the apology

20 Pages·2017·4.11 MB·English

3 - CEO Message 6 - TV Listings 18 - PBS Hawai‘i Keiki Club
4 - Cover Story 10 - Evening Grid
17 - Daytime Grid
PROGRAM GUIDE OCTOBER 2018 VOL. 37 NO. 10
THE
APOLOGY
PAGE 4
ms
Courtesy of Icarus Fil
Former “comfort woman” Gil Won-Ok of South Korea demanding an apology to women
forced into sexual slavery by the Japanese Army during WWII.
| OCTOBER 2018
The Future of Work
KĀKOU – Hawai‘i’s Town Hall Rescheduled for October 25
LIVE broadcast and live stream: Thursday, October 25 from 8:00-10:00 pm
Encore: Sunday, October 28 from 1:00-3:00 pm
As a statewide broadcaster, we care about what’s top One of the subjects of group conversation during this
of mind among our fellow islanders. During the second town hall will come from local educators, many of whom
week of September, it was Olivia – the storm, aftermath are quite passionate about giving elementary school
and the public’s safety. students the tools they need to co-exist with machines
That’s why we decided to postpone the September 13 in the workplace of the future. We want to thank Kailua
live KĀKOU broadcast on preparing our children for the Elementary School on Windward O‘ahu for allowing us to
automated workplace of the future. That town hall is now observe classroom instruction.
scheduled for a live broadcast and live stream October 25
from 8:00-10:00 pm.
Kailua Elementary School, Windward O‘ahu
Stayson and Alize Rose work on their Elijah programs a mini-robot with sensors. The school’s Tech Coordinator, Greg Kent, looks on
mini-robot. as Mariann and Ekolu and their classmates work in
assigned teams of two.
pbshawaii.org
2
CEO MESSAGE
BOARD OF DIRECTORS
Chair
Leslie Wilcox
Jason Fujimoto
“Comfort Women” – PBS Hawai‘i
Vice Chair
President and CEO
Joanne Grimes
A Twisted Euphemism
Secretary
Bettina Mehnert
I remember exactly what I said resident Nora Okja Keller was in
Treasurer
Kent Tsukamoto some three decades ago to a that audience.
Honolulu news colleague, when Keller, born in Seoul and of half
Muriel Anderson
we first heard the expression Korean ancestry, felt a “burden
Susan Bendon
Jodi Endo Chai “comfort women” and learned of history” and embarked on a
James E. Duffy Jr. what it meant. journey of research and writing.
Matthew Emerson “How twisted is that?” I said. The result was a critically
Jake Fergus
“A truly deceptive term to hide acclaimed first novel, Comfort
Jason Haruki
horrendous Woman. She recalled
Noelani Kalipi
Ian Kitajima brutality against that before she
Joy Miura Koerte the powerless.” heard Ms. Hwang’s
Kamani Kuala‘au Of course, that’s account, she was
Mary Ann Manahan
what euphemisms only aware of scenes
Aaron Salā
do. They mask in Korean soap
Julie Shimonishi
Ka‘iulani Sodaro unpleasantness; operas: “There’d be
Candy Suiso they blunt the this mysterious
Huy Vo horror. woman, veiled in
Bruce Voss
This euphemism black, going through
refers to young the background.
MANAGEMENT
women of little And the reference
President and CEO means, mostly Honolulu’s Nora Okja Keller, author of would be, ‘Oh...do
Leslie Wilcox the acclaimed novel Comfort Woman
teenagers, forced you see that woman?
Senior Vice President/CFO into sexual slavery Something bad
Karen Yamamoto by the Imperial Japanese Army happened to her during the war.’”
VP Content during the Sino-Japanese War and PBS Hawai‘i will air an encore
Chuck Parker World War II. In filthy conditions, of my 2008 Long Story Short
they were required to sexually conversation with Nora Okja Keller
VP Advancement
service 20, 30, sometimes 50 on Tuesday, October 16, the week
Christina Kanemoto Sumida
Japanese soldiers a day. before our October 22 premiere of
Director, Integrated Media
They endured beatings, infection, a POV film, The Apology, which
Jason Suapaia
disease and abortions. Most died. follows three survivors – from
Director, Learning Initiatives At the end of World War II, China, the Philippines and South
Robert Pennybacker
survivors felt so much shame that Korea. (See interview with the
Chief Engineer many didn’t go home. They sought filmmaker on pages 4-5.)
John Nakahira new lives and didn’t speak of their Keller’s inspiration, Ms. Hwang,
ordeal. One former captive was died in 2013, knowing she had
PROGRAM GUIDE
Keum-Ju Hwang, of South Korea, done her part to let the world
Editor and Chief Programmer who finally resolved to tell her understand her soul-scarring but
John Kovacich story before she died. She spoke freeing truth.
Graphic Artist in 1993 at a University of Hawai‘i
Randall Choo symposium – and Honolulu
3
| OCTOBER 2018
COVER STORY
THE
“I will never tell [my
children]. They would
APOLOGY
be ashamed of me.”
Monday, October 22, 9:00 pm GPhRiAliNppDiMneAs ADELA All photographs courtesy of Icarus Films
Adela Reyes Barroquillo and her son
ms
Courtesy of Icarus Fil FToimromntaok, eCra Tniaffdaan ayb Houstiu tnhge fisplmok:e with us by phone from
PBS Hawai‘i: Could you take us through the process
of deciding to make this film and how it became, as
you say, a film you “needed” to make?
I was appalled and shocked when I first heard about
comfort women, mainly because I was already turning 25
and had never heard about them before. Bits and pieces
of stories about WWII in Asia would be told by elders and
family members, but they never talked about the sexual
Interview with filmmaker Tiffany Hsiung
slavery that occurred.
by Emily Bodfish, PBS Hawai‘i
I was invited by educators in North America to document
teachers in Asia who were survivors. It was through that
two week tour that I realized there was so much more to
During World War II, the Imperial Japanese Army learn. I wanted to learn, not just about what happened to
kidnapped approximately 200,000 young women and the grandmothers when they were comfort women, but
about the aftermath. So many war stories focus on the
forced them into military sexual slavery as “comfort
act itself, when I think the six decades of surviving better
women.” The Apology follows three of these women –
illustrates the gravity and the impact of what they lived
Adela Reyes Barroquillo in the Philippines, Cao Hei Mao through. I knew we wanted to let the grandmothers take
us on their journey. I knew I didn’t want it to be saturated
in China and Gil Won-Ok in South Korea – in the ongoing
with archival footage or scholars and historians talking
movement pressing the Japanese government for a formal
about “the facts.”
apology that has never come. Seventy years after their I realized working on the project that my own silence
imprisonment, and after decades of living in silence and and shame from my experience as a survivor of sexual
violence was something I was still holding onto, and the
shame, these once invisible women (culturally referred to
grandmothers gave me the strength to come to terms
as “grandmothers”) give their first-hand accounts of the
with that. It was an organic process, and the film ended
truth for the record in hopes that this horrific chapter of up being something I needed to make.

history will not be forgotten.
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4
“I don’t want to be
reborn as something
else… I want to be
reborn as a woman.
I want to be
someone’s precious
daughter, married into
a precious family and
have my own family.
How wonderful that
“I couldn’t get married, but not would be.”
by choice, because I am not
GRANDMA GIL
intact, not whole.”
South Korea
GRANDMA CAO
China
Cao Hei Mao and her daughter Gil Won-Ok reading her speech in China, supported by activist Meehyang Yoon.
What kept you going, and what perspective can you What are the newest developments for the
give viewers to help them digest this emotional film? Grandmothers’ and their movement?
It was difficult. I remember trying not to cry in front of Even though she says in the film that she wants to just
the grandmothers, and when we filmed in locations they eat and sleep from now on, Grandma Gil is still traveling
had been taken to, I had nightmares. There was only one to spread awareness for the cause. The grandmothers
time I felt like I couldn’t go on, and that was the passing have also started the “Nabi” Fund (Korean word for
of Grandma Adela. I was closest to her, and we had “butterfly”), which they contribute to themselves to help
dreams of traveling with the film together. My greatest women currently enduring sexual slavery or violence
regret is that I wasn’t able to finish the film in time for around the world.
her to see it, and the amount of love and support she got The new Korean government is standing behind the
from audiences around the world. I know that would have grandmothers, aiming to create a new agreement with
made her so happy and proud. the Japanese government that listens to the grandmothers’
What was important to me to bring across in the film demands – mostly having to do with education. The
was the human spirit of the grandmothers, the levity they “One-Million Signature” petition highlighted in the film
brought to everything they were doing. There is so much is also still available to sign.
life in them, and that is what got me through the hardest
moments. What would you like viewers to come away with after
seeing the film?
And where do you think their strength of spirit and
I hope viewers will be inspired by the grandmothers,
levity comes from?
their resilience. I hope viewers can look into their own
The human condition is both laughter and tears; we’re lives and see how they might be contributing to the cycle
not just one emotion. After surviving what they had of silence and shame. It starts with our own families; you
endured, the grandmothers just have so much love to never know what a family member has been through.
give. They want to give to a new generation. I hope they can open up a safe space for conversation
about sexual violence.
This interview has been edited for clarity and length.
5
| OCTOBER 2018
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10:00 SECRETS OF THE DEAD
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reveal the little-known story of early William Aila, Jr. Brendon Lee
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7:30 HIKI NŌ HIKI NŌ Class of 2018
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12:00 SLOVAKIA: TREASURES IN
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THE HEART OF EUROPE
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2:00 NOVA Operation Bridge Rescue
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2:00 THIS OLD HOUSE HOUR HEALING MACHINE 9:00 AMERICAN EXPERIENCE Circus,
Part 1 of 2 This two-part series
6 SATURDAY 7 SUNDAY follows the rise and fall of the gigantic,
12:00 HIKI NŌ HIKI NŌ Class of 2018 12:00 ANTIQUES ROADSHOW traveling tented railroad circus,
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BY ESSENTRICS Feet and Calf Loyalty: Kazuo Yamane and the Nisei stars were among the most famous
Workout (e) Soldiers of Hawai‘i (e) people in the country. Travel back to
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THE MET Così fan tutte Enyses announce they’re expecting trusted their instincts and possessed
Phelim McDermott’s vision of a child. unwavering confidence in the
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is set in a carnivalesque, funhouse STRANGERS ON MASTERPIECE conversations with the late Hawai‘i
environment inspired by 1950s Part 5 of 5 (e) State Supreme Court Chief Justice
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the Brink 2:00 THIS OLD HOUSE HOUR
of the Congo, climb up the cone of
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12 FRIDAY 13 SATURDAY
studied volcanoes. Join volcanologists
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F. Murray Abraham Three centuries 2:00 AMERICAN WOODSHOP Custom
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before The Merchant of Venice was Wood Keeps
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written, England became the first 2:30 ASK THIS OLD HOUSE
What We Do for Love
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Shylock to the stock Jewish villain 4:00 MARTHA BAKES Patterned
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efforts over the years, for better or and Salad
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worse, to treat him more as a victim 5:00 CHRISTOPHER KIMBALL’S MILK
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Fridays at 8:00 pm and 9:00 pm
beginning October 12
Actress Helen Hunt hosts the opening episode,
Much Ado About Nothing
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MASTERPIECE Part 5 of 8 Dilemma, Part 1 of 2 9:00 NATIVE AMERICA
LONG STORY SHORT WITH LESLIE WILCOX 9:00 THE WOMAN IN WHITE 10:00 INDEPENDENT LENS Nature to Nations
Part 2 of 5 Young Men and Fire 10:00 FRONTLINE The Facebook
Lanai Tabura
10:00 NEANDERTHAL Part 2 of 2 Dilemma, Part 2 of 2
Television host
Tuesday, October 30, 7:30 pm
10 Schedule is subject to change.