The Esoteric Alphabet

244 Pages·2008·3.12 MB·English

The
Esoteric Alphabet

Ellis Taylor

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Copyright © 2008 Ellis C Taylor

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The right of Ellis C. Taylor to be identified as the author of this work has
been asserted by him under the provisions of the UK Copyright, Designs
and Patents Act 1988.

No part of this publication may be reproduced, stored in or
introduced into a retrieval system, or transmitted in any way or form
or by any means (electronic, mechanical, photocopying, recording or
otherwise), without the prior and express written consent of Ellis C
Taylor, except by a reviewer, who may quote brief passages in
connection with a review.

The information in this book contains material of a general nature
that is intended to complement, not replace, personal advice from
your own physician. The author cannot accept responsibility for any
difficulties arising from your failure to seek appropriate advice from
your medical practitioner.
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FOREWORD

Letters In

This work will show that alphabets are intentionally designed
multi-layered esoteric affairs and that the modern English
alphabet is unequivocally, in my view, constructed according to
the King James Biblical Genesis Creation story. To help guard
the truth of what some ancient astrologer priests composed to
teach and entertain initiates about the true nature of our life-
journey, threats have been issued throughout the Bible, warning
against using the means that were applied in its construction.
The Fishers of men control every aspect of communication, from
the media who cast the line to the tackle they use and the hook
we swallow – baited with innocuous seeming morsels that we
call letters. It might surprise you but both the Bible and the
alphabet are not only esoteric they are erotic! Like the most
thrilling stories, it is full of sex, drugs and rock and roll – By
Heck Marge! Get that book from under that table leg!

Ellis Taylor
Sydney
4th December 2008

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CONTENTS

Foreword………………………………………………………iii
Introduction……………………………………………………7
Transylvaniation
Roman Lesions and the March on our Minds
The New World
Letters Prey
Pressing Service
Johann Gutenberg
Nicolas Jenson
The Aldine Press
Christophe Plantin
William Caxton
Keystrokes
Forging A Head
Sword Play
Shadow talking - spreading the Word
Posture
El an’ a Roosevelt
King Killing
Confused signals
In the beginning
Roman Times
Serfing the Serif
The Realms of Experience…………………………………33
The Esoteric Alphabet......................................................37
Holy Mind Games
The Real Adam and Eve
Alphabet Time
Roman Letters or French Letters:
Contraception for Individual Expression
Why Alphabet?
Vocations and Health
Tarot
Letter power
Delivery
Letters and Their Meanings………………………………..46
Lower case Letters a-z……………………………………..47
Capital Letters A-Z………………………………………...151
End Notes…………………………………………………..239
Comment…………………………………………………...240
List of Illustrations and Acknowledgements…………….243

Cover image:
King Lear and Fool in a Storm: By Sir John Gilbert, R.A., P.R.W.S. (1817–1897)
Source: From Old Books
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INTRODUCTION

Were letter symbols really originated solely to accommodate
varieties in the expression of sounds?

If not, then what is the real meaning
behind the letter shapes we use and
what story do they and their sequence
tell? Could their design and meter
carry an underlying message?

Who was it that designed the English
alphabet and its letters? Who was it
1 who added and subtracted its letters
and what was the purpose?

Why do virtually all newspapers, the Bible and other major
mechanisms of mass communication and control use the
Roman style and close variations of it?

The alphabet has not always contained the same letters or
followed the same sequence. Until much later in letter
development, the small letters were virtually ignored. Many
styles were tried.

Transylvaniation

All letters are ideograms, pictorial representations suggesting
an idea. As with all written symbols, they are constructed from
the egg (the dot) and the serpent (the line).

About 6,500 years ago the inhabitants of present-day
Transylvania in Central Europe (part of present day Romania)
were using impressed clay tablets to record their thoughts.
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The Esoteric Alphabet
These discoveries somehow escaped the censors and were
published in the Scientific American, in May 1968. They bear
extraordinary relationship to the discoveries made earlier in
Mesopotamia, however the establishment set its mortar boards
at Mesopotamia for the cradle of civilisation, so it is to the
environs of Iraq that they resolutely chivvy their stew-eaters'
minds. 1

About 5,500 years ago, the people of Sumer in Mesopotamia
were chiselling out vertically inscribed, pictorial messages in
stone. Later they adopted and developed the use of cuneiform
impressions made in soft clay and then baked. They clearly
were not stupid and to believe conventional direction that they
thrashed about at a heavy lump of rock for days on end to
write a shopping list is bizarre. They used blood, dyes, and even
just scratches on dried plants and skins, to send immediate
messages. The Mason’s words, however, were intended to last
and they were buried, or hidden, for exactly the same reason.
That they devoted such attention to their writing means that
they considered their content to be of significant importance
for the generations who would eventually find them.

By 2100BCE, Egypt had adopted cuneiform and developed
this into hieroglyphs, which they scribbled everywhere it seems,
except the Great Pyramid. Our present-day ‘English’ alphabet
derived first through Hellenic and later, Roman, sources.

According to ancient Greek historians, a Phoenician cad
called Kadmus, left them holding a 22-letter alphabet which was
in the same order as Hebrew. Later the poet Simonides of Ceos,
increased the characters to 26.

This system ran from right to left but later it was rebounded
to run from left to right. The Greeks also experimented with
the Boustrophedonic system - whereby they alternated the
directions of the lines - a name which means turning like an ox,

1 www.factbites.com/topics/Tartaria-tablets
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The Esoteric Alphabet
and is an allusion to Venus, the Pleiades and Taurus, as we shall
find out later.

From the very beginning, the Ancients had recognised the
beguiling powers of letters. They hallowed them as privileged
gifts from the god of writing and were the exclusive instruments
of only a select few.

In the 7th century BCE, King Ashurbanipal of Nineveh learnt
how to write, and he tells us:

The god of scribes has bestowed on me the gift of the knowledge of his art.
I have been initiated into the secrets of writing. I can even read the
intricate tablets in Shumerian. I understand the enigmatic words in stone
carvings from the days before the flood.2

Roman Lesions and the March on our Minds

One letter style would come to dominate the world’s mass
communications in all matters: the Roman style.

Latin did not always use capital letters. During the reign of
Emperor Constantine (312-337CE) a smaller and more quickly
written form called uncials gained favour for everyday use. (The
Greeks had been using a similar system since about 3BCE.)

Circa 600CE Church missionaries short-measured us again
when they introduced the Roman half uncial to Britain. These
were modified and used as the Irish half uncial to write the
“Book of Kells” on the sacred Isle of Iona.
A slight variation, called the English half uncial, became a
favourite in the north of England, notably in Lindisfarne (Holy
Island), where it charmed the script for the “Lindisfarne Gospels”.
These were both constructed for in-house use and based on the
same principles of design.

In 754, a right handy document to the Shadow forces of the
Darkness popped up: the ‘Donation of Constantine’, supposedly

2 Zechariah Sitchin, The 12th Planet, Avon Books, New York
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The Esoteric Alphabet
dating from Constantine’s propitious conversion to Christianity
in 312. 3
Although it has since been decried as a crock the DC
enabled the Pope to swan around in Constantine’s symbols and
regalia (so subliminally hold his power). The Donation served its
purpose and the Dark agenda moved inexorably onwards.

On the heels of the conjured ‘Document of Constantine’ the
Roman Catholic Church introduced yet another script style.
This one involved another key player in the Roman Church,
Charlemagne (768-814), King of the Franks - earnestly.

In 789 Charlemagne brought an English monk, called Alcium
of York, to Reims, where the Carolingian Miniscule script
emerged. It was Alcium who developed punctuation marks
(commas - COMAS etc) and first created the writing system we
use today, making the first letter in a SENTENCE a capital, with
the smaller letters following in a string. Charlemagne ordered
the Carolignian script to be used throughout the Holy Roman
Empire.

Alcium established a college under Charlemagne, well not
literally under him - where unwitting minds were overshadowed
and trained to expand the Dark cause.

I am quite intrigued with old Alcium’s name. There seems to
have been two possibilities for its origin. The first one was a
Jewish High Priest during the Maccabean revolt in Judea, 2nd
century BCE, who executed 60 scoundrels who had the cheek to
heckle him. The other concerns a pair of transvestite gods
called the Alci. There is not much known about them, but what
we do know is passed down to us by the 1st century Roman
historian Tacitus who got wind of their story in Germany.
Tacitus reckoned that the Alci twins were a version of the
Roman gods Castor and Pollux – I said Pollux. These are
another version of the twins of the Zodiac – Gemini – whose
planet is Mercury, the governor of writing, the mind, and

3 Ellis Taylor, In These Signs Conquer, BiggyBoo Books, Oxford
www.biggyboo.com/signs.html
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