The Cambridge History of Twentieth-Century Music PDF
Preview The Cambridge History of Twentieth-Century Music
the cambridge history of TWENTIETH-CENTURY MUSIC TheCambridgeHistoryofTwentieth-CenturyMusicisafirstappraisalofthe developmentofmusicinthetwentiethcenturyfromthevantage-pointof thetwenty-first.Thiswide-rangingandeclecticbooktracestheprogres- sivefragmentationoftheEuropean‘art’tradition,anditsrelocationasone traditionamongmanyatthecentury’send.WhilethefocusisonWestern traditions,both‘art’andpopular,thesearesituatedwithinthecontextof worldmusic,includingacasestudyoftheinteractionof‘art’andtraditional musicsinpost-colonialAfrica.Aninternationalauthorshipbringsawide varietyofapproachestomusichistory,buttheaimthroughoutistoset musicaldevelopmentsinthecontextofsocial,ideological,andtechnologi- calchange,andtounderstandreceptionandconsumptionasintegraltothe historyofmusic. nicholas cook isProfessorofMusicatRoyalHolloway,Universityof London,andDirectoroftheAHRBResearchCentrefortheHistoryand Analysis of Recorded Music. His books include A Guide to Musical Anal- ysis (1987), Music, Imagination, and Culture (1990), the Cambridge Music Handbook–Beethoven:Symphonyno.9(1993),AnalysingMusicalMultimedia andMusic:AVeryShortIntroduction(both1998). anthony poplewasProfessorofMusicattheUniversityofNottingham until his death in 2003. His publications include two Cambridge Music Handbooks–Berg:ViolinConcerto(1991)andMessiaen:Quatuorpourlafin dutemps(1998);heeditedTheory,AnalysisandMeaninginMusic(1994)aswell astheCambridgeCompaniontoBerg(1997). the cambridge history of MUSIC TheCambridgeHistoryofMusiccomprisesagroupofreferenceworkscon- cernedwithsignificantstrandsofmusicalscholarship.Theindividualvol- umesareself-containedandincludehistoriesofmusicexaminedbycentury aswellasthehistoryofopera,musictheoryandAmericanmusic.Eachvol- umeiswrittenbyateamofexpertsunderaspecialisteditorandrepresents thelatestmusicologicalresearch. TheCambridgeHistoryofAmericanMusic EditedbyDavidNicholls TheCambridgeHistoryofWesternMusicTheory EditedbyThomasChristensen TheCambridgeHistoryofNineteenth-CenturyMusic EditedbyJimSamson TheCambridgeHistoryofTwentieth-CenturyMusic EditedbyNicholasCookandAnthonyPople THE CAMBRIDGE HISTORY OF TWENTIETH-CENTURY MUSIC ∗ edited by NICHOLAS COOK AND ANTHONY POPLE published by the press syndicate of the university of cambridge ThePittBuilding,TrumpingtonStreet,Cambridge,UnitedKingdom cambridge university press TheEdinburghBuilding,Cambridge,cb22ru,uk 40West20thStreet,NewYork,ny10011–4211,usa 477WilliamstownRoad,PortMelbourne,vic3207,Australia RuizdeAlarco´n13,28014Madrid,Spain DockHouse,TheWaterfront,CapeTown8001,SouthAfrica http://www.cambridge.org (cid:2) C CambridgeUniversityPress2004 Thisbookisincopyright.Subjecttostatutoryexception andtotheprovisionsofrelevantcollectivelicensingagreements, noreproductionofanypartmaytakeplacewithout thewrittenpermissionofCambridgeUniversityPress. Firstpublished2004 PrintedintheUnitedKingdomattheUniversityPress,Cambridge TypefaceRenard2 9.5/13pt. SystemLATEX2ε [tb] AcataloguerecordforthisbookisavailablefromtheBritishLibrary LibraryofCongressCataloguinginPublicationdata TheCambridgehistoryoftwentieth-centurymusic/editedbyNicholasCook andAnthonyPople. p.cm.–(TheCambridgehistoryofmusic) Includesbibliographicalreferencesandindex. isbn0-521-66256-7 1.Music–20thcentury–Historyandcriticism. I.Cook,Nicholas,1950– II.Pople,Anthony. III.Series. ml197.c262004 780(cid:3).9(cid:3)04–dc21 2003055131 ISBN0521662567hardback Contents Notesonthecontributors xiii Preface xviii Introduction:trajectoriesoftwentieth-centurymusic 1 nicholas cook with anthony pople 1·Peripheriesandinterfaces:theWesternimpacton othermusic 18 jonathan stock Introduction 18 Casestudies 20 Instrumentdesigninaglobalcontext 20 RadiosShanghaiandCairo:disembodiedvoices,embodiedstars 22 Newsoundscapes1:diasporaandculture-contact 25 Newsoundscapes2:touristshowsandtouringmusicians 28 Newsoundscapes3:conservatories 31 OutofAfrica:Tukubeatandworldmusic 33 Change,continuitiesandconclusions 35 2·Musicofacentury:museumcultureandthe politicsofsubsidy 40 leon botstein Thepredicament:amusicalcultureatthemargins 40 Themuseumfunction 49 Thepoliticaleconomyofmusicaltraditions 55 3·Innovationandtheavant-garde,1900–20 69 christopher butler Musicandknowledge 71 Alanguageofmodernmusic? 74 Musicandtheunconscious 77 Musicandsocialmeaning 82 Conclusion:understandinginnovation 86 [vii] viii Contents 4·Music,textandstage:thetraditionofbourgeoistonalitytothe SecondWorldWar 90 stephen banfield Theoldworld 90 Arenasandmusicaltypes 92 Popularmusicaltheatreandfilm 94 TheTinPanAlleysystem 97 Opera,balletandoperetta 99 Programmemusic 102 Incidentalmusicforstageandscreen 104 Sacredandseculargentility 108 Devaluation 111 Theoriesanddatesofchange 114 5·Classicjazzto1945 123 james lincoln collier Precursors 123 Theriseofjazz 127 Thehotdanceband 132 Jazzpiano 136 TheDepression 137 Jazzgoesabroad 139 Theswingera 140 TheDixielandrevival 144 Small-bandswing 147 6·Flirtingwiththevernacular:AmericainEurope,1900–45 152 susan c. cook Transnationalpopularmusics 157 Post-warresponses 168 Compositionalresponses 174 7·Betweenthewars:traditions,modernisms,andthe‘littlepeople fromthesuburbs’ 186 peter franklin Mappingtheterrain 188 Post-warcontinuitiesandnewmedia 191 Class,raceandZeitoperjazz 193 CulturalpoliticsandmerchandisinginVienna 195 Thesymphonyandtheembattledsurvivalofthe‘GreatComposer’ 196 Tauber:a1920ssuperstar 198 Humanityeclipsed,ortheundoingof‘music’ 206 8·Bravenewworlds:experimentalismbetweenthewars 210 david nicholls Prologue:BraveNewWorlds 210 Contents ix Beforethecrash:‘endingisbetterthanmending’ 212 Afterthecrash:‘themorestitches,thelessriches’ 220 Epilogue:BraveNewWorldsrevisited 223 9·Proclaimingamainstream:Schoenberg,Berg,andWebern 228 joseph auner Institutionsandperformances 231 TheideaoftheSecondVienneseSchool,tradition,andcontemporary developments 236 Historicalnecessityandtwelve-tonecomposition 241 Twelve-tonecompositionanddefiningthemainstream 244 Serialstructureandmusicalcharacter 248 Themainstreamafter1933 255 10·Rewritingthepast:classicismsoftheinter-warperiod 260 hermann danuser Classicismsoldandnew 260 Reclaimingnationaltraditionsandtheideaof‘-ana’works 270 Fromneoclassicismtomodernistclassicism 275 11·Musicofseriousnessandcommitment:the1930s andbeyond 286 michael walter Emotions,traditions,nationalisms 288 Reinventingtraditions 290 Musicbythepeople,musicforthepeople 296 Newsystems,newmedia 300 Theendofanepoch 303 12·Othermainstreams:lightmusicandeasylistening,1920–70 307 derek b. scott Problemsanddefinitions 307 Lightclassicalmusic 309 Vaudevilleandvarietytheatre 312 Dancebands 314 TheTinPanAlleysongstylists 317 Operettaandmusicaltheatre 321 Chansonandcabaret 325 Popularitychartsandsongcontests 329 Thedispersalofthemiddleground 331 13·Newbeginnings:theinternationalavant-garde,1945–62 336 david osmond-smith Theenginesoftheavant-garde 336 Ataleoftwocities:ParisandNewYork 342 Aestheticsandtechnique:Boulezvs.Cage 346
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