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182 Pages·2019·1.517 MB·English
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The Dynamics of Rhetorical Performances in Late Antiquity This book argues that narrations of rhetorical performances in late antique literature can be interpreted as a reflection of the ongoing debates of the time. Competition among cultural elites, strategies of self-presentation and the making of religious orthodoxy often took the shape of narrations of rhetorical performances in which comments on the display of oratorical skills also incorporated moral and ethical judgments about the performer. Using texts from late antique authors (in particular, Themistius, Synesius of Cyrene and Libanius of Antioch), this book proposes that this type of narrative should be understood as a valuable way to decipher the cultural and religious landscape of the fourth century AD. The volume pays particular attention to narrations of deficient rhetorical deliveries, arguing that the accounts of flaws and mistakes in oratorical displays and rhetorical performances reveal how late antique literature echoed the concerns of the time. Criticisms of deficient deliveries in different speaking occasions (declamations, public speeches, oratorical agones, school exercises, sermons) were often disguised as accusations of practicing magic, heresy or cultural apostasy. A close reading of the sources shows that these oratorical deficiencies hid struggles over religious, cultural and political issues. Alberto J. Quiroga Puertas (Ph.D. 2006) is Lecturer in the Department of Ancient Greek at the University of Granada, Spain. He has been an Honorary Research Fellow at the School of Archaeology, Classics and Egyptology at the University of Liverpool, UK (2006–2009), and was fellow at the Center for Hellenic Studies in Washington, D.C., US (2014– 2015). His main research interests include Greek Imperial literature and the impact of rhetoric in the creation of cultural and religious identities in Late Antiquity. He has edited the volumes The Purpose of Rhetoric in Late Antiquity: From Performance to Exegesis (2013) and Rhetorical Strategies in Late Antique Literature: Images, Metatexts, and Interpretation (2017). The Dynamics of Rhetorical Performances in Late Antiquity Alberto J. Quiroga Puertas First published 2019 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN and by Routledge 711 Third Avenue, New York, NY 10017 Routledge is an imprint of the Taylor & Francis Group, an informa business © 2019 Alberto J. Quiroga Puertas The right of Alberto J. Quiroga Puertas to be identified as author of this work has been asserted by him in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging-in-Publication Data Names: Quiroga Puertas, Alberto J., 1978– author. Title: The dynamics of rhetorical performances in late antiquity / Alberto J. Quiroga Puertas. Description: Abingdon, Oxon : Routledge, 2018. | Includes index. Identifiers: LCCN 2018028644 | ISBN 9781472474599 (hardback : alk. paper) | ISBN 9781315615776 (e-book) Subjects: LCSH: Rhetoric, Ancient. | Performance in literature. | Rhetorical criticism—Rome. | Libanius—Criticism and interpretation. Classification: LCC PA6085 .Q57 2018 | DDC 808.5/109—dc23 LC record available at https://lccn.loc.gov/2018028644 ISBN: 978-1-4724-7459-9 (hbk) ISBN: 978-1-315-61577-6 (ebk) Typeset in Times New Roman by Apex CoVantage, LLC Contents Acknowledgments vi Abbreviations viii Introduction 1 1 Theory and practice of rhetorical performance from Classical Antiquity to Imperial times 19 Literature review 19 Theoretical approaches to rhetorical performance in Antiquity 21 Narrations of rhetorical performances in Greco-Roman literature 33 2 Charlatans, philosophers and Philostratean bishops in late antique literature 57 Philosophers, belletrists and charlatans 60 Philostratean bishops 72 3 All the world’s a stage: Libanius’ life as a rhetorical performance 89 Literature review 89 Becoming a sophist 91 A performable life. The narrations of rhetorical performances in Libanius’ Autobiography 102 A star is born 107 Homecoming 127 4 Conclusions 160 Index 165 Acknowledgments The main author studied in this book is the sophist Libanius of Antioch. Throughout his works he credited the goddess Τυχή, frequently trans- lated as Fortune, for the enjoyment of many eventful moments of his life. Whether it is due to a number of years dedicated to the study of the sophist’s works, or to a process of religious osmosis, I can unhesitat- ingly say that I would not be guilty of hubris if I also boasted of having received Τυχή’s favors in many, many respects. But first things first. From an institutional point of view, I am legally bound to state that part of the research carried out for this book was possible thanks to a “Ramón y Cajal” fellowship granted by the Spanish Ministry of Econ- omy and Competitiveness. Period. This is not the place for a political manifesto or to voice my opinion about the systematic policy of under- funding of the Sciences and (what is left of) the Humanities in Spain. I was fortunate to obtain this fellowship, but a great number of worthy colleagues have found themselves in very difficult situations because of senseless and self-interested financial cuts. On a brighter note, I would like to thank the institution where I work, the Ancient Greek Department of the University of Granada, for mak- ing it easy to undertake the research trips during which this book has been created. I wish to record here that partial versions of this book were presented in seminars held at The Catholic University of America, The University of California, San Diego and the University of Sala- manca. I am very grateful to these universities for letting me present provisional results of my research. Two institutions from the University of Oxford (The Corpus Christi College Centre for the Study of Greek and Roman Antiquity, and the Oxford Centre for Late Antiquity) have generously granted me access to the Sackler and Bodleian libraries, for which I am extremely grateful. When it comes to professional and personal acknowledgments, I must begin with a caveat: forgetfulness, and not ingratitude, must be Acknowledgments vii held accountable for the absence of the names of people whose assis- tance is not recorded here. The blame for this should be put on Τυχή, as she has worked wonders by making the list of people that I should thank incredibly long. Therefore, restraint here is in order lest I end up writing an autobiographical account à la Libanius. Having eased my conscience, I would like to thank a number of friends and colleagues that have been kind enough to read and provide insightful comments on the manuscript of this book. Danny Evans and Bryson Sewell have not only taken care of polishing my unpalatable English by correcting it to meet academic standards but have also given me very valuable feed- back on the contents of the book. A particular debt of gratitude is owed to Alex Petkas, whose acumen and suggestions have much improved the final draft. Over the years that this project has been in progress con- versations and email correspondence with other colleagues and friends have made an incredibly positive impact on the arguments of this book: José María Camacho Rojo (†), Javier Campos Daroca, Raffaella Cribiore, José Fernández Ubiña, Ryan Fowler, Pedro Pablo Fuentes González, Lorena Jiménez Justicia, Concepción López Rodríguez, Laura Miguélez-Cavero, Lorenzo Miletti, Isabel Moreno, Liz Potter, Alberto Rigolio, Philip Rousseau, Lieve Van Hoof, Peter Van Nuffelen, Carlo Vessella, Edward Watts and the anonymous referees who read the manuscript of the book. They are, of course, entirely blameless for the errors and mistakes that I may have made. Special thanks are due to my editor, Michael Greenwood. His patience, encouragement and under- standing are very much appreciated. The help and support of my fam- ily throughout these years has been continuous. Together with them, friends must be credited with the type of help that goes way beyond the realm of academia. Apart from researching, in Oxford I have benefitted over the years from the friendship of the “Combibos-NOOC Commu- nity”: the Atienza-Cavero family, Francisco Bosch, Raúl Baeza, Lucía Díaz-Iglesias, Iñaki Izarra and Leire Olabarria. Given that all the ways that come to my mind to express my feelings for them would read as a cheap sentence from a self-help book or an over-sentimental line from a wedding speech, I will honor their friendship by remaining silent. Likewise, I feel incapable of putting into words my enormous debt of gratitude to Angie. Suffice it to say here that this book is dedicated to her for teaching me and initiating me in the most secret, exclusive and unparalleled joys of Pilinguilism. Abbreviations The abbreviations of the names and works of the ancient authors used in this book follow those of the LSJ. When the name of an author is not listed there, I have used modern scholarly conventions to refer to his name and works. L&S C.T. Lewis and C. Short, A Latin Dictionary, Oxford: Claren- don Press, 1984. LSJ9 H.G. Liddell, R. Scott, and H.S. Jones, A Greek-English Lex- icon, Oxford: Clarendon Press, 1996. PLRE A.H.M. Jones, J.R. Martindale, and J. Morris, The Prosopog- raphy of the later Roman Empire, 3 vols., Cambridge: Cam- bridge University Press, 1971–1992. Libanius’ orations, declamations and progymnasmata have been quoted following R. Foester’s edition: Libanii Opera, 12 vols., Leipzig: Teu- bner, 1903–1927. Translations of Libanius’ orations have been taken from the following: Or. 1: A.F. Norman, Autobiography and selected letters, 2 vols., Cambridge (MA)-London: Harvard University Press, 1992. Ors. 2, 19: A.F. Norman, Selected Orations. Volume II: 2, 19–23, 30, 33, 45, 47–50, Cambridge (MA)-London: Harvard University Press, 1977. Or. 13: A.F. Norman, Selected Orations. Volume I: Julianic ora- tions, Cambridge (MA)-London: Harvard University Press, 1969. Ors. 3, 11, 31, 62, 36: A.F. Norman, Antioch as a centre of Hellenic culture as observed by Libanius, Liverpool: Liverpool University Press, 2000. Ors. 35, 38, 55: R. Cribiore, Between city and school: selected ora- tions of Libanius, Liverpool: Liverpool University Press, 2015. Abbreviations ix The number and the letter in the references to the sophist’s epistles reflect their order in the translation of the following scholars: B S. Bradbury, Selected letters of Libanius: from the age of Constantius and Julian, Liverpool: Liverpool University Press, 2004. C R. Cribiore, The School of Libanius in Late Antique Antioch, Princeton: Princeton University Press, 2007. F R. Foester, Libanii Opera, 12 vols., Leipzig: Teubner, 1903–1927. N A.F. Norman, Autobiography and selected letters, 2 vols., Cambridge (MA)-London: Harvard University Press, 1992.

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