The Airship Boys Ocean Flyer by H L Sayer

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Title: The Airship Boys' Ocean Flyer
New York to London in Twelve Hours

Author: H. L. Sayler

Illustrator: S. H. Riesenberg

Release Date: July 11, 2015 [EBook #49416]

Language: English

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The Airship Boys’ Ocean Flyer

OR

New York to London in Twelve Hours

The Aeroplane Boys Series

By ASHTON LAMAR

I.
IN THE CLOUDS FOR UNCLE SAM

Or, Morey Marshall of the Signal Corps.

II.
THE STOLEN AEROPLANE

Or, How Bud Wilson Made Good

III.
THE AEROPLANE EXPRESS

Or, The Boy Aeronaut’s Grit.

IV.
THE BOY AERONAUTS’ CLUB

Or, Flying For Fun.

V.
A CRUISE IN THE SKY

Or, The Legend of the Great Pink Pearl.

VI.
BATTLING THE BIG HORN

Or, The Aeroplane in the Rockies.

OTHER TITLES TO FOLLOW

These stories are the newest and most up-to-date. All Aeroplane details are correct. Fully illustrated. Colored frontispiece.
Cloth, 12mos.

Price, 60 cents each.

The Airship Boys Series

By H. L. SAYLER

I.
THE AIRSHIP BOYS

Or, The Quest of the Aztec Treasure.

II.
THE AIRSHIP BOYS ADRIFT

Or, Saved by an Aeroplane.

III.
THE AIRSHIP BOYS DUE NORTH

Or, By Balloon to the Pole.

IV.
THE AIRSHIP BOYS IN THE BARREN LANDS

Or, The Secret of the White Eskimos.

V.
THE AIRSHIP BOYS IN FINANCE

Or, The Flight of the Flying Cow.

VI.
THE AIRSHIP BOYS’ OCEAN FLYER

Or, New York to London in Twelve Hours.

These thrilling stories deal with the wonderful new science of aerial navigation. Every boy will be interested and instructed by reading
them. Illustrated. Cloth binding. Price, $1.00 each.

The above books are sold everywhere or will be sent

postpaid on receipt of price.

IN THE PILOT ROOM OF THE FLYER.

The Airship Boys’

Ocean Flyer

or, New York to London

in Twelve Hours

BY

H. L. SAYLER

Illustrated by S. H. Riesenberg

Chicago

The Reilly & Britton Co.

Publishers

COPYRIGHT, 1911,

by

THE REILLY & BRITTON CO.

ALL RIGHTS RESERVED

THE AIRSHIP BOYS’ OCEAN FLYER

CONTENTS

CHAPTER
PAGE

I
THE MAKING OF A NEWSPAPER STORY
9

II
WHAT A REPORTER SAW IN THE DARK
23

III
THE VETERAN TAKES OFF HIS HAT TO THE CUB
36

IV
THE AIRSHIP BOYS MAKE THEIR APPEARANCE
51

V
A BEWILDERING PROPOSITION
67

VI
AN OLD HOME AND A MODERN BUSINESS
83

VII
NED NAPIER ADVANCES SOME THEORIES
97

VIII
THE Ocean Flyer CREW IS COMPLETED
113

IX
DUTIES OF THE Ocean Flyer CREW
127

X
BUCK STEWART RECEIVES NEW ORDERS
141

XI
SHAPING A NEW COURSE
156

XII
HOW THE FLIGHT WAS TO BE MADE
168

XIII
ROY OSBORNE’S “PICK-UP CRANE”
182

XIV
CAPTAIN NAPIER’S NERVE IN MID-AIR SAVES THE CARGO
196

XV
IN WHICH NED’S LIFE IS SAVED
210

XVI
AN UNEXPECTED TRIBUTE
224

XVII
WHAT HAPPENED AT THREE FORTY-THREE P. M.
237

XVIII
THE RACING PIGS OF FUNDY
252

XIX
A CHANGE OF PLANS BY WIRELESS
269

XX
THE FIRST SIGHT OF LONDON
284

XXI
THE MARBLE ARCH GATE, HYDE PARK
298

XXII
EXTRACTS FROM THE LOG OF THE Ocean Flyer
312

LIST OF ILLUSTRATIONS

In the pilot room of the Flyer
Frontispiece

In the “local room” of the New York Herald
45

Picking up the matrices
206

The end of the flight, London
305

The

Airship Boys’ Ocean Flyer

OR,

New York to London in Twelve Hours

CHAPTER I

THE MAKING OF A NEWSPAPER STORY

It was a few minutes of eleven o’clock at night. One of the many editions of the great New York Herald had just gone

to press. But in the big, half-lit room where editors, copy readers, reporters and telegraph operators were busy on the later
editions to follow, there was no let-up in the work of making a world-known newspaper.

There was the noise of many persons working swiftly; the staccato of typewriters, the drone of telegraph sounders and

now and then the sharp inquiry of some bent-over copy reader as he struggled to turn reportorial inexperience into a
finished story. But there was no confusion and none of the wild rush and clatter that fiction uses in describing newspaper
offices; copy boys were not dashing in all directions and the floor was not knee deep with newspapers and print paper.

Calmest of all was the night city editor. With a mind full of the work already done and in progress, he was as alert

mentally as if he had just reached his desk. Five hours yet remained in which New York had to be watched; five hours, in
any one minute of which the biggest news on hand might fade into nothing in the face of the one big story that every editor
waits for night after night. And the night city editor, knowing this, dropped his half-lit pipe when his desk telephone buzzed.

“Stewart? Yes! Yes!” he answered quickly in a voice so low that not even his busy assistants heard him. “Where are

you? What are you doing?”

“In Newark,” came the quick response, “and we landed it. It’s a peach. That aeroplane tip you know. It panned out all

right.”

The night city editor had seemed perplexed for a few moments but at this his face cleared.
“How big? What’s new?”
“Biggest airship ever made; biggest planes; biggest engines—cabin and staterooms; two hundred miles an hour—”
“See it yourself?”
“Been workin’ in the factory three days; American Aeroplane Works; got story cinched. Machine flew to-night first

time. It’s a beat.”

“Got talks?”
“Not straight, but I’ve heard ’em talkin’.”
“What’s the idea? Is it a war ship?”
“Got everything but that. Will some one take it by phone? I can get to the office quarter after twelve; got some stuff

ready.”

“Who’s back of it? Whose machine is it?”
“Aerial Utilities Company; those Chicago boys, Napier and Hope and their friends.”
The editor thought a moment, glanced at the clock on the wall where the hands pointed to eleven and then said:
“If you can be here by a quarter after twelve, hurry in. If you can’t make it, phone. Get up all the stuff you can. Are

Napier and Hope at the factory?”

“They made a test to-night. I know where they went. I was outside the yard. They were gone from ten o’clock till ten

twenty-five; were all over New York and forty miles to sea. It—”

“Grab the eleven fifty express and hustle in,” interrupted the man at the telephone. “It’s good stuff and’ll stand a couple

o’ columns.”

Hanging up the receiver, the night city editor settled back in his chair, finished lighting his pipe and then, his head leaning

in his clasped hands, seemed to be in a reverie. But this did not last long. While he had talked to “Stewart in Newark”
three young men had hurried to his desk and laid on it stories or parts of stories on which they had been working. These
reporters were now standing a few feet away awaiting further orders or dismissal for the night.

“Dick,” exclaimed the editor as he suddenly unclasped his hands, leaned forward over his desk again and shuffled the

copy on it into a little bundle, “we’ll want about two and a half columns in the last edition.” As he spoke, a middle-aged
man in his shirt sleeves—for the night was mid-June—leaned backward from a near-by big table at which a dozen men
were busy cutting, rewriting and pasting copy, and took the little bundle of manuscript from his superior’s hands.

The waiting reporters groaned inwardly. They knew that this was probably the death warrant for their own evening’s

work. Dick, the man addressed, asked nothing and made no inquiry. He knew that something big had turned up. As head
copy reader the securing of this “something” was no business of his. Nor did the nature of it stir his calloused curiosity. His
orders were to save two and a half columns of space and this he would do. When the story came, he and his assistants
would see that it was two and a half columns long and no more.

But this was not the attitude of the three reporters yet waiting near the editor’s desk. This man was no longer in a

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reverie. In those few minutes he had “blocked out” his big story; he already saw it in print and, unlike Dick, he was now
ready to go after it.

“Anything more, Mr. Latimer?” asked one of the reporters eagerly, for each of them had now scented a “beat” and all,

forgetting the probable fate of their earlier evening’s work, were eager to be in on it.

Mr. Latimer arose and without reply hurried away in the direction of the night editor’s desk. When he returned, his pipe

now sputtering viciously, he called: “Dick, make that two columns.” Then he turned toward the still lingering reporters.
They moved to his desk, each trying to attract special attention.

“Chambers,” said Mr. Latimer to the youngest of the trio, “get Governor’s island on the phone and see if they’ll put you

on Colonel Fred Grant’s wire. If you can’t raise him by phone go down to the Ship News office and have the boys take
you over in the boat. We want a good talk with him on this idea: What military prestige will it give the country that is the
first to perfect an airship that can travel two hundred miles an hour—an aeroplane that can actually carry men and bombs?
Point out that this means across the Atlantic in fifteen hours. Make him talk new stuff, practical, and cut out the Jules Verne
patter.”

Chambers, young and inexperienced, hurried away without a question, knowing well enough that this interview was to fit

into another story and that it was his business to get it, and the earlier the better.

“Glidden,” said the night city editor, turning to the oldest reporter of the three, “didn’t you write a Sunday story a few

weeks ago on ‘The Limit of the Automobile’?”

“Yes, sir,” was the prompt reply of the pleased young journalist.
“Have you some ideas on the possibilities of the aeroplane?”
“I have,” was the prompt reply. If Glidden had gone further he would have added, “I’m getting up another story on that

line now.”

“That’s good,” broke in Mr. Latimer. “We’re going to print a big aeroplane story in the morning. I want a ‘lead.’ The

man on the story can’t write it. I can’t tell you anything except that this story concerns the first real airship. Give me half a
column of what a real aeroplane ought to do—”

“It ought to go ten miles up in the air,” broke in Glidden impulsively as if anxious to demonstrate that he really had some

ideas, “and the time will come when the flying machine will stay in the air more than five days. It will carry fifty people,
cross the Atlantic or Pacific and sail two hundred miles an hour—”

“That’s enough,” laughed the editor. “Our machine does two hundred miles. Go to it.”
Glidden, who should have had Stewart’s assignment on the aeroplane story, wanted to ask more but he was too wise to

do so. A few minutes later he was back at his typewriter, nervous and excited over the part he was to take in the making
of the next morning’s “beat.”

The work of the third man was better known to Mr. Latimer.
“Winton,” he began as if sure that his orders would be carried out to the letter, “you’ve heard of the Airship Boys—

those Chicago youngsters who have been starring in aeronautics for several years?”

“I know Bob Russell personally,” answered Winton. “He’s the newspaper man from Kansas City who has been with

the boys in all their stunts.”

“Did he ever work in New York?” inquired Mr. Latimer.
“I think not. I believe he’s in business with the Airship Boys. Used to work on the Kansas City Comet.”
“Couldn’t get hold of him?”
“If it’s about some new project of these boys,” laughed Winton, “it’s not worth while. They’re all clams concerning their

own affairs.”

“But is this the outfit that interested Mr. Morgan in the Universal Transportation Company last summer?”
“I never worked on the story except once when I tried to get Russell to talk and couldn’t. They had a suite of offices in

the Waldorf last July.”

“Call the Waldorf and see what you can find.”
Five minutes later Winton was back at Mr. Latimer’s desk.
“Five or six persons connected with the Aerial Utilities Company had apartments and offices in the hotel until the middle

of last August. Then the offices were moved to Chicago. There seems to be a group of these people, all interested in
aeroplanes on a big scale and their headquarters I think are in Chicago.”

Mr. Latimer touched a button and hastily wrote a note.
“Hand this to the telegraph editor,” he said to the messenger as he gave him this message:
“Craig, Tribune, Chicago. Rush anything on Aerial Utilities Company, organization and business. Also matter

concerning Airship Boys, Napier, Hope and Russell.”

Then he turned to Winton again.
“Story in to-night about those boys and a big aeroplane. Napier and Hope and maybe Russell are not in Chicago, but

somewhere in Newark. Their newest idea was manufactured by the American Aeroplane Company in Newark. Call the
works on a chance; like as not you won’t find any one there. Look up the head of the company. Raise him on the phone. If
he won’t talk about the new airship make him tell you where the Airship Boys are. Try the hotels by phone. Must have
something about these young men. The man on the story missed a talk with ’em.”

Winton rushed to the telephone room and Mr. Latimer, with another glance at the clock, put the Newark “beat” aside

for a moment while he gave his attention to the accumulating copy received from the local news bureau and late evening
assignment men. With instructions for each, he had “covered” an East Side tenement fire by rushing four men to the scene
and had personally called up and talked to a leading financier on a financial story when Winton returned.

“J. W. Atkinson is president of the Aeroplane Company,” Winton reported. “No one at works. Got Atkinson on

phone. He won’t talk but acknowledges Airship Boys are in Newark. Won’t say where. Can’t find ’em at hotels.”

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Without answering, the night city editor turned to his telephone.
“Get me the Newark office,” he ordered. “Nathan, if he’s there. Go to the library,” he added, speaking to Winton, “and

dig up a story on these kids. There’s plenty there. Get half a column. See if we have any pictures.”

While Winton hurried away on his new task, the telephone rang.
“Newark?” asked Mr. Latimer. “Is that Nathan?”
“Mr. Nathan’s out eatin’ supper,” replied a juvenile voice.
“Go get him. Tell him this. Ready? Put down J. W. Atkinson. Got it? J. W. Atkinson, president American Aeroplane

Company. Tell Nathan to see Mr. Atkinson at his home and find where Ned Napier and Alan Hope can be found. Put the
names down: Ned Napier and Alan Hope.”

“I know ’em,” interrupted the youthful voice. “Them’s the Airship Boys.”
“Tell Nathan not to leave Mr. Atkinson until he learns where those boys are stopping: where they are in Newark. Got

it?”

These events had taken place within fifteen minutes. At ten minutes after eleven Mr. Latimer again put the Newark story

aside temporarily and gave all his time to rounding up his part of the next edition. At eleven thirty o’clock Glidden, who
was to provide the material for a general “lead” to the big “beat”—none of the details of which he even knew, turned in
five hundred words. Mr. Latimer paused in his other work and glanced hastily at the pages. Then he looked at the clock,
leaned back in his chair and read each page.

“Good stuff,” he announced without even a smile as he finished. “That’s the idea; just what I wanted. Stewart is coming

in from Newark with the story a quarter after twelve. Get your supper and be back by that time. I want you to help him
shape up his stuff. Chambers and Winton will have ‘adds’ to the story.”

A quarter of an hour later Winton reported with his sketch of the Airship Boys. His superior did not read the matter—

he was sure enough of Winton—but spiked it with Glidden’s copy.

“No pictures,” explained the reporter, “except one in the Scientific American of last July showing working drawings of

a steel monoplane—the one they used in the New York-Chicago flight.”

“Get it and take it to the picture man. Tell him to make a two-column cut of it. No pictures of the young men?”
“Not on file.”
“That’s good,” said Mr. Latimer with his first smile of the evening. “It’ll make a good ‘follow’ to-morrow. By the way,

did you get a story of these youngsters right up to date?”

“No,” answered the reporter, somewhat regretfully, “I couldn’t find anything about them after their record flight in a steel

monoplane between New York and Chicago last July. I know they were in New York at their Waldorf offices until
August. But I can’t find anything about them since that date. If they’ve got a new idea, they’ve had since last August to
work on it unmolested by the newspapers.”

Mr. Latimer was shaking his head as he refilled his pipe.
“Get your supper and hurry back. Stewart’ll be here in fifteen or twenty minutes. Then we’ll see what we can all do to

find out what they’ve been doing since August. The story is gettin’ to look good.”

Winton was about to hasten away when his interest got the better of his judgment and he violated one of the unwritten

rules of the Herald office: he questioned his superior.

“I know it isn’t my business, Mr. Latimer,” he began, hesitatingly, “but didn’t Stewart say they have made a new

machine that can fly two hundred miles an hour?”

The night city editor nodded his head.
“And he has the details of the machine?”
“All of them,” replied the editor. “But he’s missed the main thing—the story. What are they going to do with such a

craft? Why should they test it out in secret—under cover of night?”

“And that’s what we are trying to find out?” asked Winton, showing confusion.
“Certainly,” was the response. “The mere account of a new aeroplane isn’t worth two columns in the Herald. That’s

only half the story. Its purpose and possibility make the real story.”

Winton leaned over the desk, his face flushed.
“I know what those boys have done in the past,” he said in a low voice. “There’s only one thing left for them to do now.

If you can’t find them and don’t know what that is I’ll make a guess for you: they’re going to cross the Atlantic.”

“Certainly,” was Mr. Latimer’s response. “My own idea precisely. And that is the story the Herald is going to print in

the morning.”

But the night city editor was wrong. The Herald did not print such a story in the morning, as will be set forth in the next

chapter.

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CHAPTER II

WHAT A REPORTER SAW IN THE DARK

Stewart, the reporter who had been working in the American Aeroplane Company’s plant for several days and who

had telephoned the tip on the first flight of the wonderful new machine, reached the Herald office a few minutes ahead of
his schedule. He was hot and excited. As he hurried to Mr. Latimer’s desk he drew from his pocket a wad of copy—a
part of his story already prepared. The night city editor looked at the clock—he seemed always watching the clock.

“Twelve ten,” Mr. Latimer began without question or comment and waving back the proffered manuscript. “We want a

column. Take an hour and do it right. Tell what you saw—don’t speculate. Tell about the new machine, and don’t be
technical. We’ll make the ‘lead’ when we see what you’ve got—”

“This is ready now,” interrupted Stewart, mopping his brow. “I did it on the train.”
“Use it in your story; put it together yourself. It’s for the last edition. By the way, you didn’t find what they’re going to

do with the new airship?”

“Everything but that,” confessed Stewart. “No one in the factory seems to know. But it seems to me that they’ll certainly

use it first to cut down the time on that New York-Chicago airship line. Four or five hours to Chicago would be quite a
card.”

“Why not fifteen hours across the Atlantic?” asked Mr. Latimer with a significant twinkle in his eyes.
“You’re right,” exclaimed Stewart. “I hadn’t thought of that. Say, that’s great; first airship across the ocean. Sure! They

can do it. That’s the idea. That’s my ‘lead’—”

The night city editor raised his hand.
“Don’t bother about the ‘lead.’ Do what I told you: write what you saw and a description of the machine. And you

might start right away if you like.”

Stewart, coat off and pipe going, was just well into his story when Chambers reported from Governor’s Island. He had

seen Colonel Grant.

“But,” explained the reporter to Mr. Latimer over the telephone, “he said it was too late to talk to-night. He’s offered to

prepare a statement for me to-morrow.”

“What did he say to-night?” snapped the night city editor.
“Well, he said America ought to be proud of its advance in aeronautics; that there were great possibilities in aerial

navigation—”

“Yes,” broke in Mr. Latimer, “but did you think to mention what I told you to ask him? What military prestige it would

give a country to own the first aeroplane that could fly two hundred miles an hour?”

“Yes, sir,” was the prompt answer, “but he said he’d rather not be quoted on that.”
“What was it?”
“He said he rather thought it might give prestige to any one of the great nations and that if America had such a ship that it

ought to keep it and not let some European government snap it up. He said, as a nation, he thought we were rather behind
the other powers in the development of the airship in a military and naval way.”

“Did you promise not to quote him?”
“No, sir. But—”
“Glidden,” called Mr. Latimer to that young man, who had just returned, “here’s Chambers on the wire at Governor’s

Island. He’s had a talk with Colonel Grant: hot stuff about neglect of government to develop airships for naval and military
purposes: thinks our new aeroplane gives us balance of power among the big nations. Take it and get up a good story on
it. Here’s Glidden, Chambers,” he continued, turning to the telephone again, “he’ll take your stuff.”

A moment later Glidden was at a desk and the waiting Chambers had been switched to him. With almost one movement

the more experienced Glidden caught up the receiver and, with a piece of paper rescued from the floor and a stub of a
pencil borrowed from a man next to him, was ready.

“Shoot it, Chambers,” was his salutation and the interview was under way.
Several pages of Stewart’s story had now reached Mr. Latimer’s desk. Before he gave it his attention, he took up

Winton’s matter on the Airship Boys and glanced hurriedly through it. This apparently called for no comment and he
passed it at once to Dick, the head copy reader.

“Here’s the first of that two-column story for the last edition. It’s the last ‘add.’ Use all of it. There’ll be a talk with

Colonel Fred Grant to follow the main story.”

Dick shuffled the sheets together without a glance at the words on them, spiked the pages on a spindle, readjusted his

pipe and raised his green eye shade.

“Who’s writin’ the story?” was his only response.
“Stewart,” said Mr. Latimer.
“A cub?” grunted Dick as he looked at the watch on the blotter before him. Then he jerked his head to show the

contempt all old copy readers feel for inexperienced reporters. “It’s twelve thirty,” he added as a part of his groan.

“He may not be a cub after to-night,” was Mr. Latimer’s tart rejoinder as he at last tackled Stewart’s copy.
“At ten twenty o’clock last night,” Stewart’s story began, “an airship that is undoubtedly destined to make the first flight

across the Atlantic ocean, was given a secret test from the yards of the American Aeroplane Company’s plant in South
Newark.

“That the experimental flight was successful in every way is attested by the fact that this newest and most complete

aeroplane was in the air twenty-five minutes and attained a speed of between 180 and 200 miles an hour. The flight was

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cloaked in mystery and the only spectators were the inventors and owners of the airship, the superintendent and the
president of the Aeroplane Company and a reporter for the Herald.

“While every effort has been made to keep any intelligence of the new marvel from reaching the public at the present

time, the record breaking test made last night was observed and timed. This mechanical, sky-piercing meteor was driven
by man thirty or forty miles out to sea and, concealed by the shadows of night, it returned successfully and unseen directly
over the skyscrapers of New York.”

Without reading further Mr. Latimer reached for a pad of copy paper, a pencil and his shears. In a few minutes

Stewart’s carefully prepared story had been transformed by scissors, paste pot, interlineations and new lines into this:

“This mechanical sky-piercing meteor last night set what may be the ultimate record for man’s aerial flight. Three miles in

sixty seconds or one hundred and eighty miles an hour, is the last proof of man’s complete conquest of the air. With
London but fifteen hours from New York, the crossing of the Atlantic is assured. And, in the language of Colonel Fred
Grant, ‘this assures the superiority of the United States as a naval power.’

“This new marvel was given its initial test last night. At ten twenty o’clock the airship that is destined to revolutionize

aeronautics, rose mysteriously from the yards of the American Aeroplane Company’s plant in South Newark. Within the
next twenty-five minutes it had darted forty miles straight out to sea and then, concealed by the shadows of night, returned
successfully and unseen, directly over the sleeping skyscrapers of lower New York.

“This historic flight, cloaked in darkness, was made with no spectators other than the inventors and owners of the

airship, the superintendent and the president of the aeroplane works and a reporter for the Herald. While every effort had
been made to keep intelligence of the wonderful invention from the public at the present time, an account of the secret test
as well as a complete description of the aeroplane itself, is given herewith in detail.”

By the time the copy boy had laid Stewart’s next batch of copy on the night city editor’s desk Mr. Latimer had passed

all of the first “take,” marked “lead to come,” over to Dick, the head copy reader, and the big aeroplane “beat” was on its
way into print. Few changes were made in the rest of Stewart’s story. Having finished his first few pages and reached the
real narrative, he wrote rapidly and easily.

The inexperienced young reporter had done his work well. For several days he had been in the service of the Aeroplane

Company as a common workman in the yards. In that time, with his eyes open and by skillful questioning, he had
succeeded in striking up an acquaintance with one of the skilled enginemen working on the new car. From this man he had
wormed the general details of the aircraft and learned that a test of the completed aeroplane was to be made.

These things were not told in his story but he did describe graphically and in a way that made Mr. Latimer nod his head

in approval, everything to be seen by the eye from the time the great tandem-planed sky vehicle was rolled out into the
yard and lifted itself cloudward until it sank in the same spot again twenty-five minutes later.

When those pages of his story reached the desk Mr. Latimer rose and hurried to the busy writer’s side.
“How did you know they were going to pull this off to-night?” he asked.
“I didn’t. But I guessed it would be at night. I meant to watch each night—”
“Where were you?”
“On the roof.”
“You’re doing very well. Good stuff,” was his superior’s comment. “Get it in a column.”
There wasn’t a great deal that the young reporter could write of the actual flight. The ship-like structure had been

wheeled out of the gloom of the canvas-sided setting-up room into the yellow glare of half a dozen yard torches. It
rumbled heavily—more like a heavy truck than the flimsy airships Stewart had seen. Then, for some minutes, several
persons had passed back and forth by means of a step ladder into an enclosed part of the great, metallic-glinting structure.
From the lights that flared up and died out in the big torches he knew that his first night’s vigil was to be rewarded with
something.

“At ten fifteen o’clock,” he described in his story, “only a vast expanse of metal, cables and truss could be seen vaguely

as those busy about the towering superstructure moved a torch or climbed into or out of the mammoth enclosed frame.
Just before ten twenty o’clock an engine started suddenly somewhere within the ship-like body of the winged wonder. A
little later, a brief burst of light within the central enclosure threw into sudden view two rows of flashing portholes. Like the
bow of a miniature ocean steamer, the front of the shadowy structure stood, for a moment, clearly defined in the night.

“Halfway up the side of the vessel extended a railing-protected gallery that indicated two decks. Along the lower of

these ran a second gallery. The forward part of the upper deck was plainly a pilot house, from the rounded front of which,
through two small heavily glassed openings, shot antennaelike feelers of light into the black factory yard. Behind this section
the skeletonlike gallery led astern along what were apparently three more rooms. Passing these, the gallery ascended the
rounded side of the giant car and disappeared sternward in the form of a protected path or bridge. The front of the lower
deck resembled the dark hold of a freight vessel. In the rear, a door opening from this gallery revealed, through a glare of
light, an engine room, now the center of much activity.

“Herein two young men hung over a puzzle of levers, wheels and valves while a third was just climbing into the gallery

by means of a drop ladder or landing stage.

“‘What’s the use of all this illumination?’ called the young man just mounting the machine. ‘Why not send out cards?’ he

added, laughing.

“One of the boys in the engine room stuck his head outside, glanced about and chuckled. As he disappeared within

again, there was a snap and the lights outlining the air machine turned black. Then came the renewed sound of feet hurrying
back and forth on metal runways; doors opened and closed and, where deck lights had flooded the strange craft, only the
thin rays of electric hand torches indicated persons moving about. One of several men on the ground below now made his
way up the ladder to the landing stage and by this to the lower deck gallery, where two of the moving lights were suddenly
focussed. Words passed in low tones and, in a few moments, the glow of a green-shaded light appeared through the

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