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CLASSICAL ARCHAEOLOGY OF GREECE EXPERIENCE OF ARCHAEOLOGY Series Editor: Andrew Wheatcroft The Archaeology of the Arabian Gulf Michael Rice The Near East Archaeology in the cradle of civilization Charles Keith Maisels CLASSICAL ARCHAEOLOGY OF GREECE Experiences of the discipline Michael Shanks London and New York First published 1996 by Routledge 11 New Fetter Lane, London EC4P 4EE This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 First published in paperback 1997 © 1996 Michael Shanks All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication Data Shanks, Michael. Classical archaeology of Greece: experiences of the discipline/Michael Shanks. p. cm. —(The experience of archaeology) Includes bibliographical references and index. 1. Excavations (Archaeology)—Greece—History. 2. Greece— Civilization—To 146 BC 3. Greece—Antiquities. 4. Archaeology— Greece—Methodology. I. Title. II. Series. DF78.S534 1996 938–dc20 95–9085 ISBN 0-203-17197-7 Master e-book ISBN ISBN 0-203-26503-3 (Adobe eReader Format) ISBN 0-415-08521-7 (hbk) ISBN 0-415-17205-5 (pbk) CONTENTS List of figures viii Acknowledgements xi AN INTRODUCTION 1 1 A SEARCH FOR SOURCES 8 2 CITIES AND SANCTUARIES, ART AND ARCHAEOLOGY: 21 ROOTS IN THE PAST A history of pottery studies 21 Typology and classification 24 Art and judgements of style 25 Pottery and the connoisseurs 29 Interlude: Sherlock Holmes, the doctor Watson and John Beazley 36 Iconographers and iconologists 40 Imperial collections and the big digs 42 Ancient history, the historical event and descriptive narrative 48 Concluding remarks 51 3 GREEK MYTHS AND METANARRATIVES: FROM 52 WINCKELMANN TO BERNAL Collectors and antiquarians 52 Travellers 54 Johann Joachim Winckelmann and Greek art 55 Constituting the art object 57 Vickers and Gill and the critique of ceramic art 58 Taste and the Greek 64 German academics and the idealisation of Greece 66 vi Classicism, Romanticism and neo-Classicism 67 Tourism 73 Modern Greeks into the past 78 Hellenism and cultural politics 80 Anthropology and European origins 80 Orientalism and Bernal’s critique of the constitution of the Greek 85 Concluding points 90 4 SCHOLARSHIP AND DISCOURSE 91 Introduction 91 Types of text 92 Communities and institutions 96 Mavericks 98 Discourse 102 Interlude: Classical rhetoric—a theory of discourse 103 lan Morris and ‘Postmodernist Classical Archaeology’ 106 Technologies of cultural production: rhetoric, winning friends and 110 trust The writing of history 115 Concluding remarks 116 5 RUDIMENTS OF A SOCIAL ARCHAEOLOGY 118 The sources 118 Ideologies of archaeology 122 Commentary and critique: objects and the character of archaeological 122 interpretation The need for a social archaeology of Classical Greece 127 Approaches to social archaeology 127 Pottery and social context 128 The Snodgrass school of Iron Age studies 130 Processual Classical archaeology: some summary points 141 The category of the decorative: on meaning and material culture 143 vii John Berger, Peter Fuller and lessons of idealist art history 148 Understanding the archaeological and a prehistory of the classical 152 past 6 SOME TOPICS AND ISSUES IN A SOCIAL ARCHAEOLOGY 154 OF CLASSICAL GREECE Chronology and time 154 Economic prehistory/archaeology 157 Social connections 157 Understanding style 161 Religion and ritual 163 Space, survey and landscape 163 Concluding remarks 166 7 ARCHAEOLOGY, CLASSICS AND CONTEMPORARY 167 CULTURE Nietzsche and the Classics 171 Nietzsche and effective history 175 Archaeological roles: vital histories for the present 176 Actuality: the time of archaeology 177 Classical heritage and consuming interests 178 Select bibliography and suggested further reading 181 Index 194 LIST OF FIGURES 1.1 The Potters’ Quarter, Korinth 9 1.2 Korinth from Akrokorinthos. Nineteenth-century engraving. 10 (Courtesy of the Museum of Classical Archaeology, Cambridge) 1.3 Temple of Apollo, Korinth, with the North Market in the 12 foreground 1.4 The panoptic gaze and a view from Akrokorinthos. The ancient 17 city is in the middle distance 2.1a Protokorinthian aryballos in the Museum of Fine Arts, Boston. 22 (Source: K.F.Johansen, Les Vases Sicyoniens. Paris: Champion, 1923) 2.1b Detail of Figure 2.1a 22 2.2 The connoisseur’s choice: painters and workshops of 30 Protokorinthian. (Source: based on T.Dunbabin and M. Robertson. ‘Some Protokorinthian vase painters’, Annual of the British School at Athens 48 (1953):172–81) 2.3 Figures from pots by the so-called ‘Ajax painter’ 32 2.4 Baron von Stackelberg. Der Apollotempel zu Bassae in Arcadien 43 [The Temple of Apollo at Bassae in Arcadia]. Rome and Frankfurt am Main 1826. Plate 9 2.5 Aegina. Pedimental sculpture. Von Klenze’s Glyptothek, Munich 44 2.6 Korinth in the snow, before the excavations. (Courtesy of the 46 Museum of Classical Archaeology, Cambridge) 2.7 The Stoa of Attalos, Athens. Rebuilt with American money, mid- 48 twentieth century 2.8 Stuart and Revett. The Antiquities of Athensy Volume 3. London 49 1787. Chapter 6, Plate 1. Korinth 3.1 William Blake’s Laocoön 56 3.2 Part of Sir William Hamilton’s second collection, published with 60 Tischbein in Naples, 1791 3.3 Stuart and Revett. The Antiquities of Athens, Volume 2. London 64 1787. Chapter 1, Plate 1. The Parthenon 3.4 Stuart and Revett. The Antiquities of Athens, Volume 2. London 65 1787. Chapter 2, Plate 17. Drawing of Erechtheion, detail 3.5 Plaster casts in the old Museum of Classical Archaeology, 70 Cambridge, 1977. Now the library of Peterhouse ix 3.6 Raphael’s frescoes in the Stanza della Segnatura 1508/9–12. The 70 encompassment of Classicism 3.7 Robert Sayer. Ruins of Athens. London 1759. Plate 10. Temple of 71 the Winds, Athens and the Temple of Korinth 3.8 Baron von Stackelberg. Der Apollotempel zu Bassae in Arcadien. 71 Rome and Frankfurt am Main 1826. Plate 2. View of the Temple 3.9 The stadium in Fritz Lang’s Metropolis 74 3.10 Sounion, Greece. Nineteenth-century engraving. (Courtesy of the 74 Museum of Classical Archaeology, Cambridge) 3.11 National Museum, Athens 76 3.12 Nineteenth-century Athens. (Courtesy of the Museum of Classical 77 Archaeology, Cambridge) 3.13 Nineteenth-century Athens. (Courtesy of the Museum of Classical 78 Archaeology, Cambridge) 3.14 Library of Hadrian, Athens. (Courtesy of the Museum of Classical 81 Archaeology, Cambridge) 3.15a Comte de Choiseul-Gouffier. Voyage Pittoresque de la Grèce. 83 Paris 1782. Frontispiece 3.15b Comte de Choiseul-Gouffier. Voyage Pittoresque de la Grèce. 83 Paris 1782. Explanation of Frontispiece 3.16 Bellerophon and Pegasus fight the Chimaira upon a Korinthian 87 aryballos. Orientalising art. (Source: K.F. Johansen. Les Vases Sicyoniens. Paris: Champion, 1923) 4.1 Lekythoi in the National Museum, Athens 93 4.2 The British School at Athens 99 4.3 Edward Dodwell. Views and Descriptions of Cyclopian, or 101 Pelasgic, Remains in Greece and Italy. London 1834. Plate 11. Portal of one of the treasures of Mycenae 4.4 Caesar’s Palace, Las Vegas 108 4.5 Stuart and Revett. The Antiquities of Athens, Supplement. London 114 1830. Frontispiece: Agrigentum 5.1 Akrokorinthos 119 5.2 Baron von Stackelberg. Der Apollotempel zu Bassae in Arcadien. 126 Rome and Frankfurt am Main 1826. Plate 3. Temple interior 5.3 A Korinthian vase painter 129 5.4 Total numbers of burials per thirty-year generation for Athens, 132 Attika and Argos, 1050–700 BC. (Source: Anthony Snodgrass. Archaic Greece: the Age of Experiment. London: Dent, 1980. Figure 4) 5.5 Relative entropy scores for the Kerameikos adult burials 1125–500 135 BC showing high entropy in egalitarian times. (Source: lan Morris. Burial and Ancient Society. Cambridge: Cambridge University Press, 1987. Figure 50)

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Archaeologists do not discover the past but take the fragmentary remains which they recover and make something of them. Archaeology is a process of detection and supposition; this is what makes it so fascinating. However, the interpretations of archaeologists differ and change over time. They depend
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