T C P HE OMPLETE OEMS OF A. R. A MMONS VOLUME 1 1955–1977 Edited by Robert M. West Introduction by Helen Vendler Adjusting type size may change line breaks. Landscape mode may help to preserve line breaks. CONTENTS PREFACE INTRODUCTION by Helen Vendler Finishing Up O D (1955) MMATEUM WITH OXOLOGY So I Said I Am Ezra The Sap Is Gone Out of the Trees In Strasbourg in 1349 I Broke a Sheaf of Light Some Months Ago I Went Out to the Sun At Dawn in 1098 The Whaleboat Struck Turning a Moment to Say So Long Turning Dying in a Mirthful Place When Rahman Rides With Ropes of Hemp My Dice Are Crystal Having Been Interstellar Coming to Sumer I Assume the World Is Curious About Me I Struck a Diminished Seventh Gilgamesh Was Very Lascivious When I Set Fire to the Reed Patch The Grass Miracles I Came in a Dark Woods Upon A Treeful of Cleavage Flared Branching [Behind the I] One Composing In the Wind My Rescue Is [I should have stayed longer idle] A Crippled Angel Dropping Eyelids Among the Aerial Ash I Came Upon a Plateau Doxology E S L (1964) XPRESSIONS OF EA EVEL Raft Hymn (“I know if I find you I will have to leave the earth . . .”) Risks and Possibilities Terrain Nelly Myers Bridge Requiem Guide Expressions of Sea Level Unsaid Mechanism Batsto Mansion Close-Up Mountain Liar Prospecting Jersey Cedars Hardweed Path Going Bourn Grassy Sound Silver Concentrations River Motion for Motion Identity What This Mode of Motion Said Still The Golden Mean Nucleus C I (1965) ORSONS NLET Visit Moment Winter Scene Corsons Inlet Dunes Street Song Lines Coon Song Portrait Jungle Knot Dark Song Resort Upright Catalyst Loss World Butterflyweed Configurations Glass Morning Glory The Strait Spindle The Yucca Moth Anxiety Four Motions for the Pea Vines Hymn II (“So when the year had come full round . . .”) Hymn III (“In the hour of extreme // importance . . .”) Open Epiphany Prodigal Motion The Misfit The Watch Libation The Wide Land Thaw Whose Timeless Reach Ritual for Eating the World Driving Through March Song Gravelly Run T T Y (1965) APE FOR THE URN OF THE EAR 6 Dec: (“today I decided to write a long thin poem . . .”) 7 Dec: (“today / I feel a bit different . . .”) 8 Dec: (“the way I could tell / today / that yesterday is dead . . .”) 9 Dec: (“sunny again: // last night a plane . . .”) 10 Dec: (“sunshine & shade / alternate at 32 . . .”) 11 Dec: (“they changed the forecast / today . . .”) 12 Dec: (“clouds came in soon after / dark last night . . .”) 13 Dec: (“my book came today, Friday / the 13th . . .”) 14 Dec: (“today came in an opposite way / of rain turning into snow . . .”) 15 Dec: (“my poem went for a ride / today . . .”) 16 Dec: (“first I heard on the radio this morning it was / 19 degrees . . .”) 17 Dec: (“Sisyphus / struggling with his immortal / rock . . .”) 18 Dec: (“today / broke as if under water . . .”) 19 Dec: (“this ole world could be / one . . .”) 20 Dec: (“today is cold: hit / ten last night: and it not winter yet . . .”) 21 Dec: (“the jay was out before sunrise wheeling & dealing . . .”) 22 Dec: (“we lost our mule Kate in the fall to a chattel mortgage . . .”) 23 Dec: (“I was thinking when I woke / up . . .”) 26 Dec: (“today is bright, warm . . .”) 27 Dec: (“today is / cloudy / in several ways . . .”) 28 Dec: (“today / is dim / again . . .”) 30 Dec: (“today is 19 & / sunny . . .”) 31 Dec: (“today the dry burn in my nose of a cold coming on . . .”) 1 Jan: (“raining: at the borderline & promise / of snow . . .”) 2 Jan: (“today / feels above freezing & is / sunshiny . . .”) 3 Jan: (“today is warm & sunny: / may go up to 50 . . .”) 4 Jan: (“3:20 pm: today is near- / ly shot aready . . .”) 5 Jan: (“today is sunny & it may / be warm again . . .”) 6 Jan: (“today is splennid again . . .”) 7 Jan: (“today is rainy . . .”) 8 Jan: (“today is sunny & warming . . .”) 9 Jan: (“today ben / der clouds . . .”) 10 Jan: (“today is windy as March / & sunny . . .”) N P (1966) ORTHFIELD OEMS Kind Height Joshua Tree Reflective Landscape with Figures The Constant Contingency One:Many Halfway Interference Saliences Trap The Foot-Washing Recovery Two Motions Composing Ithaca, N.Y. Consignee February Beach Self-Portrait Passage Peak Zone Muse Sitting Down, Looking Up Belief Song Orientale Mays Landing Sphere First Carolina Said-Song Second Carolina Said-Song Discoverer A Symmetry of Thought Holding On Uh, Philosophy The Numbers Empty Unbroken Fall The Wind Coming Down From Interval Way to Go U (1970) PLANDS Snow Log Upland Periphery Clarity Classic Conserving the Magnitude of Uselessness If Anything Will Level with You Water Will The Unifying Principle Runoff Transaction Then One Further On Hope’s Okay Life in the Boondocks Spiel Guitar Recitativos Laser Virtu Choice Body Politic Apologia pro Vita Sua Offset Mountain Talk Impulse
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