ALSO BY CRISTINA HENRÍQUEZ Come Together, Fall Apart The World in Half This is a Borzoi Book Published by Alfred A. Knopf Copyright © 2014 by Cristina Henríquez All rights reserved. Published in the United States by Alfred A. Knopf, a division of Random House LLC, New York, and in Canada by Bond Street Books, a division of Random House of Canada, Limited, Toronto, Penguin Random House Companies. www.aaknopf.com Knopf, Borzoi Books, and the colophon are registered trademarks of Random House LLC. Grateful acknowledgment is made to The Permissions Company, Inc., for permission to reprint an excerpt from “Poem After Carlos Drummond de Andrade” from Nightworks: Poems 1962–2000 by Marvin Bell. Copyright © 1990 by Marvin Bell. Reprinted by permission of The Permissions Company, Inc., on behalf of Copper Canyon Press, www.coppercanyonpress.org. Library of Congress Cataloging-in-Publication Data Henríquez, Cristina, 1977– The book of unknown Americans : a novel / Cristina Henríquez. —First Edition. pages cm “This is a Borzoi Book.” ISBN 978-0-385-35084-6 (hardcover : alk. paper) ISBN 978-0-38535085-3 (eBook) 1. Teenagers—Fiction. 2. Immigrants—Fiction. 3. Delaware—Fiction. I. Title. PS3608.E565B66 2014 813′.6—dc23 2013022215 This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental. Jacket painting by Elizabeth Mayville Jacket design by Kelly Blair v3.1_r1 For my father, Pantaleón Henríquez III Let us all be from somewhere. Let us tell each other everything we can. — , “ ” BOB HICOK A PRIMER Contents Cover Other Books by This Author Title Page Copyright Dedication Epigraph Chapter 1 - Alma Chapter 2 - Mayor Chapter 3 - Rafael Toro Chapter 4 - Alma Chapter 5 - Mayor Chapter 6 - Benny Quinto Chapter 7 - Alma Chapter 8 - Mayor Chapter 9 - Gustavo Milhojas Chapter 10 - Alma Chapter 11 - Mayor Chapter 12 - Quisqueya Solís Chapter 13 - Alma Chapter 14 - Mayor Chapter 15 - Adolfo “Fito” Angelino Chapter 16 - Alma Chapter 17 - Mayor Chapter 18 - Nelia Zafón Chapter 19 - Alma Chapter 20 - Mayor Chapter 21 - José Mercado Chapter 22 - Alma Chapter 23 - Mayor Chapter 24 - Micho Alvarez Chapter 25 - Alma Chapter 26 - Mayor Chapter 27 - Alma Chapter 28 - Arturo Rivera Acknowledgments A Note About the Author Reading Group Guide Alma Back then, all we wanted was the simplest things: to eat good food, to sleep at night, to smile, to laugh, to be well. We felt it was our right, as much as it was anyone’s, to have those things. Of course, when I think about it now, I see that I was naïve. I was blinded by the swell of hope and the promise of possibility. I assumed that everything that would go wrong in our lives already had. crossing the border, we arrived, the three of us in the THIRTY HOURS AFTER backseat of a red pickup truck that smelled of cigarette smoke and gasoline. “Wake up,” I whispered, nudging Maribel as the driver turned into a parking lot. “Hmmm?” “We’re here, hija.” “Where?” Maribel asked. “Delaware.” She blinked at me in the dark. Arturo was sitting on the other side of us. “Is she okay?” he asked. “Don’t worry,” I said. “She’s fine.” It was just after sunset and darkness bled in from the outer reaches of the sky. A few minutes earlier, we’d been on a busy road, driving through four-way intersections, past strip malls and fast-food restaurants, but as we neared the apartment building, all of that had given way. The last thing I saw before we turned onto the long gravel lane that led to the parking lot was an abandoned auto body shop, its hand-painted sign on the ground, propped up against the gray stucco facade. The driver parked the truck and lit another cigarette. He’d been smoking the whole trip. It gave him something to do with his mouth, I guess, since he’d made it clear from the moment he picked us up in Laredo that he wasn’t interested in conversation. Arturo climbed out first, straightened his cowboy hat, and surveyed the building. Two stories, made of cinder blocks and cement, an outdoor walkway that ran the length of the second floor with metal staircases at either end, pieces of broken Styrofoam in the grass, a chain-link fence along the perimeter of the lot, cracks in the asphalt. I had expected it to be nicer. Something with white shutters and red bricks, something with manicured shrubs and flower boxes in the windows. The way American houses looked in movies. This was the only option Arturo’s new job had given us, though, and I told myself we were lucky to have it. Silently, in the dim and unfamiliar air, we unloaded our things: plastic trash bags packed with clothes and sheets and towels; cardboard boxes filled with dishes wrapped in newspaper; a cooler crammed with bars of soap, bottles of water, cooking oil, and shampoo. During the drive we had passed a television set on the curb, and when he saw it, the driver braked hard and backed up. “You want it?” he asked us. Arturo and I looked at each other in confusion. “The television?” Arturo asked. The driver said, “You want it, take it.” Arturo said, “It’s not stealing?” The driver snorted. “People throw away everything in the United States. Even things that are still perfectly good.” Later, when he stopped again and pointed to a discarded kitchen table, and later again at a mattress propped up like a sliding board against someone’s mailbox, we understood what to do and loaded them into the truck. After we carried everything up the rusted metal staircase to our apartment, after we found the key the landlord had left for us, taped to the threshold of the door, Arturo went back down to pay the driver. He gave him half the money we had. Gone. Just like that. The driver put the bills in his pocket and flicked his cigarette out the window. “Good luck,” I heard him say before he drove off. , Arturo flipped the light switch on the wall and a bare INSIDE THE APARTMENT bulb in the ceiling flashed on. The linoleum floors were dingy and worn. Every wall was painted a dark mustard yellow. There were two windows —a large one at the front and a smaller one at the back in the only bedroom—both covered by plastic sheets held in place with tape, the wood casings warped and splintered. Across the hall from the bedroom
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