Table Of Content

Contents of ‘The Cambridge Quarterly Volume Forty (2011 Vol. XL Number One Woolf’s Cesspoolage: On Waste and Resignation Sara Cranglk Jonathan Swift’s Latin Quacks: ‘A Consultation of Four Physicians upon a Lord that Was Dying’ Paul William Child A Guilty Self-Portrait: Henry Green’s Pack My Bag Marius Hentea \live or Dead? The Perfect Critic, or, Pope on Empson H. A. Mason REVIEWS Lite rature. Cinema and Politics 1930-1945: Reading Be tween the lrames by Lara Feigel Jason Harding Underground Writing: The London Tube from George Gissing to Virginia Woolf by David Welsh Leo Mellor Gothic Hauntings: Melancholy Crypts and Textual Ghosts by Christine Berthin Emrys Jones Narratives and Narrators: A Philosophy of Stones by Gregory Currie Raphael Lyne Vol. XL Number Two Emotions and the Ethical Life in D. H. Lawrence Kenneth Asher page 101 The Calendar and the Modern Critical Essay Paul Woolridg 12] ‘Without Explaining’: Saul Bellow, Hannah Arendt, and Myr Sammler’s Planet Alan Marshall CONTENTS OF VOLUME FORTY REVIEWS The History of Reading by Shafquat Towheed, Rosalind Crone, and Katie Halsey Tom Sperlinger Brave New Words: How Literature Will Save the Planet by Elizabeth Ammons and The Marketplace of Ideas: Reform and Resistance in the American University by Louis Menand Sarah Meer hontrafaktische Geschichtsdarstellung Untersuchungen an Romanen von Giinte? Grass, Thomas Pynchon, Thomas Brussig, Michael hleeberg, Philip Roth und Christoph Ransmayr by Andreas Martin Widmann Kathleen Singles The Cambnida ( ompanion lo Modernist I ynen Writers edited by Maren ‘Tova Linett Charlotte Charteris The Cambridge Edition of the Works of Jonathan Swift, volume 1:. Tub and Othe Works edited by Mare us Walsh Henry Power Vol. XL Number Three Gorillas in the House of Light David Ashford Che Haunting of Thomas De Quincey Joseph Crawford Ravel and “The Raven’: The Realisation of an Inherited Aesthetic in Bolen Michael Lanford REVIEWS Virgil in the Renaissance by David Scott Wilson-Okamura Sheldon Brammall lal nr) VHIl and his Afterlive ; Literature. Politics and Art edited by Mark Rankin, Christopher Highley, and John N. King Ruth Ahnert Chance and the Eighteenth-Century Novel: Realism, Probability, Magic by Jesse Molesworth Paddy Bullard Pik CAMBRIDGE QUARTERLY The Nets of Modernism: Henry James, Virginia Woolf James Joyce and Sigmund Freud by Maud Ellmann and The Beast and the Sovereign, volume |, by Jacques Derrida Sarah Cain Prefaces to Shakespeare by Tony ‘Tanne Clare R. Kinney Confessions of a loung \ovelist by Umberto Fe O Matthew Peters Vol. XL Number Four Nineteen Fifty-Eight: Information Technology and the Reconceptualisation of Creativity Christopher Mok Attention, Attention Must Finally Be Unpaid: Death of a Salesman and the Reputation of Arthur Millet Bert Cardullo PRIZE ESSAY Sappho and Shelley: Lyric in the Dative Xavier Buxton REVIEWS From the Norman Conquest to the Black Death: An Anthology of Writings from England edited by Douglas Gray Aisling Byrne The Oxford History of Popular Print Culture, vol. i: Cheap Print in Britain and Ireland to 1660 edited by J vad Raymond Harrict Phillips Urban Pastoral: Natural Currents in the New York School by Timothy Gray Anne Sullman The Cambridge Companion to Utopian Literature edited by Gregory Claeys Erik Martiny hatherine Meansfie ld and Literar) Modernism edited by Janet Wilson, Gerri Kimber, and Susan Reid Lie ( Ke lly Great Shake speareans, ol. v: Scott, Dickens, Eliot, Hard) edited by Adrian Pe » le Sarah Annes Brown