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The Age of Wonder: The Romantic Generation and the Discovery of the Beauty and Terror of Science PDF

631 Pages·2010·6.12 MB·English
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Preview The Age of Wonder: The Romantic Generation and the Discovery of the Beauty and Terror of Science

ALSO BY RICHARD HOLMES One for Sorrow (poems) Shelley: The Pursuit Shelley on Love (editor) Gautier: My Fantoms (translations) Nerval: The Chimeras (with Peter Jay) Mary Wollstonecraft and William Godwin: A Short Residence in Sweden and Memoirs (editor, Penguin Classics) De Feministe en de Filosoof Dr Johnson & Mr Savage Coleridge: Early Visions Coleridge: Darker Reflections Coleridge: Selected Poems (editor, Penguin Classics) Footsteps: Adventures of a Romantic Biographer Sidetracks: Explorations of a Romantic Biographer Insights: The Romantic Poets and their Circle Classic Biographies (series editor) To Jon Cook at Radio Flatlands Contents List of illustrations Prologue 1 Joseph Banks in Paradise 2 Herschel on the Moon 3 Balloonists in Heaven 4 Herschel Among the Stars 5 Mungo Park in Africa 6 Davy on the Gas 7 Dr Frankenstein and the Soul 8 Davy and the Lamp 9 Sorcerer and Apprentice 10 Young Scientists Epilogue Cast List Bibliography References Acknowledgements Illustrations Frontispiece: A Philosopher giving that Lecture on the Orrery, in which a Lamp is put in place of the Sun, by Joseph Wright of Derby, 1766. © Derby City Council Joseph Banks, by Sir Joshua Reynolds, 1771-73. © National Portrait Gallery, London Chart of the island Otaheite, by Lieut. J. Cook, 1769. © The David Rumsay Map Collection, www.davidrumsay.com Sydney Parkinson. From the frontispiece to his Journal (1773). A Woman and a Boy, Natives of Otaheite in the Dress of the Country. Engraving after Parkinson by T. Chambers, from Sydney Parkinson, Journal of a Voyage in the South Seas (1773). © Reproduced by permission of the Syndics of Cambridge University Library Mm.54.19 Omai, Banks and Solander, by William Parry, c.1775-76. © National Portrait Gallery, London/National Museum Cardiff/Captain Cook Memorial Museum, Whitby Dorothea Hugessen, Lady Banks, by Joseph Collyer the Younger, after John Russell, c.1790. © National Portrait Gallery, London Captain James Cook, by John Webber, 1776. © National Portrait Gallery, London William Herschel (locket), c.1760. With the kind permission of John Herschel-Shorland Sir William Herschel, by Lemuel Francis Abbott, 1785. © National Portrait Gallery, London Caroline Herschel (silhouette), c.1768. © By permission of the Museum of the History of Science, University of Oxford William and Caroline Herschel. Coloured lithograph, 1890. © Wellcome Library, London Engraved frontispiece to John Bonnycastle’s Introduction to Astronomy (1811). The constellations of Perseus and Andromeda, from John Flamsteed’s Celestial Atlas (1729). The seven-foot reflector telescope with which Herschel discovered Uranus in 1781. Royal Astronomical Society. Drawing by Sir William Watson. © Royal Astronomical Society/Science Photo Library Herschel’s seven-foot reflector telescope. Whipple Museum, Cambridge. Photograph by Richard Holmes. Sir Joseph Banks holding an astronomical painting of the moon. Portrait by John Russell, RA, 1788 © Private collection/Photograph by Alex Sounderson Selenographia Moon Globe by John Russell, London, 1797. © By permission of the Museum of the History of Science, University of Oxford Detail from the original manuscript of Keats’s sonnet ‘On First Looking into Chapman’s Homer’ (1816). © By permission of the Houghton Library, Harvard University Detail from Herschel’s Astronomical Observation Journal for Tuesday, 13 March 1781. © Royal Astronomical Society/Science Photo Library Hubble Space Telescope image of Uranus, August 2003. © NASA/ESA/STSCI/E. Karkoschka, U. Arizona/Science Photo Library Herschel’s forty-foot reflector telescope. © Royal Astronomical Society/Science Photo Library Sir William Herschel. Stipple engraving by James Godby, after Friedrich Rehberg, 1814. © National Portrait Gallery, London The first balloon crossing of the English Channel, 7 January 1785. Oil painting by E.W. Cocks, c.1840. © Science Museum/Science & Society Picture Library The first manned ascent in a Montgolfier hot-air balloon, Paris, 21 November 1783. Plate taken from Le Journal. © Science Museum/Science & Society Picture Library William Blake’s mocking view of scientific endeavour. Line engraving from For the Sexes: The Gates of Paradise (1793). © Fitzwilliam Museum, University of Cambridge, UK/The Bridgeman Art Library Early view of the earth from a balloon. Coloured engraving from a sketch by Thomas Baldwin, Airopaidia (1786). © British Library Board. All Rights Reserved 1137.c.17 The first manned ascent in a hydrogen balloon, Paris, 1 December 1783. © Science Museum/Science & Society Picture Library John Jeffries. Steel engraving after an original by Tissandier, c.1780s. © Science Museum/Science & Society Picture Library Jean-Pierre Blanchard. Engraving by J. Newton after R. Livesay, 1785. © Science Museum/Science & Society Picture Library Vincent Lunardi. Print published by E. Hedges, 1784. James Sadler, by Edmund Scott, after James Roberts, 1785. © Science Museum/Science & Society Picture Library Plaque to Sadler at Merton Field, Oxford. © pbpgalleries/Alamy Mungo Park. Miniature after Henry Edridge, c.1797. © National Portrait Gallery, London Park following his first African travels. Thomas Rowlandson, c.1805. © National Portrait Gallery, London Title page of the 1860 edition of Park’s Travels in the Interior of Africa (1799). A sketch map of the northern part of Africa, by Major John Rennell, 1790. Photograph by Alex Sounderson The death of Mungo Park. From the 1860 edition of his Travels. Coleridge, by Peter Vandyke, 1795. © National Portrait Gallery, London Byron, by Richard Westall, 1813. © National Portrait Gallery, London Keats, by Charles Armitage Brown, 1819. © National Portrait Gallery, London Erasmus Darwin. After Joseph Wright of Derby, 1770. © National Portrait Gallery, London Shelley, by Amelia Curran, 1819. © National Portrait Gallery, London Blake, by Thomas Phillips, 1807. © National Portrait Gallery, London Young Humphry Davy, by Henry Howard, oil on canvas, 1803. © National Portrait Gallery, London Rival safety lamps designed by George Stephenson and Humphry Davy, c.1816-18. © Science Museum/Science & Society Picture Library Sir Humphry Davy, by Thomas Phillips, oil on canvas, 1821. © National Portrait Gallery, London Sir Humphry Davy, PRS, by Sir Thomas Lawrence, c.1821-22 or later. © National Portrait Gallery, London Scientific Researches! … Gillray cartoon published by Hannah Humphrey, 1801. © Courtesy of the Warden and Scholars of New College, Oxford/The Bridgeman Art Library Dr Thomas Beddoes. Miniature by Sampson Towgood Roche, 1794. © National Portrait Gallery, London Edgeworth family portrait by Adam Buck, 1787. Michael Butler; photograph © National Portrait Gallery, London The Davy safety lamps. Published in Collected Works of Humphry Davy, Volume 6 (1840). © The Royal Society John Buddle, mining engineer, with Davy lamp. Prototype safety lamps, 1815-16. Photograph, The Royal Society. © The Royal Institution, London, UK/The Bridgeman Art Library Unidentified female author, by Samuel John Stump, oil on canvas, 1831. © National Portrait Gallery, London Frontispiece of the 1831 edition of Frankenstein. © British Library Board. All Rights Reserved 1153.a.9.(1) Mary Shelley, by Richard Rothwell, 1840. © National Portrait Gallery, London John Herschel aged about seven, 1799. With the kind permission of John Herschel-Shorland. The Royal Astronomical Society’s Gold Medal presented to Caroline Herschel in 1828. © The Mistress and Fellows of Girton College, Cambridge Michael Faraday, by William Brockedon, 1831. © National Portrait

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The Age of Wonder is a colorful and utterly absorbing history of the men and women whose discoveries and inventions at the end of the eighteenth century gave birth to the Romantic Age of Science.  When young Joseph Banks stepped onto a Tahitian beach in 1769, he hoped to discover Paradise. Inspired
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