Table Of Content

Index to Volume LXXXIII, 2001 \THANASSOGLOL KALLMYER NINA, MCHAM, SARAH BLAKE, “Donatello’s Bronze VAN ECK, CAROLINE, review of Vaughan ‘Blemished Physiologies: Delacroix, Paganini, David and Judith as Metaphors of Medici Rule in Hart and Peter Hicks, eds., Paper Palaces: The Rise and the Cholera Epidemic of 1832,” 686 Florence,” 32-47 of the Renaissance Architectural Treatise Alina A. BUETTNER, BRIGITTE “Past Presents: New NEES, LAWRENCE “On Carolingian Book Payne, The Architectural Treatise in the Italian Re- Year’s Gifts at the Valois Courts, ca 1400,” 598 Painters: The Ottoboni Gospels and Its Transtig- naissance: Architectural Invention, Ornament, and CAMPBELL, C. JEAN, “The City’s New Clothes: uration Master.” 209-39 Literary Culture > and Helmut Wohl, The \esthetics of Italian Renaissance Art: A Reconsideration of Style, Ambrogio Lorenzetti and the Poetics of Space, NELSON, SUSAN |} “Revisiting the East- 940-58 ern Fence: Tao Qian’s Chrysanthemums,” 43>7 -— 145-50 CAMPBELL, STEPHEN ]., review of Francis 60 WELCHMAN, JOHN, review of Robert \. So- bieszek, Ghost in the Shell: Photography and _ the Ames-Lewis, The Intellectual Life of the Early Renais- NICKEL, DOUGLAS R., “History of Photogra- Human Soul, 1850-2000, 161-65 Sance Artist; and Robert Williams, Art, Theory, and phy: The State of Research,” 548-58 Culture in Sixteenth-Century Italy: From Techne to OSTROW, SAUL, review of Caroline A. Jones, WINTER, JAY, review of James E. Young, Al Vietatechne, 150-53 Vemory’s Edge: After-Images of the Holocaust in Con Machine in the Studio: Constructing the Postwar temporary Art and Arch,i tecture, 357-58 COTHREN, MICHAEL W., “Why Did Louis de American Artist, 165-68 Rocherolles Commission a Stained-Glass Win- PARTRIDG LOREN,“The Farnese Circular WIRTH, JEAN, review of Jeffrey F. Ham- dow for Beauvais in 1522?” 7-31 Courtyard at Caprarola: God, Geopolitics, Gene- burger, The Visual and the Visionary: Art and Female Spirituality in Late Medieval Germany, COWART, GEORGIA, “Watteau’s Pilgrimage to alogy, and Gender,” 259-93 347-49 Cythera and the Subversive Utopia of the Opera- POINTON, MARCIA, “ ‘Surrounded with Bril- Ballet,” 161-78 liants’: Miniature Portraits in Eighteenth-Cen- WOLF, BRYAN J] review of Harry Berger Jr., Fictions of the Pose: Rembrandt against the Italian DALE, THOMAS, “Monsters, Corporeal Defor- tury England,” 48-71 Renaissance, 566-69 mities, and Phantasms in the Cloister of St- QUILTER, JEFFREY, review of Elizabeth Hill Michel-de-Cuxa,” 102-36 Boone, Stories in Red and Black: Pictorial Histories WOODFIELD, RICHARD, review of Michael Kelly, ed., Encyclopedia of Aesthetics, 559-63 HARRIES, KARSTEN, review of T. J. Clark, Fare- of the Aztecs and Mixtecs; Mary Ellen Miller, Maya well to an Idea: Episode s from a History of Modernism, {rt and Architecture; and Esther Pasztory, Pre-Co YIENGPRUKSAWAN, MIMI HALL, “Japanese 358-64 lumbian Art and Teotihuacan: An Experiment in Art History 2001: The State and Stakes of Re- HEDIN, THOMAS F., “The Petite Commande of Living, 762 search,” 105-22 1664: Burlesque in the Gardens of Versailles,” 651 REHAK, PAUL,“Aeneas or Numa? Rethinking VI, ADACHIARA, review of Pamela M. Lee, HOLMES, MEGAN, review of Roberta Olson, the Meaning of the Ara Pacis Augustae,” 190- Object lo Be Destroyed: he Work of Gordon Matta- The Florentine Tondo; and Cristelle Baskins, “Cas 208 Clark, 569-74 sone” Painting, Humanism, and Gender in Early REYNOLDS, JONATHAN M., “Ise Shrine and ZUCKER, MARK, review of Evelyn Lincoln, Viodern Italy, 349-54 a Modernist Construction of Japanese Tradi- The Invention of the Italian Renaissance Print HONIG, ELIZABETH ALICE, “Desire and Do- tion,” 316-41 maker, 765 mestic Economy,” 294-315 ROWORTH, WENDY WASSYNG, “Rethinking African Art HOWARD, DEBORAH, review of Wolfgang Eighteenth-Century Rome,” review of The Splen Wolters, Architektur und Ornament: Venezianischer dor of Eighteenth-Century Rome, Philadelphia Mu- LAWAL, BABATUNDE, “Awordn: Representing Bauschmuck der Renaissance, 563-64 seum 0 Art and Museum of Fine Arts, Houston, the Self and Its Metaphysical Other in Yoruba 135-44 Art,” 498-526 HUTCHINSON, ELIZABETH, “Modern Na- tive American Art: Angel DeCora’s Transcultural SHELTON, ANDREW CARRINGTON, “Art, Aesthetics,” 740 Politics, and the Politics of Art: Ingres’s Saint Architecture Symphorien at the 1834 Salon,” 711 HOWARD, DEBORAH, review ol Wolf- LAWAL, BABATUNDE, “Awordan: Representing the Self and Its Metaphysical Other in Yoruba SHIMIZU, YOSHIAKI, “Japan in American gang Wolters, Architektur und Ornament Art,” 498-526 Museums—But Which Japan?” 123-34 Ve nezianischer Bauschmuck der Renaissance, 563-64 LEBENSZTEJN, JEAN-CLAUDE, review of SILVER, LARRY, “God in the Details: Bosch Ewa I ajer-Bur¢ harth, Necklines: The Art of Jacques and Judgment(s),” 626 TAYLOR, KATHERINE FISCHER, “Architec- ture’s Place in Art History: Art o1 Adjunct?” Louis David af/t er the Terror, 153-57 SMITH, DAVID R., review of Joanna Woods- 342-46 LEJA, MICHAEL, “Eakins and Icons,” 479-97 Marsden, Re NaAUSANCE Self-Portraiture: The Visual Construction of Identity and the Social Status of the VAN ECK, CAROLINE, review of Vaughan LEVINE, GREGORY P., “Switching Sites and Artist, 354-57 Hart and Peter Hicks, eds., Pape x Palaces: The Rise Identities: The Founder’s Statue at the Buddhist of the Renaissance Architectural Treatise; Alina A Temple Korin’in,” 72-104 STIMSON, BLAKE, “Andy Warhol’s Red Payne, The Architectural Treatise in the Italian Re MASSEY, LYLE, review of J. V. Field, The Inven- Beard,” 527-47 NaUSANCE? Architectural Invention, Ornament, and l tion of Infinity: Mathematics and Art in the Renais- SUMMERS, DAVID, review of Jonathan Crary, Literary Culture; and Helmut Wohl, The Aesthetics sance, 564-66 Suspensions of Perception: Attention, Spectacle, and of Italian Renaissance Art 1 Reconsideration of Style, MAXWELL, ROBERT A., review of Jean Wirth, Modern Culture, 157-61 145-50 L’image a Vépoque romane; and Roland Recht, Lé rAYLOR, KATHERINE FISCHER, “Architec- ZEVI, ADACHIARA, review of Pamela M. Lee, croive et le voir: L’art des cathédrales (XITe—XVe siécles), ture’s Place in Art History: Art or Adjunct?” Object to Be Destroyed The Work of Gordon Matta $94 342-46 Clark, 569-74 riIN DECEMBER 2001 VOLI MI LXXXIIIT NUMBER HARRIES, KARSTEN review of T. J. Clark, COTHREN, MI¢ HAEI w., “Why Did Louis de ;REGORY P., “Switching Sites and Farewell to an Idea Episodes from a History of Mod- Rocherolles Commission a Stained-Glass Win- Identities: The Founder’s Statue at the Buddhist ernism, 358-64 dow for Beauvais in 1522?” 7-31 Temple Korin’in,” 72-104 LEBENSZTEJN, JEAN-CLAUDE, review of HOLMES, MEGAN, review of Roberta Olson, NELSON “Revisiting the East- Ewa Lajer-Burcharth Necklines: The Art of Jacques The Florentine Tondo; and Cristelle Baskins, “Cas- ern Fence Tao Qian’s Chrysanthemums,” Louis David after the Terror, 153-57 sone” Painting, Humanism, and Gender in Early 137 —b6HU SHELTON ANDREW 2sT ON, “Art, Modern Italy, 349-54 REYNOLDS, JONATHAN M ., Ise Shrine and a Politics, and the Politics of Ingres’s Saint HOWARD, DEI BORAH, review of Wolf- Modernist Construction of Japanese Tradition,” Symphorien at the 1834 Salon,” 711 gang Wolters, Architektur und Ornament: 416-41 WELCHMAN JOHN, review of Robert A. So- Venezianischer Bauschmuck der Renaissance, 563- SHIMI\ . YOSHIAKI, “Japan in American bieszek, Ghost in the Shell: Photography and_ the 64 Museums—But Which Japan?” 123-34 Human Soul. 1850 2000, 161-65 MASSEY, LYLE, review of J. V. Field, The Inven- RI \WAN, MIMI HALL, “Japanese Photography and Film tion of Infinity: Mathematics and Art in the Renais- Art History 2001: The State and Stakes of Re- NICKEL, DOUGLAS R ‘History of Photogra- sance, 564-66 105-22 phy The State of Research,” 548-58 MCHAM, SARAH BLAKE, “Donatello’s Bronze WELCHMAN, JOHN review of Robert A. So- David and Judith as Metaphors of Medici Rule in Baroque and 18th-Century Art bieszek, Ghost in the Shell Photography and_ the Florence,” 32—47 GEORGIA, “Watteau’s Pilgrimage to Human Soul, 1850—2000. 161-65 PARTRIDGE, LOREN, “The Farnese Circular and the Subversive Utopia of the Opera- Post-1945 North American, South American, Courtyard at Caprarola: God, Geopolitics, Gene- and European Art alogy, and Gender,” 259-93 HOMAS I . "The Petite Commande of OSTROW, SAUL, review of Caroline A. Jones, SILVER, LARRY, “God in the Details: Bosch 1664: Burlesque in the Gardens of Versailles,” 651 Machine in the Studio: Constructing the Postwar and Judgment(s),” 626 LIZABETH ALICE, “Desire and American Artist, 165-68 SMITH, DAVID R., review of Joanna Woods- Economy,” 294-315 STIMSON, BI \KI “Andy Warhol's Red Marsden, Renaissance Self-Portraiture: The Visual MARCIA, “ “Surrounded with Bril- Beard,” 527-47 Construction of Identity and the Social Siatus of the Miniature Portraits in Eighteenth-Cen- S l MMERS, DAVID, review of Jonathan Crary, Artist, 354-57 iwiand,” 48-71 Susp| ensions of} Percep/ tior {i ffentif on, Spe ctacle, and VAN ECK, CAROLINE, review of Vaughan <TH, WENDY WASSYNG, “Rethinking Viodern ( ilture, 157-61 Hart and Peter Hicks, eds., Paper Palaces: The Rise ighteenth-Century Rome,” review of The Splen WELCHMAN, JOHN, review of Robert A. So- of the Renaissance Architectural Treatise; Alina A. dor of Eighteenth-Century Rome, Philadelphia Mu- bieszek, Ghost in the Shell Photography and _t he Payne, The Architectural Treatise in the Italian Re- seum of Art and Museum of Fine Arts, Houston, Human Soul, 1850—2000. 161-65 naissance: Architectural Invention, Ornament, and 135-44 Literary Culture; and Helmut Wohl, The Aesthetics WINTER, JAY, review of James E Young, Al of Italian Renaissance Art: A Reconsideration of Style, Early Christian, Byzantine, and Medieval Art Memory’s Edge After In ages of the Holocaust in Con- 145-50 BUETTNER, BRIGITTE, “Past Presents: New le mporary Art and A rchite ture 357-58 WOLF, BRYAN J., review of Harry Berger Jr., Year's Gifts at the Valois Courts, ca. 1400,” 598 ZEVI, ADACHIARA review f Pamela M. Lee, Fictions of the Pose: Rembrandt against the Italian CAMPBELL, (¢ JEAN, “The City’s New Object to Be Destroyed The Worl of Gordon Matta- Renaissance, 566-69 Clothes Ambrogio Lorenzetti and the Poetics of Clark, 569-74 ZUC KER, MARK, review of Evelyn Lincoln, spa 240-58 Pre-1945 North American and South American Art The Invention of the Italian Renaissance Print- DALI PHOMAS, “Monsters, Corporeal Defor- HUTCHINSON, I IZABETH, “Modern Na- maker, 765 mities, and Phantasms in the Cloister of St- tive American Art: Angel DeCora’s Transcultural Michel-de-Cuxa,” 1()9-36 Aesthetics,” 740 ROBERT A., review of Jean Wirth, “Eakins and Icons,” 479-97 Theory of Art History, Aesthetics epoque romane: and Roland Recht, Lé Ql rER, JI FFREY, review oO Elizabeth Hill Lat des cathédrales (XIIe—XVe siécles) Boone, Stories in Red and Black: Pictorial Histories CAMPBELL, STEPHEN J., review of Francis of the Aztecs and Mixtecs; Mary Ellen Miller, Maya Ames-Lewis, The Intellectual Life of the Early Renais- LAWRENCE, “On Carolingian Book {rt and } Archi1 tecture: and Esther Pasztory, Pre-Co- sance Artist; and Robert Williams, Art, Theory, and Painters: The Ottoboni Gospels and Its Transfig- lumbian Art and Teotihuacan: An Experiment in Culture in Sixteenth-Century Italy: From Techne to uration Master,” 209-39 Living, 762 Vetatechne, 150-53 JEAN, review of Jeffrey F. Ham- SUMMERS, DAVID, review of Jonathan Crary, SUMMERS, DAVID, review of Jonathan Crary, Visual and the Visionary: {ri and Suspe NSLONS of Perception {itention, Spectacle, and Suspensions of Perception: Attention, Spectacle, and Spirituality in Late Vedieval Germany, Vodern Culture, 157-61 Modern Culture, 157-61 WELCHMAN, JOHN review of Robert A. So- TAYLOR, KATHERINE I ISCHER, “Architec- Egyptian, Ancient Near Eastern, and Classical Art bieszek, Ghost in the Shell Photography and _ the ture’s Place in Art History: Art or Adjunct?” Human Soul, 1850 2000, 161-65 342-46 K, PAUL, “Aeneas or Numa? Rethinking the Meaning of the Ara Pacis Augustae,” 190-208 Renaissance Art WOODFIELD, RICHARD, review of Michael CAMPBELL, STEPHEN J., review of Francis Kelly, ed., Encyclopedia of Aesthetics, 559- 19th- and Early 20th-Century European Art Ames-Lewis, The Intellectual Life of the Early Renais- 63 \THANASSOGLOU-KALLMYER, NINA, sance Artist; and Robert Williams, Art, Theory, and YIENGPRUKSAWAN, MIMI HALL, “Japanese “Blemished Physiologies: Delacroix, Paganini, Culture in Sixteenth-Century Italy From Techne to Art History 2001: The State and Stakes of Re- and the Cholera Epidemic of 1832,” 686 Metatechne, 150-53 search,” 105-22