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The Fascist Revolution The Collected Works of George L. Mosse Advisory Board Steven E. Aschheim, Hebrew University of Jerusalem Ofer Ashkenazi, Hebrew University of Jerusalem Annette Becker, Université Paris–Nanterre Skye Doney, University of Wisconsin–Madison Dagmar Herzog, City University of New York Ethan Katz, University of California, Berkeley Renato Moro, Università degli Studi Roma Tre Anson Rabinbach, Princeton University Mary Louise Roberts, University of Wisconsin–Madison Joan Wallach Scott, Institute for Advanced Study Moshe Sluhovsky, Hebrew University of Jerusalem David J. Sorkin, Yale University Anthony J. Steinhoff, Université du Québec à Montréal John Tortorice, University of Wisconsin–Madison Till van Rahden, Université de Montréal The Fascist Revolution Toward a General Theory of Fascism George L. Mosse With a critical introduction by Roger Griffin THE UNIVERSITY OF WISCONSIN PRESS Publication of this book has been made possible, in part, through support from the George L. Mosse Program in History at the University of Wisconsin–Madison and the Hebrew University of Jerusalem. The University of Wisconsin Press 728 State Street, Suite 443 Madison, Wisconsin 53706 uwpress.wisc.edu Gray’s Inn House, 127 Clerkenwell Road London EC1R 5DB, United Kingdom eurospanbookstore.com Originally published by Howard Fertig, Inc., under the title The Fascist Revolution: Toward a General Theory of Fascism, copyright © 1999 by George L. Mosse Critical introduction copyright © 2021 by the Board of Regents of the University of Wisconsin System All rights reserved. Except in the case of brief quotations embedded in critical articles and reviews, no part of this publication may be reproduced, stored in a retrieval system, transmitted in any format or by any means—digital, electronic, mechanical, photocopying, recording, or otherwise—or conveyed via the Internet or a website without written permission of the University of Wisconsin Press. Rights inquiries should be directed to [email protected]. Printed in the United States of America This book may be available in a digital edition. Library of Congress Cataloging-in-Publication Data Names: Mosse, George L. (George Lachmann), 1918–1999, author. | Griffin, Roger, 1948–, writer of introduction. | Mosse, George L. (George Lachmann), 1918–1999. Works. Selections. 2020. Title: The fascist revolution : toward a general theory of fascism / George L. Mosse ; with a critical introduction by Roger Griffin. Description: Madison, Wisconsin : The University of Wisconsin Press, [2021] | Series: The collected works of George L. Mosse | Originally published by Howard Fertig, Inc., under the title The Fascist Revolution: Toward a General Theory of Fascism, copyright © 1999 by George L. Mosse. | Includes bibliographical references and index. Identifiers: LCCN 2021009792 | ISBN 9780299332945 (paperback) Subjects: LCSH: Fascism. | National socialism. | Racism. | Europe—Intellectual life—20th century. Classification: LCC JC481 .M63 2021 | DDC 320.53/3—dc23 LC record available at https://lccn.loc.gov/2021009792 Contents Acknowledgments vii Introduction to the 1999 Edition ix Critical Introduction by Roger Griffin xvii 1 Toward a General Theory of Fascism 3 2 Fascist Aesthetics and Society 39 3 Racism and Nationalism 46 4 Fascism and the French Revolution 57 5 Fascism and the Intellectuals 77 6 The Occult Origins of National Socialism 95 7 Fascism and the Avant-Garde 110 8 Nazi Polemical Theater 125 9 On Homosexuality and French Fascism 139 10 Nazi Aesthetics: Beauty Without Sensuality and the Exhibition of Degenerate Art 145 Notes 157 Index 177 Acknowledgments For permission to reprint copyright material, the author is indebted to the following: “Toward a General Theory of Fascism” reprinted in greatly revised form from International Fascism, New Thoughts and New Approaches, ed. George L. Mosse (London: Sage Publications, 1979), 1–5. “Fascist Aesthetics and Society” reprinted from Journal of Contem- porary History 31(2) (April 1996): 245–52. “Racism and Nationalism” reprinted from Nations and Nationalism 1(2) (1995): 163–73, by permission. “Fascism and the French Revolution” reprinted by permission of Jour- nal of Contemporary History 24(1) (January 1989): 5–26. “Fascism and the Intellectuals” reprinted from The Nature of Fascism, ed. Stuart Woolf (London: Weidenfeld and Nicolson, 1968), 205–25, The Graduate School of Contemporary European Studies, University of Reading. “The Occult Origins of National Socialism” reprinted from The Jour- nal of the History of Ideas 22(1) (January–March 1961): 81–96. “Fascism and the Avant-Garde” first published as “Faschismus und Avant-Garde” in Faschismus und Avant-Garde, ed. Reinhold Grimm and Jost Hermand (Frankfurt-am-Main: Athenäeum Verlag, 1980). “Nazi Polemical Theater: The Kampfbühne” first published as “Die NS Kampfbühne” in Geschichte im Gegenwartsdrama, ed. Reinhold Grimm and Jost Hermand (Stuttgart: Verlag W. Kohlhammer, 1976), 24–39. “On Homosexuality and French Fascism” first published in Sociétés 17 (March 1988): 14–16, reprinted in revised form. “Nazi Aesthetics: Beauty Without Sensuality and the Exhibition of Degenerate Art” originally published in “Degenerate Art”: The Fate of the Avant-Garde in Nazi Germany (Los Angeles: Los Angeles County Museum of Art, 1991), 25–32, reprinted by permission. vii Introduction to the 1999 Edition Modern historical scholarship has made great advances in our understand- ing of fascism as it existed in its epoch, overturning most older interpreta- tions and reevaluating its consequences. Historians in the past were prone to look for a single key to unlock the secrets of fascism’s existence and success. The development of the social structures or of the economy was most often singled out as the expla- nation for fascism’s rise and triumphs. Social and economic factors were congenial tools of historical analysis, while at the same time fascism was said to lack any coherent political thought or ideology. The structure of valid political thought, regardless of content, was supposed to follow established classical models like that of the ancients, or in modern times that put forward by Karl Marx or Adam Smith. This book hopes to chal- lenge such traditional attitudes towards politics. Here, as in many analyses of fascism, Germany was simply consid- ered an occupied country, brutally taken over by the Nazis. The optimism about the good and rational nature of “the people” was a heritage of the Enlightenment which had long ago informed so-called progressive politi- cal thought, and which was not abandoned but rather reinforced by many analyses of fascism. This held for Germany which was not able to create a true anti-fascist movement in order to redeem the people, but also for Italy which did have an anti-fascist movement tied to the political left which was strong enough to attempt a civil war during the last years of the fascist regime. However, while in the past historians did make crucial contributions to our understanding of fascism, they could not grapple successfully with a key question which must be answered about the fascist movement: why it could attract so much popular support and govern by consensus for some time after it took power. Economic and social factors certainly played a role, even if fascism can no longer be thought of simply as a movement of the bourgeoisie. We now know about its largely cross-class appeal, and ix

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