneur and a managing partner in an international fi lm fund. She is involved in a variety of arts and media related projects, both in profi t and non-profi t spheres. She teaches Film Business in the University of Bedfordshire, how- ever, her academic interests outreach spheres of business and cover ideology, Russian fairytales, sexuality, politics, anthropology, and cinema. www.nadi-fadina.com This page intentionally left blank THE HAPPINESS ILLUSION How the media sold us a fairytale Edited by Luke Hockley and Nadi Fadina First published 2015 by Routledge 27 Church Road, Hove, East Sussex, BN3 2FA and by Routledge 711 Third Avenue, New York, NY 10017 Routledge is an imprint of the Taylor & Francis Group, an informa business © 2015 Luke Hockley and Nadi Fadina The right of the editors to be identifi ed as the authors of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Trademark notice : Product or corporate names may be trademarks or registered trademarks, and are used only for identifi cation and explanation without intent to infringe. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data The happiness illusion : how the media sold us a fairytale / edited by Luke Hockley and Nadi Fadina. pages cm 1. Fairy tales—Psychological aspects. 2. Happiness—Social aspects. 3. Mass media and folklore. 4. Mass media—Psychological aspects. I. Hockley, Luke. II. Fadina, Nadi. GR550.H275 2015 398.2019—dc23 2014046171 ISBN: 978-0-415-72869-0 (hbk) ISBN: 978-0-415-72870-6 (pbk) ISBN: 978-1-315-74036-2 (ebk) Typeset in Bembo by Apex CoVantage, LLC For Mum – Your protecting power of love is always with me, Nadichka. For Mum – Thank you for taking me on the journey from Indian myths to Cornish legends, Luke. This page intentionally left blank CONTENTS Contributors ix Acknowledgements xii Introduction: O nce upon a time . . . 1 Nadi Fadina and Luke Hockley SECTION I . . . There was a Prince/ss . . . 13 The androgyne Vignette by Luke Hockley and Nadi Fadina 1 Transitional fantasies of masculinity 17 Terrie Waddell 2 Snow White and the Huntsman: the fairytale of gender and the female warrior 33 Luke Hockley 3 The second loss of androgyny: the fairytale of dualism 50 Nadi Fadina SECTION II The Quest: the Old Wise Helper and the Magical Object 71 Vignette by Luke Hockley and Nadi Fadina viii Contents 4 Crumbling rejuvenation: archetype, embodiment and the ‘Aging Beauty myth’ 75 Josephine Dolan 5 Finding the golden egg: illusions of happiness in an age of consumer capitalism 89 Catriona Miller 6 The self-knowledge industry and myths of happiness 107 Ryan Howes 7 The shadow of redemption: the Grail and the self-knowledge industry 125 Joanna Dovalis SECTION III May all your Wishes come True 141 Vignette by Luke Hockley and Nadi Fadina 8 Engaging marriage: rom coms and fairy tale endings 145 Heather Brook 9 The myth of authentic self-actualisation: happiness, transformation and reality TV 162 Greg Singh 10 A diffi cult task: Sarah Lund and the crime of individuated happiness 181 Alec Charles Author Index 199 Subject Index 202 CONTRIBUTORS Heather Brook, Ph.D., according to an on-line quiz called ‘Which Fairytale Char- acter Are You?’, Heather Brook is Little Red Riding Hood. It makes sense. Heather enjoys visiting Grandma, sampling the excellent local wines of the McLaren Vale and Adelaide Hills regions, and distance running (especially trail-running in national parks and forests). Heather works in the School of Social and Policy Studies at Flinders University in South Australia, where she teaches Gender and Women’s Studies. Her publications include C onjugality (Palgrave, 2015), Conjugal Rites (2007), and a diverse range of articles including most recently ‘Zombie Law?’ (F eminist Legal Studies ). Alec Charles , Ph.D., is Head of Media at the University of Chester. He has previ- ously taught at universities in Britain, Japan and Eastern Europe, and has worked as a newspaper journalist and as a radio documentary programme-maker. He is the author of Interactivity: New Media, Politics and Society (2012), the co-editor of T he End of Journalism (2011) and editor of M edia in the Enlarged Europe (2009), Media/ Democracy: A Comparative Study (2013) and T he End of Journalism: V ersion 2.0 (2014). His recent work also includes contributions to U topian Studies, S cience Fiction Stud- ies , Science Fiction Film and Television, Journalism Education , Journal of Popular Television and British Politics . Josephine Dolan, Ph.D., is a Senior Lecturer in Film Studies at UWE, Bristol. An internationally recognised scholar in Aging Studies, she is co-editor (with Estella Tincknell) of A ging Femininities: Troubling Representations (2013) and is a founder member of the AHRC Research Network WAM (Women, Ageing and Media): an expert adviser to ENAS (European Network of Aging Studies) and NANAS (North American Network of Aging Studies); and she gave evidence to the Har- man parliamentary inquiry, ‘Older Women in the Media’ (2013). Her main research
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