THE BIG VOTE Reconfiguring American Political History Ronald P. Formisano, Paul Bourke, Donald DeBats, and Paula M. Baker, Series Founders THE BIG VOTE Gender, Consumer Culture, and the Politics of Exclusion, 1890s–1920s Liette Gidlow The Johns Hopkins University Press Baltimore and London © 2004 The Johns Hopkins University Press All rights reserved. Published 2004 Printed in the United States of America on acid-free paper Johns Hopkins Paperbacks edition, 2007 9 8 7 6 5 4 3 2 1 The Johns Hopkins University Press 2715 North Charles Street Baltimore, Maryland 21218-4363 www.press.jhu.edu The Library of Congress has cataloged the hardcover edition of this book as follows: Gidlow, Liette The big vote : gender, consumer culture, and the politics of exclusion, 1890s–1920s / Liette Gidlow. p. cm. — (Reconfiguring American political history) Includes bibliographical references and index. ISBN 08018-7864-0 (alk. paper) 1. Political participation—United States. 2. Voting—United States. 3. Women in politics—United States. I. Title. II. Series. JK1764.G43 2004 324.973´0915—dc22 2003015033 ISBN 10: 0-8018-8637-6 (pbk. : alk. paper) ISBN 13: 978-0-8018-8637-9 A catalog record for this book is available from the British Library. To my partner This page intentionally left blank CONTENTS Acknowledgments ix Introduction: Making Dominance 1 Chapter 1: “Civic Slackers” and “Poll Dodgers”: Nonvoting and the Construction of Discursive Dominance 17 Chapter 2: “A Whole Fleet of Campaigns”: The Get-Out-the- Vote Campaigns in Overview 46 Chapter 3: “Vote as You Please—But Vote!”: The Leadership of the Get-Out-the-Vote Campaigns 77 Chapter 4: “Good for at Least 100 Votes”: The Get-Out-the- Vote Campaigns at the Local Level 110 Chapter 5: The Expert Citizen: Civic Education and the Remaking of Civic Hierarchies 140 Chapter 6: The Methods of Wrigley and Barnum: The Get- Out-the-Vote Campaigns and the Commodification of Political Culture 161 Conclusion: The New Regime 194 Abbreviations 201 Notes 203 A Note on Method and Sources 233 Index 253 Illustrations follow page 109. This page intentionally left blank ACKNOWLEDGMENTS Acknowledgments are a celebration, a celebration of work completed and of the relationships nurtured along the way. I would like to thank the many teachers, colleagues, friends, and family members whose sup- port helped to bring this project to a joyful close. From our first meeting, Professor Joel Silbey treated me with respect. For his intellectual engagement, his encouragement, his good humor, and his steady attention to his role as chair of my dissertation commit- tee, he has my lasting appreciation. Mary Beth Norton and Mary Katzenstein each offered important sug- gestions, criticisms, and support at the dissertation stage and beyond. Though I was not one of his students, Michael Kammen generously funded my first year of graduate study at Cornell with the Newton C. Farr fellowship and welcomed me to his cultural history colloquium. The history department at Cornell generously and consistently funded my work with Mellon fellowships, the Daughters of the American Rev- olution fellowship, and teaching assistantships. The program at Cornell- in-Washington enabled me to spend a year in the Manuscript Division of the Library of Congress while enjoying the company of pleasant and talented colleagues, especially Linda Johnson and Steve Jackson. The fac- ulty at Ohio State University was the first to offer support for my aspi- rations. I thank Michael Hogan and James Bartholomew in particular for creating opportunity. My colleagues in the history department at Bowling Green State Uni- versity have graciously supported this project in its latter stages. Don