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THE APPROPRIATION OF VODÚN SONG GENRES FOR PDF

380 Pages·2011·4.85 MB·English
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THE APPROPRIATION OF VODÚN SONG GENRES FOR CHRISTIAN WORSHIP IN THE BENIN REPUBLIC by ROBERT JOHN BAKER A thesis submitted to The University of Birmingham for the degree of MASTER OF PHILOSOPHY The Centre for West African Studies The School of History and Cultures The University of Birmingham June 2011 ii ABSTRACT Songs from the vodún religion are being appropriated for use in Christian worship in Benin. My research looks into how this came to be, the perceived risks involved and why some Christians are reluctant to use this music. It also looks at the repertoire and philosophy of churches which are using vodún genres and the effect this has upon their mission. For my research, I interviewed church musicians, pastors, vodún worshippers and converts from vodún to Christianity. I also recorded examples of songs from both contexts as well as referring to appropriate literary sources. My results show that the church versions of the songs significantly resemble the original vodún ones and that it is indeed possible to use this music in church without adverse effects. Doing so not only demystifies the vodún religion, but also brings many converts to Christianity from vodún through culturally authentic worship songs. The research is significant as this is a current phenomenon, unresearched until now. My findings contribute to the fields of missiology and ethnomusicology by addressing issues raised in existing literature. It will also allow the Beninese church and those in similar situations worldwide to understand this phenomenon more clearly. ii Dedication To Lois, Madelaine, Ruth and Micah. For your patience and endurance over the past four years. I am greatly blessed with such a wonderful family. iii iv Acknowledgements Thank you Karin Barber and Allan Anderson for your invaluable expertise, understanding and adaptablitiy and for the shared love we all have for the African continent and its amazing people. Thank you to all the Beninese people who so willingly assisted me in my research, in particular: Mathieu Assogba, Théodore Houngbédji, „King‟ Matthias, Josée Méongbé and Victorien the „zem driver‟. You began as assistants but ended up as good friends. v vi List of Abbreviations used in the Thesis ADC Association des Disciples de Christ (The Association of the Disciples of Christ church). AIC African Indigenous Church/African Initiated Church. CC Christianisme Célèste (Celestial Church of Christ). EEU Eglise Evangélique Universelle (the Universal Evangelical Church). MEA Mission Evangélique des Affranchis (Evangelical Mission of the Liberated). MEF Mission Evangélique de la Foi (the Gospel Faith Mission church). MIERS Mouvement International d‟Evang lisation et de R veil Spirituel (the International Movement of Evangelism and Spiritual Awakening church). PCM Parole de Christ au Monde (The Word of Christ to the World church). SIM Originally the Sudan Interior Mission (now called SIM International). UEEB Union des Eglises Evangéliques au Bénin (the Union of Evangelical Churches in Benin, the denomination started by SIM). URHC Union de Renaissance des Hommes en Christ (Union of Rebirth of Men in Christ church). vii viii

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Songs from the vodún religion are being appropriated for use in Christian worship in Benin. My research . Vod n divinity of Hindu origin, represented y a „ rain ow serpent‟ (similar to Dàn) 7.4.2 The main differences in the song lyrics . 287.
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