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The enlightened eye : Goethe and visual culture PDF

325 Pages·2007·2.73 MB·English
by  Simpson
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The Enlightened Eye Goethe and Visual Culture A M S T E R D A M E R B E I T R Ä G E 62 7 0 G 0 Z U R N E U E R E N E R M A N I S T I K 2 Herausgegeben von Gerd Labroisse Gerhard P. Knapp Norbert Otto Eke Wissenschaftlicher Beirat: Christopher Balme (Universiteit van Amsterdam) Lutz Danneberg (Humboldt-Universität zu Berlin) Martha B. Helfer (Rutgers University New Brunswick) Lothar Köhn (Westf. Wilhelms-Universität Münster) Ian Wallace (University of Bath) The Enlightened Eye Goethe and Visual Culture Edited by Evelyn K. Moore and Patricia Anne Simpson Amsterdam - New York, NY 2007 Die 1972 gegründete Reihe erscheint seit 1977 in zwangloser Folge in der Form von Thema-Bänden mit jeweils verantwortlichem Herausgeber. Reihen-Herausgeber: Prof. Dr. Gerd Labroisse Sylter Str. 13A, 14199 Berlin, Deutschland Tel./Fax: (49)30 89724235 E-Mail: [email protected] Prof. Dr. Gerhard P. Knapp University of Utah Dept. of Languages and Literature, 255 S. Central Campus Dr. Rm. 1400 Salt Lake City, UT 84112, USA Tel.: (1)801 581 7561, Fax (1)801 581 7581 (dienstl.) bzw. Tel./Fax: (1)801 474 0869 (privat) E-Mail: [email protected] Prof. Dr. Norbert Otto Eke Universität Paderborn Fakultät für Kulturwissenschaften, Warburger Str. 100, D - 33098 Paderborn, Deutschland, E-Mail: [email protected] Cover image: Cy Twombly (b. 1928) American Bay of Naples 1961 [Rome] Oil paint, oil based house paint, wax crayon, lead pencil on canvas. 95-1/4 x 117-5/8 inches. 241.8 x 298.6 cm. Cy Twombly Gallery. The Menil Collection, Houston. Photographer: Hickey-Robertson, Houston All titles in the Amsterdamer Beiträge zur neueren Germanistik (from 1999 onwards) are available online: See www.rodopi.nl Electronic access is included in print subscriptions. The paper on which this book is printed meets the requirements of “ISO 9706:1994, Information and documentation - Paper for documents - Requirements for permanence”. ISBN-13: 978-90-420-2124-2 ©Editions Rodopi B.V., Amsterdam – New York, NY 2007 Printed in The Netherlands Table of Contents Acknowledgements 5 Abbreviations 7 INTRODUCTION Patricia Anne Simpson and Evelyn K.Moore:The Enlightened Eye: Visual Culture in the Age of Goethe 11 I. VISIONS/REVISIONS OF THE NEOCLASSICAL AESTHETIC Melissa Dabakis: Angelika Kauffmann, Goethe, and the Arcadian Academy in Rome 25 Catriona MacLeod: Sweetmeats for the Eye: Porcelain Miniatures in Classical Weimar 41 Beate Allert: Goethe, Runge, Friedrich: On Painting 73 Margaretmary Daley: The Gendered Eye of the Beholder: The Co-edArt History of the Jena Romantics 93 Mary Helen Dupree: Elise in Weimar: “Actress-Writers” and the Resistance to Classicism 111 Patricia Anne Simpson: Visions of the Nation: Goethe, Karl Friedrich Schinkel, and Ernst Moritz Arndt 127 II. THE VIOLENCE OF VISION: SCIENCE, TECHNOLOGY, AND THE STAGE OF LANGUAGE Evelyn K.Moore: Goethe and Lavater: A Specular Friendship 165 Elliott Schreiber: Towards an Aesthetics of the Sublime Augenblick: Reading Karl Philipp Moritz Reading Goethe’s Die Leiden des jungen Werthers 193 Clark S.Muenzer: Fugitive Images and Visual Memory in Goethe’s Discourse on Color 219 Eric Hadley Denton: The Technological Eye: Theater Lighting and Guckkastenin Michaelis and Goethe 239 Astrida Orle Tantillo: The Subjective Eye: Goethe’s Farbenlehre and Faust 265 4 Heide Crawford: Poetically Visualizing Urgestalten. The Union of Nature, Art, and the Love of a Woman in Goethe’s “Die Metamorphose der Pflanzen” 279 Richard Block: Scribbles from Italy: Cy Twombly’s Experiment in Seeing Goethe See Language 289 III. APPENDIX Notes on the Contributors 313 Index 317 Acknowledgements The editors wish to express their gratitude for the support that made this proj- ect possible. The book grew from a session we organized for the German Studies Association Conference in New Orleans (2003), and we would like to thank the panel’s participants, audience, and commentator (John Lyon, University of Pittsburgh) for generating such a productive discussion. In addi- tion we owe special thanks to Eric Denton for his role in encouraging this proj- ect. Significant progress on the manuscript was made during Evelyn Moore’s sabbatical (2003–04), granted by Kenyon College, which coincided with a period of course release for Patricia Simpson (Spring 2004), generously sup- ported by a Scholarship and Creativity grant from Montana State University, Bozeman. We also wish to thank our respective institutions for their continued support. Financial assistance from both Kenyon College and the Department of Modern Languages and Literatures at MSU helped defray the cost of repro- ducing some of the images, and this support is gratefully acknowledged. Further, we thank Joanna Cook (The Menil Collection, Houston) for help in obtaining the rights to reproduce the Cy Twombly painting on the cover. Theo Lipfert (Media and Theatre Arts, MSU) rendered invaluable assistance with formatting other images in the book, and we thank him. We also want to express our appreciation to John Vaio for his careful reading of various stages of the project. Finally we would like to express our gratitude to Marieke Schilling and the series editors at Rodopi for their careful attention to this book during each stage of production. This page intentionally left blank Abbreviations The following standard editions of Johann Wolfgang von Goethe’s collected works are referenced in the chapters of this book and abbreviated as follows: FA: Sa¨mtliche Werke. Ed. by Hendrik Birus, et al. 40 vols. Frankfurt/M: Suhrkamp – Deutscher Klassiker Verlag 1985ff. References to this edition in the volume are generally followed by set/volume and page numbers. WA: Werke. Weimarer Ausgabe. Ed. at the behest of the grand duchess Sophie von Sachsen, 50 vols. Weimar: H. Böhlau 1887–1919. References to this edi- tion are generally followed by the set in Roman numerals, volume, part, and page numbers. MA: Sa¨mtliche Werke nach Epochen seines Schaffens. Ed. by Karl Richter, et al. 21 vols. Munich: Carl Hanser Verlag 1985ff. References are followed by set, volume, and page number. HA: Goethes Werke in XIV Ba¨nden. Ed. by Erich Trunz. Hamburg: Christian Wegner 1950. References to this edition are followed by volume and page numbers. Several authors consulted the Suhrkamp edition of Goethe’s work in English translation: Goethe’s Collected Works. 12 vols. New York: Suhrkamp 1983–1989. References to these volumes are documented in individual chapters.

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Poets, painters, philosophers, and scientists alike debated new ways of thinking about visual culture in the "long eighteenth century". The essays in 'The Enlightened Eye: Goethe and Visual Culture' demonstrate the extent to which Goethe advanced this discourse in virtually all disciplines. The conc
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