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The Garden of the Finzi-Continis by Bassani, Giorgio PDF

197 Pages·1965·0.99 MB·Italian
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The Garden of the Finzi-Continis by Giorgio Bassani In as dense and as charged a world as that of Marcel Proust, Giorgio Bassani tells the story of a tentative, hesitant love between two adolescents, set against the background of Fascist Italy and the ducal town of Ferrara, with its fascinating Jewish community. The Finzi-Contini family, rich, refined and set apart, fascinated the narrator from his earliest childhood, and then one day he and Micol—that flaxen-haired, brilliantly alive, subtle half-child—finally meet. When racist rulings isolate the social life of theJews, they are drawn closer, till the almost inevitable end in a concentration camp. Hailed as a masterpiece in every European country, it was not only acclaimed as a first-rate work of literature, but it replaced The Leopard as the most successful Italian book of recent times. Micol is as engaging a heroine as Tolstoy’s Natasha, and this little world so subtly and lovingly described draws you in as did Proust’s Paris. This is the work of a master stylist; the overtones and undertones haunt and linger. But the charm and humanity of the characters have the direct impact of great art. Born in Bologna in 1916 of a Ferrarese family, Giorgio Bassani spent the first twenty-seven years of his life in Ferrara, the scene of this novel. He was a founder of the Action Party in 1942, was imprisoned and was freed after the fall of Mussolini. From its founding in 1948 until 1960, Bassani was an editor of the international review . For many years he was an BOTTEGHE OSCURE editor for a Milanese publisher, where he brought out, among other books, THE , and taught history of the theatre at the Italian National Academy for LEOPARD Dramatic Arts. He is now one of the two vice-presidents of Radiotele-visione Italiana. Bassani has written three novels: ’ ( - GLI OCCHIALI D ORO THE GOLD RIMMED ), which appeared in English in 1960; -CONTINI SPECTACLES IL GIARDINO DEI FINZI ( GARDEN OF THE FINZI-CONTINIS); and, most recently, THE DIETRO LA . He has also written a book of long short stories, - , and PORTA LE STORIE FER RARESI a collection of poems, ' , as well as essays and literary criticism L ALBA AI VETRI which have not yet been collected into a volume. In 1956 he won the Strega Prize with FERRARESI. THE LE STORIE GARDEN OF THE FINZI-CONTINIS achieved the greatest popular success of any Italian book in recent years, and won the 1962 Viareggio Prize. THE GARDEN OF THE FINZI-CONTINIS GIORGIO BASSANI THE GARDEN OF THE FINZI-CONTINIS Translated from the Italian by Isabel Quigly ATHENEUM New York 1965 To Micol Certo, il wore, chi gli da retta, ha sempre qualche cosa da dire su quello che sard. Ma che sa il wore? Appena un poco di quello che e gia accaduto. I PROMESSI SPOSI Of course the heart always has something to say, for one who knows how to hear it. But what does the heart know? At most, a bit about what is already past. THE GARDEN OF THE FINZI-CONTINIS Foreword For years I have wanted to write about the Finzi-Continis-about Micol and Alberto, professor Ermanno and signora Olga - and the others who lived or like me spent time at the house in Corso Ercole I d’Este, at Ferrara, shortly before the last war broke out. But the urge, the impulse to get down to doing so, I had only a year ago, one April Sunday in 1957— It was during one of the usual week-end outings. A group of us, divided between two cars, had gone out along the Aurelia highway straight after lunch, without anything very definite in mind. A few kilometres from Santa Marinella, attracted by the towers of a medieval castle that sprouted suddenly on the left, we turned down an unpaved country lane and ended up spread about the desolate sandy waste at the foot of the castle: which, looked at more closely, was a lot less medieval than it had promised from a distance, when we saw it from the highway, outlined against the light, on the dazzling blue expanse of the Tyrrhenian Sea. Buffeted by the wind, with sand in our eyes, unable even to visit the inside of the castle without written permission from some God-forsaken institute in Rome, deafened by the roaring surf, we felt thoroughly irritated and put out at having left Rome on such a day, which now, at the seaside, turned out so raw as to be practically wintry. We walked up and down for about twenty minutes, following the curve of the beach, the only cheerful one among us being a small girl of nine, the daughter of the young couple who had brought me in their car. The wind, and sea, and wildly whirling sand, sent Giannina into transports ofexcitement which, with her gay, expansive nature, she made no effort to control. Although her mother tried to stop her, she had taken off her shoes and socks, and kept dashing up to the waves as they crashed on to the shore, wetting her legs up to the knee. In fact, she seemed to be enjoying herself no end, so that when we got into the car again, a bit later, I saw her vivid dark eyes, that glowed above the hot, tender cheeks, clouded over with obvious disappointment. Back on the highway, in five minutes we were in sight of the road branching off to Cerveteri. As we had decided to go straight back to Rome, I was certain we would carry straight on. But instead, our car slowed down at this point more

Description:
Giorgio Bassani's masterwork has Vittorio de Sica's 1971 film adaptation to thank for its dual success and obscurity. Not enough people know that this tale of a middle-class Jewish youth's obsession with the far more aristocratic Micol Finzi-Contini stems from a novel, not a novelization. Bassani's
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