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The Also People PDF

349 Pages·2011·2.03 MB·English
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THE ALSO PEOPLE DOCTOR WHO – THE NEW ADVENTURES Also available: TIMEWYRM: GENESYS by John Peel TIMEWYRM: EXODUS by Terrance Dicks TIMEWYRM: APOCALYPSE by Nigel Robinson TIMEWYRM: REVELATION by Paul Cornell CAT'S CRADLE: TIME'S CRUCIBLE by Marc Platt CAT'S CRADLE: WARHEAD by Andrew Cartmel CAT'S CRADLE: WITCH MARK by Andrew Hunt NIGHTSHADE by Mark Gatiss LOVE AND WAR by Paul Cornell TRANSIT by Ben Aaronovitch THE HIGHEST SCIENCE by Gareth Roberts THE PIT by Neil Penswick DECEIT by Peter Darvill-Evans LUCIFER RISING by Jim Mortimore and Andy Lane WHITE DARKNESS by David A. Mclntee SHADOWMIND by Christopher Bulis BIRTHRIGHT by Nigel Robinson ICEBERG by David Banks BLOOD HEAT by Jim Mortimore THE DIMENSION RIDERS by Daniel Blythe THE LEFT-HANDED HUMMINGBIRD by Kate Orman CONUNDRUM by Steve Lyons NO FUTURE by Paul Cornell TRAGEDY DAY by Gareth Roberts LEGACY by Gary Russell THEATRE OF WAR by Justin Richards ALL-CONSUMING FIRE by Andy Lane BLOOD HARVEST by Terrance Dicks STRANGE ENGLAND by Simon Messingham FIRST FRONTIER by David A. Mclntee ST ANTHONY'S FIRE by Mark Gatiss FALLS THE SHADOW by Daniel O'Mahony PARASITE by Jim Mortimore WARLOCK by Andrew Cartmel SET PIECE by Kate Orman INFINITE REQUIEM by Daniel Blythe SANCTUARY by David A. McIntee HUMAN NATURE by Paul Cornell ORIGINAL SIN by Andy Lane SKY PIRATES! by Dave Stone ZAMPER by Gareth Roberts TOY SOLDIERS by Paul Leonard HEAD GAMES by Steve Lyons THE ALSO PEOPLE Ben Aaronovitch First published in Great Britain in 1995 by Doctor Who Books an imprint of Virgin Publishing Ltd 332 Ladbroke Grove London W10 5AH Copyright @ Ben Aaronovitch 1995 The right of Ben Aaronovitch to be identified as the Author of this Work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. 'Doctor Who' series copyright © British Broadcasting Corporation 1995 Cover illustration by Tony Masero ISBN 0 426 20456 5 Typeset by Gal eon Typeset ing, Ipswich Printed and bound in Great Britain by Mackays Paperbacks Ltd. Al characters in this publication are fictitious and any resemblance to real persons, living or dead, is purely coincidental. This book is sold subject to the condition that it shal not, by way of trade or otherwise, be lent, resold, hired out or otherwise circulated without the publisher's prior written consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. Scanned by The Camel THE ALSO PEOPLE Acknowledgements ...................................................................................... 7 Notes on the Pronunciation of Proper Nouns ............................................... 8 Prologue ....................................................................................................... 9 1 Delete Where Applicable ........................................................................ 11 2 Life's A Beach ......................................................................................... 22 Hyper-lude .............................................................................................. 34 3 Party Games .......................................................................................... 36 4 Policeman on the Corner ........................................................................ 47 Hyper-lude .............................................................................................. 56 5 Al the Answers ....................................................................................... 58 6 Faces in the Water ................................................................................. 71 Hyper-lude .............................................................................................. 81 7 Screaming for Ice Cream ....................................................................... 83 Hyper-lude .............................................................................................. 96 8 Gardens of Stone ................................................................................... 97 Hyper-lude .............................................................................................. 107 9 Cult Status .............................................................................................. 109 10 Unsmiling in the Darkness ...................................................................... 123 Hyper-lude .............................................................................................. 135 11 Tears of Rust .......................................................................................... 136 12 Travel ing Man Blues .............................................................................. 148 Epilogue ....................................................................................................... 157 Acknowledgements I would like to thank Kate Orman for reminding me how much fun this is. Rebecca and Peter for putting up with my total lack of grammar, punctuation, spelling and my somewhat loose perception of linear time as it pertains to deadlines. Nick Chatwin and Muhmud Quayum for their help. And my family for their support. I'd like to remind everyone that while talent borrows and genius steals, New Adventure writers get it off the back of a lorry, no questions asked. Notes on the Pronunciation of Proper Nouns !x is an aspirated consonant pronounced by clicking the side of the tongue against upper right-hand teeth. !q is an aspirated consonant pronounced by 'clucking' the tongue. !c is an aspirated consonant pronounced by placing the tongue against the front teeth and sucking them explosively back. a is pronounced ah as in car. e is pronounced eh as in leg. i is pronounced ee as in leek or keep. o is pronounced like the a in walk. u is pronounced oo as in look or cook. Stress is on the second syllable from last: aM!xitsa is pronounced am- !xit-sah; saRa!qava is pronounced sah-rah- !qah-vah. I have chosen to use the simplified (personal) versions of people's names throughout the text as the more complex (use) designations would be cumbersome and serve little purpose. An example is the drone aM!xitsa, whose use designation incorporates the diminutive of his construction point and generation; thus: aM!xit-i!xa!xi-sa!Qa!cisa.

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