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The Art of Healing: Painting for the Sick and the Sinner in a Medieval Town PDF

303 Pages·2003·21.58 MB·English
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Kupfer.Front 8/6/03 8:32 AM Page i the art of healing Kupfer.Front 8/6/03 8:32 AM Page ii Image not available Kupfer.Front 8/6/03 8:32 AM Page iii m a r c i a k u p f e r ART e h t of healing painting for the sick and the sinner in a medieval town the pennsylvania state university press university park, pennsylvania Kupfer.Front 8/6/03 8:32 AM Page iv Disclaimer: Some images in the original version of this book are not available for inclusion in the eBook. Library of Congress Cataloging-in-Publication Data Kupfer,Marcia A.(Marcia Ann) The art of healing :painting for the sick and the sinner in a medieval town / Marcia Kupfer. p. cm. Includes bibliographical references and index. ISBN ---(cloth :alk.paper) .Medicine and art—France—St.Aignan. .Healing in art. .Miracles in art. .Aegidius,Saint,Abbot—Art. .Mural painting and decoration,Romanesque— France—St.Aignan. .Mural painting and decoration,French—France—St.Aignan. .Christian art and symbolism—Medieval,‒—France—St.Aignan. .Collâegiale de St.Aignan (St.Aignan,France). .Medicine,Medieval— France—St.Aignan. .St.Aignan (France)—Social life and customs. I.Title. N.K  '.'—dc  Copyright © The Pennsylvania State University All rights reserved Printed in the United States ofAmerica Published by The Pennsylvania State University Press, University Park,PA - It is the policy ofThe Pennsylvania State University Press to use acid-free paper. Publications on uncoated stock satisfy the minimum requirements ofAmerican National Standard for Information Sciences—Permanence of Paper for Printed Library Material, ANSI Z.–. Kupfer.Front 8/6/03 8:32 AM Page v for my children, IRA and GABRIELLE Kupfer.Front 8/6/03 8:32 AM Page vi Kupfer.Front 8/6/03 8:32 AM Page vii contents list of illustrations ix acknowledgments xv list of abbreviations xvii introduction: “confess your sins” 1 part i the medieval site 1 from castle to town 11 Inside the Painted Crypt Oppidumand Parish Lord and Borough 2 chapels, hospitals, and healing cults 27 Chapels The Leprosery The Maison-Dieu The Porticus of Noyers 3 from spatialized body to painted crypt 47 Saint Silvanus’s Fire Local Cults:An Epidemiological Basis? Local Cults:A System of Representation Images and the Recapture ofTherapeutic Powers part ii the collegiate church 4 the architectural framework: spatial disjunction, social displacement 67 Architectural Design and Building Chronology The Crypt Redefined Pilgrimage as Penance vii Kupfer.Front 8/6/03 8:32 AM Page viii 5 the paintings: the saints in the crypt 85 The Apsidal Theophany and the Altar of Saint James The South Chapel:The Life of Saint Giles The Axial Chapel:Lazarus,Mary Magdalen,and Martha From Micro- to Macrocosm Pictorial Resonance,Programmatic Texture 6 image and audience: infirmity, charity, and penance in the community 113 Exchange and Mediation Gender Roles,Body Politics Infirmity as Social Boundary conclusion: the art of healing 149 epilogue: the late medieval paintings 153 notes 159 bibliography 183 index 197 illustrations 203 viii CONTENTS Kupfer.Front 8/6/03 8:32 AM Page ix illustrations Unless otherwise indicated,the photographs pertain to the church of Saint-Aignan-sur-Cher.  Map of the region indicating sites  Pilgrim and figure crawling with relevant to the study. crutches (photo:author).  Saint-Aignan-sur-Cher (Loir-et-  Detail of figure crawling with Cher),aerial view (photo:R. crutches (photo:author). Malnoury,© Inventaire général, adagp).  Kneeling petitioner (photo:  Collegiate church and castle author). (postmedieval structure) from the  Detail of coin offered by pilgrim north (photo:author). (photo:author).  Upper church,interior view of  View into south apsidiole:life of nave toward apse (photo:author). Saint Giles (Arch.Phot.© Centre  Upper church,plan,J.-B.Lassus, des monuments nationaux,Paris). c.(Arch.Phot.© Centre des monuments nationaux,Paris).  South apsidiole,base of conch  Crypt,plan,J.-B.Lassus,c. vault:Saint Giles clothes and heals (Arch.Phot.© Centre des monu- a beggar;he drives out venom ments nationaux,Paris). from a man bitten by a serpent  Crypt,apse,central portion of (photo:author). hemicycle wall and semidome,  South apsidiole,hemicycle wall: Christ enthroned between Saints Miraculous Mass of Saint Giles,or Peter and James with supplicants,c. the Pardon of Charlemagne (Arch. (photo:author). Phot.© Centre des monuments  Saint James and kneeling petitioner nationaux,Paris). (photo:author).  Miraculous Mass,sketch.  Saint Peter receives keys from Christ and blesses pilgrim who  View into the axial apsidiole: offers a coin (photo:author). Raising of Lazarus (Arch.Phot.©  Detail of Saint Peter,inscription Centre des monuments nationaux, petrus (photo:author). Paris). ix

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Many historians of medieval art now look beyond soaring cathedrals to study the relationship of architecture and image-making to life in medieval society. In The Art of Healing, Marcia Kupfer explores the interplay between church decoration and ritual practice in caring for the sick. Her inquiry bri
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