The Geometrical Work of Girard Desargues The Geometrical Work of Girard Desargues J. V. Field J. J. Gray With 69 Illustrations Springer-Verlag New York Berlin Heidelberg London Paris Tokyo J. V. Field J. J. Gray Science Museum The Open University London SW7 2DD Walton Hall England Milton Keynes MK7 6AA England AMS Classifications: 51-03, 01A40, OlA45, OlA75 Library of Congress Cataloging in Publication Data Field, Judith The geometrical work of Girard Desargues. Bibliography: p. Includes index. 1. Conics-Early works to 1800. 2. Perspective Early works to 1800. 3. Desargues, Gerard, 1591-1661. I. Gray, Jeremy. II. Title. III. Series. QA485.G73 1987 516'.15 86-17748 © 1987 by Springer-Verlag New York Inc. Softcover reprint of the hardcover 1st edition 1987 All rights reserved. This work may not be translated or copied in whole or in part without the written permission of the publisher (Springer-Verlag, 175 Fifth Avenue, New York, New York 10010, U.S.A.), except for brief excerpts in connection with reviews or scholarly analysis. Use in connection with any form of information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed is forbidden. Typeset by Mid-County Press, London. 9 8 7 6 543 2 1 ISBN -13:978-1-4613-8694-0 e-ISBN -13:978-1-4613-8692-6 DOl: 10.1007/978-1-4613-8692-6 Preface Our main purpose in this book is to present an English translation of Desargues' Rough Draft of an Essay on the results of taking plane sections of a cone (1639), the pamphlet with which the modem study of projective geometry began. Despite its acknowledged importance in the history of mathematics, the work has never been translated before in its entirety, although short extracts have appeared in several source books. The problems of making Desargues' work accessible to modem mathematicians and historians of mathematics have led us to provide a fairly elaborate introduction, and to include translations of other relevant works. The translation ofthe Rough Draft on Conics (as we shall call it) thus appears in Chapter VI, the five preceding chapters forming an introduction and the three following ones giving translations of other works by Desargues. Chapter I briefly reviews parts of ancient geometrical works available to Desargues which seem to be relevant to his own work, namely theorems in Euclid's Elements, the first four books of Apollonius' Conics and some remarks by Pappus in his Collection. These Hellenistic works belong to the 'high' mathematical tradition whose development has been the main theme of all histories of mathematics. It is from these works that Desargues took the theorems whose theory he was to reformulate in the Rough Draft on Conics. However, although he was well read in the works of this 'high' mathematical tradition, all Desargues' works other than the Rough Draft on Conics belong to the 'low' mathematical tradition of practical geometry. For instance, he wrote on such matters as drawing in perspective and setting up the gnomon of a sundial. Moreover, he earned his living in professions much concerned with practical mathematics, working as a military engineer and as an architect. It is thus not surprising to find that the concerns of the 'low' mathematical tradition seem to have played a significant part in the thinking behind the Rough Draft on Conics. Since this 'low' mathematical tradition has received relatively little attention from historians, our account of it, in Chapter II, is somewhat more detailed than our summary of 'high' mathematics in Chapter I. VI Preface In Chapter III we discuss the reception accorded to the Rough Draft on COllics by mathematicians of Desargues' own generation and of succeeding generations up to that of Poncelet. Chapter IV provides a detailed outline of the mathematical content of the Rough Draft on Conics, using modern notation. Several passages in our translation of the work, in Chapter VI, have been keyed to the summary in Chapter IV, so that the reader can follow Desargues' reasoning without necessarily having to work through the treatise line by line. The final introductory chapter, Chapter V, is the translators' preface, which is mainly concerned with linguistic and textual problems. It includes lists of the technical terms used in the Rough Draft on Conics (Desargues' famous botanical vocabulary) and in his Perspective of 1636, the terms being given in both French and English, This preface is followed by the translation of the Rough Draft on Conics, in Chapter VI. The footnotes labelled by a, b, c, etc, which are intended to provide a running commentary, are our own. So too are the illustrations which accompany the text, Desargues' own illustrations apparently being irretrievably lost. Chapter VII contains a translation of Desa rgues' treatise on perspective of 1636. This work has never been published in English before. (The corresponding French text is given in Appendix 5.) Chapter VIII contains translations of the three geometrical propositions by Desargues which were printed at the end of Abraham Bosse's expanded account of Desargues' perspective method in 1648. The first of these propositions is Desargues' famous and beautiful theorem on two triangles in perspective. Chapter IX gives a translation of Desargues' newly rediscovered work on sundials, first published in 1640. The diagrams (in the Notes to Chapter IX) are our own, since the single known copy of the work contains only text. Several shorter items have been added as appendices. They are Descartes' interesting, and apparently very carefully phrased, verdict on Desargues' Rough Draft on Conics (Appendix 1), Beaugrand's defence of classical methods (Appendix 2), Blaise Pascal's Essay on Conics (Appendix 3), a note on Johannes Kepler's invention of points at infinity in 1604 (Appendix 4), and finally, as already noted, the French text of Desargues' perspective treatise of 1636 (Appendix 5). This treatise has not been reprinted since it appeared in a much emended version in Poudra's edition of Desargues' works in 1864. Our bibliography is not intended to be exhaustive, but includes all primary and secondary sources cited in our text. It will probably be clear from the present authors' separate publication records that in several chapters of this book the work of one or other author predominates. We should, however, like to point out that neither of us, working alone, could have produced what either of us would have regarded as an adequate translation of the work with which we are chiefly concerned, the Rough Draft on Conics. We hope that together we add up to a Desargues scholar. April 1986 J. V. F. J. J. G. Acknowledgements We are grateful to Dr Jan Hogendijk for his detailed critical reading of an earlier draft of our typescript from the point of view of a historian of mathematics. We believe our work has benefited considerably from his attention. Our study of linear perspective, in Chapter II, led us into the territory of the art historian. Here we are grateful for the professional advice and guidance kindly given us by Professor Martin J. Kemp, whose forthcoming book, The Science of Art, sets perspective in a wider artistic context than we have attempted to describe and gives an account that is not only more detailed than our own mathematical sketch but also largely complementary to it. We are grateful to Dr S. S. Demidov and Professor A. P. Yushkevich for the interest they showed in our work when a summary of it was presented (by J. J. G.) at a seminar in the history of mathematics at Oberwolfach. This interest led to the appearance of a Russian version of the lecture in I storiko matematicheskie issledovaniya, XXIX (1985). The text of Desargues' treatise on sundials of 1640 was believed lost until Anthony J. Turner discovered a copy of it in 1983. We are grateful to Mr Turner not only for giving us a photocopy of the work before his discovery was published, but also for allowing us to include a translation of the treatise in the present work (see Chapter IX). Photographic credits are as follows: Bibliotheque nationale, Paris (App. 5); British Library Board (Figs 8.1 to 8.4); Metropolitan Museum of New York (Figs 7.1 and 7.2); Trustees of the Science Museum, London (Figs 2.6, 7.3 to 7.6 and A4.1); P. J. Booker, A History of Engineering Drawing, Northgate Publishing, London, 1979 (Fig. 9.1), reproduced with permission. Contents Chapter I The Greek Legacy 1 Chapter II Applied Geometry 14 Chapter III Mathematical Responses to Desargues' Rough Draft on Conics 31 Chapter IV The Mathematical Content of the Rough Draft on Conics 47 Chapter V Translators' Preface 60 Chapter VI The Rough Draft on Conics (1639) 69 Chapter VII The Perspective (1636) 144 Chapter VIII The Three Geometrical Propositions of 1648 161 Chapter IX The Sundial Treatise (1640) 170 Appendix 1 Letter from Descartes to Desargues (19 June 1639) 176 Appendix 2 Letter from Beaugrand to Desargues (25 July 1639) 178 x Contents Appendix 3 Pascal's Essay on Conics (1640) 180 Appendix 4 Kepler's Invention of Points at Infinity 185 Appendix 5 The French Text of Desargues' Perspective (1636) 189 ~otes 202 Bibliography 223 Index of the Technical Terms in Desargues' Rough Draft on Conics 233 Index 235 Chapter I The Greek Legacy When Desargues circulated fifty copies of his Brouillon project d'une atteinte aux evenmens des rencontres du Cone avec un Plan (Rough Draft of an Essay on the results of taking plane sections of a cone) in 1639, he was contributing to a lively contemporary study of geometry. Descartes' novel algebraic methods had been published two years before, and in 1639 Mydorge published a more classical treatment of the conic sections. The classical authors themselves were increasingly well studied. Desargues had available Commandino's Latin edition of Euclid's Elements, published in 1572, as well as his Latin edition of the first four books of Apollonius' Conics, published in 1566 with extensive commentaries by Eutocius, Pappus and Commandino himself. The last four books of the Conics were unknown in Desargues' time. Two editions of Pappus' Collection had also been published by Commandino (posthumously) in 1588 and 1602. In this chapter we sketch what in these ancient works forms the background to Desargues' remarkable text. The mathematical details of his reformulation of those ideas is described in more detail in Chapter IV. Ironically, the modern (Greek-less) English reader is in some ways scarcely more able than Desargues was to approach the originals. There is, of course, Heath's three-volume edition of Euclid's Elements (see Bibliography for details). But only the first three books of Apollonius' Conics exist in English, translated by R. C. Taliaferro in 1939; the first seven books exist in the French translation of Ver Eecke, 1923. Heath provided an extensive detailed commentary on the Conics in 1896. Finally, Book VII of Pappus' Collection is only now translated into English, by A. Jones (see the Bibliography); happily Ver Eecke put all of it that survives into French in 1933. The Classical Geometry of Conic Sections The ancient geometers presented not only a body of results, but a way of deriving them and hence of formulating the basic concepts of geometry. Since 2 The Geometrical Work of Girard Desargues some of these methods and ideas were accepted by Desargues while others were deliberately rejected, it will be necessary to look at them both in a little detail. We start by asking: What was geometry supposed to be about? The answer is that it was about the concept of magnitude in a rather general and elusive sense. Informally, it is clear that magnitudes like line segments, plane figures and angles are the staple diet of geometry; but formally and philosophically it is not easy to state what these concepts mean. What Euclid's Elements embodies is one way of systematizing the study of them so that one can reason deductively about them. While the approach he so successfully presented in that book certainly does not resolve the philosophical problems, it is more relevant for us to pursue the mathematical subtleties it contains. The reader is referred to Mueller's book (1981) for a thorough discussion of many aspects of the Elements; we shall be highly selective. Euclid distinguished between the cOflcepts 'line segment' and 'length' in a way one tends to blur today. To Euclid, one line segment is equal to another if they can be made to coincide exactly, and one is shorter than another if it can be made to coincide exactly with a piece of the second segment. Line segments may be added (by juxtaposition) and subtracted (by inserting one in the other). Indeed, any strict modern definition of length for line segments would recognize that length is a function defined on the set of segments and satisfying some obvious intuitive rules (invariant under motion, additive, etc.). The point to grasp is that when, in the Elements, one segment is said to be equal to another it means that they can be made to coincide with one another exactly (as his fourth Common Notion says). It follows that they have the same length; one does not first measure the lengths and deduce that the segments are equal. To a Greek geometer the logical absurdity of such a manoeuvre would have been obvious. The same is true of area. The area of a figure is a primitive concept in the Elements, not reducible to that of a product of lengths. Euclid did not show two figures were equal in area by computing their areas, but by a dissection and motion argument, as the famous proof of Pythagoras' theorem literally shows. As is well known, the theorem says that if ABC is a triangle right angled at A, then the sum of the squares on AB and AC is equal to the square on BC. In Elements (I,47)-by which we mean Book I, Proposition 47-this is proved as shown in Fig. 1.1. The square on AC (ACKH) is equal in area to twice the area of triangle BCK, since they are on the same base, CK, and between the same parallels. Triangles BCK and ECA have the same area because they are congruent, and that area is half the area of the rectangle CELP. So the areas of the square ACKH and the rectangle CELP are equal. The square ABFG can likewise be cut up and fitted on to BLPD, so the theorem is proved In the second book of the Elements Euclid showed how, given any rectilineal figure, a square can be found equal in area to the given figure. This result establishes that all rectilineal figures are comparable in size or, as we might say, that they are ordered magnitudes, and it establishes a 'simplest' one
Description: