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THE SCHWEICH LECTURES IN BIBLICAL ARCHAEOLOGY, 1927 THE APOCALYPSE IN ART THE APOCALYPSE IN ART BY MONTAGUE RHODES JAMES, O.M. Lrrr.D., F.B.A., F.S.A. PROVOST OF ETON, SOMETIME PROVOST OF KING'S COLLEGE, CAMBRIDGE THE SCHWEICH LECTURES OF THE BRITISH ACADEMY 1927 LONDON PUBLISHED FOR THE BRITISH ACADEMY BY HUMPHREY MILFORD, OXFORD UNIVERSITY PRESS AMEN HOUSE, E,C, I93I OXFORD UNIVERSITY PRESS AMEN HOUSE, E.C. 4 LONDON EDINBURGH GLASGOW LEIPZIG NEW YORK TORONTO MELBOURNE CAPETOWN BOMBAY CALCUTTA MADRAS SHANGHAI HUMPHREY MILFORD PUBLISHER TO THE UNIVERSITY PRINTED IN GREAT BRITAIN PREFATORY NOTE I N sending forth these Lectures, which were delivered in December, 1927, I feel that I ought to apologize for two things in particular: in the first place for their late appear ance, due in large part to the difficulty of getting right the multitudinous details, especially those in theNo tes; and in the second place for the absence of illustrations. Nothing short of a separate portfolio of about a hundred pictures would have been of any use; and since considerations of expense forbade this, I decided to have none at all, but to give all the references I could to published reproductions. In spite of the hope I expressed in my text that my quest for English Apocalypses had been exhaustive, I have to note that one in private hands has recently been brought to light. It is of English execution, and belongs to the Canterbury group. It is a sister book to no. 16 in my list, containing illustrations of the exposition as well as of the text, and agreeing with 16 and 44 in certain irregularities of text. The gloss is in French. Clearly we are not at the end of discoveries, at home or abroad. M. R.J. ETON COLLEGE, Jan. 1931. CONTENTS Prefatory Note . . . . . . . v Prefatory List of Apocalypses, Manuscript and other I Note on the Norwich Apocalypse . . . . 23 THE APOCALYPSE IN ART. Lecture I. First Period 26 Lecture II. Second Period . 44 Lecture Ill. Second Period concluded 63 Third Period 75 Notes to Lecture I 82 Lecture II 99 " Lecture Ill 104 " Index of Libraries II4 PREFATORY LIST OF APOCALYPSES, MANUSCRIPT AND OTHER I N each of the three reproductions of illustrated Apoca lypses for which I have been responsible-the Trinity, the Douce, and the Perrins-I have given a list of the manuscripts and other monuments known to me. That list must be repeated and supplemented here. I base it as before on the Delisle-Meyer list, which extends as far as no. 57, and in so doing I believe I consult the convenience of students, to whom a settled numeration of items is more valuable than a list based either on chronology or geo graphy, since, to name no other advantages, the addition of fresh material causes no dislocation. Such fresh material is certain to emerge; there must be in the libraries and private collections ofltaly, Germany, Austria, Belgium, and Spain, manuscripts that have escaped notice, though for France one hopes that Delisle's research was exhaustive, and England, I r.eally believe, has not much more to offer. I The points which I have uniformly noticed in the brief descriptions of the MSS. are their place, date, country of origin, language and character of text, number and ar rangement of pictures: references are given to books in which illustrations or descriptions of them may be found. Certain features which may serve to link copies together are set down, but it will be readily understood that my information is not complete in this particular, nor indeed in several other respects. Copies of which I have seen the originals or some repro ductions are marked with an asterisk. In spite of the fact that the results of examination are recorded in the text, a little summarizing of them may be useful. To the First Family belong nos. 1-4, 17, 67, 69,83 with 44 I But see Prefatory Note. B THE APOCALYPSE IN ART as a hanger-on: of these 1-3, 44 are English, 4, 67, 69, 83 (Block book) are Netherlandish, 17 is German. The half-page picture copies are nos. 5-9, 11-13, 15, 16, 28, 40, 41, 43, 44, 46, 47, 50, 51, 63, 66, 86, 88: twenty-three. Thirteen of these are English, the rest French, six clearly following the English tradition. The following contain a prose text in French and have pictures in the text, with two exceptions in which the text is in Latin; 18 (Lat.), 19-27,29,30,38,39, 42, 48, 53,58-62, 70, 72, 87, 89 (Lat.): twenty-six. Sixteen are certainly or probably English, ten French. These have Latin text and French metrical version, with pictures at the top of the page; 31-4, 64, 71 : pictures in the text, 35-7. All are English. Three copies have almost full-page pictures: 10,45 (with French text), 65 (Lat.): all are English. Of copies withfull-page pictures52,57,84, 92 are German: 54 is Netherlandish, 56 Italian. Anomalous methods of illustration are in 14, 49, 73-5, all of them French. Also 68 (German): and 89 English. I have no particulars of 55, 90, 91. Cycles not contained in books are 76-82, 85: three are English, three French, one Italian. References to pages of the text are added. *1. Paris B.N. fr. 403. Cent. xiii. First Family. English work. Pp. 48, g8. Text in French, with the non-Berengaudus gloss: origin ally had 94 pictures: 2 are missing. Half-page pictures except in the Life ofJ ohn where there are two to the page. Illustrates Life and Death of John: has scenes of Anti christ. John is bearded throughout: nimbuses are ringed (composed of small rings). The Witnesses are slain with the sword: there are devils in the vintage-scene: the Lion distributes the Vials. Reproduced in full by Delisle and Meyer, L'Apocalypse en franyais au Xllle siecle, Soc. d. anc. textes fr., Paris, xgoo. LIST OF APOCALYPSES 3 *2. Oxford Bodl. Auct. D. 4· 17. Cent. xiii. First Family. English. Text confined to Latin inscriptions (including short pieces of the Berengaudus gloss) on the pictures: otherwise consists entirely of pictures (92 remain, 4 are missing) two to a page. Illustrates Life and Death of John: has scenes of Anti christ. The nimbuses are ringed. Reproduced in full by H. 0. Coxe, Roxburghe Club, 1876. P. 47· *3. New York. Pierpont Morgan MS. 524: formerly M. le Vicomte Blin de Bourdon. Cent. xiii. First Family. English. Text and pictures as in no. 2: but the full text has been added, in Cent. xiv. 83 pictures remain, the rest lost. Illustrates Life and Death of John: has scenes of Anti christ. The nimbuses are ringed. Some pages reproduced in Delisle and Meyer, 1. c. P. 47· *4. Manchester Rylands Library Lat. 19. Cent. xiv. First Family. Flemish copied from English archetype. Formerly Van Hulthem, Didot, Lord Crawford. Text and pictures as in no. 2: 96 pictures (complete). Has Life and Death of John and scenes of Antichrist. Some pages reproduced in Rylands Library Catalogue of Latin MSS. (James, 1921). Nos.l-4 are the First Family MSS. used (with the Block book) by Delisle and Meyer. Others will be found later in the list, viz.17, 67, 69, 83. P. 47· *5. Cambrai Bibl. de la Ville 482. Cent. xiii. French. Text in Latin: a large commentary has been added on intercalated leaves. Pictures 8o, half page. The Beast bites the hand of the Witness: the Lion distri butes the Vials. See E. G. Millar in Bull. de la Soc. Fr. pour la Reprod. des MSS. a Peintures, 1924 (hereafter Millar): also Rohault de Fleury, Saints de la Messe, and Delisle and Meyer. P. 56. 4 THE APOCALYPSE IN ART *6. Metz. Bibl. de la Ville. MS. Salis. 38. Cent. xm. French. Closely allied to 44 &c. Text in Latin. Pictures: 66 remain, half page. The Beast bites the hand of the Witness: the Lion distri butes the Vials. Islands named. Pages reproduced in Millar, I.e. A complete set of photographs is in the British Museum, Dept. of MSS., Facs. 57· P. 56. 7. Sold in I 879 by Schlesinger at Paris. Cent. xiv. French: executed for a lady of the family of De la Tour de Pin. Text in French with gloss: begins with the letter Piissimo Caesari in French. Pictures 85, half page. Has the Life of John. P. 55· 8. Namur, seminaire. Cent. xiv. French-Flemish. Text in Latin. Pictures 85, half page. The Lion distributes the Vials: the Kings from the East occur. Specimen in Le Be.ffroi, iii. 331. P. 56. *9. Brit. Mus. Add. 35I66. Cent. xiii. English. Formerly 'Liber domus kalendarum' (a gild of Calen ders?): family of Blois in Suffolk: Rev. T. D. Turner of Beccles. Text, Latin with gloss in red. Begins with Piissimo Caesari. Pictures 76 (probably 32 are lost: there is a gap of I 6 leaves in the middle), half page. Has a very copious Life and Death of John with the Story of the Robber. The leaves with the death of the Witnesses and distribution of the Vials are lost. P. 54· *10. Eton College I77. Cent. xiii. English. Belonged to a nunnery (name illegible): has pictures prefixed which coincide with cycle of paintings formerly in Worcester Chapter house. It is a sister book to Lambeth 434 (no. 45). LIST OF APOCALY PSES 5 Text in French, shortened, without gloss. Pictures g8, almost full page. Has scenes of the Life of John. The Lion distributes the Vials. Described in my Catalogue of Eton MSS. P. 55· *11. Paris B.N. Lat. 688. Cent. xiv. ?French: mediocre work. Text in Latin, with gloss. Begins with Piissimo Caesari. Pictures go, half page. Many unfinished. Has the Life ofJ ohn. The Eagle distributes the Vials. Compositions closely akin to those of66. P. 54· 12. Paris B.N. Lat. 14410. Cent. xiv. ?French. From the Abbey of S. Victor. Text in Latin. Pictures 83 ( 2 missing), half page. The Beast bites the hand of the Witness. The Lion distributes the Vials. The Kings from the East occur. Pages are reproduced in Rohault de Fleury 1. c. viii. 55· P. 6. 5 *13. Brit. Mus. Add. 17333. Cent. xiv. French. From the Chartreuse of Valdieu near Mortagne (dioc. Seez). Fine work. Text, Latin, gloss in French. Pictures 83, half page. John is beardless. The Beast bites the hand of Witness. The Lion distributes the Vials. The Kings from the East occur. Pages in Millar, I.e.: in Birch andJenner, Early Drawings: in Brit. Mus. Facsimiles (Warner), series 2, etc. P. 56. 14. Chantilly Musee Conde 1378 (formerly in the Wester loo collection). French. Text, French with commentary. Has Piissimo Caesari in French. Pictures 83, in medallion form occupying ff. 36-121. Has the Life ofJ ohn. Possibly related to the Bible moralisee: the Apocalypse is

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THE APOCALYPSE IN ART. Lecture I. Lecture II. First Period. Second Period . Lecture Ill. Second Period concluded. Third Period. Notes to Lecture I bers reunite. Similarly, another angel beckons to the sea to give up its dead. We shall meet something reminding us of this in another connexion.
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