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The Gambit Guide to the English Opening: 1...e5 PDF

260 Pages·1999·4.81 MB·English
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Preview The Gambit Guide to the English Opening: 1...e5

- it _— | 1 i wg Carsten Hansen : The itst detailed coverage of this important Jie Opening complex for twenty years = a 2 Seen 7 | The AMEE Guide to the English Opening: 1...e5 Carsten Hansen First published in the UK by Gambit Publications Lid 1999 Copyright © Carsten Hansen 1999 ‘The right of Carsten Hansen to be identified as the author of this work has been. asserted in accordance with the Copyright, Designs and Patents Act 1988. Allrights reserved. This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out ot otherwise circulated in any form of binding or cover other than that in which itis published and without a similar condition including this condition being imposed on the subsequent pur- chaser. A copy of the British Library Cataloguing in Publication data is available from the British Library. ISBN 1901983 19 6 DISTRIBUTION: Worldwide (except USA): Biblios Distribution Services, Star Rd, Partridge Green, West Sussex, RH13 8LD, England, USA: BHB International, Inc., 41 Monroe Turnpike, Trumbull, CT 06611, USA. For all other enquiries (including a full list of all Gambit Chess titles) please, contact the publishers, Gambit Publications Ltd, 69 Masbro Rd, Kensington, London W14 OLS. Pax +44 (0)20 7371 1477, E-mail 100561.3121 @compuserve.com, Or visit the GAMBIT web site at hip:i/wvrw.gambitchess.co.uk Edited by Graham Burgess Typeset by John Nunn Printed in Great Britain by Redwood Books, Trowbridge, Wilts. 10987654321 Gambit Publications Ltd Managing Director: GM Murray Chandler Chess Director: GM John Nunn Editorial Director: FM Graham Burgess Assistant Editor: GM John Emms German Editor: WFM Petra Nunn Contents Symbols Bibliography Introduction The Reversed Sicilian: Introduction The Reversed Dragon (Main Lines) The Closed Variation The Fianchetto Variation (King’s Indian Approach by Black) The Taree Knights The Four Knights without 4 g3 The Four Knights with 4 g3 Systems with ..£5 Systems with 2...d6 or 2...b4 Early Deviations Sewmumaueune Index of Variations Symbols + penn ge esc eet Ch check double check checkmate brilliant move good move interesting move dubious move bad move blunder ‘White is winning ‘White is much better White is slightly better ‘equal position Black is slightly beter Black is much better Black is winning championship team championship team tournament world championship European championship World Team Championship Buropean Clubs Cup candidates event interzonal event zonal event olympiad junior evet senior (veterans) event women’s event memorial event rapidplay game. correspondence game the game ends in a win for White the game ends in a draw the game ends in a win for Black nth match game see next diagram Bibliography Books Kotronias: Beating she Flank Openings (Batsford, 1996) Bagirov: English Opening: Classical and Indian (Cadogan, 1994) Kortchnoi: A29 - English Opening (Sahovski Informator, 1993) ‘Taimanov: Englisch (Sportvertag, 1987) Nunn, Burgess, Ems and Gallagher: Nunn’s Chess Openings (GambivEveryman, 1999) Matanovié et al.: ECO A (Sahovski Informator, 1996) Periodicals Taformator Correspondence Chess Yearbook Introduction ‘The English Opening dates back to the first half of the 19th century, when a group of English players headed by Howard Staunton began opening their games with 1 ed, However, it was not until the hypermodem period in the early 20th century that it became reasonably popular. Since then it has featured prominently in the opening repertoires of a string of world champions: Botvinaik, Smyslov, Petrosian, Karpov and Kasparov, as well as many world-class players, such as Korchnoi, Larsen, Portisch, Uhimann, Ivanchuk and M.Gurevich to mention but a few; this merely testifies to the long-lived popularity of the English Opening. This book covers everything of importance in the English Opening, when Black plays 1....5 in reply to 1 c4, Asa little extra, Ihave chosen to include some- thing on the lines that can arise if Black chooses to play a King’s Indian Defence move-order, something that happens very frequenily due to the popularity of the King's Indian Defence. In each chapter you will find the following topics: + Typical Pawn Structures © Planning for White + Planning for Black + Quick Summary + The Theory of. By cavering the different lines and systems in this fashion, I hope to achieve the following: 1) Club players will find it easiex to understand the positions, rather than aim- lessly studying the raw theory, 2) The Quick Summary is particularly useful for the players who do not have the time to work their wey through all the theary of a given chapter, and will di- tect those who wish to study the opening deeply to the most critical lines. The theoty is in sufficient depth thateverybody, no matter what level of player, will find this book a massive source of information that should satisfy even the most inquisitive mind. In the process of writing this book a number of people have helped me and de- serve to be thanked: Peter Heine Nielsen, Carsten Lund, Uffe V. Nielsen, and in particular Bent Hansen (my language consultant), Graham Burgess, John Nuan and Stephanie Alexander. Carsten Hansen Isleworth, England, Juty 1999 1 The Reversed Sicilian: Introduction In this chapter we will have a look at the lines after 1 o4 e5 2 G3 46 3 23 (D), where Black does not play 3...45, which is more or less to be considered the main line after 1.04 ¢5. These less played lines appear to offer Black excellent chances of equalizing, and I suggest that those who play the black side should study these lines, as they offer Black good chances of playing for a win ~ some- thing that can be quite difficult against the English Opening. Typical Pawn Structures In the next diagram, White has taken ‘on doubled c-pawns to strengthen his centre, but since playing d4 would eave the c-pawn vulnerable, the white centre is quite static, and he will have to seek an advantage elsewhere, e.g. the kingside, where White may start am a aw a a. oie ata & ae Bs an atack with f4, Black, on the other hand, can play in the centre. He can ‘exploit White's structure with ..c6 and nd5, and maybe force White to play with three pawn islands against two after the exchange of White's c- and ©-pawns for Black's c- and d-pawns. ‘This pawn structure is characteristic of the Keres Variation. Black has a marked space advantage, but his centre g THE GAMBIT GUIDE TO TH ENGLISH OPENING: 1...e5 is fragile and is easily broken down by 3, hich may sometimes force Black to play with an isolated ¢-pawn after 3. Planning for White In this position (from Line B), White has won the bishop- pair in re- tum for a slightly disrupted pawo structure, What White ideally wants to dois to keep control over the dS-square, ‘exchange the o4-pawn for Black's d- pawn, and then open the position for his bishops. Black's counterplay will often come in form of ..d5 after some preparation; therefore White should try to prevent this or at least delay it. White can do so for a while by punting hhis queen on b3 and bishop on 23. Then he can prepare further action, such as exchanging his c-pawn with 5, playing d4, or starting an attack on the kingside with £4. In the following diagram Black has more space, but he las spent consider- able time building up a nice centre, swhich is still fairly fragile. Therefore, White should act quickly and attack the centre before Black gets time to bere ry Mears 4 oS MO consolidate and get his pieces devel- oped. With a quick d3, White can put the black centre under fire right away, and often, due to his lack of develop- ment, Black will have to exchange on 3, leaving the d5-pawn isolated. Planning for Black If Black allows White time to ar- range his pieces properly, he will be somewhat worse. Therefore, Black hhas to act promptly to fight for the ini- tiative, There are several ways for Black to proceed; one is to play for a quick ..d5, prepared with ...c6. The idea is to exchange the ¢-and d-pawns for White’s c- and e-pawns, leaving ‘White with an inferior pawn structure,

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