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The Cambridge Companion to English Renaissance Drama (Cambridge Companions to Literature) PDF

486 Pages·2003·4.17 MB·English
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This page intentionally left blank TheCambridgeCompaniontoEnglishRenaissanceDrama ThissecondeditionoftheCompanionoffersstudentsup-to-datefactualand interpretativematerialabouttheprincipaltheatres,playwrights,andplaysof themostimportantperiodofEnglishdrama,from1580to1642.Threewide- rangingchaptersontheatres,dramaturgy,andthesocial,cultural,andpolitical conditions of the drama are followed by chapters describing and illustrating varioustheatricalgenres:privateandoccasionaldrama,politicalplays,heroic plays,burlesque,comedy,tragedy,withafinalessayonthedramaproduced during the reign of Charles I. Several of the essays have been substantially revisedandallofthereferencesupdated.Anexpandedbiographicalandbib- liographical section details the work of the dramatists discussed in the book and the best sources for further study. A chronological table provides a full listingofnewplaysperformedfrom1497to1642,withaparallellistofmajor politicalandtheatricalevents. THE CAMBRIDGE COMPANION TO ENGLISH RENAISSANCE DRAMA EDITED BY A. R. BRAUNMULLER AND MICHAEL HATTAWAY SECOND EDITION cambridge university press Cambridge,NewYork,Melbourne,Madrid,CapeTown,Singapore,SãoPaulo Cambridge University Press TheEdinburghBuilding,Cambridgecb22ru,UK PublishedintheUnitedStatesofAmericabyCambridgeUniversityPress,NewYork www.cambridge.org Informationonthistitle:www.cambridge.org/9780521821155 ©CambridgeUniversityPress1990,2003 Thispublicationisincopyright.Subjecttostatutoryexceptionandtotheprovisionof relevantcollectivelicensingagreements,noreproductionofanypartmaytakeplace withoutthewrittenpermissionofCambridgeUniversityPress. Firstpublishedinprintformat 2003 isbn-13 978-0-511-22151-4 eBook (Adobe Reader) isbn-10 0-511-22151-7 eBook (Adobe Reader) isbn-13 978-0-521-82115-5 hardback isbn-10 0-521-82115-0 hardback isbn-13 978-0-521-52799-6 paperback isbn-10 0-521-52799-6 paperback CambridgeUniversityPresshasnoresponsibilityforthepersistenceoraccuracyofurls forexternalorthird-partyinternetwebsitesreferredtointhispublication,anddoesnot guaranteethatanycontentonsuchwebsitesis,orwillremain,accurateorappropriate. CONTENTS Listofplates pagevii Listofcontributors ix Prefacetofirstedition xi Prefacetosecondedition xv Anoteondates,references,andquotations xvi Listofabbreviations xvii 1 Playhousesandplayers 1 r. a. foakes 2 Theartsofthedramatist 53 a. r. braunmuller 3 Dramaandsociety 93 michael hattaway 4 Privateandoccasionaldrama 131 martin butler 5 Politicaldrama 164 margot heinemann 6 Romanceandtheheroicplay 197 brian gibbons 7 Pastiche,burlesque,tragicomedy 228 lee bliss 8 Comedy 254 jill levenson v contents 9 Tragedy 292 robert n. watson 10 Carolinedrama 344 james bulman Biographiesandselectbibliography 372 Chronologicaltable 420 Indices 448 vi PLATES 1 MapofLondon,c.1560–1640(basedonGlynneWickham, EarlyEnglishStages1300–1660,vol.ii:1576–1660,part1 (London,1963) page4 2 ClaudedeJongh’ssketchofLondonBridge,1627 (GuildhallLibrary,CityofLondon.GodfreyNew PhotographicsLtd) 7 3 ThefoundationsoftheRosetheatre,excavatedinMay1989 (PhotographbyAndrewFulgoni,courtesyoftheMuseum ofLondon) 10 4 DeWitt’sdrawingoftheSwan(UniversityLibrary,Utrecht, MS842,f.132r) 14 5 ‘Bill’forRichardVennar’sEngland’sJoy,1602 (Broadsideno.98inthecollectionoftheSocietyofAntiquaries ofLondon) 15 6 Hollar’s‘LongViewofLondonfromBankside’,1647 (BritishLibrary) 22 7 RobertArmin,title-pageofTheTwoMaidsofMoreclack (FolgerShakespeareLibrary) 29 8 Theplanandstagefac¸adeofthePhoenix(Cockpit)(Worcester College,Oxford) 32,33 9 SketchofTarlton(BritishLibrary,HarleianMS3885) 39 10 JohnGreenasNobody(MS128Cistercienstift,Rein, Austria) 43 11 Partofadramatic‘plot’(CourtesyoftheGovernorsof DulwichCollege) 47 vii list of plates 12 Askimmington(ReproducedfromW.ChappellandJ.W. Ebsworth,eds.,TheRoxburghBallads,9vols.,1869–99, vol.i,p.451) 110 13 PaulaDionisottiasalobotomizedShrew,Stratford-upon-Avon 1978(LawrenceBurnsPhotography) 116 14 TheimpresaportraitoftheEarlofCumberlandbyNicholas Hilliard(NationalMaritimeMuseum,London) 139 15 DetailofthedomesticmasquefromtheportraitofSirHenry Unton(NationalPortraitGallery,London) 140 16 InigoJones,sceneforOberon,1611 143 17 InigoJones,designsforanantimasque1624–5 146 18 InigoJones,PrinceHenryasOberon1611 149 19 JohnWebb,groundplanforDavenant’sSalmacidaSpolia, 1640(BritishLibrary,LansdowneMS1171,ff.3b–4) 152 20 Title-pagetoBenJonson’s1616Workes 237 21 The2002SwanTheatreproductionofTheMalcontent (ShakespeareCentreLibrary/photographybyMalcolm Davies) 238 22 Title-pageto1620editionofBeaumontandFletcher’s Philaster(BritishLibrary) 242 23 BarryKyle’s1987RoyalShakespeareCompanyproduction ofShirley’sHydePark,SwanTheatre(DonaldCooper Photography) 347 24 JohnCaird’s1987RoyalShakespeareCompanyproductionof Jonson’sTheNewInn,SwanTheatre(JoeCocksPhotography, Stratford-upon-Avon) 365 Nos. 16–18 are in the Devonshire Collection, Chatsworth. Reproduced by permissionoftheChatsworthSettlementTrustees.Printsbycourtesyofthe CourtauldInstituteofArt. viii

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This is hardly the kind of companion I'd choose for a night out at the theater. Three of 10 chapters have something to say about a play: R.A. Foakes on "Playhouses and players," Margot Heinemann on "Political drama" and James Bulman on "Caroline drama." The rest is either stuff that need never escap
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Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.