The Burlington Magazine 1998: Vol 140 Index

21 Pages·1998·8.2 MB·English

SUBJECT INDEX
reneral I LanceLot: Het Brugse Vrij e, het Landhuis
the zestiende eeuw (ER: Lorne Campbell), 85
niribulions concerning Ruisdae
t under perwod, CKLIN, ArNoLD: Arnold Bécklin, Giorgio
Ungewisse (ER: David Hopkins), 142
DE, WILHELM VON: Mein Leben (BR: Stephanie M
uT1, ANDREA Tendencies of Gothi| c in |
Gardner +50
aRT: Absolute Art (PR), 135. On Abstract Art (BR: Merlin James), 132 p, Pier : Bonnard (ER: Merlin Jan
EXPRESSIONISM: The Widening Circle Consequences of Modernism in Bonnard’s model and lover (Letter
Contemporary Art (PR: David Carrier), 630 : Joseph Bonomi’s members}
DEMIES: Teaching art. Academies and schools from Vasari to Albers (PR: Francois
Quiviger), 50 Orazio: Orazio Borgianni, Juan d
sACH, Oswap: Oswald Achenbach (1872-1905) (PR: Uta M. Simmons), 404 Lawrence’ at Roncesvalles A: Antonio \
iM, Rosert: Architectural Heritage [V. The Journal of the Architectural Heritage , Fevice: Boselli, not Goya (L Isadora Rose
Society of Scotland. Robert Adam (PR: Robin Middleton), 134 si, Constantin: L’atelier Brancusi, La
Arstuetics: De Pictura veterum (PR: Francois Quiviger), 50 BR: Alexandra Parigoris), 400.
res: England and its Aesthetes: Biography and Taste (BR: Geoffrey Newman L, Paut: Paintings by Paul Bril in collab«
Rubens (A: Luuk Pijl), 660
rt: Young Americans II (ER: Simon Wallis), 494. New Worlds from Old sH ART: Victorian Fairy Paintingi
19th Century Australian and American Landscapes (ER: David Blayney Brown Sritain 1860-1910 (ER: William
584. Inventing the Modern Artist: Art and Culture in Gilded Age America (BR Elizabethan and a acobean | ngland lt ie Influence of Continental
Janice Simon), 697. Prestige, Profit and Pleasure. The Market for Modern Art in 1558-1625 (BR: Maurice Howard), 127. T he Print in Stuart Britain 16
New York in the 1940s and 1950s (PR), 704. Artist Advertising and the Borders ER: Graham Parry), 491. English, Irish and Se: yttish Silver at the Sterling
of Art (PR), 768. Crosscurrents in American Impressionism at the Turn of the Francine Clark Institute (BR: Pippa Shirley), 692 Publications on British
Century (PR), 768. The Nude in American Painting, 1950-1980 PR), 768 scape painting] BR: Kimerly Rorschach), 694. Paul Heyer Bequest
American Furniture 1996 (PR), 768 Geoffrey Newman), ER: Simon Wallis
Anpre, Cart: Carl Andre, 12 Isohedra (ER: Alex Potts), 848. Co.tections, Pustic: Lonpon, Nati G ind En
Arcuirecture: Waddesdon Manor: Architecture and Panelling. The James A. de Bronzino, AGNOLO: Bronzino’s Laura \: Carol Plazzotta), 251
Brown, Forp Mapox The Art of Ford Madox Brown (BR Julian lreul /
Rothschild Beque St at Wadde sdon Manor BR: Katie Scott), 394. Architectural
Studies in Memory of Richard Krautheimer (PR: David Hemsoll), 490 BRUEGHEL, PIETER: Pieter Brueghel. Die Zeichnungen (Pictura Nova, Studies in 16th
ARELLANO, JUAN DE: Juan de Arellano, 1614-1676 (ER: Peter Cherry), 578 and 17th Century Flemish Painting and Drawing. Vol.I] BR: Martin
Art Lrrerarure: De Pictura veterum (PR: Francois Quiviger), 50. Kisch), 207.
Bruces: [Exhibitions of Bruges painting and sculpture] (ER: Lorne Campbell), 851
Arts & Crarrs Movement: The Substance of Style: Perspectives on the American Arts
and Crafts Movement (PR: Annette Carruthers), 403. BRUNELLESCHI, Fitippo: Die Konkurrenzreliefs Brunelleschi und ( Ghiberti im
Askew, Pame.a: Pamela Askew (1925-97) (O: Ruth Rubinstein), 478. Wettbewerb um die Baptisteriumstiir in Florenz (PR: Johannes Roll), 275.
AUSTRALIAN ART: New Worlds from Old 19th Century Australian and American 3UONTALENTI, BERNARDO: Bernardo Buontalenti (BR: Deborah Howard), 40
Landscapes (ER: David Blayney Brown), 5 é »r4t . Burcunpy: L’art au temps des rois maudits. Philippe le Bel et ses Fils (ER: Paul
AustriAN ArT: Tiichleinmalereien in Zittau und Riggisberg (PR: . <irby 103. Crossley), 409. Willem Vrelant. Un aspect de l’enluminure dans les Pays-Bas
Genormte Fantasie, Zeichenunterricht fiir Tischler, Wien 1800 méridionaux sous le mécénat des ducs de Bourgogne Philipe le 3on et Charles |e
Leben), 216 léméraire BR: Alain Arnould), 625
ByZANTINI ART: Painting the Soul Icons, Death Masks and Shrouds (BR: Anthony
Cutler), 125. See also Ivories
By. Enrico: Modifications Baj Jorn Spoerri ER: Tony Godfrey), 5
Bakutin, Miknait: Bakhtin and the Visual Arts (PR: David Carrier), 404
Barsizon SCHOOL: The Barbizon School and the origins of Impressionism (BR: John Car IFORNIAN ART: On the Edge of America: California Modernist Art 1900—1950 (PR
Sillevis), 332. 704.
Bassano, Jacopo: Jacopo Bassano and His Public. Moralizing Pictures in an Age of Campin, Rosert: Der Meister von Flémalle: Die Werkstatt Robert Campins und
Reform, ca.1535—1600 (BR: Jack M. Greenstein), 39. The Religious Art of Rogier van der Weyden (BR: Mark L. Evans), 685
Jacopo Bassano: Painting as Visual Exegesis (BR: Jack M. Greenstein), 483 anova, ANronio: Canova Ideal Heads (BR: Alison Yarrington), 396
Bassano, Leanpro: Leandro Bassano’s portrait of Tiziano Aspetti (SN: Claudia Kryza- Simone: Simone Cantarini detto il Pesarese (ER: D. Stephen Pepper), 145
Gers h 2Ge. RAVAGGIO: The earliest account of Caravaggio in Rome SN: Sandro( ¢ yrradini and
Bastien Lepace, JuLes: The Identity of Bastien Lepage’s ‘Girl with a sunshade’ at the Maurizio Marini), 25. Come dipingeva il Caravaggio: Atti della giornata di stu-
Fitzwilliam Museum, Cambridge (SN: John Collins), 323. dio (BR: John Gash), 41.
Baroni, Pompeo: A Batoni patron identified (SN: Francis Russell), 682. RLINI, Acostino: High rococo in Holland William IV and Agostino Carlini (A
Bazitte, Freperic: Frédéric Bazille, 1841—1870. Catalogue raisonné. (BR: Richard Reinier Baarsen), 172.
Thomson), 764. ro, AnrHony: Anthony Caro: New Sculptures, A Survey (PR
Brarpstey, Ausrey: Beardsley, Japonisme, and the Perversion of the Victorian Ideal \RRAC( AnnipaLe: A Farnese impresa in Annibale Caracci’s ‘Sleeping Venus’ (SN
BR: Toshio Watanabe), 627 Anne Brookes), 676
BeauGrant, Guyor pe: Het Brugse Vrije, het Landhuis, de Schouw: gezag en cultuur .ccl, SCHOOL oF: La scuola dei Carracci. I seguaci di Annibale e Agostino (BR
in the zestiende eeuw (ER: Lorne Campbell), 851. Carel van Tuyll van Serooskerken), 44
Beaux, Ceciia: Cecilia Beaux and the Art of Portraiture (PR), 768. ‘EAN BerMUDEZ, AcusTin: El gabinete de Cean Bermudez (PR: Nigel Glendinning), 216
Be.torri, Pierro: Pietro Bellotti 1625-1700 (BR: Luisa Vertova), 45. LLINI, BENveNUTO: Benvenuto Cellini’s designs for his tomb (A: Michael Cole), 798
Bettorro, BerNArDo: Bernardo Bellotto: Dresda, Vienna, Monaco (1747 1766) (BR er!, S. Mari Immacotata: Santa Maria Immacolata in Ceri. Pittura sacra al tempo
Edgar Peters Bowron), 47. della Riforma Gregoriana. Sakrale Malerei im Zeitalter der Gregorianischen
BerGoGnone: Ambrogio da Fossano detto il Bergognone, un pittore per la Certosa (ER: Reform (PR: George Zarnecki), 488
Luke Syson), 575. ZANNE , Paut: Cézanne and Zola: a reassessment of ‘L’Eternel féminin’ (A: Benjamin
Bernini, GIANLORENZO: Two Studies for the Gest and a ‘quarantore’ design by Bernini Harvey), 312. Cézanne, Fattori e il 900 in Italia (PR: Sandra Berresford), 766
SN: Jennifer Tonkovich), 34. Bernini. The Sculptor of the Roman Baroque (PR: ‘HAGALL, Marc: Chagall: Love and the Stage (ER: Merlin James), 769
Christopher Baker), 490. Effigies & Ecstasies, Roman Baroque Sculpture and ‘HANTILLY PORCELAIN: Porcelaine tendre de Chantilly au XVIlIle siécle BR: Aileen
Design in the Age of Bernini (ER: Ann Sutherland Harris), 638 A fountain by Dawson), 211.
Gianlorenzo Bernini and Ercole Ferrata in Portugal (A: Angela Delaforce {HERNIKHOV, Jaxov: Jakov Cernihov: Documenti e riproduzioni dall’archivio di
Jennifer Montagu, Paulo Varela Gomes and Miguel Soromenho), 804 Aleksei e Dimitri Chernihov (PR: Christina Lodder), 572
Bevys, JoserH: Joseph Beuys Multiples (ER: Robert Silberman), 225 ‘HINESE FURNITURE: Classic Chinese Furniture of the Qing Dynasty (BR: Rose Kerr),
Biennais, Martrin-Guittaume: The Percier and Biennais album in the Musée des Arts 206.
décoratifs, Paris (SN: Pierre Arizzoli-Clémentel), 195. MAMBERLANO, Luca: Guido Reni, Luca Ciamberlano and the Oratorians: their rela-
BiakeLock, RatpH ALBert: Ralph Albert Blakelock (PR), 768. tionship clarified (A: Olga Melasecchi and D. Stephen Pepper), 596.
Biancue, Jacques-Emite: Jacques-Emile Blanche, peintre (1861-1942) (ER James ‘trEAUX Moratia in Jos: Violence and Daily Life. Reading, Art, and Polemics in the
Beechey), 54. Citeaux Moralia in Job (PR: Jeremy Gray), 57
BLOEMAERT, ABRAHAM: Abraham Bloemaert 1566—1651. Studien zur Utrechter Malerei ‘LAUDE Lorrain: Claude Lorrain and the Ideal Landscape (ER: Humphrey Wine),
um 1620 (BR: Walter S. Melion), 689. 358.AO
SUBJECT INDEX
Anriquiry: God and Gold in late antiquity (BR: Liz James), 562 Monvreuier, Muster Fasre: De la Nature. Paysages de Poussin 4 Courbet dans les
HUCK: Chuck Close (ER: David Anfam), 583 collections du Musée Fabre (PR: Michael Clarke), 341.
GH, Pruneta: Prunella Clough (ER: Simon Wallis), 842 NETHERLANDs: [talian Paintings from the Seventeenth and Eighteenth Centuries in
Giwuio: The Towneley Lectionary Illuminated for Cardinal Alessandro Dutch Public Collections (BR: Charles Beddington), 211.
Farnese by Giulio Clovio (BR: Lilian Armstrong), 626 New York, Merropourran Museum or Art: European Miniatures in the
Garrett: Garrett Cole: Modern Landscapes for Living (PR), 768 Metropolitan Museum of Art (BR: Stephen Lloyd), 214
crinc: Medieval Art in America. Patterns of Collecting 1800—1940 (PR: Clive NuRNBERG, BayeriscHes NATIONALMUSEUM: Germanisches Nationalmuseum
Wainwright), 135. Camillo Massimo collezionista di antichita. Fonti e materiali Nurnberg. Die Gemalde des 16. Jahrhunderts (BR: John Oliver Hand), 484.
BR: Ingo Herklotz), 563. Women and Art in Early Modern Europe. Patrons, Paris, BisuiorHtque Nationate: Les Dessins du Fonds Robert de Cotte de la
Collectors and Connoisseurs (PR: Alice E. Sanger), 702. Spanish Inventories I. Bibliothéque Nationale de France. Architecture et Décor (BR: Robin Middleton),
Collections of Paintings in Madrid: 1601-1755 (PR: Enriqueta Harris), 702 328
Akademizm w XIX wieku [Academism in the nineteenth century] (PR Paris, Fonpation Custopia: The Lugt drawings by Rembrandt and his School (SN:
Katarzyna Murawska-Muthesius), 704. See also AMERICAN ART; GIUSTINIANI; Martin Royalton-Kisch), 618
TPRONSARELLI; Pozzo; Massimc Paris, Muste pu Louvre: Ecole italienne, XVIle siécle, 1. Bologne (BR: Carel van
CTIONS, Pusuic: Puyll van Serooskerken), 44.
ERDAM, RyksmuseuM: Italian Drawings from the Rijksmuseum, Amsterdam Paris, Muste NATIONALE D’ART Moperne, see BRANCUSI
PR: Aidan Weston-Lewis), 48 Rome, Patazzo pet Quirinate: Il patrimonio artistico del Quirinale. Vol I: Pittura
ESBURY, WADpESDON Manor: Waddesdon Manor: Architecture and Panelling antica. La quadreria. Vol. II: Pittura antica. La decorazione murale (BR: Silvia
[he James A. de Rothschild Bequest at Waddesdon Manor (BR: Katie Scott), Ginzburg), 46.
394 Sr PererssurG, Hermirace: Persidskaya zhivopis’ 1 risunok XV—XIX vekov v
ARCELONA, Museu Freperic Mares: Catalog d’escultura I pintura dels segles XVI, sobranii Ermitazha (Persian painting and drawing of the 15th—19th centuries
XVII I XVIII (BR: Marjorie Trusted), 487 from the Hermitage) (BR: J.M. Rogers), 392.
Betuno, Museo Crvico: Catalogo del Museo Civico di Belluno. Vol.3: Le Vienna, Leorotp Co.iection: Egon Shiele. The Leopold Collection (BR:
Placchette e i Piccoli Bronzi. Le Sculture (BR: Jeremy Warren), 486. Christopher Short), 698.
Berwin, GEMALDEGALERIE: The new Gemialdegalerie in Berlin (Editorial), 515 Vizitte, Musée pe LA REVOLUTION Francaise: Catalogue des Peintures et Dessins.
Berwin, KuprersticHKABINETT: Die Italienischen Zeichnungen des 14. und 15 Musée de la Révolution Francaise, Vizille (BR: Linda Whiteley), 329.
Jahrhunderts im Berliner Kupferstichkabinett (BR: Hugo Chapman), 272. Vienna, OsTeRREICHISCHE NATIONALBIBLIOTHEK: Die Illuminierten Handschriften und
Bi.pao, GuGGENHEIM Museum: Guggenheim Museum, Bilbao (ER: Sean Rainbird), Inkunabeln der Osterreichischen Nationalbibliothek. Band 10, Mitteleuropaische
62 Schulen I (ca.1250—1350) (BR: C.M. Kauffmann), 125.
BigMINGHAM: Public Sculpture of Birmingham (BR: Philip Ward-Jackson), 836. WILLIAMSTOWN, STIRLING AND FRANCINE CLARK INstrrute: English, Irish and Scottish
Brera, Pinacoreca pi Brera: Pinacoteca di Brera: Addenda e apparati generali Silver at the Stirling and Francis Clark Institute (BR: Pippa Shirley), 692.
Musei e gallerie di Milan (BR: Carl Brandon Strehlke), 487. Conservation: Old Master Prints and Drawings, A Guide to Preservation and
Brrrain, RecionaL Couiecrions: Art Treasures from England: The Regional Conservation (PR: Hugo Chapman), 49. Il Restauro Delle Oreficerie
Collections (ER: Alastair Laing), 276. Regional museums — treasures and travails Aggiornamenti. Goldware: Restoration Updates. Appunti del Museo Bugatti
Editorial), 235. Access to Museums (Editorial), 75. A positive policy for the arts Valsecchi (PR: Clive Wainwright), 49. Sculpture Conservation; Preservation or
Editorial), 595. Interference? (BR: Simon Watney), 132. Stones of Florence (Editorial), 435.
Brirain, Roya, Cottection: Views of Windsor: Watercolours by Thomas and Paul tonSTANT: Hilton and Constant in correspondence (A: Adrian Lewis), 525
Sandby from the Collection of Her Majesty Queen Elizabeth II (BR: Kim Sloan), {ONTEMPORARY ART: At one remove (ER: Tony Godfrey), 53. Intensities (ER: Tony
28 Godfrey), 53. Arkipelag (ER: Tony Godfrey), 352. NatWest Art Prize 1998 (ER:
$niTAIN: Later Gothic Manuscripts 1390-1490 (BR: Richard Marks), 623 Tony Godfrey), 633.
Caucutra, VicroriA Memoria Haiti: The Victoria Memorial Hall Calcutta: ‘ORBUSIER, Le: Space Calculated in Seconds, The Philips Pavilion, Le Corbusier,
Conception, Collections, Conservation (PR: Andrew Wilton), 704 Edgard Varése (BR: Charlotte Skene-Catling), 699.
Care Town, Micuaruis Cottecrion: The Michaelis Collection. The Old Town JORNEILLE DE Lyon: Corneille de La Haye dit Corneille de Lyon (1500/1510—1575
House, Cape Town. Catalogue of the Collection of Paintings and Drawings (BR: BR: Lorne Campbell), 755
Seymour Slive), 210. ‘ORNELL, JOSEPH: Utopia Parkway. The Life and Work of Joseph Cornell (PR: David
Cuantitty, Musée Conpeé: Dessins italians du musée Condé a Chantilly. I. Autour Carrier), 630.
de Pérugin, Filippino Lippi et Michel-Ange (PR: Hugo Chapman), 49 ORTONA, PieTRO DA: Pietro da Cortona and the Este in Modena (A: Alice Jarrard), 16.
Cuicaco, Art Institute: Surrealist Art: The Bergman Collection at the Art Institute [The Pietro da Cortona centenary exhibitions] (ER: Stéphane Loire), 219.
of Chicago (BR: Robert Radford), 337. Italian Drawings before 1600 in the Art ‘OTTE, Ropert De: Les Dessins du Fonds Robert de Cotte de la Bibliothéque Nationale
Institute of Chicago, a catalogue of the collection (BR: Hugo Chapman), 485. de France. Architecture et Décor (BR: Robin Middleton), 328.
Fiance: Arcuives: Archives d’Architectes, Etat des Fonds, XTXe—XXe siécles (BR: {OTTINGHAM, Lewis N.: L.N. Cottingham 1787—1847: Architect of the Gothic Revival
Barry Bergdoll), 130 BR: Rosemary Hill), 627
Haariem, Trevter Museum: The Dutch Drawings in the Teyler Museum. Vol.II: {REMONESE DRAWINGS: I segni dell’arte. Il Cinquecento da Praga a Cremona (ER:
Artists born between 1575 and 1630 (BR: Martin Royalton-Kisch), 688 Jonathan Bober), 290
Hacen, DeurscHes Museum Fur Kunst in HANDEL UND GEWERBE, see WERKBUND. /RESPI, Giusepre Maria: Crespi’s gambling children and a new drawing in Norwich (A:
Housron, Museum or Fine Arts: Italian Paintings XITV—XVI centuries in th Katarzyna Murawska-Muthesius), 604.
Museum of Fine Arts, Houston (BR: Carl Brandon Strehlke), 272. iRITICISM: Last Chance for Eden. Selected Art Criticism by Christopher Knight
Lonpon, Courtautp GALLery: Progress in Somerset House (Editorial), 787 1979-1994 (PR: David Carrier), 50. Idiosyncratic Identities (BR: Merlin James),
Lonpon, Garrick Cvs: Pictures in the Garrick Club (PR: Judy Egerton), 767 +02. The Self-Aware Image. An Insight into Early Modern Meta-Painting (BR:
Lonpon, Nationa Gattery: National Gallery Catalogues: The British School (BR: Ivan Gaskell), 570. Air Guitar: Essays on Art and Democracy (BR: Merlin James),
Alex Kidson), 760 701
Lonpon, RIBA: The future of the RIBA drawings collection (Editorial), 659 ‘ROWN Point Press: Thirty-five Years at Crown Point Press (PR: Gilly Paget), 630.
Lonpon, Tare Gautery: A new history of the Tate Gallery (Editorial), 299 /URRIN, JOHN: [Contemporary painting] (ER: Merlin James), 65
Lonpon, Victoria & Atsert Museum: A Grand Design: The Art of the Victoria and
Albert Museum (ER: Stephen Bann), 153. The V. & A. and its histories
Editorial), 163. Photography: An Independent Art. Photographs from the Da i, Sa.vapor: The Shameful Life of Salvador Dali (BR: Robert Radford), 337.
Victoria and Albert Museum 1839-1996 (PR: Kitty Hauser), 572. See also Daniéis, René: René Daniéls (ER: Tony Godfrey), 574.
RAPHAEI Davipson, Bernice: Bernice Davidson (1927—98) (O: Edgar Munhall), 478.
Lonpon, WALLACE CoLLecTion, see DELAROCHI De Cuirico, Giorcio: Arnold Bécklin, Giorgio de Chirico, Max Ernst: Eine Reise ins
Los AnGELEs,J . Pau. Gerry Center: Upon a peak in Brentwood (Editorial), 3. The Ungewisse (ER: David Hopkins), 142.
collections of the Getty Research Institute (Supplement), 425. De Moraan, Evetyn: Evelyn De Morgan: Oil Paintings (PR: Gilly Paget), 343.
Maprip: Spanish InventoriesI . Collectionosf Paintings in Madrid: 1601—1755 (PR: De Morcan, Wittiam: Rare Spirit: A Life of William De Morgan 1839-1917 (BR:
Enriqueta Harris), 702 Fiona McCarthy), 397
Maprip, Brstioreca Nacionat: El gabinete de Cean Bermudez. Dibujos, estampas y Der Sry: De vervolgjaren van De Stijl 1922-1932 (BR: Michael White), 699.
manoscritos de la biblioteca nacional (PR: Nigel Glendinning), 216 Decorative arts: Arti Applicate tra Settecento e Ottocento Personaggi, Fabbriche,
Mian, Musso Bacartt Vatseccut: La Casa Bagatti Valsecchi. L’Ottocento, II Eventi. Appunti del Museo Bagatti Valsecchi (PR: Clive Wainwright), 49. French
Rinascimento, I] Gusto Dell’Abitare (PR: Clive Wainwright), 49. Period Rooms 1650—1800 (BR: Katie Scott), 394.
Mian, Pinacoreca AmsBrosiANa: La Pinacoteca Ambrosiana (BR: Carl Brandon Decas, Epcar: Degas and the Little Dancer (BR: Philip Ward-Jackson), 397. Degas’s
Strehlke), 686. collection (A: Henri Loyrette), 551. Degas at the Races (ER: Richard Kendall),
Minneapouts Museum or Art: Recent acquisitions of the Minneapolis Institute of Art 581
Supplement), 649. Detacrorx, Eucene: Eugéne Delacroix. The Graphic Work. A Catalogue Raisonné
Monratcino, Museo Civico & Diocesano p’ARTE Sacra: Museo Civico e Diocesano (BR: Lee Johnson), 213. [Delacroix exhibitions] (ER: Nina Athanassoglou-
d’Arte Sacra (ER: Carl Brandon Strehlke), 290. Kallymer), 772.
10
SUBJECT INDEX
De.arocue, Paut: Paul Delaroche. History Painted BR: Nei McWilliam), 331 Paul 130. Comprendre PE sme (B 3arry rgdoll), 330. French Period rooms
Delaroche 1797-1856. Paintings in the Wallace Collec tion BR Neil BR: Katie Scott), 394
McWilliam), 331 Art: Visages du Grand Siécle (ER: Richard Beresford), 56 Intimate Encounters
Derr: Delft Masters, Vermeer’s Contemporaries; Illusionism through the Conquest of Love and Domesticity in Eighteenth-century France (BR: Katie Scott 33. De la
Light and Space (PR: Charles Ford), 703 Nature. Paysages de Poussin 4 Courbet dans les Collections du Musée Fz
Derain, Anpré: A newly discovered portrait by André Derain (SN: Richard Ve Michael Clarke), 341. Organizing Independence. The Artists Feder of the
325. André Derain. Catalogue raisonné de l’ceuvre peint. ‘Tome II (1915-1 Paris Commune and its Legacy, 1871—1889 (BR: Neil McWill 966. Framing
BR: Merlin James), IID France: The Representation of Landscape in France 1870 14 (PR: Merlin
Doic, Perer: Peter Doig. Blizzard seventy-seven (ER Tony Godfrey), 633 James 766 The Pieta in | rench Late Gothic Sculpture: Regi mal Va riations
Dove, Arruur: Arthur Dove: A Retrospective (ER: Robert Silberman ~ 506 BR: Phillip Lindley), 834
Ducuamp, Marcet: The Complete Works of Marcel Duchamp (BR: David Hopkins), 2D, GEORGI Playing with Paradox George Fullard 1923-73 (ER: David
338. Alston), 637. Assembling the Absurd The Fullard (PR
Dutrcu Art Dutch Art: An Encyclopedia Garland Reference Library of the Merlin James), 837
Humanities, 1021 BR: Charles Ford), 214 Che Dutch Drawings in the Teyler wn, H \MISH Hamish Fulton (ER: J Haldane), 840
Museum. Vol.II Artists born between 1575 and 1630 (BR Martin Royalton- ‘ND Woopwork: Genormte Fantasie, Zeichenunterricht fii lischler, Wien
Kisch), 688. Looking at Seventeenth-Century Dutch Art Realism Reconsidered 800 1840 (PR: Ulrich Leben), 216. French Period Rooms 1650 1800 BR:
BR: Mariét Westermann), 691. Art and Commerce in the Dutch Golden Age Katie Scott), 394. See also Mera RK; COLLECTIONS, PuBLic: AYLESBURY
PR: Charles Ford), 703. The Cheerfulness of Dutch Art: A Rescue Operation RISM: Futurismo. I grandi temi 1909-1944 (ER: Philip Rylands
PR: Erin Griffey), 703. Masters of Light: Dutch Painters in Utrecht during the
Golden Age (ER: Peter Hecht), 705. See also NeTHERLANDISH, ART \, Fepe: An early still life by Fede Galizia (A: Sam Segal), 164
, Paut: Gauguin’s Skirt (BR: Colin Rhodes), 337 Paul Gauguin Tahiti (ER:
Eakins, Tuomas: Thomas Eakins Rediscovered (BR: Marc Simpson), 2IgG2 Belinda Thomson), 350
Eames, CHARLES and Ray: The Work of Charles and Ray Eames (ER: Charlotte Skene- Gear, Wi 1AM: William Gear and Cobra ER Adrian Lewis), 4{ 0
Catling), 840 - Genoa, Cimirero bi STAGLIENO: Staglieno e la Scultura Funeraria Ligure tra Ottocento
ELSHEIMER, ADAM, see Bri. e Novecento (BR: Sandra Berresford), 835
E» NGLISH ART: Art and Decoration in Elizabethan and Jacobean England. The Influence GENTILESCHI, OraAz [he provenance of the ‘Castle Howard version of Orazio
of Continental Prints, 1558-1625 (BR: Maurice Howard), 127 Lumiéres Gentileschi’s ‘Finding of Moses’ (A: Hilary Maddicott),
d’Outre-Manche. Light from across the Channel. L’aquarelle anglaise de la fin GericauLt, THEODORE Géricault. Watercolours, drawings and prints from the Ex ole
du XVIIléme siécle a la fin du XlXéme siécle dans les musées du Kent et du nationale supérieure des Beaux-Arts ER Frances Suzman Jowell), 498
Nord-Padse Calais (PR: Martin Hopkinson), 572. The English Print 1688-1802 Théodore Gericault, Etude, critique dos uments et <¢ atalogue raisonné,
BR: Diana Donald), 693. See also Britis AR vols. VI-VII, Annexes (BR Lorenz Eitner), 760. Géricault in Italy and Géricault
ER Max: Arnold Bécklin, Giorgio de Chirico, Max Ernst: Eine Reise ins Conférence et Colloque (BR: David Blayney Brown), 763.
Ungewisse (ER: David Hopkins), 142 GERMAN Imagining Modern German Culture 1889-1910 (PR: Jill Lloyd), 343
Este: Pietro da Cortona and the Este in Modena (A: Alice Jarrard), 16. See also German Art from Beckmann to Richter: Images of a Divided Country (PR: Jill
FERRARA Lloyd), 630. Duits Steengoed. German Stoneware (PR David Gaimster), 703
Friihmittelalterliche Kapitelle und Kampfer Deutschland BR: George
NG: Victorian Fairy Painting (ER: William Vaughan), 51 Zarnecki 333 See also Pacher; WERKB
FANCELLI, GIOVANNI DI ALESSANI RO A case of mistaken identity: The Martellini Jupiter Guiserti, Lorenzo: Die Konkurrenzreliefs Brunelleschi und Ghiberti im Wettbewerb
by Giovanni di Scherano Fancelli (A: Louis Alexander Waldman um die Baptisteriumstiir in Florenz (PR: Johannes Roll), 275
FarINGTON, JoserH: The Diary of Joseph Farington Index (PR: Luke Herrmann), 767 (GHIRLANDAIO, RIDOL Towards a new chronology for Ghirlandaio and
Farnese: A Farnese impresa in Annibale Caracci’s ‘Sleeping Venus SN: Anne Mi hele Torsini (A David Franklin), 445
Brookes). 676 GIACOMETTI, ALBERTO: Giacometti’s “Woman with her thre Letter: David
Farnt ALESSANDRO: Le nozze di Alessandro Farnese. Feste alle corti di Lisbona « Sylvester 124
Bruxelles PR: Clare Robertson), 489 Gippons, GRINLING A new Grinling Gibbons do ument (SN: Kate Harris), 829; > also
Fat ori, Giovanni: Cézanne, Fattorie il 900 in Italia PR: Sandra Be rresford 766 Watson
FEMINISM Avant-Gardes and Partisans Reviewed (PR: Merlin James), 342 Gisss, Henry: An English gentleman painter, Henry Gibbs (SN: Karen Hearn), 99
Fern \NDEZ, PEDRO Pedro Fernandez da Murcia lo Pseudo Bramantino ER: Carl , Eric: Eric Gill he Sculpture (BR: David Fraser Jenkins), 836
3randon Strehlke), 61 Giorcione: Giorgione and Gio rione: Peintre de la ‘briéveté poétique’ (BR: Paul
RRARA Herculean Ferrara: Ercole d’Este 1471 1505, and the Invention of 1 Ducal Holberton), 482
Capital (BR: Jane Fair Bestor), 274. La miniatura a Ferrara dal tempo di Cosme »: Il Cantiere di Giotto. Le St li San Francesco ad Assisi (BR Julian
Cura all’ eredita di Ercole de’ Roberti ER: Carl Brandon Strehlke VU Gardner), 269. Painting in the Giotto \ Historical Re- valuation BR
FERRATA, ERCOL! \ fountain by Gianlorenzo Bernini and Ercole Ferrata in Portugal Paul Hills), 479
A: Angela Delaforce, Jennifer Montagu, Paulo Varela Gomes and Miguel NIrAaNnIt, RDeEnN EDETI The colllI ection f ¢ irdinal B2e ne
Soromenho), 804 Silvia Danesi Squarzina), 102
FiasettA, Domenico: Two Roman paintings by Domenico Fiasella (SN: Frances GLEYRE. CuHarl Charles Gleyre 1806—18l 74 Vol.! and Works
Cappelletti), 28 Catalogue Raisonné (BR: Neil McWilliam), 331
INELLI, GruLIANO: Addenda to the woofr Giuklia no Finelli (SN: Damian Dobrowski 824 Gober, Roser ° Robert Gober ER Lynne Cooke), 292
Fin.ay, [AN Hamicron: Ian Hamilton Finlay: Prints 1963—1997 (BR: Harry Gilonis), 1)? Gop: God, cosmos and humankind (PR: Francois Quiviger 0. God and Gold in Late
FLANAGAN, Barry: Barry Flanagan (ER: John Haldane), 839. Antiquity (BR: Liz James), 562
FLemisH Art: From Van Eyck to Bruegel (ER: John Oliver Hand), 854. Van Memling Gol rZIUus, HENDRICK: [wo new drawings by Hendrick Goltzius (SN: Jan Leja), 192
tot Pourbus (ER: Lorne Campbell), 851. Michelangelo Diirer en de mooiste . FRANCISCO DI Boselli, not Goya (Letter Isadora Rose-de Viejo), 124 Goya’s
Madonna (ER: Lorne Campbell), 851. Early Netherlandish carved altarpieces, ‘black paintings’] (BR: Nigel Glendinning), bYb
1L2300nU 1550: Medieval tastes and mass marketing (BR: Kim Woods), 834 \ Dictionary of British and Irish Travellers in Italy 1701—1800 (PR), 630
ORE Baptistery: Die Konkurrenzreliefs. Brunelleschi und Ghiberti im Alan Green paintings 8 (ER: T my Godfrey 633
Wettbewerb um die Baptisteriumstiir in Florenz (PR: Johannes Ré 1l]i a wrt de Brut le Pierre-Narcisse Guerin BR: Richard
art: The Renaissance in Florence: the Birth of a New
Humfrey Z)/ il
rINE URE: Stones of Florence Editorial), 435 Haniex Hol, VitHELM: L’univers poétique de Vilhe lm Hammershoi 1864 1916 (ER
us, ¢ IR Cornelis Floris 1514 1575. Beeldhouwer, architect en Martin Butlin), 139
BR: Jeffrey Chipps Smith), 393 LEY, Marsp Marsden Hartley American Modern (ER: Robert Silberman),
Fotey Cuina, see NICHOLSON. )06. Somehow a Past: The Autobiography of Marsden Hartley (PR), 768
Frames: The study and imitation of old picture-frames (A: Nicholas Penny), 375 Heaton, Ciement: Clement Heaton, 1861—1940 (PR), 768
I RANCISCAN ARCHITE(¢ Conventi toscani dell’Osservanza francescana PR Paul Henri, Rosert: Revolutionaries of Realism: The Letters of John Sloan and Robert
Davies O2O0 Henri (BR: Marc Simpson), 131
FRANCISCAN IcoNOGRAPHY: Picturing the Passion in Late Medieval Italy Narrative Heron, Parrick: Patrick Heron (ER: Simon Morley), 631
Strategies Franciscan Ideologies and the Levant (BR: Laura Jacobus), 269 Herrera, Arturo: Arturo Herrera and Kara Walker (ER: Simon Wallis), 494.
FRANKENTHALER, HELEN: Four American Painters: Frankenthaler, Noland Olitski and Hizron, Rocer: Roger Hilton: An Instrument of truth (ER: Adrian Lewis), 407. Hilton
Poons ER: Geoffrey Newman), ind Constant in correspondence (A: Adrian Lewis), 525. The Last Days of Hilton
FREDERIK HENpRIK or Orance: Vorstelijk Vertoon Princely Display) (ER: Oliver PR: Merlin James), 572 )
Millar), 28 Hocu, Hannan: Hannah Hoch. Jenseits fester Grenzen. Das malerische Werk bis 1945
FRENCH: PR: Andrew John Martin), 572
Arcuirecture: Les Cathédrales au XIXe siécle (BR: Robin Middleton), 128 Hocartu, Wiuiam: [The Hogarth tercentenary exhibitions] (ER: Duncan Bull), 136
Archives d’Architectes, Etat des Fonds, XIXe—XXe siécles (BR: Barry Bergdoll : Honpius, Henprick: Hendrick Hondius and the Business of Prints in Seventeenth-
1]
SUBJECT INDEX
ntury Holland (BR: Robert A. Gerard), 209 ry or: The Buildings of England. London I: The City of London (BR: Chris
Joun: John Hubbard (ER: Frances Spalding), 635 Miele , 691
Conte mporary painting} ER: Merlin James), 65 Lorro, Lorenzo: Lorenzo Lotto. Il genio inquieto del Rinascimento (ER: Alessandro
Nova), 412
vy: Traité des saintes images (PR: Francois Quiviger), 50. L’Echelle Céleste Lowry, Li L.S Lowry RA (1887-1976). Works on Paper (ER: Simon Wallis), 842.
Art du Moyen Age (BR: C.M. Kauffmann), 127. See ilso Gop
Manus Die Illuminierten Handschriften und Inkunabeln der Oster- Ma ip, Vict re: Vicente Macip (c.1475—1550 BR: Rosemarie Mulcahy), 39.
reichischen Nationalbibliothek. Band 10, Mitteleuropaische Schulen | Marita, Mar vo Satvapor: Mariano Salvador Maella, Vida y Obra (BR: Xavier
a. 1250-1350) (BR: C.M. Kauffmann), 125 Omne Bonum \ Fourteenth-cen- Bray), 212
tury Encyclopedia of Universal Knowledge (BR: Michael Michael), 391 Later Macritte, Rent René Magritte: Catalogue raisonné, Vols.1—5 (BR: Dawn Ades), 340.
Gothic Manuscripts 1390-1490 (BR: Richard Marks), 623. Heures de Turin- La Belle Captive (PR: Gilly Paget), 343. René Magritte 1898-1967 (ER: Jennifer
Milan, Commentary (BR: Mark L. Evans), 624 Le livre d’images de Madame Mundy), 411.
Marie (BR: Janet Backhouse), 755. See also Ferrara Marouica: Faenza-faience. “Bianchi” di Faenza (PR), 489.
Impressionismus und Symbolismus: Malerei der Jahrhundertwe nde aus Matcuaik,J oun: John Malchair of Oxford: Artist and Musician (ER: Anne Lyles), 844
Polen ER: Elizabeth Clegg), 218 Matevicu, Kazimir: Kazimir Malevich (PR: Christina Lodder), 344. Kazimir Malevich
: Indian Block-Printed Textiles in Egypt (BR: John Guy , 684. and the Art of Geometry and Kazimir Malevich. The Climax of Disclosure (BR:
Memories (PR), 768 Jeremy Howard), 569.
Manara, BALDASSARE:! 3aldassare Manara Faentino pittore di maioliche nel
rrecrure: Architettura nelle Marche dall’eta classica al Liberty (BR: Paul ( inquecento PR), 489.
Davies), 38. Storia dell’architettura italiana II se condo novecento BR: Manfredi Manet, Epouarp: Manet, Monet, and the Gare Saint-Lazare (ER: George
Manera ), 701 Shackelford), 642
Gesta Dipinte (BR Nicholas Penny), 38 Tra Roma e Umbria PR: Julian Manzonl, Pirro: Piero Manzoni ER: Frances Morris), 405.
Gardner), 49. Art and Society in Italy 1350 1500 (BR: Peter Humfrey), 271. Marie, Mme: Le livre d’images de Madame Marie (BR: Janet Backhouse), 755.
Women in Italian Renaissance Art: Gender, Representation, Identity (BR: Peter Martini, Simone: Simone Martini. La Maesta (PR), 275.
Humfrey), 271. Italian Paintings XIV—XVI centuries in the Museum of Fine Arts, Marxism: Avant-Gardes and Partisans Reviewed (PR: Merlin James), 342.
Houston (BR: Carl Brandon Strehlke), 272 Che Painting of the Late Renaissance Masi, Cosimo, see VEEN.
in Rome and Florence (PR), 275 ). Picturing Women in Renaissance and Baroque Massimo, Camiiy »; Camillo Massimo collezionista di antichita. Fonti e materiali (BR:
Italy (PR: Paola Tinagli), 488. The Scholar in his Study. Ownership and experi- Ingo Herklotz), 563
ence in Renaissance Italy (BR: Kent Lydecker), 562 [Essays by Roberto Longhi] MAsTerR OF THE Kress LAanpscapes, see Lar IANI, GIOVANNI.
BR: Carl Brandon Strehlke), 567. A Dictionary of British and Irish Travellers in MareriaL cutrurE: Learning from Things: Method and Theory in Material Culture
Italy 1701—1800 (PR), 630 Ecole italienne, X VIle siécle, |. Bologne (BR: Carel Studies (PR: Clive Wainwright), 135.
van Tuyll van Serooskerken), 44. Italian Paintings from the Seventeenth and Maruematics: The Invention of Infinity. Mathematics and Art in the Renaissance (BR:
Eighteenth Centuries in Dutch Public Collections (BR: Charles Beddington), 21 | John White), 685
Vivre et peindre 4 Rome au XVIIle siécle (Collection de ’Ecole Frangaise de Matisse, Henri: Matisse: La révélation m’est venue de Orient (ER: Nicholas
Rome 217) (BR: Edgar Peters Bowron), 47. Cézanne, Fattori e il °900 in Italia Watkins), 59.
PR Sandra Berresford), 766 Mayerson, Kerru: [Contemporary painting] (ER: Merlin James), 65.
Dessins italiens du musé¢ Condé a Chantilly. I Autour de Pérugin, Mepievat art: Medieval Death: Ritual and Representation (BR: J,J.G. Alexander),
Filippino Lippi et Michel-Ange (PR: Hugo Chapman), 49. Italian Drawings from 126. L’Echelle Céleste dans PArt du Moyen Age (BR: C.M. Kauffmann), 127
the Rijksmuseum, Amsterdam (PR: Aidan Weston-Lewis), 48 Die Italienischen Medieval Art in America Patterns of Collecting 1800-1940 (PR: Clive
Zeichnungen des 14. und 15. Jahrhunderts im Berliner Kupferstichkabinett (BR: Wainwright), 135
Hugo Chapman), 272. Antonio lronsarelli: A Roman collector of the late six- Merian, Marruacus, I: Das Druckgraphische Werk von Matthaeus Merian der Altere
teenth century (A: Matteo Lafranconi), 537. Italian Drawings before 1600 in the Band 4 (BR: Giulia Bartrum), 393.
Art Institute of Chicago, a catalogue of the collection (BR: Hugo Chapman), 485 Meratwork: Il Restauro Delle Oreficerie: Aggiornamenti. Goldware: Restoration
rE: Il gotico a Piacenza: Maestri e botteghe tra Emilia e Lombardia (ER: Updates. Appunti del Museo Bugatti Valsecchi (PR: Clive Wainwright), 49. Cast-
Carl Brandon Strehlke), 416. Catalogo del Museo Civico di Belluno. Vol.3: Le iron Furniture and all other forms of iron furniture (PR: John Powell), 216.
Placchettee i Piccoli Bronzi. Le Sculture (BR: Jeremy Warren), 486. Effigies & MICHELANGELO, see Rovin.
Ecstasies, Roman Baroque Sculpture and Design in the Age of Bernini (ER: Ann MiGnarb, Pierrt Pierre Mignard ‘le Romain’. Actes du colloque BR: Henry Keazor),
Sutherland Harris), 638. Staglienoe la Scultura Funeraria Ligure tra Ottocento 759
e Novecento BR: Sandra Berresford), 835. See also TERRACRUDA Mitatis, Joun Evererr: John Everett Millais (PR), 768
s: The Color of Ivory. Polychromy on Byzantine Ivories (BR: Liz James), 823232. Minter, SAN DERSOD Che design and building of the Gothic Folly at Wimpole,
OTTERY: Iznik Pottery Li ucas Iznik) (PR: Rachel Ward), 404 Cambridgeshire (A David Adshead), 76
Mixroy, Lisa: Lisa Milroy ER: Tony Godfrey ; 633.
: Michael Jaffé (1923-97) (Obituary: Duncan Robinson), 123. Miniatures: Miniatura or the Art of Limning PR: Susan Foister), 403. See also
rery: The Early Porcelain Kilns of Japan: Arita in the First Half of the Co.iections, Pusuic: New York
Seventeenth Century BR: William Sargent 566. Mopern Arr: Avant-Gardes and Partisans Reviewed (PR: Merlin James), 342. The
Ascer: Modifications Baj Jorn Spoerri (ER: Tony Godfrey), 57 Innocent Eye: Children’s Art and the Modern Artist (BR: Colin Rhodes), 629.
Mo anus, JOHANNES: Traité des saintes images (PR: Francois Quiviger), 50
, Anisu: Anish Kapoor (ER: John Haldane 193. Mone Guglielmo Caccia detto il Moncalvo (1568 1625) (ER: Carl Brandon
Arex: Alex Katz Under the Stars: American Landscapes 1951 Strehlke), 221.
David Carrier), 504. Monet, Ciaupe: Manet, Monet, and the Gare Saint-Lazare (ER: George Shackelford),
ik, Karen: Karen Kilimnik ER: Simon Wallis), 494 642.
i: Kitsch and Art (PR), 704 Moncot Che Court of the Il-Khans 1290-1340 (BR: J.M. Rogers), 206.
, Paut: Paul Klee’s ‘Anima Errante in the Hugh Lane Municipal Gallery, Dublin Moore, Henry: A Monumental Vision. The Sculpture of Henry Moore (PR),
SN: Yvonne Scott), 615 Henry Moore 1898-1986 (PR), 837. Henry Moore: Friendship and Influence
see Cy ER: Margaret Garlake’, 847
Moran, Tuomas: ‘Near Turner’s Point of View’: Paintings by J.M.W. Turner and
Thomas Moran (ER: John Wilson), 354. Thomas Moran (ER: John Wilson), 354.
our, GeorGes DE: Georges de La Tour: the exhibition in Paris and other matters Morisor, Bertue: Berthe Morisot: The First Lady of Impressionism (PR: Gilly Paget),
SN: Philip Conisbee), 201 343
SCAPE. GARDENING Royal Landscape: The Gardens and Parks of Windsor (BR: Moritz von Hesse-Kassev: Moritz der Gelehrte Ein Renaissancefiirst in Europa (BR:
Kimerly Rorschach), 694 Mark T Lindholm), 184,
GIOVANNI The ‘Master of the Kress Landscapes’ unmasked: Giovanni MoyniHANn, Roprico: Rodrigo Moynihan: The End of the Picnic: Paintings and
Larciani and the Fucecchio altar-piece (A: Louis Alexander Waldman), 156. A Drawings 1937-47 (ER) 573
painting by Giovanni Larciani in Rouen (SN: David Franklin), 470. Mucuat art: Gold, silver and bronze from Mughal India (BR: J.M. Rogers), 564.
MIRE, JEAN: Jean Lemaire pittore ‘antiquario’ (BR: Jean-Claude Boyer), 756. Flowers Underfoot: Indian carpets of the Mughal era (BR: Rosemary Crill), 565.
AIRE, PIERRE: Who was Pierr« Lemaire? A: Arnauld Brejon de Lavergnée), 77 39.
s, Perer Peter Lewis (ER: Tony Godfrey , 633. Nazis: The lime of the Nabis (ER: Bogomila A. Welsh-Ovcharov), 857.
SERMANN, Max: [Liebermann exhibitions in Germany] (ER: Jonathan Osmond), 348. Nasu, Davin: David Nash. The Language of Wood (PR), 837.
Fiurriwo: The Drawings of Filippino Lippi and his Circle ER Patrizia Nauman, Bruce: Bruce Nauman. Image/texte 1966-1996 (ER: Alex Potts), 498.
Zambrano), 149. NEAPOLITAN PAINTING: Quattrocento Aragonese. La pittura a Napoli al tempo di Alfonso
xPOOL: Public Sculpture of Liverpool (BR: Philip Ward-Jackson), 131. e Ferrante d’Aragona (ER: Carl Brandon Strehlke), 144.
Netson, Horatio: The Nelson Portraits (PR: Francis Russell), 767.
Memoriat: The restoration of Albert (Editorial), 723. NeTHERLANDISH Art: The Michaelis Collection, Cape Town: Catalogue of the
INDEX
Collection of Paintings and Drawings (BR: Seymour Slire), 210. See also D The Lugt drawing
- FLEMI A} Kisch), 618. Rembran
x, Ben: Ben Nicholson’s designs for Foley China (SN: Alun R. Graves Pierre: Master of De
AND, KENNETH: Four American Painters: Frankenthaler, Noland, Olitski and J.J.G Alexander), 126
ER: Geoffrey Newman), 771 I CE A Che Inventi
Nube, see AMERI \t BR: John White), 685
\ 0 Guido Reni’s
Oru, Curis: Chris Ofili (ER Tony Godfrey), 633 Painting in Seventeenth-(
Outtski, JuLes: Four American Painters Frankenthaler, Noland, Olitski Reni, Luca Ciamberlano a1
ER: Geoffrey Newman), 771 Melasecchi and D. Stephen Pep}
Ostnaus, Karu Er see WERI : i drawing of Reno
Pactier, Mictaet: Michael Pacher und sein Kreis (ER: Norbert Jope
, AUG Pajou Sct Ipteur du Roi 1730—1809 (ER: Malcolm
Pattapio, ANDREA: The Four Books on Architecture (PR: David Hemsoll d Rodin and Michelan
Luis Paret (BR: Xavier Bray), 695 Ward-Jackson), \ Study in
PION ristes: Organizing Independence. The Artists’ 9
the Paris Commune and its Legacy, 1871—1889 (BR: Neil McWilliam
R, JEAN, Re» p THomas: Jean, René and Thomas Pelletier, a Huguet au XVIII
ily of carvers and gilders in England 1682—1726. Part II (A: Tessa Mure Rome —217 \dgar Peters Be
rR, CuHaArtes: The Percier and Biennais album in the Musée des Art VolI : Pittura antica. La quadreria. Vol ttura intica. mp| 1eCcor
Paris (SN: Pierre Arizzoli-Clémentel), 195 BR: Silvia Ginzburg), 46. Baroque Painting in Rome (PR), 275
Pert, Rarraeito: The Florentine sculptor Raffaello Peri (SN: Antonia Bostrém), 263 and Martiniainnu tsh e Sancta Sanctorum (SN: Barbara Deimling
PERSIAN AR Persidskaya zhivopis’ i risunok XV—XIX vekov sobranii Ermitazha Lorenzo Fiero pt Indice delle Stampe de’ Rossi; Cor
Persian painting and drawing of the 15th—19th centuries from the Hermitag una Stamperia Romana (PR: Michael Bury
BR: J.M. Rogers), 392 RG, Susan: [Contemporary painting R
Puesus, Gastron: The Hunting Book of Gaston Phébus (PR: Catherine Reynolds), 629 , Mark: Mark Rothko (ER: Anna C. ¢
PHoroGraruy: The Painted Photograph 1839-1914. Origins, Techniques, Aspirations PENI V IER, JOH NN, S€€ B
PR: Julian Stallabrass), 134. The Photograph BR: Kitty Hauser), 401. The is, Perer P. R»u bens — Sub1j ects from cis Haskell), 42. The
Photographic Arts (PR: Kitty Hauser), 572. Photography: An Independent Art destruction of Rubens’s ‘Cruc iixion Somerset House
Photographs from the Victoria and Albert Museum 1839-1996 (PR: Kitty SN: Albert J. Loomie), 680. See also B
Hauser), 572. After the Photo-Secession: American Pictorial Photography (PR ‘Unforgettable Russia’: Ru e British
Kitty Hauser), 704 from the Seventeenth to the Nineteenth +3. Arts
Picasso, Pasio: Picasso. The Drawing Factory, 1890—1904 ER: Marilyn McCully and Crafts in Late Imperial Ru Industries
147. Picasso 1917-24. Picasso and the Spanish Tradition; Picasso’s Paintin gs, 1870-1917 (BR: Christina Lodder
Watercolors, Drawings and Sculpture Surrealism 1930—36; Picasso’s Paintings
Watercolors, Drawings and Sculpture. Spanish Civil War, 1937-39 and The Sai IATTI, RAN( sco: Francesco Salviati (ER: David Jaffe
Picasso Project (PR: Marilyn McCully), 342. Guernica und das Publikum S. Giicnano: The Game of ( ourting and the Art
Picassos Bild im Widerstreit der Meinungen (PR: Andrew John Martin), 343. The Gimignano, 1290—1320 (PR), 488
Italian Journey (ER: Marilyn McCully $15. Picasso: Painter and Sculptor in Sanppy. PA Views of Windsor: Watercolours by Thomas and Pat
Clay (ER: John Golding), 838 Collection of Her Maje Sty Quee n Elizabeth II (BR: Kim Sloan
PissARRO, CAMILLE: Pissarro Neo-Impressionism, and the Spaces of the Avant-Garde Sanpsy, THomas, see SANDBY, PA
BR: Henri Dorra), 335 NO DI PieTRO, see SASSETI
mM , Lari: Lari Pittman. Paintings 1992—98 (ER: Tony Godfrey), 633 RGENT, JOHN SinGer: John Singer Sarge
)LISH ART Impressionismus und Symbolismus: Malerei der Jahrhundertwende aus I (BR: Marc Simpson), 765
Polen ER: Elizabeth Clegg), 218. Odwilz Sztuka ok. 1956r (The Thaw: Art New documents for Sassetta and San
c.1956 PR: Katarzyna Murawska-Muthesius), 344. Akademizm w XIX wieku A: Machtelt Israéls), 436
[Academism in the nineteenth century] (PR: Katarzyna Murawska-Muthesius SCANDINAVIA Visions du nord (ER: Jill Lloyd
704. Scuap, CuristiaAn: Christian Schad 1894-1
LKE, SIGMAR: Sigmar Polke, Die drei Liigen der Malerei (ER: Greg Hilty SCHERANO, GIOVANNI DI, see FAN¢ I.
OLLOCK, JACKSON Jac kson Pollock: Early Sketchbooks and Drawings ER: David ScHIELE, Ecc Egon Schiele. The
Anfam), 151 Short), 698
, Larry: Four American Painters Frankenthaler, Noland, Olitski and Poons , JuLIAN: [Contemporary painting
ER: Geoffrey Newman), 771 Public Sculpture of Liverpool (BR:> Phil] ip Ward-Jackson), 131. Sculpture
700. Pop Art
art: A Taste for Pop \ Critical History (BR: David Jeffreys Conservation; Preservation or Interference? (BR: Simon Watney), 132. Carving
Gender and Consumer Culture (BR: David Jeffreys), 700 Mountains: Modern Stone Sculpture in England 1907—37 (ER Patrick Elhott
yussIN, Nico! Poussin and Nonnos (A: Malcolm Bull), 724; A visual | source [for 406. Public Sculpture of Birmingham (BR: Philip Ward-Jackson), 836
Poussin’s ‘Sts Peter and John healing the lame man’ (SN: Hidenori Kurita ERT, Wal g Ri 1 eill Whistler: Walter Richard Sickert (ER: A.D
Pozzo, Cassiano bau: The Paper Museum of Cassiano dal Pozzo. Early Christian a1 I rase! Je nkins
Medieval Antiquities 1. Mosaics and Wallpaintings in Roman Churches Luc
Julian Gardner), 43 i| om HeI nry
Pre-RapuHaewites: Collecting the Pre Raphaelite S Che Anglo-American Enchantment English, Irish and Scottish Silver at the Sterling and Francin lark Institute
PR: Judith Bronkhurst), 134. Pre-Raphaelite Women Artists (ER I rances BR: Pippa Shirley), 692
Spalding), 217. See also Ionipes. Revolutionarieosf Realism Che Letters of John Sloan and Robert Henri
Preti, Mattia: ‘Amor omnia vincit’: new documents on an early work of Mattia Preti BR: Marc Simpson), 131
SN: Régine Bonnefoit), 30; Mattia Preti’s Colonna-Barberini ‘St Veronica’ (SN nN, Rosert: Earthwards: Robert Smithson and Art after Babel (PR), 837
Natalia Gozzano), 559 , Cuam: Chaim Soutine ER: Merlin James), 502
Prieto, Monique: Monique Prieto (ER: Simon Wallis), 494 ENTORIES: Spanish Inventories I. Collections of Paintings in Madrid
Prints: Art and Decoration in Elizabethan and Jacobean England. The Influence of 1755 (PR: Enriqueta Harris), 702
Continental Prints, 1558-1625 (BR: Maurice Howard), 127. Hendrick Hondius nLEY: Stanley Spencer: An English Vision (ER: Duncan Robinson), 154
and the Business of Prints in Seventeenth-Century Holland (BR: Robert A \wiEL: Modifications Baj — Jorn — Spoerri (ER: Tony Godfrey), 574
Gerard), 209. The Print in Stuart Britain 1603—1689 (ER: Graham Parry), 491. ‘ss: The Medieval Stained Glass of the County of Lincolnshire. Corpus
Vitrearum Medii aevi (BR: Veronica Sekules), 390
Rasinowrr H, Davin: Pacing the World. Construction in the Sculpture of David ELLA, FRANK: Frank Stella (ER: Geoffrey Newman), 771
Rabinowitch (PR: David Carrier), 404 SrocKHOLM, Moperna Museet: Re-opIe ning of the Moderna Museet (ER: Tony
RaczyNski, Epwarp ALEKSANDER: Galeria Rogalinska Edwarda Raczynskiego (BR Godfrey), 352.
Katarzyna Murawska—Muthesius), 567. STONEWARE: Duits Steengoed. German Stoneware (PR: David Gaimster), 703
RapuHaet: The Raphael tapestry cartoons re-examined (A: Sharon Fermor and Alan Srrozzi, BERNARDO: Iconographic and visual sources for Bernardo Strozzi’s ‘Vision of
Derbyshire), 236 St Dominic’ (A: Roberto Cobianchi), 668.
Raus« HENBERG, Rosert: Robert Rausche nberg: A Retrospective ER: Lynne Cooke), Strozzi, Zanost: Zanobi Strozzi’s Annunciation’ in the National Gallery (A: Dillian
64 Gordon), 517.
Ray, Cuartes: Charles Ray (ER: Lynne Cooke), 714. Stuart, JAMEs ‘ATHENIAN’: Athenian Stuart in Florence (SN: John Marciari), 612.
Reco, Pauta: Paula Rego (ER: Frances Spalding), 635. SurREALISM: Surrealism: Surrealist Visuality; The Surrealist Look: An Erotics of
13
SUBJECT INDEX
Encounter and Surrealist Art: The Bergman Collection at the Art Institute of and Space (PR: Charles Ford), 703.
Chicago (BR: Robert Radford), 337 VerRoccHIo, ANDREA DEL: The Sculptures of Andrea del Verrocchio (BR: Alison
SUTHERLAND, GRAHAM: Sutherland, une rétrospective (ER: David Cohen), 709. Wright), 481.
SymBo.tisM: Symbolism in Britain 1860-1910 (ER: William Vaughan), 51. VitLot, Freperick: Eugéne Delacroix (ER: Nina Athanassoglou-Kallmyer), 772.
ImpIr essionismus und Symbolismus: Malerei der ; Jahrhundertwende aus Polen Vio.et-Le-Duc, Eucitne EmManuet: L’imaginaire scientifique de Viollet-le-Duc (BR:
ER: Elizabeth Clegg), 218 Robin Middleton), 764.
Vretant, Wittem: Willem Vrelant. Un aspect de l’enluminure dans les Pays-Bas
Taarre, Pane: Philip Taaffe: Composite Nature (PR), 768. méridionaux sous le mécénat des ducs de Bourgogne Philipe le Bon et Charles le
TarHam, Cuaries Heatucore: Charles Heathcote Tatham and the Accademia di S. Témeéraire (BR: Alain Arnould), 625.
Luca, Rome (A: Frank Salmon), 85. See also Bonomi.
[ERRACRUDA SCULPTURE: A documented episode in the history of renaissance ‘terracru- Wanker, Kara: Arturo Herrera and Kara Walker (ER: Simon Wallis), 494.
da’ sculpture (SN: Andrew Butterfield and David Franklin), 819 Watson, Samuge_: Samuel Watson, not Grinling Gibbons at Chatsworth (A: Trevor
['HEeoporic: Magister Theororicus, Court Painter of Emperor Charles IV (ER: Robert Brighton), 811.
Gibbs), 853. Warteau, Antoine: Watteau at Chicago (Letter: Martin Eidelberg), 268. Antoine
THeory: Learning from Things: Method and Theory in Material Culture Studies (PR: Watteau 1684-1721. Catalogue raisonné des dessins (BR: Marianne Roland
Clive Wainwright), 135. Michel), 749
THompson, Esrevte: Estelle Thompson, Fuse Paintings (ER: Tony Godfrey), 633 Warreau, Francois and Louis: Les Watteau de Lille (ER: Alastair Laing), 707.
Tiepoto, Giampattista: Tiepolo i tiepoleschi w zbiorach polskich, rysunki, ryciny, Werksunb: The Werkbund, Design Theory and Mass Culture before the First World
obrazy (PR: Murawska-Muthesius, Katarzyna), 490. War (BR: Charlotte Skene-Catling), 215. Moderne Formgebung 1900-1914,
iran: Titian’s Women (BR: Gabriele Neher), 563. Das Schéne und der Alltag — Deutsches Museum fiir Kunst in Handel und
Tosini, Micuete: Towards a new chronology for Ridolfo Ghirlandaio and Michele Gewerbe (ER: Christopher Wilk), 284.
Tosini (A: David Franklin), 445 Weyben, Rocirr vAN DER: Der Meister von Flémalle: Die Werkstatt Robert Campins
TRONSARELLI, ANTONIO: Antonio Tronsarelli: A Roman collector of the late sixteenth and Rogier van der Weyden (BR: Mark L. Evans), 685.
century A: Matteo Lafranconi), 537. WuisTLer, James McNeiu: Whistler’s “The White Girl’: painting, poetry and meaning
Turin-Mi.an Hours, see ILtuminarep MANusCRIPTS. A: Robin Spencer), 300. James McNeill Whistler: Walter Richard Sickert (ER:
Turner, J.M.W.: J.M.W. Turner: “That Greatest of Landscape Painters’ (ER: John A.D. Fraser Jenkins), 418. Whistler and Holland (BR: Martin Hopkinson), 628.
Wilson), 354. ‘Near Turner’s Point of View’: Paintings by J.M.W. Turner and Witpinc, Auison: Intensities (ER: Tony Godfrey), 53. Alison Wilding, Désormais (ER:
Thomas Moran (ER: John Wilson), 354. Turner’s ‘Llandeilo Bridge and Alex Potts), 848.
Dynevor Castle’ (SN: Christine Mackay), 383. Wituiam IV oF Orance: High rococo in Holland: William IV and Agostino Carlini (A:
Reinier Baarsen), 172.
Urrecut Carravaccistt: Masters of Light: Dutch Painters in Utrecht during the Wimpoie Hatt, Camprincesuire: The design and building of the Gothic Folly at
Golden Age (ER: Peter Hecht), 705. Wimpole, Cambridgeshire (A: David Adshead), 76.
Winpsor: Royal Landscape: The Gardens and Parks of Windsor (BR: Kimerly
Van Gocu, Vincent: The ownership of Vincent van Gogh’s ‘Sunflowers’ (A: Rorschach), 694.
Bogomila Welsh-Ovcharov), 184 Winters, Terry: [Contemporary painting] (ER: Merlin James), 65.
Vasi, Giuseppe: Le magnificenze di Roma nelle incisioni di Giuseppe Vasi (PR), 50. Women: Women in Italian Renaissance Art: Gender, Representation, Identity (BR:
Veen, Orro van: Otto van Veen, Cosimo Masi and the art market in Antwerp at the Peter Humfrey), 271. Picturing Women in Renaissance and Baroque Italy (PR:
end of the sixteenth century (A: Giuseppe Bertini), 119. Paola Tinagli), 488. Women and Art in Early Modern Europe. Patrons,
VENETIAN ART: Venice and Antiquity [The Venetian Sense of the Past (BR: D.S. Collectors and Connoisseurs (PR: Alice E. Sanger), 702.
Chambers), 270. The potted tree. Essays in Venetian Art PR: Francois Wren, Curisroruer: Christopher Wren and the Many Sides of Genius (PR: Anthony
Quiviger), 489. Geraghty), 134.
Venice: Venice and Antiquity. The Venetian Sense of the Past (BR: D.S. Chambers), Wricut, Frank Lioyp: The Architecture of Frank Lloyd Wright BR: Charlotte
270 Skene-Catling), 401.
Venini Giass: Gli Artisti di Venini (PR: Jennifer Opie), 490. Wypyz, Hans: Hans Wydyz: Sein Euvre und die oberrheinische Bildschnitzkunst (BR:
VERMEER, JAN: Vermeer. Reception and Interpretation (BR: Ivan Gaskell), 209. Delft Jeffrey Chipps Smith), 392.
Masters, Vermeer’s Contemporaries; Illusionism through the Conquest of Light
ILLUSTRATIONS
WORKS OF ART ATTRIBUTED
ing (private collection, New York), 3 drawing (Art
Acres, Livio: Tobias healing his father, drawing (Courtauld Gallery, London), 543
Acuccui, Giovanni Battista: Jmpresa of Giovanni Battista Agucchi (Biblioteca Institute of Chicago), 35
Nazionale, Florence), 679. workshop of: putto on a column of the baldachino of St Peter’s, Rome, 82
ALBANI, Francesco: Cycle of saints with Christ and the Virgin (Moritzkirche, Naumburg copy after: Portrait of a boy, drawing (British Museum, London), 640
102-06. The fall of Phaeton, drawing (Royal Collection, Windsor Castle), 106. See Bevys, JosepH: Ja ja fa ja Ja Nee Nee Nee Nee Nee, mixed media (Walker Art Center
also GUILLAIN. Minneapolis), 226. Telephone mixed media (Walker Art Center, Minneapoli
ALGARDI, ALESSANDRO, see GUIDI 226. Sled, mixed media (estate of Joseph Beuys, New York), 226
A.Lori, ALEssANDRO: Christ and the Canaanite Woman (S. Giovannino degli Scolopi, Brennais, M.-G.: Dressing table after a design by Charles Percier (whereabouts
Florence) and detail, 252 unknown), 200
AMMANNATI, BARTOLOMEO: Letter to Francesco Busini, written and signed in Bisscuop, JAN pe: Hercules and Cacus (City Archives, The Hague), 281
Ammannati’s name by his agent Benedetto Giamonte (Getty Research Institute BLANCHE, Jacques-EmiLe: Walter Sickert and hi mother: breakfast at Neuville (private collec-
Los Angeles), 431. Prudence from the Juno Fountain, marble (Bargello, Florence), tion), 55. Marcel Proust (Musée d’Orsay Paris), 55 Le Groupe des Six (Musée des
796. Beaux-Arts, Rouen), 55
ANDRE, Cart: Two installation views of /2 Isohedra, limestone sculpture (exh. Royal )EMAERT, ABRAHAM: Parable of the wheat and the Lares Walters Art Gallery, Baltimore
Botanic Garden, Edinburgh), 849. igenes recewes the Palm of Honour from Charicleta (Mauritshuis The Hague),
ARELLANO, JUAN DE: Garland with landscape (Prado, Madrid), 578. Basket of flowers (Museo
de Bellas Artes, Bilbao), 578. Mallows in an earthenware vase (private collection), 579 YOTELING, ABRAHAM: The Duke of Monmouth, mezzotint aiter Peter Lely (British
Aspetti, Tiziano: Giant, marble (Biblioteca Marciana, Venice), 267 Museum, London), 492.
attributed to: Hercules, marble (Biblioteca Marciana, Venice), 266. NDEN, ANNA: View near the Lizard olpeor beach (Whitworth Art Gallery, Manchester
Asprucci, Mario: Project for an Academy of Fine Arts (Accademia Nazionale di San 237.
Luca, Rome), 89. Design for Prince Borghese for a temple in the gardens of his villa, traced cAccINO, Boccaccio, copy afte ncert (Pinacoteca Ambrosiana, Milan), 687
by Charles Heathcote Tatham (private collection), 90. XCCACCINO, CAMILLO: The raising , drawing (Biblioteca Ambrosiana, Milan
AUBERT, Francois: Shirt of the Emperor Maximilian, Querétaro, albumen print (Getty 288.
Research Institute, Los Angeles), 432 CKLIN, ARNOLD: Vestal virgin (Stadtische Kunstsammlung Darmstadt), 143. Prometheus
AvercaMP, Henprik: The duck-hunters’ return, drawing (Rijksmuseum, Amsterdam), 293 private collection), 143.
YNNARD, PIERRE: Jeunes femmes au jardin (Renée Monchaty and Marthe Bonnard) (private col-
lection, USA), 278. Le Cabinet de toilette (Musée Royaux des Beaux-Arts, Brussels
Bu iccio, see GAULLI
Bacon, Francis: Portrait of Lucian Freud (on oran; couch), (private collection, Switzerland), 279. Le Grand nu jaune (private collection), 279. Autoportrait dans la glace du cabinet de
toilette (Musée Nationale d’art moderne, Paris), 280. Nu a la mule verte (private col-
156.
Baj, Enrico: Aliens from another planet are raping our women (exh. Van Abbe Museum, lection), 280. La table devant la fenétre (private collection), 280. Promenade, lithograph
Eindhoven), 575. on folding screen (Minneapolis Institute of Art), 652
Baia, Giacomo: Speeding automobile Tarica collection, Paris), 286 Borpone, Paris: The vision of St Dominic (Brera, Milan), 671.
BANDINELLI, Baccio: Study after the Laocion (whereabouts unknown), 540. Seated male nude Borcianni, Orazio: Lamentation over the dead Chnst, etching (Istituto Nazionale per la
whereabouts unknown), 540 Grafica, Rome), 6. St Christopher, etching (Istituto Nazionale per la Grafica,
Barsetti, ANGELO: Frame made for Bernardino Luini’s Virgin and Child with the infant St Rome), 6. Christ among the doctors (Count Guglielmo Pandolfi Elmi), 8. Martyrdom of
John, and details (National Gallery, London), 376. St Erasmus (Maurizio Marini, Rome), 9. Martyrdom of St Lawrence (Museo de la Real
BARNEY, MatTTHew: Production still from Cremaster 5, film (Moderna Museet, Colegiata, Roncesvalles), 10. Apparition of the Virgin to St Francis formerly Cappella
Stockholm), 353. del Cimitero, Sezze Romano), 11. St Charles Borromeo visiting the plague stricken (Casa
Barocci, Feperico: The Virgin and Child enthroned under a canopy, with Sts Roch and Sebastian, Generalizia dei padri Mercedari, Rome), 11. St Charles Borromeo adoring the Trinity
drawing (Devonshire Collection, Chatsworth), 538. Study of the head of a bearded man S. Carlino alle Quattro Fontane, Rome), 11. Seated male nude, drawing (Prado,
turned to the left, drawing (whereabouts unknown), 539. Madrid), 12. Seated male nude, drawing Prado, Madrid), 12. Birth of the Virgin
BaRTOLOMEO and Jacopino DA Reccio: Sts Louis of Toulouse and John the Baptist and the Santuario della Misericordia, Savona), 13
Franciscan Pietro da Montezago, tempera and gold (private collection, Switzerland), Boscuini, Marco: Alfonso IV d’Este, engraving Biblioteca Estense, Modena), 17
416. St George slaying the dragon, fresco (Cathedral, Fidenza), 417. Imaginary catafalque for Alfonso IV d’Este, engraving Biblioteca Estense,
Basire, Isaac: The Dolben monument, after Jonathan Haynes, engraving, 831 Modena), 18.
Bassano, Leanpro: Portrait of a man with a statuette (Royal Collection), 267. BorriceLii, SANDRO, see TADDA.
Bastien-LepaGe, JuLes: Gil with a sunshade (Fitzwilliam Museum, Cambridge), 323 Borticini, RAFFAELLO: Annunciation with Sts Francis and Andrew (Museo Civico, Fucecchio),
Batont, Pompeo: Portrait of a man. identified as Richard Milles (whereabouts unknown), 682. 460.
Boupw, Eucéne: La plage 4 Trouville, Dame en blan Musée des Beaux-Arts, Le Havre),
Portrait ofa man, identified as Richard Milles (National Gallery, London), 683. Portrait
359.
of a man, identified as Richard Milles, water-colour on ivory (Fitzwilliam Museum,
Boussop, VALADON & Co.: Page 73 of Stock Book B-15 (Getty Research Institute, Los
Cambridge), 683.
Angeles), 431
Bazite, Frepeéric: Portrait of Renoir (Musée d’Orsay, Paris), 319 L’Atelier de la rue Bouttats, Freperik: Dom Luis de Menses, III Conde da Enceira, engraving, 806
Condamine (Musée d’Orsay, Paris), 321; detail, 322.
Bouzonnet STELLA, CLAUDINNE, see STELLA, JACQUES
Beecrort, VANessa: Performance (Moderna Museet, Stockholm), 353.
Brain, E. & Co., see NICHOLSON.
Betiotro, Bernarpo: Pirna: The Obertor from the South (Metropolitan Museum of Art,
Brit, Pau: Landscape with Psyche and Fupiter in the guise of an eagle, repainted by Peter Paul
New York), 48. The Fortress of Konigstein: Courtyard with the Magdalenenburg (National
Rubens (Prado, Madrid), 667; X-radiographs, 666, 667.
Gallery of Art, Washington), 48 and JOHANN RoTTENHAMMER: Rest on the flight into Egypt (private collection, The Hague),
BenaGuiA, Giuseppe: Engravings of ‘Petrarch’ and ‘Laura’, the latter after Bronzino, 661
263. possibly with ApamM Exsuemer: Mercury and Herse Devonshire Collection,
Benois, ALEXANDRE: Design for act one of ‘Le Rot Nu’, water-colour (Thyssen Bornemisza Chatsworth), 662; detail, 664.
Collection), 590. Bronzino, AcNoo: Laura Battiferi (Palazzo Vecchio, Florence), 253; details, 256—57.
BENOUVILLE, Frangots-Lton: Portrait of Leconte de Floris in an Egyptian army uniform (Dahesh
Lorenzo Lenzi (Castello Sforzesco, Milan), 255. Ugolino Martel (Gemialdegalerie,
Museum, New York), 295. Berlin), 255. Dante, drawing (Staatliche Graphische Sammlung, Munich), 257.
BERGOGNONE, AMBROGIO: Madonna and Child with St Catherine of Siena and a Carthustan monk See also BenaGuiA and SCHONINGER.
(Brera, Milan), 576. Pieta with angels and a monk (Villa Cagnola, Gazzola, Varese), workshop of (?): Allegorical portrait of Dante (National Gallery of Art, Washington), 256.
576. Baptism of Chnst (S. Giovanni Battista, Melegnano), 576. Detail of Madonna BrueceL, Prerer THE ELDER: Wooded landscape with a view to the sea, drawing (Maida and
and Child (National Gallery, London), 577 St Ambrose enthroned with Sts Satyrus, George S. Abrams, Cambridge, MA), 208.
Marcellina, Gervasius and Protasius (Certosa, Pavia), 577. BRUGGHEN, see TER BRUGGHEN.
BERKMAN, Jacos: Candelabrum, gilt wood (Paleis Huis ten Bosch, ‘The Hague), 179. Brusco, Giacomo: Plan of the church and convent of S. Domenico, Genoa, drawing
Bernini, GIANLORENZO: Compositional sketch for the dome fresco in the Gest (Museum Archivio di Stato, Genoa), 668.
der Bildenden Kiinste, Leipzig), 35. Study of Christ and the Virgin, with angels bearing Buzio, Irrourro, attributed to: Risen Christ after Michelangelo, marble (Sacristy, S
the cross, drawing (formerly Mathias Polakovits Collection, Paris), 35. Studies for the Vincenzo, 52ssano Romano), 112.
right hand of God the Father, drawing (Art Institute of Chicago), 36. Study for a ‘quar-
antore’, drawing (Museum der Bildenden Kiinste, Leipzig), 37. Putto on one of Casrrra Reis, Pepro: arge glass, white and red (Stockholm), mixed media (Power Station,
the columns of the Baldacchino of St Peter’s (St Peter’s, Rome), 827. Portrait ofa Skansen), 354.
man, drawing (Ashmolean Museum, Oxford), 640. Portrait of Nicolas Poussin (private Casus & Son, JoserH, see WHITE.
collection), 641. See also Ferrata, ERCOLE. Caccia, GUGLIELMO, see MoncaLvo
attributed to: God the Father with Christ and the Virgin, with angels bearing the cross, draw- Caccint, Giovanni Battista: Youthful Jupiter (Boboli Gardens, Florence), 792.
WORKS OF AIk lr ATTRIBUTED
Biblioteca Marciana, Venice), 265 Rennes), 2)2 0. Rape of the Sabines Pinacoteca Capitolina, Rome), 220. Cardinal Pietro
S. Agata, Cremona), £00 Three studies for Varia Borghese (Minneapolis Institute of Arts), 220. Venus appearing to Aeneas (Louvre,
f St Agatha drawing Narodni Galerie, Paris), 2921]. Sketch for a mosaic in St Peter’s Rome (private collection), Zak Design
for a statue , drawing (Barockmuseum, Salzburg), 647
iptych (Metropolitan Museum of Art, New York), 855 Cot CHE, Pittemont andJ .: Rest on the fight into Egypt, etching. See also Brit, Paut.
Porta Portello, Padua Baroness Carmen Thyssen-Bornemisza collection), 7 | Crespi, Giuseppe Maria: Bertoldino with chicks carned off by a kite, drawing (Kunsthalle,
~ Simone: Resurrection of Ch Pinacoteca Vaticana, Rom« 145. The Trinity Hamburg), 604. Boys playing ‘cappe tto’", drawing (Castle Museum, Norwich), 605.
National Gallery of Scotland, Edinburgh), 146 1 shepherdess tickling a sleeping shepherd with a straw, etching (Pinacoteca Nazionale,
: Ecce Homo (Galleria di Palazzo Bianco, Genoa 3ologna), 606. Boys playing dice, etching (Pinacoteca Nazionale, Bologna), 607. Boys
Gio NI: see Co playing ‘cappelletto’, etching (Pinacoteca Nazionale, Bologna), 607. Cupids at play (El
Acostino: Cabinet, panelling, and pier-tables carved by ¢ arlini after designs Paso Museum of Art), 608 A courtyard scene (Pinacoteca Nazionale, Bologna), 609.
vy Pieter de Swart (Paleis Huis ten Bosch, The Hague), 17 t 177 Guénidon DOSssI- Self-portrait (Pinacoteca Nazionale, Bologna), 610. Shepherdesses with boys playing ‘cap
bly designed by Pieter de Swart, gilt wood (Rijksmuseum, Amsterdam, on loan pelletto’ (Museo Civico Pisa), 611.
from H.R.H. Princess Juliana 78; detail 18] Detail of one of the four guéndor attributed to: 1 peasant family with boys playing copper (formerly Peter Jay Sharp col-
made for the Oranjezaal of Huis ten Bosch, 178 lection), 611
after: Guénidon, 18th-century copy gilt wood (J. Paul Getty Museum, Los Angeles Tappeo: Title page to the Office of the Virgin in the Falletti Book of Hours,
181. Guéndon, 19th-century copy, gilt wood (Bomann-Museum, Celle 181 manuscript (Pierpont Morgan Library, New York), 500
the t heatre (Estorick Collection London)6,8 Joun: The bra shof exh Andrea Rosen, New York), 66. Ms Omni (Saatchi
Study for St Jude Thadde , drawing (Royal Collection Windsor Gallery, London), 644
Castle , 104. Sleeping Venus (Muséc Condé, Chantilly), 6 76. The ch f Hercule
Museo Nazionale di Capodimonte, Naples), 677. Study for the Sleeping Venu Dann EDA VOLTERRA: Nud female reclining asleep, study for the fig ure of Dido, drawing (for-
drawing Royal Library, Windsor Castle 79. The butcher’s shof Christ Church merly Mond colle¢ tion, whereabouts unknown), 541 Nude male with an attendant
Oxford), 780. See also Lematt PIERRE for the figure of Aeneas, drawing (Albertina, Vienna), 541
k-Bresson, Henri: On the t ink f the Mame, France, photograph (Minneapolis D IELS, Ri NE: {cademu Gemeentemuseum Helmond), 574 Mystic
Institute of Art), 656 Stadtische Galerie Karlsruhe 974
Mary Woman in a Philadelphia Museum of Art), 783 Davin, Jac ques-Lout Three sketches from Album |1 showing A nder on a rearing horse,
PASQUALE: Vlartyrdom of St Lawrence, fresco (S. Lorenzo in Panisperna, Rome Vlarius ut Minturnae and Figures ar unda bed, drawing Getty Research Institute, Los
Deposition, drawing Museum der Bildenden Kiinste, Leipzig), 547 Angeles), $26.
, Bi ENUTO tudl foar sa rcoph ous, drawing (Biblioteca Riccardiana, Florence Sea inventor Open swell, chalk on blackboard (Lothbury Gallery,
799 Nude fi10 gure stf udve1 s drawing (Staatliche Museen Preussischer Kulturbesitz, London), 634.
Berlin), 800. Crucifi ; marble El Escorial), 801 Drcas, EpGar Lorenz 4 and Auguste de Gas (Musée d’Orsay, Paris),
NE, Paut: The temptatior f St {nthony (Musée d’Orsay, Paris), 312. A modern Olympia Photograph of Degas and Paul-Albert Bartholomé, probably in Degas’s apart-
Musée d’Orsay, Paris), 312. L’Eternel féeminin (J. Paul Getty Museum, Los Angeles), ment in the rue Ballu (Bibliothéque nationale, Paris), 553. Galloping horse with a
313; details, 314, 317-18. Detail of Chateau de Meédan (Burrell Collection, jockey, sculpture (Mr and Mrs Paul Mellon collection), 58 Two studies of a groom
Glasgow), 314. L’Eternel féminin, drawing (art market), 315. Female nude, drawing Louvre, Paris), 581. The fallen jockey Offentliche Kunstsammlung Basel), 582.
1%
Philadelphia Museum of Art yL/ Female nude (Von der Heydt-Museum, Scene from the steeplechase The fallen jockey Mr and Mrs Paul Mellon collection), 582.
Wuppertal), 317. Leda and the swan (Barnes Foundation, Merion PA), 317. Victor DELACROIX, Evucene: Louis-Auguste Schwiter (National Gallery, London), 551 A vase of
Chocquet Virginia Museum of Fine Arts, Richmond), 555. Bather Metropolitan f lower n a console (Musée Inere s, Montauban), 773. Lion hunt (Musée des Beaux-
Museum of Art, New York), 767 Arts Bordeaux), 773 The entombment (National Museum of Western Art, Tokyo),
GALL, Mar« Introduction to the Fewish Theatre, water-colour (State Tretiakov Gallery, 774. Turkish women 1 bathi Wadsworth Atheneum, Hartford CT), 774. The fanat
Moscow ; 769. Over the town (State lretiakov Gallery, Moscow), 770. Sketch for ics of Tanger (Art Gallery of Ontario, Toronto), 775. The fanatics of Tangier
the stage set of The Playb f the Western World, drawing Musée national d’art Minneapolis Institute of Arts), 775. Bouqueotf flowers, water-colour (Louvre, Paris),
moderne, Paris), 770 7/6
MAN, JAKE and Dinos: The disasters of war, installation (Victoria Miro Gallery, Derero, Fort NATO: Gilbert Clavel in the funicular (private collection, Lugano), 4207/.
London), 353 Derain, Anpre: Portrait of Bartolomeo Savona (Barber Institute of Fine Arts, Birmingham),
k1, Grusepre BARTOLOMEO, attributed to: St Veronica (Martin-von-Wagner Museum, 326 Mime Chorowska Anna Hanka), (National Gallery of Wales, Cardiff), 336.
Wiirzburg University), 561 Bouquet (formerly Marie Harriman Gallery, New York), 336
sHINZAN, lsusaki: Bamboo and orchids, ink on paper with gold leaf (Minneapolis Institute Di RIGNEE, Re BERT, See PeteTier, THOMAS and RENEE.
of Art), 653 Deroy, Emite: La Petite Vlendiante rousse Louvre, Paris), 309.
», Gioraio pe: Delights of the poet (private collection), 142. D: VAS, AN PHONY: Six ( ‘clo k neu Arts Council Collection), 157
no, Lu : Pope Paul V recewing the Persian Ambassador, engraving, 601 Dewinc, THomas, see WHIT!
ART Diet SSART, FRANCOIS, see VOERS i, Ropert VAN
E LORRAIN: Pastoral landscape (Minneapolis Institute of Art), 649 Time, Apollo and Dorson, FRANK: The man-child stone (Tate Gallery, London), 407
dthee PSoeanscoens , 8e5t9c.h inLga nds(cBarpitei sh wiMthu sa epuormt ,u it+Lhh onthodhr eoen )bb,uo inlyd7 i3n3g.s aVnide w ano fe ma baLporolkr ta Mumn sepor ivdaet e cAortle- DDooiMcE,N ICPeHrIeNrO:, Resfelee ctiLoE4 nM AIRWEh at, Pdiie r€Sr e.po ur Sou look like private collection, Puerto Rico), 633
lection), 859. Doricny, Mice: Wall panel design with ornaments from the Livre de Dwerses Grotesques
CHUCK: Big self-portrait Walker Art Center, Minneapolis), 583. Fann series after Simon Vouet, engraving (Rijksmuseum, Amsterdam), 157
Fingerpainting (National Gallery of Art, Washington), 584. Dove, Artuur: Another arrangement (Jane Voorhees Zimmerli Art Museum), 506
GH, PRuNELLA: Venti r, collage (exh. Annely Juda, London i24 2 Drawing (Sunrise III) (Addison Gallery of American Art, Andover MA), 507
onto, NiccoLo AN onto: Queen Isabella di Chiaremonte in prayer (S. Pietro Martire Doyte, RicHarp Under the dock leaves: an autumnal evening’s, dream, water-colour (British
Naples, 144 Museum, London), 51
yron as Don Juar
ALEXANDRE-Marie: Portrait of B with Haidee (exh. Artemis Fine Du Maurier ~ GEORGI Illustration to The Notting Hill Mysten 403
Arts, New York , 784 DurresNnoy, CHARLES-ALPHONSE: Death 0 f Socrates Uffizi, Florence), 759
ERI ADRI EN: set Wu RIX Duveen, Sir Joserx: Letter to W.H. Holmes (Getty Research Institute, Los Angeles),
ON, ADAM Amplitude No.1 and Amplitude No.4, sculpture (exh. Henry Moore 13]
Institute Leeds), 54. Dyck, ANTHONY VA) Graf von Schénborn, Pommersfelden ) OQ 42.)
Tom ASO, attributed to: Unexecuted design for the decoration of a wall of the See also Vorrs1
Egyptian Room in the Villa Borghese, Rome (Getty Research Institute, Los .
Angeles), 429 Eames, CHARLES and Ray: A group of wire-frame chairs with blackbird sculpture as
Wounded dove Museum Boijmans van Beuningen, Rotterdam), 528. Aprés photographed by Herman Miller (exh. Design Museum, London), 841. Charles
nous 1 luberte Tate Gallery, London), 528. Composition with triangle in orange and Ray Eames on a Velocette, photograph (exh. Design Museum, London), 841.
Gemeentemuseum, The Hague), 529 Letter to Roger Hilton, 15th October La Chaise and stool for the International competition for Low Cost Furniture
1953 (Rose Hilton > 536. See also Hivron, RoGer Design (Vitra Museum, Weil am Rhein), 842
ind ALDo \ Eyck: Installation view of The Purple Room: An experument in spatial KHOUT, GERBR \ND VAN DEN Three studies of a dog, drawing Fondation Custodia,
urism, 529 rorano: Portrait Paris), 620
f Ridolfo Ghirlandaio, woodcut after Giorgio Vasari, Micke, Frirz H.: Poster (Kaiser Wilhelm Museum, Krefeld), 285. Installation view of
the exhibition at the Karl Ernst Osthaus-Museum der Stadt, Hagen, 285.
ELIS, AELBRECHT: Coronation yf the Virgin (Sint-Jakobskerk, Bruges), 852 EIseNLOrFEL, J N: Perc olator Kaiser Wilhelm Museum, Krefeld), 284.
, Gio ACCHINO, probably by Tabernacle frame made for Giovanni Cariani’s ElsENMAN, Perer: Axonometric drawing for House VI (Getty Research Institute, Los
Virgin and Child (National Gallery, London), 577. Angeles), 429.
CorNneELIs, after Frans Fioris: Arithmetica and Astrologia, engravings Exte, Louts II (called Ferninanp): Louis XIV in armour (Musée des Beaux-Arts, Metz), 56.
Rijksprentenkabinet, Amsterdam), 193. E_sHeimer, Apam, see Brut and Ho.tar.
oNA, Pierro pa: St Bibiana refusing to u orship idols, drawing (Musée des Beaux-Arts,
Dioce
\gustina
Martina, Ro
B
H
Minneapolis),
Mini
interior
ollection
drawing (Ecol
me, drawing (Fitzwilliam Museum
, crayon lithograph (Ecole des Beaux-Arts ris 8 { I Gemialdegalerie
IO, h St Fohr he Baptist (Staatl
Berlin), 447. Fragment of a tabernacle with the Virgin , fresco (Giogoli, Scandi Rocer: Figure drawing (private collection),
Sts Sabinus and Romuald aria delle Vertighe, Monte S. Savino), 448 ction), 408. Compositio ivate collectior 29
Sts Fohn the Baptist, Mary Magdalen (S. Agostino, Colle \ vate collection), 526. June 1953 (private collection),
d’Elsa), 449. National Gallery of Modern Art, Edinburgh), 52 Stedelijk Museum,
attributed to and workshop of: Mystic marnage ¢ f St Catherine i i ¢ Amsterdam), 530 [wo pages from a letter to Constant, October 1953
John the Baptist anda bishop saint (Pinacoteca, Faenza), | Rijksbureau voor Kunsthistorische Dokumentatie, The Hague), 531
with MicuHeLe Tosini: St Anne, the Virgin and the Chnst Child Vartyr, 1953 (private collection), 532. October 1953 (private collection), 533 Paint
Augustine, Thomas Aquinas, } incent Ferrer, Mary Magdalen and erine (S. Spirito Tate Gallery, London), e also CONSTANT
Florence), 450. Meeting of Joachim and Anna at the Golder ut th St eph and HocartH, WILLIAM: 7m ves (National Portrait Gallery, London),
WORKS OF ART ATTRIBUTED
Parker, 2nd Earl of Macclesfield (Earl of Macclesfield), 136. The Beggar’s Opera (Lewis Albert Museum, London), 746.
Walpole Library, Farmington CT), 137. The Beggar’s Opera (Tate Gallery, Lemaire, JEAN or Pierre: The death of Cleopatra (?), drawing (Louvre, Paris), 757. Imaginary
London), 137. The Times (plate 1), engraving (British Museum, London), 138. Taste view with the Arch of Constantine, drawing (private collection), 758. View of a vestibule
in High Life (private collection), 138. Elizabeth Hoadly (York City Art Gallery), 357. opening onto a loggia, drawing (private collection), 758. View of ruins, drawing (private
Ho sein, Hans tHE Youncer: Portrait of an unknown man (Audley End, Saffron Walden, collection), 758.
follower of: Capriccio with ancient ruins (Louvre, Paris), 741.
Essex), 589
Wencestas: Mercury and Herse, after Adam Elsheimer, etching, 664. LigBERMANN, Max: Recreation in the Amsterdam orphanage (Stadelsches Kunstinstitut,
HORST, GERARD VAN: Artemisia (Princeton University Art Museum), 283. St Sebastian Frankfurt), 349. Workers in the turnip field (Niedersachsisches Landesmuseum,
National Gallery, London), 707 Hannover), 349. Self-portrait with kitchen still life (Stadtisches Museum,
Tuomas: Library table (Minneapolis Institute of Art), 652. Gelsenkirchen), 349. Self-portrait (Niedersachsisches Landesmuseum, Hannover),
HE, Pierre: Partition du silence (exh. Henry Moore Institute, Leeds), 54 349.
Lievens, JAN: Westminster from across the Thames, drawing (formerly H.E. Kate collection),
RES, JeAN-AuGusTE-Dominique: Jacques-Louis Leblanc and Mme Leblanc (Metropolitan 621. Westminster Abbey from the north-west, drawing (Kunsthalle, Hamburg), 621.
Museum of Art, New York), 552 Lire, Fitippino: Head of a young woman, drawing (Uffizi, Florence), 150. Head of a boy fac
IseNBRANT, ADRIAEN: Sts George and Barbara presenting Joris van de Velde, Barbara Le Maire and ing left, drawing (Istituto Nazionale per la Grafica, Rome), 150. Five Stbyls seated in
their children (Musées Royaux des Beaux-Arts, Brussels), 851. The seven sorrows of the niches (Christ Church, Oxford), 150. Seated youth holding a staff and seated man sleeping
Viren (Onze-Lieve-Vrouwekerk, Bruges), 851. against a bench, drawing (Uffizi, Florence), 151. Detail from St Peter liberated from
pnison, fresco (S. Maria del Carmine, Florence), 151.
‘ JA CKSON AND GRAHAM, see PRIGNOT Lissirzky, Ex: Letter to Sophie Lissitzky-Kuppers (Getty Research Institute, Los
Jacopino DA Reccio, see BARTOLOMMEO DA GGIO Angeles , 430
JANSSENS, ABRAHAM VAN: Peace and Plenty binding the arrows of war (Wolverhampton Art Lorro, Lorenzo: Judith with the head of Holofenes (Banca Nazionale del Lavoro, Rome),
Gallery), 277 413. Portrait of a man with a felt hat (Piero Corsini, Inc., New York), 413. Annunciation
‘SEN, GeRRIT, attributed to: Pier glass with giltwood cresting, one of a pair (Boughton Pinacoteca Civica, Recanati), 413. Andrea Odoni (Royal Collection) and detail,
House, Northants), 363. See also PeLLeTIER, THomas and Reneé. 414. A young ecclestastic in his study, drawing (British Museum, London), 538.
Jove, Prerer pe, see GALL Lowry, L.S.: Bandstand, Peel Park, drawing (Salford Art Gallery), 844. Buttermere, draw-
Jounson, Steve: London Routemaster bus, sculpture (exh. Henry Moore Institute, Leeds), ing (Salford Art Gallery), 844.
54 Luint, BERNARDINO, see BARBETTI.
Jones, Inico, see Wart
Masrer or tHe BuckincHam Patace Maponna: The Madonna of humility with angels (Her
Kanpisky, Wassity: Hauptlehre, notes from his Bauhaus teaching materials (Getty Majesty the Queen Elizabeth II), 524.
Research Institute, Los Angeles), 431. Master OF THE Kress Lanpscapes, see LARCIANI, GIOVANNI.
Kapoor, AnisH: At the edge of the world, fibreglass and pigment (exh. Hayward Gallery, Master OF THE PierA oF Piepicrorra: Lamentation with the Virgin succouring souls in purgato-
London), 493. No.2, alabaster (exh. Lisson Gallery, London), 493. White dark III, ry and St Anthony of Padua (S. Maria di Piedigrotta, Naples), 144.
wood, fibreglass and paint (artist’s collection), 493. Master or St Caruerine: St Catherine in prison, fresco (Musei Civici di Palazzo Farnese,
Karz, Avex: Luna Park (exh. P.S.1, New York), 505. Twilight (exh. P.S.1, New York), Piacenza), 417.
505. Soho moming (exh. P.S.1, New York), 505. MASTER OF THE STRAUS Maponna: Virgin and Child enthroned with angels and saints (Astley
Kent, Wituiam: Design for a church, drawing (Victoria and Albert Museum, London), Cheetham Art Gallery, Stalybridge), 276.
860 Masrer THeoperic: Man of sorrows (Holy Cross Chapel, Karlstejn), 853. Charlemagne (Holy
Kirkesy, Per: Viel Spater (Louisiana Museum of Modern Art, Humlebaek), 348. Cross Chapel, Karlstejn), 854. St Catherine (Holy Cross Chapel, Karlstejn), 854.
Kur, Paut: Anima errante (irrende Seele) (Hugh Lane Municipal Gallery of Modern Art,
Dublin), 616. See also GROHMANN. Macke, Avcusr: Coloured circle Galerie Jan Krugier, Geneva), 230.
Kosei, WitHeLM von: Horsemen at the Tegernsee, water-colour (private collection, Macritre, René: The Secret Double (Musée National d’Art Moderne, Paris), 411. The
Munich), 719. Dominion of Light (Musées Royaux des Beaux-Arts de Belgique, Brussels), 412.
Koninck, Jacos: View in a forest, drawing (Fondation Custodia, Collection F. Lugt, Matcuair, JOHN: North Gate from the Cornmarket, drawing (Ashmolean Museum, Oxford),
Paris), 620. 845. North Gate from St Giles, drawing (Ashmolean Museum, Oxford), 845. The sta
Kuntyosui, Uracawa: Tokiwa Gozen fleeing with her children through the snow, water-colour ble yard at Merton College, drawing (Ashmolean Museum, Oxford), 845. Glin Dyffyrth
private collection, United Kingdom), 229. Bridge between Corwen and kennwgge at Derbyshire, drawing (Ashmolean Museum,
Oxford), 846. Balliol Chapel and library, drawing (Ashmolean Museum, Oxford),
La Frery, A.: Bacchus recewing hospitality, engraving after a classical relief (British 846. View from Merton College, drawing (Ashmolean Museum, Oxford), 846.
Museum, London), 726 Manet, Epouarp: Execution of Maximilian, Emperor of Mexico (National Gallery, London),
La Tour, Georces pe: The payment of taxes (Picture Gallery, Lviv), 202. 55 7. The railway (National Gallery of Art, Washington), 642. Gare Saint-Lazare (pri-
La Tour GEORGES OR ETIENNE DE: St Thomas (Louvre, Paris), 201 vate collection), 643
after: Education of the Virgin (private collection), 204. after: Caricature after Lola de Valence by Manet (Bibliothéque Nationale, Paris), 310.
Larciant, Giovanni (formerly Master of the Kress Landscapes): Nativity with Sts Michael, Manzonl, Piero: Artist’s shit no.066, metal can (Francois and Danielle Morellet, Cholet),
Clement, Martha and Peter, surmounted by the Trinity and Evangelists (Museo Civico, 405. Base of the world, iron and bronze (Kunstmuseum, Herning), 405. Achrome
Fucecchio), 456; details 458. Landscapes (National Gallery of Art, Washington), Kunstmuseum, Herning), 405.
457. Annunciation, Visitation, St Joseph and God the Father Pieve de S. Stefano, MapeterHoree, Roser: Christ, photograph (estate of the artist), 424.
Montopoli in Val d’Arno), 463. View of a port city (formerly Chrysler Museum, Matisse, Henri: Pink Onions (Statens Museum for Kunst, Copenhagen), 59. Sculpture and
Provincetown), 464. Madonna and Child with St John the Baptist (formerly Drey col- ersian vase (Nasjonalgalleriet, Oslo), 60. Océanie, paper cut-out (Musée Matisse, Le
lection, Munich), 464. Madonna and Child (Bucknell University, Lewisburg), 467. Cateau Cambrésis), 358
Holy Family with Ang ls (whereabouts unknown), 467 Marreo pa Mitano: Calling of the apostles Peter and Andrew, illumination (Strossmeyer
attributed to: The Crucifixion (Musée des Beaux Arts, Rouen), 470. Gallery, Zagreb), 502.
and GIOVAMBATTISTA pe. Verroccuio: Autograph subscriptions to the lease for Mayerson, Kerru: [$0037 (exh. Jay Gorney, New York), 66.
Larciani’s house, 29th October 1523 (Archivio degli Innocenti, Florence), 462. McCait, Cuan: Spring, drawing (Laurent Delaye Gallery, London), 843.
LLIERRI , Nicotas: La Belle Strasbourgeoise (Musée des Beaux-Arts, Nantes), 57. McLenan, Joun: Illustration to Wilkie Collins’s The Woman in White, 306.
ZENCE, THOMAS: Demolition of the church of S. Domenico, Genoa. water-colour (Galleria Menuorrer, Jozer: In thre Laurel Room (Portrait of the artist’s wife Muzeum Slaskie,
Civica d’Arte Moderna, Genoa-Nervi), 675 Kattowice), 218.
s, L.H see PERCIER Meter, Ricuarp, & Partners: The J. Paul Getty Center, Los Angeles, 1997, (elevation,
ER, FerNaNnp: Le femme en bleu (Kunstmuseum, Basel), 589. axonometric diagram, and interior), 3—4.
R, JuLEs: Renotr painting ‘Paysa e avec deux personnages’, drawing (private collection, Memuinc, Hans: Tommaso Portinari and Maria Portinan (Metropolitan Museum of Art,
Paris), 320 . New York), 855.
CorBUSIER Design for the Heidi Weber Pavilion in Zurich, drawings (Getty MICHELANGELO: Risen Christ, marble (S. Maria sopra Minerva, Rome), 113. Archers shoot
Research Institute, Los Angeles), 425 ing at a herm, drawing (Royal Library, Windsor Castle), 678. See also Buzio and
y, Perer, see BLOOTELIN¢ SCHERANO
E, JEAN: The contin if Scipio (private collection), 757. Micnarp, Pierre: Catherine Mignard, comtesse de Feuquiéres, as Fame (Chateau, Versailles),
Pierre: Judith displaying the head of Holofemes, drawing after Domenichino 57. Death of Cleopatra (private collection, England), 759
Bibliothéque nationale, Paris), 740. Paris proves his birth, engraving after Claude Miiais, JouN Evererr: Dew-drenched furze Geoffroy Richard Everett Millais
Vignon (Bibliothéque nationale, Paris), 740. A sacrifice to Minerva private collec- Collection), 52. Parable of the lost piece of money, water-colour whereabouts
tion), 742. Compositional study for A sacrifice to Minerva, drawing (Uffizi, Florence), unknown), 304. A Lost Love, engraving (Witt Library, London), 306.
742. ‘Domine quo vadis” (whereabouts unknown), 743. Christ and the Samaritan woman Miter, SANDERSON: Drawings (elevation and perspective) for the ‘Gothick folly’ at
Saint-Benoit, Le Mans), 744. Pieta, after Annibale Carracci (Saint-Benoit, Le Wimpole Hall (National Trust, Wimpole Hall, Cambs), 78-79. Sketch for a
Mans), 744. Christ and the woman taken in adultery (whereabouts unknown), 745. The ruinous gothic folly, drawing (Warwick Record Office), 81. Hagley Castle, drawing
death of Cleopatra, drawing (Louvre, Paris), 746. The visitation, drawing (Victoria and Warwick Record Office), 81.