The Cambridge History of Seventeenth-Century Music (The Cambridge History of Music) PDF
Preview The Cambridge History of Seventeenth-Century Music (The Cambridge History of Music)
the cambridge history of SEVENTEENTH-CENTURY MUSIC TheCambridgeHistoryofSeventeenth-CenturyMusicseekstoprovidethemost up-to-dateknowledgeonseventeenth-centurymusic,togetherwithavital questioningofthewayinwhichsuchahistorycanbetoldorputtogetherfor ourpresentpurposes.Writtenbyadistinguishedteamofexpertsinthefield, thechaptersnotonlyaddresstraditionalareasofstudysuchasoperaand churchmusic,butalsolookatthewaythisextremelydiverseanddynamic musicalworldhasbeencategorisedinthepast,andhowitsproductsare viewedfromvariousculturalpointsofview.Whilethishistorydoesnot departentirelyfromthetraditionalstudyofmusicalworksandtheircom- posers,thereisastrongemphasisontheinstitutions,culturesandpoliticsof theage,togetherwithaninterrogationofthewaysinwhichmusicrelated tocontemporaryarts,sciencesandbeliefs. tim carteristheauthoroftheCambridgeOperaHandbookonMozart’s LenozzediFigaro(1987),JacopoPeri(1561–1633):HisLifeandWorks(1989), MusicinLateRenaissanceandEarlyBaroqueItaly(1992)andMonteverdi’sMusical Theatre(2002).Hehasalsopublishednumerousjournalarticlesandessays onmusicinsixteenth-andearlyseventeenth-centuryItaly;thoseto1998 werereprintedinMusic,PatronageandPrintinginLateRenaissanceFlorence andMonteverdiandhisContemporaries(both2000).In2001hebecameDavid G.FreyDistinguishedProfessorofMusicattheUniversityofNorthCarolina atChapelHill. johnbuttistheGardinerProfessorofMusicattheUniversityofGlasgow. HisbookPlayingWithHistory:TheHistoricalApproachtoMusicPerformance (Cambridge,2002)wasshortlistedforthe2003BritishAcademyBookPrize andinthesameyearhewontheDentMedal.HeistheauthorofMusic EducationandtheArtofPerformanceintheGermanBaroque(1994),Bach:Mass inBMinor(1991)andBachInterpretation(1990),allpublishedbyCambridge UniversityPress,andhaseditedTheCambridgeCompaniontoBach(1997).He isalsoahighlyacclaimedharpsichordistandorganist,andhasrecordedCDs forHarmoniaMundi,France. the cambridge history of music TheCambridgeHistoryofMusiccomprisesagroupofreferenceworkscon- cernedwithsignificantstrandsofmusicalscholarship.Theindividualvol- umesareself-containedandincludehistoriesofmusicexaminedbycentury aswellasthehistoryofopera,musictheoryandAmericanmusic. Eachvolumeiswrittenbyateamofexpertsunderoneormorespecialist editorsandrepresentsthelatestmusicologicalresearch. Publishedtitles TheCambridgeHistoryofAmericanMusic EditedbyDavidNicholls TheCambridgeHistoryofWesternMusicTheory EditedbyThomasChristensen TheCambridgeHistoryofSeventeenth-CenturyMusic EditedbyTimCarterandJohnButt TheCambridgeHistoryofNineteenth-CenturyMusic EditedbyJimSamson TheCambridgeHistoryofTwentieth-CenturyMusic EditedbyNicholasCookandAnthonyPople THE CAMBRIDGE HISTORY OF SEVENTEENTH-CENTURY MUSIC ∗ editedby TIM CARTER AND JOHN BUTT cambridgeuniversitypress Cambridge,NewYork,Melbourne,Madrid,CapeTown,Singapore,S˜aoPaulo CambridgeUniversityPress TheEdinburghBuilding,Cambridgecb22ru,UK PublishedintheUnitedStatesofAmericabyCambridgeUniversityPress,NewYork www.cambridge.org Informationonthistitle:www.cambridge.org/9780521792738 (cid:2)C CambridgeUniversityPress2005 Thisbookisincopyright.Subjecttostatutoryexception andtotheprovisionsofrelevantcollectivelicensingagreements, noreproductionofanypartmaytakeplacewithout thewrittenpermissionofCambridgeUniversityPress. Firstpublished2005 PrintedintheUnitedKingdomattheUniversityPress,Cambridge LibraryofCongressCataloguinginPublicationdata isbn-13 978-0-521-79273-8hardback isbn-10 0-521-79273-8hardback CambridgeUniversityPresshasnoresponsibilityforthepersistenceoraccuracyofURLsforexternalor third-partyinternetwebsitesreferredtointhisbook,anddoesnotguaranteethatanycontentonsuch websitesis,orwillremain,accurateorappropriate. Contents Notesoncontributors xi Preface xv 1 · Renaissance,Mannerism,Baroque 1 tim carter Renaissance 4 Mannerism 8 Baroque 12 Somegeographicalproblems 16 Issuesofstyle 20 2 · Theseventeenth-centurymusical‘work’ 27 john butt Attemptstodefinea‘work-concept’ 28 Someproblems 33 Artfulartefactorsocialconstruction? 38 Theseventeenthcenturyascontradiction 39 Individualitywithinacultureofimitation 41 ‘Disenchantment’and‘re-enchantment’ 45 3 · Musicinthemarket-place 55 stephen rose Thedemandformusic 56 Polarisationandprofessionalisation 62 Patternsofdissemination 67 Musicaltraining 73 Servants,employeesandentrepreneurs 77 Themusicianinsociety 83 4 · Musicinnewworlds 88 victor anand coelho Quomodocantabimuscanticumdominiinterraaliena? 91 Repertoryandtransmission 94 Instrumentaldiplomacy 96 [vii] viii Contents Goa:acase-studyinPortugueseexpansionandJesuitpatronage 98 (Re)Writingcolonialhistoryinseventeenth-centuryRome: Kapsberger’sApotheosis 104 5 · Musicandthearts 111 barbara russano hanning AncientsandModerns 112 Orderanddisorder 115 Motionandemotion,actionandreaction 117 Naturalismandillusion 123 Dramaandstasis 125 6 · Musicandthesciences 132 penelope gouk Changingdefinitions:science,artandphilosophy 133 MusicandtheScientificRevolution 134 GalileoGalileiandthe‘TwoNewSciences’(1638) 137 FrancisBacon,naturalmagicandtheexperimentalphilosophy 140 Mersenne:experimentalscienceandmusic 143 Kircher,naturalmagicandtheharmonyoftheworld 146 Performancepracticeandpublicscience 149 JosephSauveur:areassessment 154 7 · Thesearchformusicalmeaning 158 tim carter Poeticsandtaxonomies 161 Wordsandmusic 164 Modaltypesandtonalcategories 169 Signsandsymbols 179 Wordlessrhetoric 184 Textandperformance 187 Thestilerappresentativo 189 8 · Poweranddisplay:musicincourttheatre 197 lois rosow Settingthestage(1):theBalletcomiquedelareine 198 Settingthestage(2):theintermediforLapellegrina 202 Thebeginningsofopera 205 Monteverdi’sOrfeo 209 NorthernItalianfestivalsintheearlydecadesofthecentury 214 TheStuartcourtmasque 219 TheBarberinioperasinRome 223 Mid-centuryItalianinfluenceinParisandMadrid 227 BalletandoperaattheFrenchcourtunderLouisXIV 229 Contents ix 9 · Maskandillusion:Italianoperaafter1637 241 tim carter FrancescoCavalli(1602–76),GliamoridiApolloediDafne(1640) 249 AntonioSartorio(1630–80),GiulioCesareinEgitto(1676) 259 AlessandroScarlatti(1660–1725),LaStatira(1690) 270 10 · TheChurchTriumphant:musicintheliturgy 283 noel o’regan Placesandformsofservice 284 Taxonomiesofstyle 292 Continuity:thestylusecclesiasticus 295 Large-scalenon-concertatowriting 301 Small-scalewriting:theconcertoecclesiastico 308 Large-scaleconcertatosettings 314 11 · Devotion,pietyandcommemoration:sacredsongs andoratorios 324 robert l. kendrick Rhetoricsandtexts 327 Occasions 334 Nationaltraditionsandinnovations 345 Domesticmotetsandvernaculardialogues 357 Oratoriesandoratorios 362 Theendofthecentury 370 12 · Imageandeloquence:secularsong 378 margaret murata Socialcontextsofsecularsinging 380 Repertories 394 13 · Fantasyandcraft:thesoloinstrumentalist 426 alexander silbiger Instrumentsandtheirrepertories 427 Theplayers 433 Thesources 434 Performingenvironments 437 Solomusicinchurches 438 Solomusicinthechamber 447 Solomusicintheatresandoutofdoors 451 Varietiesofsolomusic 452 14 · Formandgesture:canzona,sonataandconcerto 479 gregory barnett Canzoniallafrancese 482
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