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"The elder shall serve the younger" : playwrights and biblical commentary in the Renaissance [thesis] PDF

359 Pages·1999·14.88 MB·English
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INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zeeb Road, Ann Aibor MI 48106-1346 USA 313/761-4700 800/321*0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. THE UNIVERSITY OF TULSA THE GRADUATE SCHOOL “THE ELDER SHALL SERVE THE YOUNGER”: PLAYWRIGHTS AND BIBLICAL COMMENTARY IN THE RENAISSANCE by Sue Ayers McCurdy Hosterman A dissertation submitted in partial fullment of the requirements for the degree of Doctor of Philosophy in the Discipline of English The Graduate School The University of Tulsa 1999 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 9923545 UMI Microform 9923545 Copyright 1999, by UMI Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. UMI 300 North Zeefo Road Ann Arbor, MI 48103 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. THE UNIVERSITY OF TULSA THE GRADUATE SCHOOL •‘THE ELDER SHALL SERVE THE YOUNGER”: PLAYWRIGHTS AND BIBLICAL COMMENTARY IN THE RENAISSANCE by Sue Ayers McCurdy Hosterman A DISSERTATION APPROVED FOR THE DISCIPLINE OF ENGLISH By Dissertation Committee Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. ABSTRACT Hosterman, Sue Ayers McCurdy (Doctor of Philosophy in English) “The Elder Shall Serve the Younger”: Playwrights and Biblical Commentary in the Renaissance (3SI pp. - ChapterIII) Directed by Professor Lars Engle (132 words) Participating in a corrective movement which seeks to reinstate a religious and theological dimension in criticism of Elizabethan culture and of canonical literary texts, this dissertation explores 16th-century reception of two particularly provocative scriptural narratives, the Jacob-Esau saga in Genesis and the Parable of the Prodigal in Luke 1 S. The parable can itself be heard as Jesus’ retelling of the story of father, sons, and brothers in conflicts over inheritance. This study describes ways these stories figured in the multifarious forms of commentary, interpretation, allusion, and re-enactment that constituted the life of the Bible in 16th-century English culture. The specific secular dramas discussed are Marlowe’s The Jew of Malta, Shakespeare’s The Merchant of Venice, and Shakespeare’s second English history tetralogy, Richard II, 1 Henry IV, 2 Henry IV, and Henry V. HI Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. ACKNOWLEDGMENTS I wish to express my thanks to the University of Tulsa and the Department of English for undergirding my graduate studies over the past seven years. Excellent teachers and challenging courses in the earlier Master’s program spurred both the desire and the opportunity for continuing as a candidate for the Ph. D. I am grateful to the members of my committee who have overseen both the qualifying examinations and the preparation of the dissertation. Dr. Lars Engle, Dr. Joseph Kestner, and Dr. Hermione De Almeida have my deep gratitude for direction, criticism, and encouragement throughout an arduous process. The chair of my committee, Dr. Engle, merits special thanks for expecting much, for prodding my understanding, and for holding me to his own high standards. In an early graduate course, Dr. Engle goaded me to argue in my writing or “we would have nothing to say”; in the ensuing years, he has graciously supported my arguing with him. To him I would offer the honored appellation—A/ngw/er et Amicus, Teacher and Friend. My thanks are also due to a large and lively family of perpetual students: To my parents, Dr. Marion Wallace and Anne Lide McCurdy, who endowed me; To my siblings, Mary Anne, Runita, Jean, Jane, and Si, who encouraged me; To my sons, Jack, Clayton, Gregory, and Benjamin, who believed in me; and To my husband, Greg, who sustained me. iv Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. TABLE OF CONTENTS ABSTRACT..........................................................................................................................iii ACKNOWLEDGMENTS....................................................................................................iv INTRODUCTION, “THE ELDER SHALL SERVE THE YOUNGER”.........................1 CHAPTER I, JACOB’S BIRTHRIGHT, BARABAS’S BLESSINGS...........................22 CHAPTER II, THE MERCHANT OF VENICE: TWICE TOLD TALES, OR THE COVENANT AND THE KINGDOM............................... 127 CHAPTER III, WHO IS THE PRODIGAL? WHO IS THE PRINCE?........................252 CONCLUSION...................................................................................................................334 BIBLIOGRAPHY...............................................................................................................337 v Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. INTRODUCTION “THE ELDER SHALL SERVE THE YOUNGER” To re-enter the Elizabethan world where religion encompassed life and the Bible was the "common expositor" for all mysteries and all knowledge, we have to put aside our own notions of separation of church and state, of sacred and secular, of intuitions and ratiocinations. In a centerless vortex of restless change, late 20th century people have forgotten much of their shared heritage and so must make a conscious effort to appreciate how profoundly the Bible influenced understanding of every aspect of Elizabethan life. The struggles for control of the Church in the 16th and 17th centuries were in part struggles for authority to shape interpretation of the Bible; Princes and Popes, preachers and priests, archbishops and prelates engaged in the contest, but the issue spilled over into the life of the laity as well. With the Bible increasingly available for personal reading, everyone had an opinion, and so poets and playwrights, together with ordinary folk of the City, dared with ministers and magistrates to comment. At stake was temporal and spiritual power—both to name the songs all should sing and to order what they meant. J. E. Neale recreates a scene in his 1934 biography Queen Elizabeth that demonstrates the interwovenness of life in the 16th century and invites a modem interpretation.1 1 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 2 On Saturday January 14, 1559, the Coronation procession of the new Queen Elizabeth set out from the Tower of London to dazzle the City with her presence. Five times Elizabeth and her elaborate entourage paused at selected sites-Gracechurch, Comhill, Cheapside, Little Conduit, and St.Paul's. Amid streaming banners and avid crowds, pageants prepared by City authorities with imposing spectacle and sound proclaimed London's faith in the young queen. Scenes depicting her worthy parentage (Anne Boleyn included), her own virtues in governance, her faithful bond to her people, and her timely emergence as a new Deborah,the judge and restorer of the House of Israel'" (Neale 70) delighted the Queen as she watched from her litter and accepted the entertainment of her joyful subjects. Within the entertainment was also instruction, however, for each pageant asserted the religious temper of London with expectations that the Queen would incline her ear in support. Chief among the virtues for government was acceptance of "pure religion" by which ignorance and superstition could be trampled out. Lest any doubt linger, the fourth pageant made explicit the hopes and meanings of these brief Moralities. The centerpiece of this pageant was old Father Time whom Elizabeth gladly acknowledged as her guardian to this moment. Time emerged from a cave set between two starkly contrasting hillside scenes. One was a wasteland, barren and desolate but for a dour, broken youth sitting dully under a leafless tree, the other, an Eden of fruitful greenery, displaying a gaily adorned youth standing expectantly on a high summit under a laurel tree. Into this scene Time led forth his daughter Truth who carried an English Bible in her hands. A child limned the meaning: the Bible furnished not only 1 John E. Neale, Queen Elizabeth (London: J. Cape, 1938. New York: Ballantine Books, 1956). Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.

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Participating in a corrective movement which seeks to reinstate a religious and theological dimension in criticism of Elizabethan culture and of canonical literary texts, this dissertation explores 16th-century reception of two particularly provocative scriptural narratives, the Jacob-Esau saga in G
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