The Devil's Right Hand PDF
Preview The Devil's Right Hand
The critically-acclaimed debut novel by J.D. Rhoades, and the introduction of iconic bounty hunter Jack Keller. Keller is a man tormented by the nightmares he's had ever since a disastrous tour in Desert Storm. Destroyed by his experience, Keller now makes his living tracking bailjumpers for H&H, a North Carolina bail bonds company run by a reclusive, beautiful, and horribly scarred woman named Angela. In truth, Keller doesn't work bail enforcement to live, he lives to work: the only thing that breaks through the numbness is the thrill of the hunt, the sound of gunfire, the high that comes with each successful takedown.
When H&H is required to track down a lifelong loser for jumping bail on a routine burglary collar, Keller has no idea how gravely events are about to spiral out of his control. He chases his quarry straight into the center of a firestorm involving a pair of local Indians blinded by rage and hell-bent to avenge their father's murder. Along the way they encounter a vicious North Carolina cop with a mean streak and very few moral boundaries. Not to mention the cop's beautiful partner Marie, caught between a newfound desire for the just-on-the-edge-of-the-law Jack Keller and her loyalty to a police department with a serious ethics problem.
These people, each hurtling forward on their own individual trajectories of self-destruction, begin to intersect each other's lives in a series of volatile, escalating, and deadly events. Furiously paced and filled with unforgettable, masterfully drawn characters destined to meet in a bloody showdown which most of them will not survive, The Devil's Right Hand is a stylish, razor-edged debut novel that redefines the rules of the Southern thriller.
From Publishers WeeklyLoaded with testosterone and high-caliber weapons, Rhoades's hard-boiled debut lurches from one bloody gun battle to another in the streets and back alleys of Fayetteville, N.C., as a bounty hunter finds himself drawing highly unwelcome attention. When dim-witted cousins DeWayne and Leonard kill an old Lumbee Indian during their first armed robbery, they get a load of trouble along with the cash. Raymond, one of the victim's sons and a vicious local crime boss, vows to kill everyone involved with his father's death. Caught in between is Jack Keller, a bail bondsman's enforcer; he's after DeWayne for skipping out on his breaking and entering bail. A Gulf War veteran tormented by guilt over the deaths of his squad members in a friendly fire incident, Jack must now deal with the two armed robbers, crazed Raymond and his gang of assorted Colombian gunmen, and sadistic cops who mistakenly think he's the cause of all the mayhem. Resourceful and determined, Jack happily lays out a few bad guys himself, but he's annoyed that everybody wants to kill him, too. He is arrested, beaten up, shot at and pursued, making miraculous escapes each time in the best pulp fiction tradition. Add spectacular car chases, kidnapping, torture, carjacking, a dozen killings and lukewarm sex scenes, and this gritty novel has everything it needs except for suspense, mystery and likable characters.
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Starred Review Rhoades slaps this supercharged crime-fiction debut into overdrive in the first paragraph and never lets up through nearly 300 pages of nonstop action. It starts with a simple armed robbery in which two dumb and dumber ex-cons, Leonard and DeWayne, set out to steal the weekly payroll from an elderly Native American who owns a construction company. It quickly goes wrong, however, and the owner is killed. Meanwhile, bounty hunter Jack Keller, a Gulf War vet with a head full of nightmares, is already tracking bail-jumper DeWayne. He'll have to hurry, though, if he hopes to find his quarry before the dead man's son, a drug dealer who is every bit as violent and considerably crazier than the killers he tracks. Throw in a couple of psycho cops with a thing about bounty hunters, and you have the narrative equivalent of a string of homemade bombs timed to explode at random along the Arkansas back roads. Like Stephen Hunter's Dirty White Boys, however, this is not simply a car-chase-with-fireworks novel; Rhoades builds his rampaging white boys from the ground up, complete with believable backstory and humanizing shots of Pulp Fiction-like humor. Keller is a definite keeper, the kind of flawed noir hero that women want to nurse, cops want to bust, and bad guys want to hurt. There's a formula at work here, of course, but Rhoades never gives us time to feel manipulated. More Keller, please, and soon. Bill Ott
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