The Art Bulletin 1993: Vol 75 Index

5 Pages·1993·1.3 MB·English

Index to Volume LXXV, 1993
AQUILINO, MARIE JEANNINE, “Painted Promises: The Politics of ERNST, WOLFGANG, “Frames at Work: Museological Imagination and
Public Art in Late Nineteenth-Century France,” 697-712. Historical Discourse in Neoclassical Britain,” 481—498.
ARMSTRONG, CAROL, Odd Man Out: Readings of the Work and Reputation FASSLER, MARGOT, “Liturgy and Sacred History in the Twelfth-
of Edgar Degas, reviewed by C. Bernheimer, 180-183. Century Tympana at Chartres,” 499-520.
BAL, MIEKE, Reading “Rembrandt”: Beyond the Word-Image Opposition, FRYD, VIVIEN GREEN, Art and Empire: The Politics of Ethnicity in the U.S
Capitol, 1815-1860, reviewed by K. Savage, 724—726.
reviewed by G. Pollock, 529-535.
GRABAR, OLEG, The Mediation of Ornament, reviewed by M. Olin,
BARBER, CHARLES, “From Transformation to Desire: Art and Worship
728-731
after Byzantine Iconoclasm,” 7—16.
GUTWIRTH, MADELYN, The Twilight of the Goddesses: Women and
BEDAUX, JAN BAPTIST, The Reality of Symbols: Studies in the Iconology of Representation in the French Revolutionary Era, reviewed by S. Maza,
Netherlandish Art 1400-1800, reviewed by C. S. Wood, 174-180. 535-538
BELL, JANIS C., “Zaccolini’s Theory of Color PerspIe ctive,” 91—112 HALL, MARCIA, letter, “ ‘Who's Who in Michelangelo's Creation of Adam’
BENJAMIN, ROGER, “The Decorative Landscape, Fauvism, and the Continued,” 340.
Arabesque of Observation,” 295-316. HALLE, DAVID,“ The Audience for ‘Primitive’ Art in Houses in the New
York Region,” 397-414.
BERDINI, PAQLO, review of M. Muraro, Il libro secondo di Francesco ¢
Jacopo dal Ponte, 527-529 HAMBURGER, JEFFREY F., review of M. Camille, Jmage on the Edge: The
Margins of Medieval Art, 3\9—327.
BERGMANN, BETTINA, review of J. R. Clarke, The Houses of Roman Italy,
100 B.C.—A.D. 250: Ritual, Space, and Decoration, 521-524. HARBISON, CRAIG, Jan van Eyck: The Play of Realism, reviewed by C. S
Wood, 174-180
BERLO, JANET CATHERINE, ED., The Early Years of Native American Art
History, reviewed by P. Lee, 726-728 HAY, JONATHAN, review of W. Hung, The Wu Liang Shrine: The Ideology
of Early Chinese Pictorial Art; M. ]. Powers, Art and Political Expression in
BERMAN, PATRICIA G., “Edvard Munch’s Self-Portrait with Cigarette
Early China, 169-174
Smoking and the Bohemian Persona,” 627-646.
HEDEMAN, ANNE D., The Royal Image: Illustrations of the Grandes
BERNHEIMER, CHARLES, review of C. Armstrong, Odd Man Out Chroniques de France, 1274-1422, reviewed by W. C. Jordan, 723-724
Readings of the Work and Reputation of Edgar Degas; R. Kendall and G
HULSE, CLARKE, review of R. Brilliant, Portraiture; M. Pointon,
Pollock, eds., Dealing with Degas: Representations of Women and the Politics
Hanging the Head: Portraiture and Social Formation in Eighteenth-Century
of Vision, 180-183.
England; R. Wendorf, The Elements of Life: Biography and Portrait-Painting
BLIER, SUZANNE PRESTON, “Imaging Otherness in Ivory: African in Stuart and Georgian England, 327-329.
Portrayals of the Portuguese ca. 1492,” 375-396. HUNG, WU, The Wu Liang Shrine: The Ideology of Early Chinese Pictorial
BOIME, ALBERT, “Henry Ossawa Tanner's Subversion of Genre,” irt, reviewedb y ]. Hay, 169-174.
415-442 HUNT, LYNN, The Family Romance of the French Revolution, reviewed by
BRILLIANT, RICHARD, editorial, “Articles, Definitive and Otherwise,” Ss. Maza, 5 45- 53
6; editorial, “Where's the Poetry?” 374; editorial, “Why Footnotes?” HUNTER, JOHN, Who Is Jan van Eyck’s ‘Cardinal Nicolo Albergati’?”
562. 207-218
BRILLIANT, RICHARD, Portraiture, reviewed by C. Hulse, 327—329 JENSEN, VICKIE, Where the People Gather: Carving a Totem Pole, reviewed
BRYSON, NORMAN, review of G. Didi-Huberman, Devant l'image by P. Lee, 726-728
Question posée aux fins de Uhistoire de V'art, 336-337. JIRAT-WASIUTYNSKI, VOJTECH, “Vincent van Gogh’s Paintings of
Olive Trees and Cypresses from St.-Rémy,” 647-670.
CAMILLE, MICHAEL, Image on the Edge: The Margins of Medieval Art
reviewed by J. F.H amburger, 319-327. JORDAN, WILLIAM CHESTER, review of A. D. Hedeman, The Royal
Image: Illustrations of the Grandes Chroniques de France, 1274-1422,
CHAPMAN, H. PERRY, “Persona and Myth in Houbraken’s Life of Jan
723-724
Steen,” 135-150
KAPLAN, TEMMA, Red City, Blue Period: Social Movements in Picasso’s
CHEETHAM, MARK A., The Rhetoric of Purity, Essentialist Theory and the
Barcelona, reviewed by N. Staller, 539—543
Advent of Abstract Painting, reviewed by P. Mathews, 332-336.
KENDALL, RICHARD, AND GRISELDA POLLOCK, EDS., Dealing with
CLARKE, JOHN R., “The Warren Cup and the Contexts for Representa Degas: Representations of Women and the Politics of Vision, reviewed by C.
tions of Male-to-Male Lovemaking in Augustan and Early Julio- Bernheimer, 180-183
Claudian Art,” 275-294
KOERNER, JOSEPH LEO, book review editor's statement, 317-318
CLARKE, JOHN R., The Houses of Roman Italy, 100 B.« 4.D. 250: Ritual
LEE, PAMELA, review of |]. C. Berlo, ed., The Early Years of Native
Space, and Decoration, reviewed by B. Bergmann, 521-524
imerican Art History; V. Jensen, Where the People Gather: Carving a Totem
CZACH, MARIE, letter, “Further on ‘Semiotics and Art History, Pole, 726-728
338-340
LLOYD, JILL, German Expressionism, Primitivism and Modernity, reviewed
DIDI-HUBERMAN, GEORGES, Devant l'image: Question posée aux fins de by J. Weinstein, 183> -187
Uhistoire de l'art, reviewed by N. Bryson, 336—337. MANDEL, CORINNE, “Felix Culpa and Felix Roma: On the Program of
DWYER, EUGENE, “André Thevet and Fulvio Orsini: The Beginnings of the Sixtine Staircase at the Vatican,” 65—90
the Modern Tradition of Classical Portrait Iconography in France,” MANN, JUDITH W., “The Annunciation Chapel in the Quirinal Palace,
467-480 Rome: Paul V, Guido Reni, and the Virgin Mary,” 113-134.
Index to Volume LXXV, 1993
AQUILINO, MARIE JEANNINE, “Painted Promises: The Politics of ERNST, WOLFGANG, “Frames at Work: Museological Imagination and
Public Art in Late Nineteenth-Century France,” 697-712. Historical Discourse in Neoclassical Britain,” 481—498.
ARMSTRONG, CAROL, Odd Man Out: Readings of the Work and Reputation FASSLER, MARGOT, “Liturgy and Sacred History in the Twelfth-
of Edgar Degas, reviewed by C. Bernheimer, 180-183. Century Tympana at Chartres,” 499-520.
BAL, MIEKE, Reading “Rembrandt”: Beyond the Word-Image Opposition, FRYD, VIVIEN GREEN, Art and Empire: The Politics of Ethnicity in the U.S
Capitol, 1815-1860, reviewed by K. Savage, 724—726.
reviewed by G. Pollock, 529-535.
GRABAR, OLEG, The Mediation of Ornament, reviewed by M. Olin,
BARBER, CHARLES, “From Transformation to Desire: Art and Worship
728-731
after Byzantine Iconoclasm,” 7—16.
GUTWIRTH, MADELYN, The Twilight of the Goddesses: Women and
BEDAUX, JAN BAPTIST, The Reality of Symbols: Studies in the Iconology of Representation in the French Revolutionary Era, reviewed by S. Maza,
Netherlandish Art 1400-1800, reviewed by C. S. Wood, 174-180. 535-538
BELL, JANIS C., “Zaccolini’s Theory of Color PerspIe ctive,” 91—112 HALL, MARCIA, letter, “ ‘Who's Who in Michelangelo's Creation of Adam’
BENJAMIN, ROGER, “The Decorative Landscape, Fauvism, and the Continued,” 340.
Arabesque of Observation,” 295-316. HALLE, DAVID,“ The Audience for ‘Primitive’ Art in Houses in the New
York Region,” 397-414.
BERDINI, PAQLO, review of M. Muraro, Il libro secondo di Francesco ¢
Jacopo dal Ponte, 527-529 HAMBURGER, JEFFREY F., review of M. Camille, Jmage on the Edge: The
Margins of Medieval Art, 3\9—327.
BERGMANN, BETTINA, review of J. R. Clarke, The Houses of Roman Italy,
100 B.C.—A.D. 250: Ritual, Space, and Decoration, 521-524. HARBISON, CRAIG, Jan van Eyck: The Play of Realism, reviewed by C. S
Wood, 174-180
BERLO, JANET CATHERINE, ED., The Early Years of Native American Art
History, reviewed by P. Lee, 726-728 HAY, JONATHAN, review of W. Hung, The Wu Liang Shrine: The Ideology
of Early Chinese Pictorial Art; M. ]. Powers, Art and Political Expression in
BERMAN, PATRICIA G., “Edvard Munch’s Self-Portrait with Cigarette
Early China, 169-174
Smoking and the Bohemian Persona,” 627-646.
HEDEMAN, ANNE D., The Royal Image: Illustrations of the Grandes
BERNHEIMER, CHARLES, review of C. Armstrong, Odd Man Out Chroniques de France, 1274-1422, reviewed by W. C. Jordan, 723-724
Readings of the Work and Reputation of Edgar Degas; R. Kendall and G
HULSE, CLARKE, review of R. Brilliant, Portraiture; M. Pointon,
Pollock, eds., Dealing with Degas: Representations of Women and the Politics
Hanging the Head: Portraiture and Social Formation in Eighteenth-Century
of Vision, 180-183.
England; R. Wendorf, The Elements of Life: Biography and Portrait-Painting
BLIER, SUZANNE PRESTON, “Imaging Otherness in Ivory: African in Stuart and Georgian England, 327-329.
Portrayals of the Portuguese ca. 1492,” 375-396. HUNG, WU, The Wu Liang Shrine: The Ideology of Early Chinese Pictorial
BOIME, ALBERT, “Henry Ossawa Tanner's Subversion of Genre,” irt, reviewedb y ]. Hay, 169-174.
415-442 HUNT, LYNN, The Family Romance of the French Revolution, reviewed by
BRILLIANT, RICHARD, editorial, “Articles, Definitive and Otherwise,” Ss. Maza, 5 45- 53
6; editorial, “Where's the Poetry?” 374; editorial, “Why Footnotes?” HUNTER, JOHN, Who Is Jan van Eyck’s ‘Cardinal Nicolo Albergati’?”
562. 207-218
BRILLIANT, RICHARD, Portraiture, reviewed by C. Hulse, 327—329 JENSEN, VICKIE, Where the People Gather: Carving a Totem Pole, reviewed
BRYSON, NORMAN, review of G. Didi-Huberman, Devant l'image by P. Lee, 726-728
Question posée aux fins de Uhistoire de V'art, 336-337. JIRAT-WASIUTYNSKI, VOJTECH, “Vincent van Gogh’s Paintings of
Olive Trees and Cypresses from St.-Rémy,” 647-670.
CAMILLE, MICHAEL, Image on the Edge: The Margins of Medieval Art
reviewed by J. F.H amburger, 319-327. JORDAN, WILLIAM CHESTER, review of A. D. Hedeman, The Royal
Image: Illustrations of the Grandes Chroniques de France, 1274-1422,
CHAPMAN, H. PERRY, “Persona and Myth in Houbraken’s Life of Jan
723-724
Steen,” 135-150
KAPLAN, TEMMA, Red City, Blue Period: Social Movements in Picasso’s
CHEETHAM, MARK A., The Rhetoric of Purity, Essentialist Theory and the
Barcelona, reviewed by N. Staller, 539—543
Advent of Abstract Painting, reviewed by P. Mathews, 332-336.
KENDALL, RICHARD, AND GRISELDA POLLOCK, EDS., Dealing with
CLARKE, JOHN R., “The Warren Cup and the Contexts for Representa Degas: Representations of Women and the Politics of Vision, reviewed by C.
tions of Male-to-Male Lovemaking in Augustan and Early Julio- Bernheimer, 180-183
Claudian Art,” 275-294
KOERNER, JOSEPH LEO, book review editor's statement, 317-318
CLARKE, JOHN R., The Houses of Roman Italy, 100 B.« 4.D. 250: Ritual
LEE, PAMELA, review of |]. C. Berlo, ed., The Early Years of Native
Space, and Decoration, reviewed by B. Bergmann, 521-524
imerican Art History; V. Jensen, Where the People Gather: Carving a Totem
CZACH, MARIE, letter, “Further on ‘Semiotics and Art History, Pole, 726-728
338-340
LLOYD, JILL, German Expressionism, Primitivism and Modernity, reviewed
DIDI-HUBERMAN, GEORGES, Devant l'image: Question posée aux fins de by J. Weinstein, 183> -187
Uhistoire de l'art, reviewed by N. Bryson, 336—337. MANDEL, CORINNE, “Felix Culpa and Felix Roma: On the Program of
DWYER, EUGENE, “André Thevet and Fulvio Orsini: The Beginnings of the Sixtine Staircase at the Vatican,” 65—90
the Modern Tradition of Classical Portrait Iconography in France,” MANN, JUDITH W., “The Annunciation Chapel in the Quirinal Palace,
467-480 Rome: Paul V, Guido Reni, and the Virgin Mary,” 113-134.
INDEX TO VOLUME LXXV\V 737
MATHEWS, PATRICIA, review of M. A. Cheetham, The Rhetoric of Purity, Flemish Painting; J. B. Bedaux, The Reality of Symbols: Studies in the
Essentialist Theory and the Advent of Abstract Painting, 332-336. Iconology of Netherlandish Art 1400-1800, 174-180.
MAYR-HARTING, HENRY, Ottonian Book Illumination. An Historical YiENGPRUKSAWAN, MIMI, review of M. Takeuchi, Taiga’s True Views:
Study, reviewed by G. Suckale-Redlefsen, 524—527 The Language of Landscape Painting in Eighteenth-CentJuaprayn , 329-332.
MAZA, SARAH, review of P. Stewart, Engraven Desire: Eros, Image, and ZILCZER, JUDITH, “Decoding John Covert’s Time, 1919,” 713-722.
Text in the French Eighteenth Century; M. Gutwirth, The Twilight of the
Goddesses: Women and Representation in the French Revolutionary Era; L. African
Hunt, The Family Romance of the French Revolution, 535-538.
BLIER, SUZANNE PRESTON, “Imaging Otherness in Ivory: African
MURARO, MICHELANGELO, I libro secondo di Francesco e Jacopo dal Ponte, Portrayals of the Portuguese ca. 1492,” 375-396.
reviewed by P. Berdini, 527-529
OCKMAN, CAROL, “Profiling Homoeroticism: Ingres’s Achilles Receiving Ancient
the Ambassadors of Agamemnon,” 259-274.
BERGMANN, BETTINA, review of J. R. Clarke, The Houses of Roman Italy,
OLIN, MARGARET, review of O. Grabar, The Mediation of Ornament, 100 B.C.—A.D. 250: Ritual, Space, and Decoration, 52\—524.
728-731.
CLARKE, JOHN R., “The Warren Cup and the Contexts for Representa-
OPENSHAW, KATHLEEN M.,“Weapons in the Daily Battle: Images of tions of Male-to-Male Lovemaking in Augustan and Early Julio-
the Conquest in the Early Medieval Psalter,” 17-38. Claudian Art,” 275-294
POINTON, MARCIA, Hanging the Head: Portraiture and Social Formation PORADA, EDITH, “Why Cylinder Seals? Engraved Cylindrical Seal
in Eighteenth-Century England, reviewed by C. Hulse, 327-329. Stones of the Ancient Near East, Fourth to First Millennium B.c
POLLOCK, GRISELDA, review of M. Bal, Reading “Rembrandt”: Beyond the 563-582.
Word-Image Opposition, 529-535.
PORADA, EDITH, “Why Cylinder Seals? Engraved Cylindrical Seal American
Stones of the Ancient Near East, Fourth to First Millennium B.c.,” BOIME, ALBERT, “Henry Ossawa Tanner’s Subversion of Genre,”
563-582. 415-442.
POSNER, DONALD, “Concerning the ‘Mechanical’ Parts of Painting and HALLE, DAVID,’ The Audience for ‘Primitive’ Art in Houses in the New
the Artistic Culture of Seventeenth-Century France,” 583-598. York Region,” 397-414
POWERS, MARTIN J., Art and Political Expression in Early China, reviewed LEE, PAMELA, review of J. C. Berlo, ed., The Early Years of Native
by J. Hay, 169-174 American Art History; V. Jensen, Where the People Gather: Carving a Totem
ROWORTH, WENDY WASSYNG, “The Evolution of History Painting: Pole, 726-728
Masaniello’s Revolt and Other Disasters in Seventeenth-Century Naples,” SAVAGE, KIRK, review of V. G. Fryd, Art and Empire: The Politics of
219-234. Ethnicity in the U.S. apiol, 1815—1860, 724-726.
SAVAGE, KIRK, review of V. G. Fryd, Art and Empire: The Politics of
SUND, JUDY,“Columbus and Columbia in Chicago, 1893: Man of
Ethnicity in the U.S. Capitol, 1815—1860, 724-726. Genius Meets Generic Woman,” 443-466
SCHLEIF, CORINE, “Nicodemus and Sculptors: Self-Reflexivity in Works
ZILCZER, JUDITH, “Decoding John Covert’s Time, 1919,” 713-722.
by Adam Kraft and Tilman Riemenschneider,” 599-626.
SIDLAUSKAS, SUSAN, “Resisting Narrative: The Problem of Edgar Early Christian
Degas’s Interior,” 671-696.
BARBER, CHARLES,’ From Transformation to Desire: Art and Worship
SIEGFRIED, SUSAN LOCKE,” Naked History: The Rhetoric of Military after Byzantine Iconoclasm,” 7—16.
Painting in Postrevolutionary France,” 235-258.
STALLER, NATASHA, review of T. Kaplan, Red City, Blue Period: Social Far Eastern
Movements in Picasso’s Barcelona, 539-543.
HAY, JONATHAN, review of W. Hung, The Wu Liang Shrine: The Ideology
STEINBERG, LEO, letter, “All about Eve,” 340-344 of Early Chinese Pictorial Art; M. |. Powers, Art and Political Expression in
STEMMLER, JOAN K., “The Physiognomical Portraits of Johann Caspar Early China, 169-174
Lavater,” 151-168. YIENGPRUKSAWAN, MIMI, review of M. Takeuchi, Taiga’s True Views
STEWART, PHILIP, Engraven Desire: Eros, Image, and Text in the French The Language of Landscape Painting in Eighteenth-Century Japan, 329-332.
Eighteenth Century, reviewed by S. Maza, 535-538
SUCKALE-REDLEFSEN, GUDE, review of H. Mayr-Harting, Ottonian General
Book Illumination. An Historical Study, 524-527 BRILLIANT, RICHARD, editorial, “Articles, Definitive and Otherwise,”
SUND, JUDY, “Columbus and Columbia in Chicago, 1893: Man of 6; editorial, “Where's the Poetry?” 374; editorial, “Why Footnotes?”
Genius Meets Generic Woman,” 443-466. 562.
TAKEUCHI, MELINDA, Taiga’s True Views: The Language of Landscape BRYSON, NORMAN, review of G. Didi-Huberman, Devant l'image
Painting in Eighteenth-Century Japan, reviewed by M. Yiengpruksawan, Question posée aux fins de Uhistoire de Vart, 336-337
329-332. CZACH, MARIE, letter, “Further on ‘Semiotics and Art History,’ ”
UPTON, JOEL M., Petrus Christus: His Place in Fifteenth-Century Flemish 338-340.
Painting, reviewed by C. S. Wood, 174-180 HULSE, CLARKE, review of R. Brilliant, Portraiture; M. Pointon,
WEINSTEIN, JOAN, review of ]. Lloyd, German Expressionism, Primitivism Hanging the Head: Portraiture and Social Formation in Eighteenth-Century
and Modernity, 183-187. England; R. Wendorf, The Elements of Life: Biography and Portrait-Painting
WENDORF, RICHARD, The Elements of Life: Biography and Portrait- in Stuart and Georgian England, 327-329.
Painting in Stuart and Georgian England, reviewed by C. Hulse, 327-329. KOERNER, JOSEPH LEO, book review editor's statement, 317-318.
WOLFTHAL, DIANE,“ ‘A Hue and a Cry’: Medieval Rape Imagery and OLIN, MARGARET, review of O. Grabar, The Mediation of Ornament,
Its Transformation,” 39-64. 728-731.
WOOD, CHRISTOPHER S., review of C. Harbison, Jan van Eyck: The Play POLLOCK, GRISELDA, review of M. Bal, Reading “Rembrandt”: Beyond the
of Realism; J. M. Upton, Petrus Christus: His Place in Fifteenth-Century Word-Image Opposition, 529-535.
738 PHE ART BULLETIN DECEMBER 1993 VOLUME LXXV NUMBER 4
Medieval MAZA, SARAH, review of P. Stewart, Engraven Desire: Eros, Image, and
FASSLER, MARGOT, “Liturgy and Sacred History in the Twelfth-Century Text in the French Eighteenth Century; M. Gutwirth, The Twilight of the
rympana at Chartres,” 499-520. Goddesses: Women and Representation in the French Revolutionary Era; L
Hunt, The Family Romance of the French Revolution, 535-538.
HAMBURGER, JEFFREY F.,review of M. Camille, Image on the Edge: The
Margins of Medieval Art, 319-327. POSNER, DONALD, “Concerning the ‘Mechanical’ Parts of Painting and
JORDAN, WILLIAM CHESTER, review of A. D. Hedeman, The Royal the Artistic Culture of Seventeenth-Century France,” 583-598.
Image: Illustrations of the Grandes Chroniques de France, 1274-1422, ROWORTH, WENDY WASSYNG,”“The Evolution of History Painting:
723-724 Masaniello’s Revolt and Other Disasters in Seventeenth-Century Naples,”
OPENSHAW, KATHLEEN M., “Weapons in the Daily Battle: Images of 219-234.
the Conquest in the Early Medieval Psalter,” 17-38. STEMMLER, JOAN K., “The Physiognomical Portraits of Johann Caspar
SCHLEIF, CORINE, “Nicodemus and Sculptors: Self-Reflexivity in Lavater,” 151-168.
Works by Adam Kraft and Tilman Riemenschneider,” 599-626.
SUCKALE-REDLEFSEN, GUDE, review of H. Mayr-Harting, Ottonian
19th- and 20th-Century
Book Illumination. An Historical Study, 524-527.
AQUILINO, MARIE JEANNINE, “Painted Promises: The Politics of
WOLFTHAL, DIANE,“ ‘A Hue and a Cry’: Medieval Rape Imagery and
Public Art in Late Nineteenth-Century France,” 697-712.
Its Transformation,” 39-64
BENJAMIN, ROGER, “The Decorative Landscape, Fauvism, and the
Renaissance Arabesque of Observation,” 295-316
BERDINI, PAOLO, review of M. Muraro, Il libro secondo di Francesco ¢ BERMAN, PATRICIA G., “Edvard Munch’s Self-Portrait with Cigarette:
Jacopo dal Ponte, ! 529 Smoking and the Bohemian Persona,” 627—646.
DWYER, EUGENE, “André Thevet and Fulvio Orsini: The Beginnings of BERNHEIMER, CHARLES, review of C. Armstrong, Odd Man Out:
the Modern Tradition of Classical Portrait Iconography in France,” Readings of the Work and Reputation of Edgar Degas; R. Kendall and G.
467-480. Pollock, eds., Dealing with Degas: Representations of Women and the Politics
HALL, MARCIA, letter, “ “Who's Who in Michelangelo's Creation of Adam’ of Vision, 180—183
Continued,” 340.
ERNST, WOLFGANG," Frames at Work: Museological Imagination and
HUNTER, JOHN, “Who Is Jan van Eyck’s ‘Cardinal Nicolo Albergati’?” Historical Discourse in Neoclassical Britain,” 481—498.
207-218.
JIRAT-WASIUTYNSKI, VOJTECH, “Vincent van Gogh’s Paintings of
MANDEL, CORINNE, ‘Felix Culpa and Felix Roma: On the Program of the Olive Trees and Cypresses from St.-Rémy,” 647-670.
Sixtine Staircase at the Vatican,” 65-90.
MATHEWS, PATRICIA,review of M. A. Cheetham, The Rhetoric of Purity,
STEINBERG, LEO, letter, “All about Eve,” 340-344. Essentialist Theory and the Advent of Abstract Painting, 332-336.
WOOD, CHRISTOPHER S., review of C. HarbisonJ,a n van Eyck: The Play OCKMAN, CAROL, “Profiling Homoeroticism: Ingres’s Achilles Receiving
of Realism; J. M. Upton, Petrus Christus: His Place in Fifteenth-Centur)
the Ambassadors of Agamemnon,” 259-274.
Flemish Painting; J. B. Bedaux, The Reality of Symbols: Studies in the
Iconology of Netherlandish Art 1400-1800, 174-180. SIDLAUSKAS, SUSAN, “Resisting Narrative: The Problem of Edgar
Degas’s /nterior,”’ 671-696.
17th- and 18th-Century SIEGFRIED, SUSAN LOCKE,” Naked History: The Rhetoric of Military
BELL, JANIS C., “Zaccolini’s Theory of Color Perspective,” 91-112. Painting in Postrevolutionary France,” 235-258
CHAPMAN, H. PERRY, “Persona and Myth in Houbraken’s Life of Jan STALLER, NATASHA, review of T. Kaplan, Red City, Blue Period: Social
Steen,” 135-150 Movements in Picasso’s Barcelona, 539-543.
MANN, JUDITH W., “The Annunciation Chapel in the Quirinal Palace, WEINSTEIN, JOAN, review of J. Lloyd, German Expressionism, Primitivism
Rome: Paul V, Guido Reni, and the Virgin Mary,” 113-134. and Modernity, 183—187
oo