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The Big Anxiety: Taking Care of Mental Health in Times of Crisis (Thinking in the World) PDF

305 Pages·2022·19.281 MB·English
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The Big Anxiety THINKING IN THE WORLD Series editors: Jill Bennett and Mary Zournazi Thinking in the World combines the work of key thinkers to pioneer a new approach to the study of thought. Responding to a pressing need in both academic and wider public contexts to account for thinking as it is experienced in everyday settings, the series explores our thinking relationship to everything from illness, to built environments, to ecologies, to other forms of life and technology. Other titles in the series Thinking in the World, ed. Jill Bennett and Mary Zournazi Practical Aesthetics, ed. Bernd Herzogenrath An Anthropological Guide to the Art and Philosophy of Mirror Gazing, Maria Danae Koukouti and Lambros Malafouris The Big Anxiety Taking Care of Mental Health in Times of Crisis EDITED BY JILL BENNETT BLOOMSBURY ACADEMIC Bloomsbury Publishing Plc 50 Bedford Square, London, WC1B 3DP, UK 1385 Broadway, New York, NY 10018, USA 29 Earlsfort Terrace, Dublin 2, Ireland BLOOMSBURY, BLOOMSBURY ACADEMIC and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2022 Copyright © Jill Bennett, 2022 Jill Bennett has asserted her right under the Copyright, Designs and Patents Act, 1988, to be identified as Editor of this work. For legal purposes the Acknowledgements on p. xvii constitute an extension of this copyright page. Cover design by Ben Anslow Cover images: Edge of the Present (Photo © Jessica Maurer); Parrragirls Past, Present (Photo © Silversalt) All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Bloomsbury Publishing Plc does not have any control over, or responsibility for, any third-party websites referred to or in this book. All internet addresses given in this book were correct at the time of going to press. The author and publisher regret any inconvenience caused if addresses have changed or sites have ceased to exist, but can accept no responsibility for any such changes. A catalogue record for this book is available from the British Library. A catalog record for this book is available from the Library of Congress. ISBN: HB: 978-1-3502-9778-4 PB: 978-1-3502-9779-1 ePDF: 978-1-3502-9775-3 eBook: 978-1-3502-9776-0 Series: Thinking in the World Typeset by Deanta Global Publishing Services, Chennai, India To find out more about our authors and books visit www .bloomsbury .com and sign up for our newsletters. CONTENTS List of figures viii List of contributors x Acknowledgements xvii Introduction 1 1 The politics of experience – and the function of art in the expanded field of mental health Jill Bennett 3 PART I Suicide, felt experience and what works 15 2 Why do art therapies work? Siri Hustvedt with Jill Bennett 17 3 Edge of the present: Mixed reality, suicidality and future thinking Chloe Watfern, Jill Bennett, Stephanie Habak and Katherine Boydell 28 PART II Culture and experience 39 4 Knowing from the inside Lynn Froggett and Noreen Giffney 41 5 Radical creativity: Breaking the cycles of trauma Marianne Wobcke with Jill Bennett 55 PART III Dialogue and embodied encounters 67 6 The Eradication of Schizophrenia in Western Lapland and Open Dialogue in the work of Ridiculusmus David Woods and Jon Haynes 69 vi CONTENTS 7 The Visit: A collaborative confabulation Gail Kenning, Jill Bennett and Volker Kuchelmeister 80 PART IV Designing for experience 91 8 Facilitating environments: An arts-based psychosocial design approach Jill Bennett, Lynn Froggett and Lizzie Muller 93 9 I have a thing about tables Lois Weaver with Laura Hunter Petree 112 PART V Resistance, racism and decolonization 123 10 Narratives of resistance from indefinite detention: Manus Prison Theory and Nauru Imprisoned Exiles Collective Omid Tofighian, Behrouz Boochani, Mira* and Elahe Zivardar 125 11 Poetic solidarities Claudia Rankine with Evelyn Araluen 139 PART VI Reparative action 151 12 Designing reparations: Creative process as reparative practice Andrea Durbach, Jill Bennett and Pumla Gobodo-Madikizela 153 13 EmbodiMap I: Trauma survival and refugee experience Lydia Gitau 166 PART VII Thinking in action with creative resources after trauma 179 14 Unnerved Anita Glesta 181 15 Wau-mananyi: The song on the wind Pantjiti Imitjala Lewis, Rene Wanun Kulitja, Angela Lynch (Uti Kulintjaku), translated by Beth Sometimes 191 16 EmbodiMap II: An auto-ethnography Sophie Burgess 197 CONTENTS vii PART VIII Soundwork/earwork 209 17 Held Down, Expanding: An exchange on trauma through acousmatic sound art practice Thembi Soddell 211 18 Hold me in a circle of tender listening: Entangled encounters with women survivors from the Mental Health Testimony Project archive Amanda McDowell 223 PART IX Lived experience, activism and survival 237 19 Being together in a neurodiverse world: Exploring with Project Art Works Kate Adams, Sonia Boué and Chloe Watfern 239 20 Pathologize this Dolly Sen 250 21 Super-fast augmented anxiety Clive Parkinson 260 Index 275 FIGURES 3.1 Edge of the Present, mixed reality installation, 2019. Photo by Jessica Maurer/Alex Davies, courtesy The Big Anxiety 30 5.1 Left: Marianne Wobcke, Grandmother Dreaming 2011; Lino cut, 30 × 30 cm, edition 2/10. Photo courtesy of Jenny Sanzaro; Right: Marianne Wobcke, Baby in a Cage – The Second Matrix – No Way Out, 2009. Polystyrene, felt and wire sculpture. Photo courtesy the artist 56 6.1 The Eradication of Schizophrenia in Western Lapland at Battersea Arts Centre, 2014. Left to right: Jon Haynes (patient), Patrizia Paolini (Mum, through window) and David Woods (doctor). Photograph by Richard Davenport 70 7.1 The Visit, immersive media (still), 2019. Courtesy fEEL UNSW 81 7.2 The Visit, 3D LiDAR (Light Detection and Ranging) scan of a physical kitchen with props created using photogrammetry, 2019. Courtesy fEEL, UNSW 81 8.1 Left: Awkward Conversations in Customs House; Right: Debra Keenahan’s Awkward Conversations walk. The Big Anxiety, 2017; photographs by Gisella Vollmer, Skyline Productions 96 8.2 Parragirls Past, Present, 2017 (viewer in immersive 3D film). The Big Anxiety, 2017; photograph by Saeed Khan/AFP 104 10.1 Film still of Behrouz, Manus Island (left) and poster (right), Chauka, Please Tell Us the Time (2017), Sarvin Productions 2019 131 10.2 Left: Render image of a 3D model of the Nauru detention centre created by Elahe Zivardar for the film Searching for Aramsayesh Gah (2022); Right: ‘What am I?/ Nothing. A number? Maybe. The number of a boat/IVL-57’, Elahe’s ID card. Both images courtesy Elahe Zivardar 135 13.1 EmbodiMap, felt Experience and Empathy Lab (fEEL), 2020. Courtesy fEEL, UNSW 169 14.1 Untitled, oil on canvas, 48 inches × 72 inches. Anita Glesta, 2017 182 14.2 Still from the animation, UNNERVED. Anita Glesta, 2021 187 15.1 Uti Kulintjaku, 2019. Photo Volker Kuchelmeister; courtesy fEEL Lab 192 FIGURES ix 15.2 Wau-mananyi: The song on the wind, Stills from VR and installation, 2019. Photo Volker Kuchelmeister; courtesy fEEL Lab 195 16.1 EmbodiMap, fEEL Lab (screenshot from VR session). Photo: Sophie Burgess/Volker Kuchelmeister; courtesy fEEL Lab, 2021 200 19.1 The Not Knowing of Another (Adams 2008), still and installation view at MK Gallery, 2011, Courtesy Project Art Works 240 19.2 Illuminating the Wilderness film still (Project Art Works 2019). Courtesy Project Art Works 242 20.1 The Lost Sheep, 2017. Courtesy Dolly Sen 256 20.2 A young girl telling Dolly that her brother made her mad, Bedlamb, Bethlem Hospital, 2019. Courtesy Dolly Sen 258 21.1 Vic McEwan and Clive Parkinson, Boree Creek, 2019. Courtesy Vic McEwan 261 21.2 Still from Still Life, Sam Taylor-Johnson, 2001. Courtesy Sam Taylor-Johnson 272

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