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The effects of vibroacoustic therapy on clinical and non-clinical populations PDF

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T HE EF FECT S O F VI BRO ACO USTI C THERAPY O N CLI NI CAL AND NO N-CLINI CAL POPULAT I O NS ANTHONY LEWIS WIGRAM THESIS SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY ST. GEORGES HOSPITAL MEDICAL SCHOOL LONDON UNIVERSITY 1 A BSTRAC T Vibroacoustic and vibrotactile devices that transmit sound as vibration to the body have developed over the last 15 years, and have been reported anecdotally to produce relaxation and reductions in muscle tone, blood pressure and heart rate. Vibroacoustic (VA) therapy is used in clinical treatment and involves a stimulus that is a combination of sedative music and pulsed, sinusoidal low frequency tones between 20Hz and 70Hz, played through a bed or chair containing large speakers. There is limited evidence to support the efficacy of VA therapy in the clinical situations in which it is used. The studies in this thesis investigated the clinical effect of VA therapy, and the effect of elements of the stimulus on non-clinical subjects. A study on 10 multiply handicapped adults with high muscle tone and spasm compared the effect of eight trials of VA therapy with a similar number of trials of relaxing music. A significantly greater range of movement was recorded after VA therapy than relaxing music. No significant difference was found in changes in blood pressure or heart rate. Comparing the effect of VA therapy with music and movement-based physiotherapy (MMBP) and relaxing music alone on 27 subjects with high muscle tone and spasticity revealed no significant difference in range of movement between VA therapy and MMBP, but a significant difference comparing the combined results of MMBP and VA therapy with relaxing music alone. Additional trials found significant differences between VA therapy and music alone. 2 A study on non-clinical subjects (n=39), and a second study (n=52) measured perceived location of bodily vibrations in response to sinusoidal tones between 20Hz and 70Hz through a VA bed. Reports indicated some that frequencies caused sensations of resonant vibration consistently in the same places in the body. A second study on non-clinical subjects (n=60) in three groups found that VA therapy had a significantly greater effect in reducing arousal when compared with relaxing music, and a control, and heart rate when VA therapy was compared with a control. No significant differences were found between the groups in changes in blood pressure. A third study (n=60) found no significant differences between four groups when evaluating the effect of varying rate of amplitude modulation of a 40Hz sinusoidal tone and a constant tone. These studies have clarified the efficacy of VA therapy as an intervention for clinical populations, and the effect of the stimulus on normal subjects. Questions remain about the nature of the stimulus that is used, and its effect on behaviour. 3 A CKNOWLEDGEMENT S I would like to acknowledge the contribution many people have made both towards the research field in which I have chosen to work and also to the work undertaken for this thesis and the preparation of this dissertation. Firstly, I would like to thank Rektor Olav Skille, who has inspired me since 1985 with his pioneering work in the field of vibroacoustics. He made it possible for me to begin clinically working with this equipment, and has been supportive and helpful in so many ways. Secondly, I would like to thank Dr Robert West, my Supervisor. He has been very helpful and supportive, as well as guiding me through the complex process of undertaking new research. He also made it possible for me to study at London University, helped me through a qualifying degree in psychology, and has taken a great interest in the whole field. I would like to acknowledge the support of Horizon NHS Trust who made some financial contribution towards my fees and have allowed me a great deal of flexibility in both developing the clinical application of the VA therapy and also allowing me the research time necessary to undertake studies and to write. In particular, the support of Mr Tom Freeman, the Chief Executive, and Ms Jane Hine, General Manager, New Services Division, was crucial in allowing me to work on this research. 4 I would like to acknowledge the support and consistent help of Dr Barbara Kugler, Director of the Harper House Children's Service. She has supported me through study for the qualifying degree in psychology and allowed me the time necessary to undertake the research and write the thesis. I particularly want to draw attention in an acknowledgement to my colleagues in the Vibroacoustic Therapy Unit at Harperbury Hospital. Mrs Jenny McNaught and Mrs June Cain came to work in the Department and helped me with the research, and also particularly to develop the clinical service of vibroacoustic therapy which is now an established part of the Horizon Trust Services. They have been very supportive and helpful in working with me with some of the more difficult patients in the trials. Gina Basi, an American student gave valuable assistance with trials. I would like to acknowledge the support of colleagues internationally who have assisted me by stimulating and broadening my own perspective and enhancing this thesis: Dr Cheryl Maranto, Dr Kenneth Bruscia, Dr Bruce Saperston, Mrs Penny Rogers, Dr David Aldridge, Dr Kris Chesky, Dr Don Michel, Mr Petri Lehikoinen, Mr Raul Vatsar. I want to acknowledge particularly the friendship, support, professional collaboration and enthusiasm of Mrs Lyn Weekes - Head 2 Physiotherapist, Horizon 5 NHS Trust. We have worked together on many of the clinical developments and vibroacoustic therapy at Harperbury Hospital since 1987. Financial support enabling me to develop vibroacoustic therapy research and the clinical service has been generously provided by the Spastics Society, the Oak Tree Trust, the Platinum Trust and a personal fund raising effort in memory of Humphrey Mews by Mrs Anna Clemence-Mews. Finally, I want to say a very special thank you and acknowledgement to my wife and family, who have stood by me all through the period of time I was studying for the qualifying degree in psychology, trying to research at the same time, and trying to hold a full time job in Harperbury Hospital. Jenny, Robert, Michael and David have always been a strong foundation on which I have been able to undertake this research, and without them, it would not have been possible. I dedicate this work to all my patients. 6 TABLE OF CONTENTS TITLE PAGE ABSTRACT ACKNOWLEDGMENTS AND DEDICATION TABLE OF CONTENTS LIST OF TABLES FIGURES C H APTER ONE M U SIC THERAPY AND MUSIC IN MEDICIN E 1.1 ORIGIN OF STUDY 1.2 MUSIC THERAPY 1.3 MUSIC AND MEDICINE 1.4 OVERVIEW OF THESIS C H APTER TWO E F FECTS OF MUSIC, VIBRATION AND INFRASOUN D 2.1 PHYSIOLOGICAL RESPONSES TO MUSIC 2.2 RESEARCH IN VIBRATION 2.3 INFRASOUND AND LOW FREQUENCY SOUND 7 2.4 THE EFFECT OF INFRASOUND ON HUMANS 2.5 MUSIC AS VIBRATION C H APTER THREE T H E DEVELOPMENT OF VIBROACOUSTIC AND V I BROTACTILE THERAP Y 3.1 ORIGINS 3.2 HISTORICAL DEVELOPMENT 3.3 CURRENT APPLICATIONS: 3.3.1 Pain disorders 3.3.2 Muscular conditions 3.3.3 Pulmonary disorders 3.3.4 General physical ailments 3.3.5 Psychological disorders 3.4 TREATMENT PROCEDURE 3.5 CONTRA-INDICATIONS 3.6 CONCLUSION C H APTER FOUR T H E EFFECT OF VIBROACOUSTIC ( V A) THERAPY ON MULTIPLY HANDICAPPED ADULTS W I TH HIGH MUSCLE TONE AND SPASTICIT Y 4.1 INTRODUCTION: 8 4.1.1. Whole Body Vibration 4.1.2. Low Frequency Vibration 4.1.3. Cerebral Palsy and Spasticity 4.2 EXPERIMENTAL HYPOTHESIS 4.3 METHOD: 4.3.1 Overview 4.3.2 Subjects 4.3.3 Material 4.3.4 Measures 4.3.5 Procedure 4.4 RESULTS 4.5 DISCUSSION C H APTER FIVE T H E EFFECT OF VIBROACOUSTIC (VA) THERAPY COMPARED W I TH MUSIC AND MOVEMENT-BASED PHYSIOTHERAPY ON M U LTIPLY HANDICAPPED PATIENTS WITH HIGH MUSCLE T O NE AND SPASTICITY . 5.1 INTRODUCTION 5.2 EXPERIMENTAL HYPOTHESIS 5.3 METHODS 5.3.1 Overview 9 5.3.2 Subjects 5.3.3 Materials 5.3.4 Measures 5.3.5 Procedure 5.4 RESULTS 5.5 DISCUSSION C H APTER SIX T W O EXPERIMENTS TO EVALUATE THE SENSATION O F VIBRATION FROM LOW FREQUENCY TONES IN THE HUMAN BODY . 6.1 INTRODUCTION 6.2 E X PERIMENT ONE : Experimental Hypothesis 6.3 EXPERIMENT 1: METHODS - 6.3.1 Overview 6.3.2 Subjects 6.3.3 Materials 6.3.4 Measures 6.3.5 Procedure 6.4 EXPERIMENT ONE: RESULTS 6.5 EXPERIMENT ONE: DISCUSSION 10

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