The Colony of Unrequited Dreams PDF
Preview The Colony of Unrequited Dreams
The Colony of Unrequited Dreams, a Canadian bestseller, is a novel about Newfoundland that centres on the story of Joe Smallwood, the true-life controversial political figure who ushered the island through confederation with Canada and became its first premier.
Narrated from Smallwood's perspective, it voices a deep longing on the part of the Newfoundlander to do something significant, “commensurate with the greatness of the land itself.” Smallwood’s chronicle of his development from poor schoolboy to Father of the Confederation is a story full of epic journeys and thwarted loves, travelling from the ice floes of the seal hunt to New York City, in a style reminiscent at times of John Irving, Robertson Davies and Charles Dickens. Absorbing and entertaining, The Colony of Unrequited Dreams provides us with a deep perspective on the relationship between private lives and what comes to be understood as history and shows, as E. Annie Proulx commented, “Wayne Johnston is a brilliant and accomplished writer.”
The New York Times said, “this prodigious, eventful, character-rich book is a noteworthy achievement: a biting, entertaining and inventive saga.... a brilliant and bravura literary performance.”
In 1949, Joseph Smallwood became the first premier of the newly federated Canadian province of Newfoundland. Predictably, and almost immediately, his name retreated to the footnotes of history. And yet, as Wayne Johnston makes plain in his epic and affectionate fifth novel, The Colony of Unrequited Dreams, Smallwood's life was endearingly emblematic, an instance of an extraordinary man emerging at a propitious moment. The particular charm of Johnston's book, however, lies not merely in unveiling a career that so seamlessly coincided with the burgeoning self-consciousness of Newfoundland itself, but in exposing a simple truth--namely, that history is no more than the accretion of lived lives.
Born into debilitating poverty, Smallwood is sustained by a bottomless faith in his own industry. His unabashed ambition is to "rise not from rags to riches, but from obscurity to world renown." To this end, he undertakes tasks both sublime and baffling--walking 700 miles along a Newfoundland railroad line in a self-martyring union drive; narrating a homespun radio spot; and endlessly irritating and ingratiating himself with the Newfoundland political machine. His opaque and constant incitement is an unconsummated love for his childhood friend, Sheilagh Fielding. Headstrong and dissolute, she weaves in and out of Smallwood's life like a salaried goad, alternately frustrating and illuminating his ambitions. Smallwood is harried as well by Newfoundland's subtle gravity, a sense that he can never escape the tug of his native land, since his only certainty is the island itself--that "massive assertion of land, sea's end, the outer limit of all the water in the world, a great, looming, sky-obliterating chunk of rock."
The Colony of Unrequited Dreams bogs down after a time in its detailing of Smallwood's many political intrigues and in the lingering matter of a mysterious letter supposedly written by Fielding. However, when he speculates on the secret motives of his peers, or when he reveals his own hyperbolic fantasies and grandiose hopes--matters no one would ever confess aloud--the novel is both apt and amiable. Best of all is to watch Smallwood's inevitable progress toward a practical cynicism. It seems nothing less than miraculous that his countless disappointments pave the way for his ascension, that his private travails ultimately align with the land he loves. This is history resuscitated. --Ben Guterson
From Publishers Weekly"As lived our fathers, we live not,/Where once they knelt, we stand./With neither God nor King to guard our lot, We'll guard thee, Newfoundland": so rings the resigned, ironic patriotism practiced by the inhabitants of the bitter-cold northerly territory in Johnston's (Human Amusements) grand and operatic novel, a bestseller and literary prize nominee in Canada. Treating the history of Newfoundland as a bad jokeAwhose punch line is finally delivered on April 1, 1949, when the in-limbo British territory joins in confederation with CanadaAJohnston's most compelling character (in a book that teems with eccentrics, drunks, swindlers and snobs), Sheilagh Fielding, writes a condensed version of the classic History of Newfoundland. The terse and mordant chapters of this masterwork, to which she devotes all her energies (when not scribbling furiously in her epistolary diary or eking out the columns of her daily political satire, "Field Day") are interleaved in the narrative to great effect. The bulk of the book comprises the autobiographical musings of historical figure Joe Smallwood, whose rise through local socialist activism to international political eminence culminates in his orchestration of the treaty with Canada. It is dwarf-sized Smallwood's tireless ambition, as well as his crippling romantic insecurity, that keep him forever at arm's length from his childhood love and best friend Fielding. In their hometown of St. John's, in Manhattan's downtown tenements, in the desolate railroad man's cabin where Fielding holes up with a typewriter and a bottle of Scotch, Smallwood and Fielding torment and intrigue one another, each harboring the shame and fury of a secret from their school days that has gone unresolved. In a book of this magnitude and inventivenessAsome of Fielding's quips are hilarious, and Johnston proves himself cunning at manipulating and animating historical factAit is perhaps the device of this lifelong secret that most tests the reader's faith: that full disclosure resolves all the complicated mysteries of this book is slightly disappointing. Nonetheless, the variety provided by Fielding's writings is delightful, and this brilliantly clever evocation of a slice of Canadian history establishes Johnston as a writer of vast abilities and appeal. BOMC and QPB selections; author tour. (July) FYI: Johnston's comic novel, The Divine Ryans (not published in the U.S.), will be released by Anchor in August to coincide with the film version, starring Pete Postlethwaite.
Copyright 1999 Reed Business Information, Inc.
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