The Art Bulletin 2000: Vol 82 Index

3 Pages·2000·1.4 MB·English

Index to Volume LX XXII, 2000
AGOSTON, LAURA, FRANCIS AMES-LEWIS, AND HERTEL, CHRISTIANE, “Dis/Continuities in SIMMONS, SHERWIN, “Ernst Kirchner’s Street-
MARY ROGERS, EDS., Concepts of Beauty in Dresden’s Dances of Death,” 83-116 walkers: Art, Luxury, and Immortality in Berlin
RenaissancAert , 768-69 HYDE, MELISSA, “The ‘Make-Up’ of the Mar- 1913-1916,” 117-48
ANTLIFF, MARK, “The Fourth Dimension and quise: Boucher’s Portrait of Pompadour at Her SOHM, PHILIP, review of Richard E. Spear, The
Futurism: A Politicized Space,” 720-33 2 Toilette,” 453-75 “Divine” Guido: Re ligion, Sex, Money and Art in the
BASSETT, SARAH GUBERTI, **Excellent Offer- JACOBS, FREDRIKA H., “Aretino and Michelan- World of Guido Reni, 358—61
ings’: The Lausos Collection in Constantinople,’ gelo, Dolce and Titian: Femmina, Masculo, Gra- SPEAR, RICHARD Ff “Artemisia Gentileschi
6-25 zia,”’ 51-67 Ten Years of Fact and Fiction,” 568-79
BENT, GEORGE R., “A Patron for Lorenzo JOLLY, PENNY HOWELL, “Learned Reading, SUND, JUDY, “ 3eytohen Grdave : The Twentieth
Monaco’s Uffizi Coronation of the Virgin,” 348-54 Vernacular Seeing: Jacques Daret’s Presentation in Century \fterlife of West Mexican Effigies,””
the Temple,” 428-52 734-67
BETTS, PAUL, review of Donald Albrecht, ed.,
The Work of Charles and Ray Eames: A Legacy of JUNG, JACQUELINE E., “Beyond the Barrier: VAN MIEGROET, HANS J] review of Jean (
Invention, 592-95 The Unifying Role of the Choir Screen in Gothic Wilson, Painting in Bruges at the Clese of the Middle
Churches,” 622-5 / Ages: Studies in Society and Visual Culture; Lynne F
BINSTOCK, BENJAMIN, review of Simon Schama,
Jacobs, Early Netherlandish Carved Altarpieces, 1380-
Rembrandt’s Eyes, 361-66 KAVALER, ETHAN MATT, “Renaissance Gothic in
1550. Medieval Tastes and Mass Marketing; and
the Netherlands: The Uses of Ornament,” 226-51
BOLLAND, ANDREA, ‘“‘Desiderio and Diletto: Vi- Elizabeth Honig, Painting and the Market in Early
sion, Touch, and the Poetics of Bernini’s Apollo KLONK, CHARLOTTE, “Mounting Vision: Charles Modern Antwerp, 582-85
and Daphne,” 309-30 Eastlake and the National Gallery of London,”
VIDAL, MARY, “‘David’s Telemachus and Eucharis
331-47
CALVILLO, ELENA, “‘Romanita and Grazia: Giu Reflections on Love, Learning, and History,” 702-19
lio Clovio’s Pauline Frontispieces for Marino KNOX, GILES, “The Unified Interior in Baroque WALDMAN, LOUIS ALEXANDER, “Fact Fiction,
Grimari,”’ 280-97 Italy: S. Maria Maggiore in Bergamo,” 679-701 Hearsay: Notes on Vasari’s Life of Piero di
CARRIER, DAVID, review of Meyer Schapiro, LEADER, RUTH E., “The David Plates Revisited: Trans- Cosimo,” 171-79
forming the Secular in Early Byzantium,’ 407-27
Worldview in Painting—Art in Society, 355-56 WALKER, ROSE, “The Wall Paintings in the
CHAVE, ANNA C., “Minimalism and Biogra- LEWIS, ADRIAN, review of Jean Sutherland Pantéon de los Reyes at Léon: A Cycle of Interces-
phy,” 149-63 Boggs, et al., Degas at the Races, 371-73 sion,” 200-25
CLOBBER, CHARLES, “Spiritual Currents and LINDSAY, SUZANNE GLOVER, “Mummies and WILLIAMS, ROBERT , review of Patricia Emison,
Manifest Destiny in the Art of Hiram Powers,” Tombs: Turenne, Napoléon, and Death Ritual,” Low and High Style in Italian Renaissance Art,
529-43 476-502 356-57
COTTRELL, PHILIP, “Corporate Colors: Bonifa- LOCKE, NANCY, “Unfinished Homage: Manet’s ZERNER, CATHERINE WILKINSON, review of
cio and Tintoretto at the Palazzo dei Camer- Surialand Baudelaire,’ 68-82 Jonathan Brown, Painting in Spain 1500-1700.
lenghi in Venice,” 658-78 MCGRATH, THOMAS, “Color and the Exchange 444-18
of Ideas between Patron and Artist in Renais-
DICKERMAN, LEAH, review of Leah Bendavid- Egyptian, Ancient Near Eastern, and Classical
sance Italy,’ 298-308
Val, Propaganda and Dreams: Photographing the Art
1930s in the USSR and the US, 590-92 MOROWITZ, LAURA, review of Geneviéve Lacam- BASSETT, SARAH GUBERTI, “ “Excellent Offer-
bre, ed., et al., Gustave Moreau: Between Epic and
DICKEY, STEPHANIE S., review of Christopher ings’: The Lausos Collection in Constantinople,”
Dream, 369-71
White and Quentin Buvelot, et al., eds., Rem- 6-25
brandt by Himself, 366-69 MYERS, KENNETH JOHN, “Art and Commerce
in Jacksonian America: The Steamboat Albany
DIEBOLD, WILLIAM J., review of Leslie Brubaker, Collection,” 503-28 Early Christian, Byzantine, and Medieval Art
Vision and Meaning in Ninth-Century Byzantium: DIEBOLD, WILLIAM J., review of Leslie Brubaker,
NAGEL, ALEXANDER, review of Jorg Traeger,
Image as Exegesis in the Homilies of Gregory of Vision and Meaning in Ninth-Century Byzantium:
Renaissance und Religion: Die Kunst des Glaubens im
Nazarianzus, 579-82 Image as Exegesis in the Homilies of Gregory of
Zeitalter Raphaels, 773-76
Nazarianzus, 579-82
ELKINS, JAMES, review of S. A. Mansbach,
NEVOLA, F.J.D., “ “Per Ornato Della Citta’:
Modern Art in Eastern Europe, from Baltic to the JOLLY, PENNY HOWELL, “Learned Reading,
Siena’s Strada Romana and Fifteenth-Century
Balkans, ca. 1890-1939, 781-85 Vernacular Seeing: Jacques Daret’s Presentation in
Urban Renewal,” 26—50
the Te mple,”” 428-52
FILIPCZAK, ZIRKA Z., review of Hans Vlieghe,
Flemish Art and Architecture 1585—1700, 357-58 RAMPLEY, MATTHEW, review of Alexandre Kostka LEADER, RUTH E., “The David Plates Revisited:
and Irving Wohlfarth, eds., Nietzsche and “An Transforming the Secular in Early Byzantium,”
FIORENZA, GIANCARLO, “Dosso Dossi, Garo- Architecture of Our Minds,” 779-80
407-27
falo, and the Costabili Polyptych: Imaging Spiri-
tual Authority,’’ 252-79 RICH, SARAH, review of Matthew Biro, Anselm VAN MIEGROET, HANS J., review of Jean (¢
Kiefer and the Philosophy of Martin Heidegger, and Wilson, Painting in Bruges at the Close of the Middle
GASTON, ROBERT W., review of Leonard Bar- Lisa Saltzman, Anselm Kiefer and Art after Ausch- Ages: Studies in Society and Visual Culture; Lynne F
kan, Unearthing the Past: Archaeology and Aesthetics witz, 595-600 Jacobs, Early Netherlandish Carved Altarpieces, 1380-
in the Making of Renaissance Culture, 770-72 ROBERTS, JENNIFER L., “Landscape and Indif- 1550. Medieval Tastes and Mass Marketing; and
GERONIMUS, DENNIS, “The Birth Date, Early ference: Robert Smithson and John Lloyd Ste- Elizabeth Honig, Painting and the Market in Early
Life, and Career of Piero di Cosimo,” 164-70 phens in Yucatan,” 544-67 Modern Antwerp, 582-85
GOTLIEB, MARC, review of Sarah Burns, /nvent- SANKOVITCH, ANNE-MARIE, review of Henri WALKER, ROSE, “The Wall Paintings in the
ing the Modern Artist, Art and Culture in Gilded Age Zerner, L’art de la Renaissance en France: L’invention Pantéon de los Reyes at Léon: A Cycle of Interces-
America, 589-90 du classicisme, 585-89 sion,” 200-25
790 ARI BULLETIN DECEMBER 2000 VOLUME LXXXII NUMBER 4
Renaissance Art FILIPCZAK, ZIRKA Z., review of Hans Vlieghe, CARRIER, DAVID, review of Meyer Schapiro,
AGOSTON, LAURA, FRANCIS AMES-LEWIS AND Flemish Art and Architecture 1585—1700, 357-58 Worldview in Painting—Art in Society, 355-56
MARY ROGERS, EDS., Concepts of Beauty in HYDE, MELISSA, “The ‘Make-Up’ of the Mar- CHAVE, ANNA C., “Minimalism and Biogra-
Renaissance Art, 768-69 quise: Boucher’s Portrait of Pompadour at Her phy,” 149-63
BENT, GEORGE R., “A Patron for Lorenzo Toilette,” 453-75 RICH, SARAH, review of Matthew Biro, Anselm
Monaco’s Uffizi Coronation of the Virgin,” 348-54 KNOX, GILES, “The Unified Interior in Baroque Kiefer and the Philosophy of Martin Heidegger, and
CALVILLO, ELENA, ‘‘Romanita and Grazia: Giu- Italy: S. Maria Maggiore in Bergamo,” 679-701 Lisa Saltzman, Anselm Kiefer and Art after Ausch-
lio Clovio’s Pauline Frontispieces for Marino LINDSAY, SUZANNE GLOVER, “Mummies and witz, 595-600
Grimari,’’ 280-97 Tombs: Turenne, Napoléon, and Death Ritual,” ROBERTS, JENNIFER L., “Landscape and Indif-
COTTRELL, PHILIP, “Corporate Colors: Bonifa- 476-502 ference: Robert Smithson and John Lloyd Ste-
cio and Tintoretto at the Palazzo dei Camer- SOHM, PHILIP, review of Richard E. Spear, The phens in Yucatan,” 544-67
lenghi in Venice,” 658-78 “Divine” Guido: Religion, Sex, Money and Art in the SUND, JUDY, “Beyond the Grave: The Twentieth-
FIORENZA, GIANCARLO, “Dosso Dossi, Garo- World of Guido Reni, 358-61 Century Afterlife of West Mexican Effigies,”
falo, and the Costabili Polyptych: Imaging Spiri- VIDAL, MARY, “David’s Telemachus and Euchans: 734-67
tual Authority,” 252-79 Reflections on Love, Learning, and History,”
GASTON, ROBERT W., review of Leonard Bar- 702-19 Photography and Film
kan, Unearthing the Past: Archaeology and Aesthetics ZERNER, CATHERINE WILKINSON, review of DICKERMAN, LEAH, review of Leah Bendavid-
in the Making of Renaissance Culture, 770-72 Jonathan Brown, Painting in Spain 1500-1700, fal, Propaganda and Dreams: Photographing the
GERONIMUS, DENNIS, “The Birth Date, Early 777-78 1930s in the USSR and the US, 590-92
Life, and Career of Piero di Cosimo,” 164-70
JACOBS, FREDRIKA H., “‘Aretino and Michelan- 19th- and Early 20th-Century European Art
gelo, Dolce and Titian: Femmina, Masculo, Gra- DICKERMAN, LEAH, review of Leah Bendavid-
zia,”’ 51-67 Val, Propaganda and Dreams: Photographing the Sq uired by o3f9 OUv SC 36h8ip5,) . MaTintaleg of Publiacnadt ioCni:r cuAlratt ioBnu lle(tiRne.-
JUNG, JACQUELINE E., “Beyond the Barrier: 1930s in the USSR and the US, 590-92 Publication no.: 032-620. Date of filing: September 1, 2000.
The Unifying Role of the Choir Screen in Gothic ELKINS, JAMES, review of S. A. Mansbach, AFnrneuquaeln cys ubosfc riispsutei:o nq uaprrtiecrel:y . $3No5.. 00of- $i1s4s5ue.s0 0p.u blCiosmhpelde taen nuamlaliyl:i ng4.
Churches,” 622-57 Modern Art in Eastern Europe, from Baltic to the address of known office of publication: College Art Association,
KAVALER, ETHAN MATT, “Renaissance Gothic Balkans, ca. 1890-1939, 781-85 275 Seventh Ave., 18th Fl., New York, NY 10001-6797. Complete
mailing address of headquarters of general business office of
in the Netherlands: The Uses of Ornament,” HERTEL, CHRISTIANE, “Dis/Continuities in publisher: College Art Association, 275 Seventh Ave., 18th FI.,
226-51 Dresden’s Dances of Death,” 83-116 New York, NY 10001-6797. Publisher: College Art Association,
275 Seventh Ave., 18th Fl., New York, NY 10001-6797. Editor: H.
MCGRATH, THOMAS, “Color and the Exchange KLONK, CHARLOTTE, “Mounting Vision: Charles Perry Chapman, College Art Association, 275 Seventh Ave., 18th
of Ideas between Patron and Artist in Renais- Eastlake and the National Gallery of London,” Fl., New York, NY 10001-6797. Managing Editor: College Art
sance Italy,’ 298-308 331-47 Association, Elaine Koss, 275 Seventh Ave., 18th Fl., New York, NY
10001-6797. Owner: College Art Association, 275 Seventh Ave.,
NAGEL, ALEXANDER, review of Jorg Traeger, LEWIS, ADRIAN, review of Jean Sutherland 18th Fl., New York, NY 10001-6797. Known bondholders, mortgag-
Renaissance und Religion: Die Kunst des Glaubens im Boggs, et al., Degas at the Races, 371-73 ees, and other security holders owning or holding | percent of
more of total amount of bonds, mortgages, or other securities:
Zeitalter Raphaels, 773-76 LOCKE, NANCY, “Unfinished Homage: Manet’s none. Extent and nature of circulation: A. Total no. copies.
NEVOLA, F.J.D., * “Per Ornato Della Citta’: Burial and Baudelaire,’ 68-82 Average no. copies each issue during preceding 12 months:
10,067. Actual no. copies of single issue published nearest to
Siena’s Strada Romana and Fifteenth-Century MOROWITZ, LAURA, review of Genevieve Lacam- filing date: 10,162. B. Paid/Requested circulation. 1. Paid
Urban Renewal,” 26-50 bre, ed., et al., Gustave Moreau: Between Epic and Requested outside-county mail subscriptions stated on form
3541. Average no. copies each issue during preceding 12 months:
SANKOVITCH, ANNE-MARIE, review of Henri Dream, 369-71 8,504. Actual no. copies of single issue published nearest to filing
Zerner, L’art de la Renaissance en France: L’invention RAMPLEY, MATTHEW, review of Alexandre Kostka date: 9,972. 2. Paid in-county subscriptions. Average no. copies
du classicisme, 585-89 each issue during preceding 12 months: 0. Actual no. copies of
and Irving Wohlfarth, eds., Nietzsche and “An single issue published nearest to filing date: 0. 3. Sales through
SPEAR, RICHARD E., “Artemisia Gentileschi: Architecture of Our Minds, 779-80 dealers and carriers, street vendors, and counter sales. Average
Ten Years of Fact and Fiction,” 568-79 no. copies each issue during preceding 12 months: 0. Actual no.
SIMMONS, SHERWIN, “Ernst Kirchner’s Street- copies of single issue published nearest to filing date: 0. 4. Other
VAN MIEGROET, HANS J., review of Jean C. walkers: Art, Luxury, and Immortality in Berlin, classes mailed through the USPS. Average no. copies each issue
Wilson, Painting in Bruges at the Close of the Middle 1913-1916,” 117-48 during preceding 12 months: 0. Actual no. copies of single issue
Ages: Studies in Society and Visual Culture; Lynne F. published nearest to filing date: 0. C. Total paid and/or re-
quested circulation. Average no. copies each issue during preced-
Jacobs, Early Netherlandish Carved Altarpieces, 1380- Pre-1945 North American and South American ing 12 months: 8,504. Actual no. copies of single issue published
1550. Medieval Tastes and Mass Marketing; and Art nearest to filing date: 9,972. D. Free distribution by mail. 1.
Elizabeth Honig, Painting and the Market in Early Outside-county as stated on form 3541. Average no. copies each
Modern Antwerp, 582-85 ANTLIFF, MARK, “The Fourth Dimension and issue during preceding 12 months: 0. Actual no. copies of single
Futurism: A Politicized Space,” 720-33 issue published nearest to filing date: 0. 2. In-county as stated on
WALDMAN, LOUIS ALEXANDER, “Fact, Fiction, form 3541. Average no. copies each issue during preceding 12
Hearsay: Notes on Vasari’s Life of Piero di CLOBBER, CHARLES, “Spiritual Currents and months: 0. Actual no. copies of single issue published nearest to
Cosimo,” 171-79 Manifest Destiny in the Art of Hiram Powers,” nfoi.l incg opdaitees: e0a.c h3. Oistshuee r duclraisnsges pmraeicleeddi ntgh r1o2u gmho ntthhes :U S0P.S .A ctAuvaelr angoe.
WILLIAMS, ROBERT, review of Patricia Emison, 529-43 copies of single issue published nearest to filing date: 0. E. Free
Low and High Style in Italian Renaissance Art, GOTLIEB, MARC, review of Sarah Burns, Jnvent- ddiusrtirnigb utpiroenc edoiuntgs id1e2 mtohnet hsm:ai l.2 0. AAvcetruaagle non.o .c opcioepsi eosf seiancghl e iissssuuee
356-57 ing the Modern Artist, Art and Culture in Gilded Age published nearest to filing date: 5. F. Total free distribution.
America, 589-90 Average no. copies each issue during preceding 12 months: 20.
Baroque and 18th-Century Art Actual no. copies of single issue published nearest to filing date:
MYERS, KENNETH JOHN, “Art and Commerce 5. G. Total distribution. Average no. copies each issue during
BINSTOCK, BENJAMIN, review of Simon Schama, in Jacksonian America: The Steamboat Albany preceding 12 months: 8,524. Actual no. copies of single issue
Rembrandt’s Eyes, 361-66 Collection,” 503-28 published nearest to filing date: 9,977. H. Copies not distributed.
Average no. copies each issue during preceding 12 months: 904.
BOLLAND, ANDREA, “Desiderio and Diletto: Vi- Actual no. copies of single issue published nearest to filing date:
sion, Touch, and the Poetics of Bernini’s Apollo Post-1945 North American, South American, 380. I. Total. Average no. copies each issue during preceding 12
months: 9,428. Actual no. copies of single issue published nearest
and Daphne,” 309-30 and European Art to filing date: 9,357. J. Percent paid and/or requested circula-
DICKEY, STEPHANIE S., review of Christopher BETTS, PAUL, review of Donald Albrecht, ed., tion. Average no. copies each issue during preceding 12 months:
99.7% Actual no. copies of single issue published nearest to filing
White and Quentin Buvelot, eds., et al., Rem- The Work of Charles and Ray Eames: A Legacy of date: 99.9%. I certify that the statements made by me above are
brandt by Himself, 366-69 Invention, 592-95 correct and complete. Elaine Koss, Deputy Director.
ELionP Ne