Table Of Content

SARAFIANOS, ARIS, “The Natural History of ROSENBERG, RIC, “Response: Romancing Decorative Arts /Textiles/Design History Man and the Politics of Medical Portraiture in the Modern: Nemerov, Wyeth, and the Limits of GROOTENBOER | NN Manchester,” 102-18 American Art History,” 27-33 Gaze: Eve Miniature Portraits and the Intimacy SHANKEN, ANDREW M., “The Uncharted L\LLLLAACCIH LL\\LLAANN ‘Response: On Subliminal of Vision,” 196-507 Kahn: The Visuality of Planning and Promotion Iconography,’ t2—44 in the 1930s and 1940s,” 310-27 Drawings /P rints /P hotography /Works on Paper SMITH, KATHRYN \ review olf Richard Marks, Image an Late Medieval Fy Art of the Middle East/North Africa Means? The Eng gland, 396-99 ELIK, review of Frederick N STORR, ROBERT, review of Hal Foster, Rosa- Bohrer, Orientalism and Visual Culture: Imagining lind Krauss, Yve-Alain Bois, and Benjamin H. D Vesopotamia nth-Century Europe; Douglas Buchloh, Art since 1900 Viodernism, Ant R. Nickel, /> Egypt and Palestine: A ism, Poiesdt modej rnism. >) 89-85 Victorian PI ipher Abroad, 191-94 rROY, NANCY, review of Hal Foster, Resalind Krauss, Yve-Alain Bois, and Benjamin H. D Buchloh, Art since 1900: Modernisn {nftimoden Chinese Art . Postmodernisn HO\ \LAN,\ “Response: On Subliminal Fraser, Per hist WallP mography,” 42-44 160 ARO—-9O3 re \NS, MICHEI “Herri met de Photog Sleeping Peddler: An Exegetical and Anthropo- morphic Landscape,” 459-81 Critical Theory/ Gender Studies /V isual Studies Early Medieval /R omanesque /G othic Art TER \ \R VIEWS Editor’s RY> “CFrree ud'sF \fM ose { Mic) OSSI mA review of Paul Binski, B Note, Vasari *hotography, and Art Historical AMS, ROBERT, \ND VOOD., ‘A Newer Protagoras review of Frederick N KAVAI CHRISTOPHER, ANI ] | sual ¢ ulture In wining Meadow “A Newer Protagoras,” th-Century Europe, Douglas Proverbs rypt and Palestine \ 191-94 African Art (sub-Saharan) review of Hal Foster, Pros PRUSSIN, LABELLE, “Judaic Threads in the West African Tapestry: No More Forever?” >, 98—5-39 Thomas Putt- Building Churches n Armenia Borderso f Empire anc Architectural History /Historic Preservation “The ‘Ghostit 12 ot the Edge of 656-75 KIRK, “Framing St. Peter's: ( rban Incest and Female Relations in Harriet Hos- Mis- Planning in Fascist Rome,” 756-76 mer’s Beatrice Ce * 999-309 MARDER, rob \ review ot Nicola HANNOOSH *Théophile Silves- Performa Courtright, The Papacy and the Art of Reform in tre’s Histoire des artistes7 ivants: Art Criticism and Sixteenth-Century Rome Gregory XIII’s Tower of Photogr iphy,” 729-55 Winds the Vatican, Tracy L. Ehrlich, Landscape 1iTH KATHRY®S review ~ Richard in Early Modern Rome: Villa Culture at HOLMA BI review of Michael Cole and Marks, /» Frascati in the Borghese Era, 181-85 Marv Pardo, eds., /nve fions of the Studio, Renais- land, 396-99 anticism, 601-6 MARLOWE, ELIZABETH, “Framing the Sun: The Arch of Constantine and the Roman City- ‘On the Limits of Empathy,” Egyptian /Ancient Near Eastern Art SC ape,” 3-42 \TAC MEHM L-Al Visual Formula and SHANKEN, ANDREW M “The Uncharted \LEXANDER, “The Bov in Bed Meaning in Neo-Assvrian Relief Sculpture * = Kahn: The Visuality of Planning and Promotion The Scene of Reading in N. C. Wvyeth’s Wreck of 10] the ‘Covenant, 7-2 in the 1930s and 1940s,” 310-27 . “The Author Replies,” 61-68 Eighteenth-Century Art PENTCHEVA, BISSERA \ “The Performa- LOMAS B. I review Art of the United States tive Icon,” 631-55 Katzew, Casta Paintings: Images of R E, RACHAEL ZIADY, “Response: Seeing PYNE, KATHLEEN, “Response: On Feminine teenth-Century Mexico; Magali M. Carrera, [n and Reading N. C. Wyeth and Robert Louis a Identity in New Spain: Race, I Stevenson,” 3> 3-42 Phantoms: Mother, Child, and Woman-Child,” Colonial Body in Pi 14-61 FRYD, VIVIEN GREEN, “The ‘Ghosting’ of 185-89 Incest and Female Relations in Harriet Hos- ROSENBERG, ERI( “Response: Romancing FORDHAM, DOUGI Ramsay'sEn mer’s Beatrice Cenci,” 292-309 tAhmee rMiocdaenr n:A rt NeHmisetroorvy,,” W2y7e-t3h3, 2 and the Limits of lightenment: Or, Hume and the Patronizing NEMEROV, ALEXANDER, “The Boy in Bed: Portrait,” 508-24 The Scene of Reading in N. C. Wyeth’s Wreck of WALLACH, ALAN, “Response: On Subliminal GROOTENBOER, HANNEKE, “Treasuring the the ‘Covenant,’” 7-27 Iconography,” 42-44 Gaze: Eve Miniature Portraits and the Intimacy . “The Author Replies,” 61-68 WILLIAMS, ROBERT, AND CHRISTOPHER of Vision,” 496-507 S. WOOD, “A Newer Protagoras,” 567-82 PYNE, KATHLEEN, “Response: On Feminine SARAFIANOS, ARIS “The Natural History of Phantoms: Mother, Child, and Woman-Child,” WOOD, CHRISTOPHER, AND ROBERT WIL- Man and the Politics of Medical Portraiture in 14-61 LIAMS, “A Newer Protagoras,” 567-82 Manchester,” 102-18 Ill NUMBER Greek /Roman Art DURO, UL, review of P GOLAN, ROMY, review of Hal Foster, Rosalind the Krauss, Yve-Alain Bois, and Benjamin H. D Buchloh, Art since 1900: Modernism, Antimodern sy” *ostmoder m, 381—82 1 Stephanie m, Postmo i 189-91 HARGROVE, JUNE, “Woman with a Fan: Paul Acidiienice Gauguin’s Heavenly Vairaumati—a Parable of are ieee Immortality,” 552-66 review of Hal Foster, Ro- sad oo Sees ail ‘ \lain Bois, and Benjamin Latin American, Caribbean Art , a 3uchioh. Art si 1900 §) - Ant Rosal- jaminH . D Nineteenth-Century Art Y ‘ c ( suchloh, Art s 1900; Mod . On Feminine Woman-Child,” ( “ Resp' onse: RDp oma_ ncing} emerov, Wyeth, and the Limitso f Listory, NDREW M ‘The Uncharted isualitv of Planning and Promotion nd 1940s,” 310-2 review of Hal Foster, Rosa- lain Bois, and Be D. 1900 \loder § fi dern- 389-85 TROY, NANCY, review of Hal Foster, Rosalind Krauss, Yve-Alain Bois, and Benjamin H. D. Buchloh, Art since 1900. lernis {ntimoderr QND O- On Subliminal Reviews Editor's