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The Cambridge Companion to Modern British Culture (Cambridge Companions to Culture) PDF

340 Pages·2010·1.56 MB·English
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The Cambridge Companion to Modern British Culture British culture today is the product of a shifting combination of tradition and experimentation, national identity and regional and ethnic diversity. These distinctive tensions are expressed in a range of cultural arenas, such as art, sport, journalism, fashion, education and race. This Companion addresses these and other major aspects of British culture and offers a sophisticated understanding of what it means to study and think about the diverse cultural landscapes of contemporary Britain. Each contributor looks at the language through which culture is formed and expressed, at the political and institutional trends that shape culture and at the role of culture in daily life. This interesting and informative account of modern British culture embraces controversy and debate and never loses sight of the fact that Britain and Britishness must always be understood in relation to the increasingly international context of globalisation. MICHAEL HIGGINS is Director of the Journalism and Creative Writing programme at the University of Strathclyde, Glasgow. CLARISSA SMITH is Senior Lecturer in Media and Cultural Studies in the School of Art, Design and Media, University of Sunderland. JOHN STOREY is Professor of Cultural Studies and Director of the Centre for Research in Media and Cultural Studies, University of Sunderland. Cambridge Companions to Culture The Cambridge Companion to Modern American Culture Edited by CHRISTOPHER BIGSBY The Cambridge Companion to Modern British Culture Edited by MICHAEL HIGGINS , CLARISSA SMITH and JOHN STOREY The Cambridge Companion to Modern French Culture Edited by NICHOLAS HEWITT The Cambridge Companion to Modern German Culture Edited by EVA KOLINSKY and WILFRIED V AN DER WILL The Cambridge Companion to Modern Irish Culture Edited by JOE CLEARY and CLAIRE CONNOLLY The Cambridge Companion to Modern Italian Culture Edited by ZYGMUNT G. BARAŃSKI and REBECCA J. WEST The Cambridge Companion to Modern Latin American Culture Edited by JOHN KING The Cambridge Companion to Modern Russian Culture Edited by NICHOLAS RZHEVSKY The Cambridge Companion to Modern Spanish Culture Edited by DAVID GIES The Cambridge Companion to Victorian Culture Edited by FRANCIS O’GORMAN The Cambridge Companion to Modern British Culture Edited by MICHAEL HIGGINS CLARISSA SMITH and JOHN STOREY CAMBRIDGE UNIVERSITY PRESS Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo, Delhi, Dubai, Tokyo, Mexico City Cambridge University Press The Edinburgh Building, Cambridge CB2 8RU, UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9780521683463 © C ambridge University Press 2010 This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2010 Printed in the United Kingdom at the University Press, Cambridge A catalogue record for this publication is available from the British Library Library of Congress Cataloguing in Publication data The Cambridge companion to modern British culture / edited by Michael Higgins, Clarissa Smith, John Storey. p. cm. — (Cambridge companions to culture) Includes bibliographical references and index. ISBN 978-0-521-86497-8 — ISBN 978-0-521-68346-3 (pbk.) 1. Great Britain—Intellectual life—20th century. 2. Great Britain—Social life and customs—20th century. 3. Popular culture—Great Britain—History— 20th century. 4. Great Britain—Social conditions—20th century. 5. Great Britain— Civilization. I. Higgins, Michael, 1967— II. Smith, Clarissa. III. Storey, John, 1950— IV. Title. V. Series. DA110.C253 2010 941.082—dc22 2010023745 ISBN 978-0-521-86497-8 Hardback ISBN 978-0-521-68346-3 Paperback Cambridge University Press has no responsibility for the persistence or accuracy of URLs for external or third-party internet websites referred to in this publication, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. Contents Notes on contributors page vii Chronology xi Introduction: modern British culture 1 Michael Higgins, Clarissa Smith and John Storey 1 Becoming British 12 john storey 2 Language developments in British English 26 david crystal 3 Schooling and culture 42 ken jones 4 The changing character of political communications 62 john street 5 Contemporary Britain and its regions 79 john tomaney 6 Contemporary British cinema 96 sarah street 7 Contemporary British fiction 115 patricia waugh 8 Contemporary British poetry 137 alex goody vi Contents 9 Theatre in modern British culture 154 michael mangan 10 Contemporary British television 171 jane arthurs 11 British art in the twenty-first century 189 valerie reardon 12 British fashion 208 caroline evans 13 Sport in contemporary Britain 225 ellis cashmore 14 British sexual cultures 244 clarissa smith 15 British popular music, popular culture and exclusivity 262 sheila whiteley 16 British newspapers today 279 michael higgins 17 The struggle for ethno-religious equality in Britain: the place of the Muslim community 296 tariq modood Guide to further reading 314 Index 317 Contributors JANE A RTHURS is Professor of Media and Cultural Studies and Head of Culture, Media and Drama, at the University of the West of England, Bristol. Her publications in feminist cultural studies and contemporary television include Television and Sexuality: Regulation and the Politics of Taste (2004) and the edited collection C rash Cultures (2002), as well as work on post-feminist drama for the journal F eminist Media Studies . ELLIS C ASHMORE is Professor of Culture, Media and Sport at Staffordshire University and is a regular media commentator on sports culture and ethics. His most recent books include Celebrity/Culture (2006), M aking Sense of Sports (4th edn, 2005), Beckham (2nd edn, 2004) and T yson: Nurture of the Beast (2004). DAVID C RYSTAL is Honorary Professor of Linguistics at the University of Bangor. He read English at University College London, then held university posts at London, Bangor and Reading before becoming an independent scholar in 1984. The author of many books on linguistics and English language studies, he is best known for his two C ambridge Encyclopedias : of L anguage (1997) and of T he English Language (2003). An autobiographical memoir, J ust a Phrase I’m Going Through , was published in 2009. CAROLINE EVANS is Professor of Fashion History and Theory at Central Saint Martins College of Art and Design within the University of the Arts, London. She is the author of Fashion at the Edge: Spectacle, Modernity and Deathliness (2003) and co-author of T he London Look: Fashion from Street to Catwalk (2004), F ashion and Modernity (2005), Hussein Chalayan (2005) and The House of Viktor & Rolf (2008). viii Notes on contributors ALEX GOODY is Senior Lecturer in Twentieth-century Literature at Oxford Brookes University. Her research interests cover the rela- tionships between modernity, technology, culture and gender, and current projects include a forthcoming book on technology, literature and culture. Goody is author of Modernist Articulations (2007). M ICHAEL HIGGINS is Director of the Journalism and Creative Writing programme in the Department of English Studies at the University of Strathclyde in Glasgow. He has published numer- ous articles covering such areas as political communications, celebrity culture, news discourse and national identity. He also serves as co-convenor of the Media and Politics Group of the Political Studies Association. Higgins’s most recent book is Media and Their Publics (2008). KEN JONES is Professor of Education at Goldsmiths, University of London. He has written E ducation in Britain (2003) and co- authored S chooling in Western Europe: The New Order and its Adversaries (2008). He is currently working on a book about the survival or re-emergence of radical educational traditions in the twenty-first century and is co- editing a reader on ‘creative learning’. M ICHAEL MANGAN is Professor of Drama at Exeter University. He has also worked as a playwright, a director, a literary manager, a dramaturg and an actor. His primary research interests lie in the area of theatre and society, and he has published a wide range of books, articles and papers on the subjects of theatre and gen- der, Shakespeare and Renaissance theatre, theatre and cultural history, applied theatre and contemporary British theatre. His most recent monograph is Performing Dark Arts: A Cultural History of Conjuring (2007). TARIQ MODOOD is Professor of Sociology, Politics and Public Policy and the Founding Director of the Centre for the Study of Ethnicity and Citizenship at the University of Bristol. He is a regular contributor to the media and to policy debates in Britain, was awarded an MBE for services to social sciences and ethnic rela- tions in 2001 and was elected a member of the Academy of Social Sciences in 2004. His most recent books are Multiculturalism: A Civic Idea (2007) and, as co-editor, Secularism, Religion and Multicultural Citizenship (2009). Notes on contributors ix VALERIE R EARDON is Senior Lecturer in Media at University College Plymouth St Mark and St John as well as a practising fine-art photographer. She has written extensively for A rt Monthly , and her articles on the aesthetics, meanings and uses of art appear in such journals as the Journal of Feminisms and Art and the Journal of Media Arts and Cultural Criticism . C LARISSA SMITH is Senior Lecturer in Media and Cultural Studies at the University of Sunderland. Her research and publica- tions focus on the expanding sexual sphere for heterosexual women: its institutional practices, representational strategies, uses and meanings. Smith has published in a variety of journals and edited collections, including S exualities and the E uropean Journal of Cultural Studies , and is author of O ne for the Girls: The Pleasures and Practices of Reading Women’s Porn (2006). J OHN S TOREY is Professor of Cultural Studies and Director of the Centre for Research in Media and Cultural Studies at the University of Sunderland. He has published widely in cultural theory and cultural history. His latest book is called Culture and Power in Cultural Studies (2010). JOHN S TREET is Professor of Politics at the University of East Anglia. His main research is on the relationship between politics and popular culture and mass media. He is the author of M ass Media, Politics and Democracy (2001), P olitics and Popular Culture (1997) and Rebel Rock: The Politics of Popular Music (1986). He is a member of the editorial group of the journal Popular Music and of T he Cambridge Companion to Rock and Pop (co-edited with Will Straw, 2001). S ARAH S TREET is Professor of Film at the University of Bristol. Her most recent books are Transatlantic Crossings: British Feature Films in the USA (2002), The Titanic in Myth and Memory (co-edited with Tim Bergfelder, 2004), B lack Narcissus (2005) and Queer Screen: The Queer Reader (co-edited with Jackie Stacey, 2007). Her latest book, Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema , is co-authored with Tim Bergfelder and Sue Harris (2007). J OHN T OMANEY is Professor of Regional Development and Director of the Centre for Urban and Regional Development Studies (CURDS) at the University of Newcastle upon Tyne, Professor of Regional Studies at Monash University in Melbourne, Associate Director of the UK Spatial Economics Research Centre (SERC)

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