The Cambridge companion to Stravinsky PDF
Preview The Cambridge companion to Stravinsky
This page intentionally left blank TheCambridgeCompaniontoStravinsky Stravinsky’sworkspannedthemajorpartofthetwentieth centuryandengagedwithnearlyallitsprincipalcompositional developments.ThisCompanionreflectsthebreadthof Stravinsky’sachievementandinfluenceinessaysbyleading internationalscholarsonawiderangeoftopics.Itisdividedinto threepartsdealingwiththecontextswithinwhichStravinsky worked(Russian,modernistandcompositional),withhiskey compositions(Russian,neoclassicalandserial)andwiththe receptionofhisideas(throughperformance,analysisand criticism).Thevolumeconcludeswithaninterviewwiththe leadingDutchcomposerLouisAndriessenandamajor re-evaluationof‘Stravinskyandus’byRichardTaruskin. jonathan crossisUniversityLecturerinMusicandTutorial FellowofChristChurch,Oxford.HeisauthorofTheStravinsky Legacy(Cambridge,1998)andHarrisonBirtwistle:Man,Mind, Music(London,2000),andisEditorofthejournalMusicAnalysis. 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Subject to statutory exception and to the provision of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published in print format 2003 - ---- eBook (Adobe Reader) - --- eBook (Adobe Reader) - ---- hardback - --- hardback - ---- paperback - --- paperback Cambridge University Press has no responsibility for the persistence or accuracy of s for external or third-party internet websites referred to in this book, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. Contents Notes on the contributors [viii] Chronology of Stravinsky’s life and career Anthony Gritten [ix] Preface and acknowledgements [xv] PartI (cid:1) Originsandcontexts 1 Stravinsky’s Russian origins Rosamund Bartlett [3] 2 Stravinsky as modernist Christopher Butler [19] 3 Stravinsky in context Arnold Whittall [37] PartII (cid:1) Theworks 4 Early Stravinsky Anthony Pople [58] 5 Russianrites:Petrushka,TheRiteofSpringandLesNoces Kenneth Gloag [79] 6 Stravinsky’s neoclassicism Martha M. Hyde [98] 7 Stravinsky’s theatres Jonathan Cross [137] 8 Stravinsky the serialist Joseph N. Straus [149] PartIII (cid:1) Reception 9 Stravinsky conducts Stravinsky Nicholas Cook [176] 10 Stravinsky as devil: Adorno’s three critiques MaxPaddison [192] 11 Stravinsky in analysis: the anglophone traditions Craig Ayrey [203] 12 Stravinsky and the critics Stuart Campbell [230] 13 Composing with Stravinsky Louis Andriessen and Jonathan Cross [248] 14 Stravinsky and us Richard Taruskin [260] Chronological list of works [285] Notes [291] Select bibliography [317] Index of names and titles [321] [vii] Contributors LouisAndriessenisoneofthemostdistinguishedlivingDutchcomposers.He teachescompositionattheKoninklijkConservatoriumDenHaag. CraigAyreyisLecturerinMusicTheoryandAnalysisatGoldsmithsCollege, UniversityofLondon. RosamundBartlettisLecturerinRussianandMusicHistoryattheUniversityof Durham. ChristopherButlerisProfessorofEnglishattheUniversityofOxfordandTutorial FellowofChristChurch. StuartCampbellisHonorarySeniorResearchFellowintheInstituteofCentral andEasternEuropeanStudiesandtheDepartmentofMusicattheUniversity ofGlasgow. NicholasCookisResearchProfessorinMusicattheUniversityofSouthampton. JonathanCrossisUniversityLecturerinMusicandTutorialFellowofChrist Church,Oxford. KennethGloagisLecturerinMusicatCardiffUniversity. AnthonyGrittenisLecturerinMusicattheUniversityofEastAnglia. MarthaM.HydeisProfessorofMusicattheStateUniversityofNewYorkat Buffalo. MaxPaddisionisProfessorofMusicattheUniversityofDurham. AnthonyPopleisProfessorofMusicattheUniversityofNottingham. JosephN.StrausisProfessorofMusicatQueensCollegeandtheGraduateCenter, CityUniversityofNewYork. RichardTaruskinisProfessorofMusicattheUniversityofCaliforniaatBerkeley. ArnoldWhittallisProfessorEmeritusofMusicTheoryandAnalysisatKing’s CollegeLondon. [viii]
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