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The Cambridge companion to Richard Strauss PDF

368 Pages·2010·9.051 MB·English
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Th e Cambridge Companion to Richard Strauss Richard Strauss is a composer much loved among audiences throughout the world, in both the opera house and the concert hall. Despite this popularity, Strauss was for many years ignored by scholars, who considered his commer- cial success and his continued reliance on the tonal system to be liabilities. However, the past two decades have seen a resurgence of scholarly interest in the composer. Th is Companion surveys the results, focussing on the principal genres, the social and historical context, and topics perennially controver- sial over the last century. Chapters cover Strauss’s immense operatic output, the electrifying modernism of his tone poems, and his ever-popular lieder. Controversial topics are explored, including Strauss’s relationship to the Th ird Reich and the sexual dimension of his works. Reintroducing the composer and his music in light of recent research, the volume shows Strauss’s artistic personality to be richer and much more complicated than has been previously acknowledged. Charles Youmans is Associate Professor of Music at Penn State University. He is the author of R ichard Strauss and the German Intellectual Tradition (2005), and his articles and essays have appeared in 19th-Century Music , Th e Musical Quarterly , the J ournal of Musicology , and various edited collections. Cambridge Companions to Music Topics Th e Cambridge Companion to Ballet Th e Cambridge Companion to Medieval Music Edited by Marion Kant Edited by Mark Everist Th e Cambridge Companion to Blues and Th e Cambridge Companion to the Musical, Gospel Music second edition Edited by Allan Moore Edited by William Everett and Paul Laird Th e Cambridge Companion to the Concerto Th e Cambridge Companion to the Orchestra Edited by Simon P. 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Balthazar Th e Cambridge Companion to Shostakovich Edited by Pauline Fairclough and David Fanning Instruments Th e Cambridge Companion to Brass Th e Cambridge Companion to the Piano Instruments Edited by David Rowland Edited by Trevor Herbert and John Wallace Th e Cambridge Companion to the Recorder Th e Cambridge Companion to the Cello Edited by John Mansfi eld Th omson Edited by Robin Stowell Th e Cambridge Companion to the Saxophone Th e Cambridge Companion to the Clarinet Edited by Richard Ingham Edited by Colin Lawson Th e Cambridge Companion to Singing Th e Cambridge Companion to the Guitar Edited by John Potter Edited by Victor Coelho Th e Cambridge Companion to the Violin Th e Cambridge Companion to the Organ Edited by Robin Stowell Edited by Nicholas Th istlethwaite and Geoff rey Webber Th e Cambridge Companion to RICHARD STRAUSS edited by Charles Youmans Penn State University cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo, Delhi, Dubai, Tokyo, Mexico City Cambridge University Press Th e Edinburgh Building, Cambridge CB2 8RU, UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9780521728157 © Cambridge University Press 2010 Th is publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2010 Printed in the United Kingdom at the University Press, Cambridge A catalogue record for this publication is available from the British Library Library of Congress Cataloguing in Publication data Th e Cambridge companion to Richard Strauss / [edited by] Charles Youmans. p. cm. – (Cambridge companions to music) Includes bibliographical references and index. ISBN 978-0-521-89930-7 (hardback) – ISBN 978-0-521-72815-7 (pbk.) 1. Strauss, Richard, 1864–1949–Criticism and interpretation. I. Youmans, Charles Dowell, 1964– II. Title. III. Series. ML410.S93C36 2010 780.92–dc22 2010028672 ISBN 978-0-521-89930-7 hardback ISBN 978-0-521-72815-7 paperback Cambridge University Press has no responsibility for the persistence or accuracy of URLs for external or third-party internet websites referred to in this publication, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. For my parents Contents List of illustrations [ page ix] List of music examples [x] List of tables [ xii] Notes on contributors [ xiii] Preface and acknowledgments [ xvii] Chronology of Strauss’s life and career [ xxi] List of abbreviations [ xxvii] Part I ● Background [1] 1 Th e musical world of Strauss’s youth James Deaville [ 3] 2 Strauss’s compositional process Walter Werbeck [ 22] 3 Maturity and indecision in the early works Wayne Heisler, Jr. [ 42] Part II ● Works [57] 4 Th e fi rst cycle of tone poems David Larkin [ 59] 5 Th e second cycle of tone poems James Hepokoski [ 78] 6 Strauss’s road to operatic success: G untram , Feuersnot , and S alome Morten Kristiansen [ 105] 7 Th e Strauss–Hofmannsthal operas Bryan Gilliam [ 119] 8 Opera aft er Hofmannsthal Philip Graydon [ 136] 9 “Actually, I like my songs best”: Strauss’s lieder Susan Youens [ 151] 10 Last works Jürgen May [ 178] Part III ● Perspectives [193] 11 Strauss’s place in the twentieth century Alex Ross [ 195] [vii] viii Contents 12 Musical quotations and allusions in the works of Richard Strauss Günter Brosche [213] 13 Strauss in the Th ird Reich Michael Walter [226] 14 Strauss and the business of music Scott Warfi eld [242] 15 Kapellmeister Strauss Raymond Holden [257] 16 Strauss and the sexual body: the erotics of humor, philosophy, and ego-assertion Bryan Gilliam [269] 17 Strauss and the nature of music Charles Youmans [280] Notes [294] Select bibliography [ 326] Index [332 ]

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