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The Archetypes of Hero and Hero's Journey in Five Grimm's Fairy Tales PDF

186 Pages·2012·11.48 MB·English
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The Archetypes of Hero and Hero’s Journey in Five Grimm’s Fairy Tales A Thesis Presented as a Partial Fulfillment of the Requirements for the Attainment of theSarjana Sastra Degree in English Language and Literature By: Gatricya Rahman 08211141020 STUDY PROGRAM OF ENGLISH LANGUAGE AND LITERATURE DEPARTMENT OF ENGLISH LANGUAGE EDUCATION FACULTY OF LANGUAGES AND ARTS YOGYAKARTA STATE UNIVERSITY 2014 AAAPPPPPPRRROOOVVVAAALLL SSSHHHEEEEEETTT TTTHHHEEE AAARRRCCCHHHEEETTTYYYPPPEEESSS OOOFFF HHHEEERRROOO AAANNNDDD HHHEEERRROOO’’’SSS JJJOOOUUURRRNNNEEEYYY IIINNN FFFIIIVVVEEE GGGRRRIIIMMMMMM’’’SSS FFFAAAIIIRRRYYY TTTAAALLLEEESSS AAA TTTHHHEEESSSIIISSS bbbyyy GGGAAATTTRRRIIICCCYYYAAA RRRAAAHHHMMMAAANNN 000888222111111111444111000222000 AAApppppprrrooovvveeeddd ooonnnJJJuuunnneee 111333ttthhh222000111444 bbbyyy FFFiiirrrsssttt CCCooonnnsssuuullltttaaannnttt,,, SSSeeecccooonnnddd CCCooonnnsssuuullltttaaannnttt,,, DDDrrr...WWWiiidddyyyaaassstttuuutttiiiPPPuuurrrbbbaaannniii,,, MMM...AAA RRRaaaccchhhmmmaaatttNNNuuurrrcccaaahhhyyyooo,,, MMM...AAA NNNIIIPPP...111999666111000555222444 111999999000000111 222 000000111 NNNIIIPPP...111999888000000222222444 222000000333111222 111 000000111 iiiiii RATIFICATION SHEET THE ARCHETYPES OF HERO AND HERO’S JOURNEY IN FIVE GRIMM’S FAIRY TALES Accepted by the Board of Examiners of Faculty of Languages and Arts of Yogyakarta State University on July 8th 2014 and declared to have fulfilled the requirement for the attainment of Sarjana Sastra Degree in English Language and Literature Board of Examiners Chairperson : Nandy Intan Kurnia, M.Hum ____________ Secretary : RachmatNurcahyo, M.A ____________ First Examiner : Ari Nurhayati,M.Hum ____________ Second Examiner : Dr. Widyastuti Purbani, M.A ____________ Yogyakarta, July8th2014 Faculty of Languages and Arts Yogyakarta State University Dean, Prof. Dr.Zamzani, MPd. NIP. 19550505 198011 1 001 iii PERNYATAAN Saya yang bertanda tangan di bawah ini: nama : Gatricya Rahman NIM : 08211141020 program studi : BahasadanSastra Inggris fakultas : BahasadanSeni Universitas Negeri Yogyakarta Menyatakan bahwa karya ilmiah ini adalah hasil pekerjaan saya sendiri. Sepanjang pengetahuan saya, karya ilmiah ini tidak berisi materi yang dituliskan oleh orang lain kecuali bagian-bagian tertentu yang saya ambil sebagai acuan denganmengikuti tatacaradanetikapenulisan karya ilmiah yang lazim. Apabila terbukti bahwa pernyataan ini tidak benar, hal ini sepenuhnya menjadi tanggungjawab saya. Yogyakarta, April 2014 Penulis, GatricyaRahman iv MOTTO .. It always seems impossible until it’s done .. --Nelson Mandela v DEDICATION I specially dedicated this thesis to: my parents, papa and ibuk, the best parents I’ve ever have, my big family, sisters, brothers, nieces and nephews, who are really impatient to attend my graduation party, for those who have passion in studying archetype, mythology, fairy tales, and children’s literature, and of course for myself. vi ACKNOWLEDGEMENTS All praises be to Allah SWT, for all blessing and grace without which I would have never finished this thesis. Then, I would like to express my best gratitude to some people who have helped and supported me during my study and accomplishing this thesis: 1. Dr.Widyastuti Purbani, M.A as my first consultant and also as my academic consultant and Rachmat Nurcahyo, M.A as my second consultant, who have shared their valuable time, knowledge and guidance with all their patience and wisdom during the whole process of accomplishing this thesis. I thank them for those texts which gave me motivation and hope; 2. my parents, papa Rochmadi and ibuk Ma’idah for their long lasting and eternal love, caring, patience, advice and prayer. I’m so sorry I did not accomplish my thesis on time; I have not tried my best. For always defending me and understanding me with my difficulties during the process I thank them so much; 3. my three best sisters, mbak Na, mbak Nik and Cie for their amazing sisterhood, love, support, super wise advice in everything (including love life and boyfriend stuff) and also care for their lil’ sister who is trying to find her true self. I thank them for all the fights, debates and beautiful moments I have with them; 4. my best girl friends, housemates, and partners in everything, Iyank, Bela, Leydy and Titiw; I thank them for being such awesome girls, advice, support and the sisterhood Ihavewith them for these years; 5. my regular classmates, Okky, Mutia, Septi, Wafiq, Islah, Andria, Haira, Ima, Shinta, Rehan, Tama, Ihsan, Seva, for the beautiful times and friendship. Special thanks goto Okky, Mutia and Septy who have been a great, open minded, and understanding classmates and besties. Also my classmates in literature concentration, Mutia, Wafiq, Islah, Andria, Andre, Ocha, Andi, Risty, Seruni, Indra, Uzi, Manda, Lala, vii Iva, Eni, Nisa, Windy, Riri, Debi for being nice, supportive and competitive classmates. I learn a lot from them and I have a great time learn about literature with them all; 6. Kolong Tangga family, Pak Rudi, mas Redy, mbak Ndayu, mbak Diyan, mbak Nana, mbak Novi, Ganggas, and all the volunteers I cannot mention one by one who make me love children and children’s literature more, I also thank them for giving me motivation and support; 7. Kay, who always be there for me, love me as I am, giving me hands, suggestions, advices, love, supports, caring and never get tired to always remind me that I can do this. It is such a pleasure to have those talks, debates and discussions; 8. those who support and pray for me in writing my thesis, all of whom I cannot mention one by one. Finally, I realize that my thesis is far from being perfect. Therefore, I would gratefully accept any comments and suggestions for the betterment of this thesis. Yogyakarta, April 2014 GatricyaRahman viii TABLE OF CONTENTS TITLE............................................................................................................ i APPROVAL SHEET .................................................................................. ii RATIFICATION SHEET........................................................................... iii SURAT PERNYATAAN............................................................................... iv MOTTO......................................................................................................... v DEDICATIONS............................................................................................ vi ACKNOWLEDGEMENTS........................................................................ vii TABLE OF CONTENTS............................................................................. ix LIST OF TABLES........................................................................................ xiii LIST OF FIGURE........................................................................................ xiv LIST OF ABBREVIATIONS...................................................................... xv ABSTRACT.................................................................................................. xvi CHAPTER I INTRODUCTION............................................................... 1 A. Background of the Study................................................................... 1 B. Research Focus................................................................................... 7 C. The Formulation of The Problems...................................................... 8 D. Research Objectives............................................................................ 8 E. Research Significance......................................................................... 9 CHAPTER II LITERATURE REVIEW................................................ 10 A. Children’s Literature........................................................................... 10 1. Genres and Sub-Genres of Children’s Literature…….…………….. 11 2. Elements of Children’s Literature…………………………………... 13 a. Character………………………………………………………….. 13 1) By Action..…………………………………………………….. 14 2) By Speech…………………………………………………….. 14 3) By Appearance……………………………………………….. 14 4) By Other’s Comments…………………………………………. 15 5) By Author’s Comments……………………………………….. 15 b. Plot………………………………………………………………… 15 c. Theme…………………………………………………………….. 16 ix 1) Explicit Theme………………………………………………... 16 2) Implicit Theme………………………………………………... 16 3) Primary and Secondary Theme………………………………. 16 d. Setting…………………………………………………………….. 17 e. Point of View…………………………………………………….. 17 1) First-person point of View…………………………………… 18 2) Omniscient point of view…………………………………….. 18 3) Limited omniscient point of view……………………………. 18 4) Objective (dramatic) point of view…………………………... 18 f. Style………………………………………………………………. 18 1) Connotation……………………………………………………. 19 2) Imagery…………………………………………………………. 19 3) Figurative Language……………………………………………. 19 g. Tone………………………………………………………………. 19 B. Fairy Tales........................................................................................... 20 C. Structuralismand Structuralist Narratology........................................ 24 D. The Conception of Myth..................................................................... 29 E. Jungian Archetypes............................................................................. 32 F. The Archetypes ofHero and Hero’s Journey..................................... 34 1. The Archetypes of Hero.............................................................. 34 2. The Archetypes of Hero’s Journey.............................................. 38 G. Grimm Brothers and Grimm’s Fairy Tales ....................................... 53 H. Review of Previous Studies............................................................... 56 I. Conceptual Framework...................................................................... 58 CHAPTER III RESEARCH METHOD................................................. 60 A. The Research Design.......................................................................... 60 B. The Main Sourceof Data................................................................... 60 C. Research Instrument........................................................................... 61 D. Data Collecting Technique................................................................. 62 E. Data Analysis .................................................................................... 64 F. Validity and Trustworthiness ............................................................ 65 G. Analytical Construct ......................................................................... 66 x

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for those who have passion in studying archetype, mythology, fairy tales, and It can be easily recognized in any fairy tale the pattern of adventure like this. In Also, the use of Jungian psychology in this study will enrich the.
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