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The End of Tsarist Russia: The March to World War I and Revolution PDF

448 Pages·2015·16.476 MB·English
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Praise for The End of Tsarist Russia Winner of the the Pushkin House Russian Book Prize Finalist for the Lionel Gelber Prize An Amazon Best Book of the Month (History) “Lieven has a double gift: first, for harvesting details to convey the essence of an era and, second, for finding new, startling, and clarifying elements in* familiar stories. This is history with a heartbeat, and it could not be more engrossing.” —Foreign Affairs “Lieven presents Russia's road to war and revolution as a classical tragedy—a fate driven by the character of both the country and its rulers__[He] recov­ ers a world that has been lost.” —The Wall Street Journal “The notion that Russia, lying at the periphery of Europe, was at the center of things infuses Dominic Lieven’s masterly new view of World War I.” —The Boston Globe "Lieven's interpretation is the result of his own heroic research endeavors in newly available Russian foreign ministry archives. But his insights are more than professional; they are personal. . . . His stimulating book, deeply researched yet written with all the bravura of his aristocratic forebears, con­ vinced this reviewer at least.” —Financial Times “Not just one of the greatest historians on Russia, but also a great writer.” —Antony Beevor, The Independent (London) “A finely-wrought and compelling account of Russia's final decade of peace­ time before a continuum of war and revolution that stretched well into the 1920s, and arguably beyond. It is the story of a disaster, which, while it loomed ever larger on the horizon, was never an inevitability.” —History Today “Deeply researched, highly valuable in its focus on Russia, and unfailingly well-written: more proof of Lieven's profound knowledge of the Russian empire.” —The Spectator (London) “The End of Tsarist Russia is a book of immense scholarship and engaging readability.” —David Reynolds, author of The Long Shadow “Valuable... Gives insight into why Russia was so unprepared for a war that ultimately resulted in a near-century of agony for its people.” —The Washington Times "This is a great book by a great historian filled with riches—not just about the end of Tsarism and the Revolution, but offering thè most original of all recent accounts of the outbreak of war in 1914. It has uncanny internal knowledge of the state apparatus, terrific explanatory power and judgment—and such narrative power that I found it hard to put down.” —John A. Hall, professor of comparative historical sociology, McGill University “Based on newdocumentation from the Moscow archives, Lieven uses the larger backdrop of growing international tensions to examine the role of the Tsar and his close advisers in the escalating crisis without downplaying the responsibility of the decision-makers in Vienna and Berlin. Readers who, after two years of vigorous debate among historians, are looking for a judicious assessment will find this book absorbing as well as indispensable in their teaching and research.” —V. R. Berghahn, Columbia University “The fullest and most nuanced picture we have of Russia's halting but in the end determined entry into the First World War. This book supersedes all previous ones on the subject.” —Geoffrey Hosking, emeritus professor of Russian history, University College London PENGUIN BOOKS THE END OF TSARIST RUSSIA Dominic Lieven is a senior research fellow at Trinity College, Cambridge, and a fellow of the British Academy. He previously taught Russian Studies at the London School of Economics for thirty-three years. His last book, Russia Against Napoleon, won the 2009 Wolfson Prize for History and the Prix Napoleon. He divides his time between Cambridge, England, and Japan. THE END B TSARIST R U SSIA THE M ARCH TO WORLD WAR I AND REVOLUTION Dominic Lieven PENGUIN BOOKS To my teachers Leonard Schapiro and Hugh Seton-Watson PENGUIN BOOKS An imprint of Penguin Random House LLC 375 Hudson Street New York, New York 10014 penguin.com First published in the United States of America by Viking Penguin, an imprint of Penguin Random House LLC, 2015 Published in Penguin Books 2016 Copyright © 2015 by Dominic Lieven Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for com­ plying with copyright laws by not reproducing, scanning, or distribut­ ing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader. First published in Great Britain under the title Towards the Flame: Empire, War and the End of Tsarist Russia by Allen Lane, an imprint of Penguin Random House UK LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA AVAILABLE ISBN 9780670025589 (he.) ISBN 9780143109556 (pbk.) Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 Set in Warnock Pro with Marquee and Octane LT Com Design and Map Illustrations by Daniel Lagin CONTENTS ACKNOWLEDGMENTS Ix NOTE xili LIST OF PHOTOGRAPHS xv INTRODUCTION 1 chapter I« A World o| Empires 17 chapter 2t The Russian Empire 46 chapter Si The Decision Makers 91 chapter 4i The Emergence of the Triple Entente, 1904-9 182 CHAPTER St Crisis Follows Crisis, 1909-13 225 CHAPTER < 1914 291 1 chapter 7i The July Crisis 313 chapter Si War, Revolution, and Empire 343 vlil CONTENTS AFTERWORD 365 LIST OF AiRREVIATIONS 369 NOTES 371 INDEX 419 ACKNOWLEDGMENTS in writing this book, I have incurred many debts. First, I wish to extend my deep gratitude to Trinity College, Cambridge, which provided me with a very happy home while I was researching and writing this book. Next, I would like to thank my research assistants: above all Ella Sagi- nadze in St. Petersburg and Natalia Strunina in Moscow. Ella not only per­ formed hugely valuable work for me in the State Historical Archive in St. Petersburg but also secured most of this book’s photographs. Natalia did great work on my behalf in Moscow’s libraries and archives but also ferried me craftily around the city’s hospitals when archival work had almost killed me off. I must also thank Yuri Basilov, who did research for me in the archive of the Academy of Sciences in St. Petersburg, and Martin Albers and Jerome Greenfield, who ferreted out useful information for me in Britain. My stay in Moscow was helped immensely by the hospitality of the Sim­ mons family and of Vasili Kashirin: to them too great thanks. The draft chap­ ters were read by Professors Bruce Menning and David Schimmelpenninck van der Oye. My book would have been far inferior without their advice. Bruce Menning also shared with me many of his unpublished articles and his immense knowledge of the Russian army before 1914 and its preparations for war. x ACKNOWLEDGMENTS I also have to thank the many archivists who made my research possible: above all the staff of the Foreign Ministry Archive in Moscow, who went far out of their way to help me, but also Professor Serge Mironenkos splendid staff at GARF, also in that city. The military archive in Moscow was the foun­ dation for my last book and made a big contribution to this one too. Also not to be forgotten are the friendly and helpful archivists at the naval archive in St. Petersburg, the French military archive, and the British National Archives. I owe special thanks to the immensely helpful staff at the Bakhmeteff Archive of Columbia University in New York. My thanks are also due to the libraries in which I worked in London, Moscow, and Cambridge. During my time in Moscow, I sustained a growing litany of medical prob­ lems. I would not have surmounted them and finished my research without the support of my wife, Mikiko Fujiwara. Mrs. Elizabeth Saika and Dr. Sophie Schmitz, granddaughter and great- niece of a key figure in my book, Prince Grigorii Trubetskoy, were immensely generous and helpful in sending me unpublished work about their grandfa­ ther. Sophie Schmitz kindly sent me the PhD dissertation that she herself had written about him, and Elizabeth Saika provided me with both unpublished family documents and photographs. I am very grateful to both of them. Apart from Elizabeth Saika, the following people and institutions kindly supplied me with photographs for this book: the publishing house Liki Rossii and its director, Elizaveta Shelaeva; the Central State Archive of Cinema and Photographs in St. Petersburg; Alexis de Tiesenhausen; and the Krivoshein family. I am grateful to all of them for their help. My publishers, Melanie Tortoroli in New York and Simon Winder in London, not only commissioned and encouraged me to write this book but also read it with great skill, providing me with extremely good advice that improved the structure and presentation considerably. At Penguin in London, I should also like to thank Richard Duguid and Marina Kemp and in partic­ ular Richard Mason, my copy editor. Very great thanks are also owed to my agent, Natasha Fairweather. The historians who have worked around this theme and from whose ideas I have benefited are too numerous to thank individually, but special mention must be made of Professor Ronald Bobroff, who came to my rescue by pro­ viding me with a copy of a key document that I could not find in the archive.

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