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The Art Direction Handbook for Film PDF

351 Pages·2005·14.55 MB·English
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The Art Direction Handbook for Film The Art Direction Handbook for Film Michael Rizzo Amsterdam Boston Heidelberg London New York Oxford Paris San Diego San Francisco Singapore Sydney Tokyo Acquisitions Editor: Elinor Actipis Project Manager: Jeff Freeland Assistant Editor: Cara Anderson Marketing Manager: Christine Degon Cover Design: Susan Shapiro Focal Press is an imprint of Elsevier 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA Linacre House, Jordan Hill, Oxford OX2 8DP, UK Copyright © 2005, Elsevier Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Permissions may be sought directly from Elsevier’s Science & Technology Rights Department in Oxford, UK: phone: (+44) 1865 843830, fax: (+44) 1865 853333, email: [email protected]. You may also complete your request on-line via the Elsevier homepage (http://elsevier.com), by selecting “Customer Support” and then “Obtaining Permissions.” Recognizing the importance of preserving what has been written, Elsevier prints its books on acid-free paper whenever possible. Library of Congress Cataloging-in-Publication Data Rizzo, Michael. The art direction handbook for film / Michael Rizzo. p. cm. Includes bibliographical references and index. ISBN 0-240-80680-8 (alk. paper) 1. Motion pictures—Art direction—Handbooks, manuals, etc. I. Title. PN1995.9.A74R58 2005 791.4302¢5—dc22 2005040563 British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: 13: 978-0-240-80680-8 ISBN: 10: 0-240-80680-8 For information on all Focal Press publications visit our Web site at www.books.elsevier.com 05 06 07 08 09 10 10 9 8 7 6 5 4 3 2 1 Printed in the United States of America Working together to grow libraries in developing countries www.elsevier.com | www.bookaid.org | www.sabre.org For Allan White, a partner for all ages Contents Preface xiii Acknowledgements xv SECTION I: Pre-Production Process 1 Chapter 1: Introduction 3 • Clarification 3 • Some History: Wilfred Buckland 6 • Past Changes 9 • Present Changes 12 • Digital Competition 12 • Typecasting: A Fuller Picture 13 • Two Paths 17 (cid:2) Design Managers: The Lifers 17 (cid:2) Production Designers-in-Embryo 17 Chapter 2: The Responsibilities, The Relationships, and the Setup 21 • Hierarchy of Responsibilities 21 (cid:2) First Responsibilities 21 (cid:2) Second Responsibilities 23 (cid:2) Third Responsibilities 24 (cid:2) Fourth Responsibilities 26 • The Relationships 27 (cid:2) Art Department 27 (cid:2) Interdepartmental PR 28 (cid:3) Head Accountant and Staff 28 (cid:3) Locations Manager and Staff 29 (cid:3) UPM, Production Supervisor, and Production Office Staff 30 (cid:3) First Assistant Director and Staff 31 (cid:3) Previsualization Supervisor and Staff 32 • Art Department Setup 32 (cid:2) Art Department Coordinator 33 (cid:2) Archivist 35 (cid:2) Digital Artists 36 vii viii The Art Direction Handbook for Film (cid:2) Set Designers 37 (cid:2) Set Decorator 37 (cid:2) Greensman 37 (cid:2) Prop Master 38 (cid:2) Construction Coordinator 38 (cid:2) Mechanical Special Effects 39 (cid:2) Stunts 39 (cid:2) Visual Effects and Previsualization 39 (cid:2) Transportation 40 Chapter 3: The Design Process 43 • Locations Department and Scouting 43 (cid:2) First Scouts 43 (cid:2) Second Scouts 46 (cid:2) Third Scouts 48 (cid:2) Fourth Scouts 48 (cid:2) Fifth Scouts 49 • Beginning the Design Process 49 • Research 53 • Storyboarding 59 • Animatics 59 • Concept Illustrating 68 • Computer Modeling 68 • White Models 73 • Hand Drafting 74 • Designing for the Lens 78 (cid:2) Lenses 101 79 (cid:2) Aspect Ratio 79 (cid:2) Perspective 101 84 (cid:2) Lens Test 84 Chapter 4: A Legacy of Historical Techniques 87 • Painted Glass 88 • Gate Matting 90 • The Process Camera 95 • Traveling Mattes 98 • Miniatures 101 (cid:2) Hanging Foreground Miniature 102 (cid:2) Foreground Miniature 104 (cid:2) Cutouts: A Variation on Miniatures 105 (cid:2) Forced Perspective 106 (cid:2) Mobile Miniatures 108 • Front Projection 110 • Rear Projection and Mirrors 115 Contents ix Chapter 5: CGI and Digital Filmmaking 119 • Breaking Ground 119 • Conversations on the Visionary Frontier 120 (cid:2) Alex McDowell 120 (cid:2) Colin Green 128 (cid:2) Doug Chiang 131 • The Cutting Edge 133 Chapter 6: The Physical Scenery Process: Construction 137 • Interior Sets 138 • Exterior Sets 150 • Vendors 164 (cid:2) Studio Facilities 164 (cid:2) Rental Backings 165 (cid:2) Industry Source Listings 166 Chapter 7: Mechanical Effects: A Practical Guide 169 • Clarification 169 • Specialty Props and Animatronics 179 SECTION II: Production and Post-Production Processes 187 Chapter 8: Paperwork and Production Tasks 189 • The Onset of Principal Photography 189 (cid:2) Production Meetings 189 • The Schedule and Lists 190 (cid:2) Script Breakdown 190 (cid:2) One-Liner Schedule 194 (cid:2) Shooting Schedule 194 (cid:2) Day Out of Days 194 (cid:2) Call Sheet 197 (cid:2) Cell Phone and Pager List 197 • Director’s Plans 197 • Art Department Production Tasks 197 (cid:2) Clearances and Product Placement 200 (cid:2) Keeping Ahead of the Camera 200 (cid:2) On-Set Presence 200 (cid:2) Cover Sets 203 (cid:2) Communication with the Trinity 203 (cid:2) Telling the Truth 204 • Art Department Tactical Strategy 204 (cid:2) Handling Changes 204 (cid:2) Vendors 205

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Whether you'd like to be an art director or already are one, this book contains valuable solutions that will help you get ahead. This comprehensive, thorough professional manual details the set-up of the art department and the day-to-day job duties: scouting for locations, research, executing the de
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