THE STORY OF CIVILIZATION (tm) Ver. 4.8 9: The Age of Voltaire Durant, Will & Ariel --------------------------------------------------------- THE STORY OF CIVILIZATION VOLUME NINE THE AGE OF VOLTAIRE 1965 A History of Civilization in Western Europe from 1715 to 1756, with Special Emphasis on the Conflict between Religion and Philosophy by Will and Ariel Durant Copyright (C) 1965 by Will and Ariel Durant Exclusive electronic rights granted to World Library, Inc. by The Ethel B. Durant Trust, William James Durant Easton, and Monica Ariel Mihell. Electronically Enhanced Text (c) Copyright 1994 World Library, Inc. DEDICATION - TO OUR BELOVED GRANDSON JIM Apology - BLAME for the length of this volume must rest with authors fascinated to exuberant prolixity by the central theme- that pervasive and continuing conflict between religion and science-plus-philosophy which became a living drama in the eighteenth century, and which has resulted in the secret secularism of our times. How did it come about that a major part of the educated classes in Europe and America has lost faith in the theology that for fifteen centuries gave supernatural sanctions and supports to the precarious and uncongenial moral code upon which Western civilization has been based? What will be the effects- in morals, literature, and politics- of this silent but fundamental transformation? The scale of treatment in each volume has grown with the increasing number of past events and personalities still alive in their influence and interest today. This and the multiplicity of topics- all aspects of civilization in Western Europe from 1715 to 1756- may offer some excuse for the proliferation of the tale. So The Age of Voltaire *09000 has burst its seams, and spills over into a contemplated Part X, Rousseau and Revolution, which will carry the story to 1789. This will look at the transformation of the world map by the Seven Years' War; the later years of Louis XV, 1756-74; the epoch of Johnson and Reynolds in England; the development of the Industrial Revolution; the flowering of German literature from Lessing to Goethe, of German philosophy from Herder to Kant, of German music from Gluck to Mozart; the collapse of feudalism in the France of Louis XVI; and the history of those peripheral nations- Sweden, Denmark, Poland, Russia, Turkey, Italy, Portugal, Spain- which have been deferred from this volume partly to save space, and as not directly involved (except through the papacy) in the great debate between reason and faith. This final volume will consider the later phases of that debate in the revolt of Rousseau against rationalism, and the heroic effort of Immanuel Kant to save the Christian theology through the Christian ethic. The perspective of the age of Voltaire will be completed in that Part X of The Story of Civilization. The epilogue to the present volume reviews the case for religion; the epilogue to Rousseau and Revolution, surveying all ten volumes, will face the culminating question: What are the lessons of history? We have tried to reflect reality by combining history and biography. The experiment will legitimately invite criticism, but it carries out the aim of "integral history." Events and personalities go hand in hand through time, regardless of which were causes and which were effects; history speaks in events, but through individuals. This volume is not a biography of Voltaire; it uses his wandering and agitated life as connective tissue between nations and generations, and it accepts him as the most significant and illustrative figure of the period between the death of Louis XIV and the fall of the Bastille. Which, of all the men and women of that turbulent era, is more vividly remembered, more often read, more alive in influence today, than Voltaire? "Voltaire," said Georg Brandes, "summarizes a century." `09001 "Le vrai roi du dix-huitieme siecle," said Victor Cousin, "c'est Voltaire." `09002 Let us follow that living flame through his century. ACKNOWLEDGEMENTS - The manuscript has had the advantage of being read by Dr. Theodore Besterman, Director of the Institut et Musee Voltaire in Geneva; we thank him for his patience, and for opening to us his great collection of Voltaireana. He found one serious error in our text, but otherwise voted us "a very high degree of accuracy." Doubtless some errors still remain. We shall welcome all corrections that are tempered with mercy. Our warm appreciation to Sarah and Harry Kaufman for their help in classifying the material, and to our grandson, James Easton, for revising the chapter on the history of science. Our daughter Ethel not only typed the manuscript but improved it by her suggestions. And we have had again the benefit of expert and scholarly editing of the text, the notes, and the index by Mrs. Vera Schneider. NOTES ON THE USE OF THIS BOOK - 1. Dates of birth and death will be found in the Index. 2. Voltaire reckoned a 50 per cent depreciation of French currency between 1640 and 1750. `09003 The general reader may use the following rough equivalents, as between 1750 and 1965, in terms of the currency of the United States of America: - crown, $6.25 guilder, $5.25 penny, $.10 ducat, $6.25 guinea, $26.25 pound, $25.00 ecu, $3.75 gulden, $5.25 shilling, $1.25 flourin, $6.25 livre, $1.25 sou, $.0625 franc, $1.25 louis d'or, $25.00 thaler, $4.00 mark, $16.67 - 3. The location of works of art, when not indicated in the text, will usually be found in the Notes. In allocating such works, the name of the city will imply its leading gallery, as follows: - Amsterdam- Rijksmuseum Berlin- Staatsmuseum Bologna- Accademia di Belle Arti Budapest- Museum of Fine Arts Chicago- Art Institute Cincinnati- Art Institute Cleveland- Museum of Art Detroit- Institute of Art Dresden- Gemalde-Galerie Dulwich- College Gallery Edinburgh- National Gallery Frankfurt- Stadelsches Kunstinstitut Geneva- Musee d'Art et d'Histoire The Hague- Mauritshuis Kansas City- Nelson Gallery Leningrad- Hermitage London- National Gallery Madrid- Prado Milan- Brera Naples- Museo Nazionale New York- Metropolitan Museum of Art Paris- Louvre San Marino, Calif.- Henry E. Huntington Art Gallery Vienna- Kunsthistorisches Museum Washington- National Gallery - 4. Passages in reduced type are especially dull and recondite, and are not essential to the general picture of the age. PROLOGUE CHAPTER I: France: The Regency: 1715-23 I. THE YOUNG VOLTAIRE: 1694-1715 - HE was not yet Voltaire; till his release from the Bastille in 1718 he was Francois Marie Arouet. He was born in Paris on November 21, 1694, and became its distilled essence till 1778. His presumptive father, Francois Arouet, was an affluent attorney, acquainted with the poet Boileau and the courtesan Ninon de Lenclos, whose wills he wrote, and with the dramatist Pierre Corneille, whom he described as "the most boring mortal" he had ever met. `09011 The mother, Marie Marguerite Daumard, was of slightly noble lineage, daughter of an official of the Parlement, and sister of the comptroller general of the royal guard; through them she had access to the court of Louis XIV. Her vivacity and sprightly wit made her home a minor salon. Voltaire thought she possessed all the intellect in his parentage, as his father had all the financial skill; the son absorbed both of these gifts into his heritage. She died at the age of forty, when he was seven. Of her five children the eldest was Armand, who adhered zealously to the Jansenist theology and the patrimonial property. Francois Marie, the youngest child, was so sickly in his first year that no one believed he could survive. He continued till his eighty-fourth year to expect and announce his early death. Among the friends of the family were several abbe's. This title, meaning father, was given to any secular ecclesiastic, whether or not he was an ordained priest. Many abbes, while continuing to wear ecclesiastical dress, became men of the world and shone in society; several were prominently at home in irreverent circles; some lived up to their title literally but clandestinely. The Abbe de Chateauneuf was the last lover of Ninon de Lenclos and the first teacher of Voltaire. He was a man of wide culture and broad views; he passed on to his pupil the paganism of Ninon and the skepticism of Montaigne. According to an old but questioned story, he introduced to the boy a mock epic, La Moisade, which was circulating in secret manuscripts; its theme was that religion, aside from belief in a Supreme Being, was a device used by rulers to keep the ruled in order and awe. `09012 Voltaire's education proceeded when his abbe tutor took him on a visit to Ninon. The famous hetaera was then (1704) eighty-four years old. Francois found her "dry as a mummy," but still full of the milk of woman's kindness. "It pleased her," he later recalled, "to put me in her will; she left me two thousand francs to buy books with." `09013 She died soon afterward. To balance this diet he was entered, age ten, as a resident student at the Jesuit College of Louis-le-Grand on the Left Bank of Paris. It was reputed the best school in France. Among its two thousand pupils were such sons of the nobility as could bear an education; in his seven years there Voltaire made many of the aristocratic friends with whom he maintained an easy familiarity throughout his life. He received a good training in the classics, in literature, and especially in drama; he acted in plays presented there, and, aged twelve, wrote a play himself. He did well in his studies, won many prizes, and delighted and alarmed his teachers. He expressed disbelief in hell, and called heaven "the great dormitory of the world." `09014 One of his teachers sadly predicted that this young wit would become the standard-bearer of French deism- i.e., a religion that discarded nearly all theology except belief in God. They endured him with their customary patience, and he reciprocated by retaining, through all his heresies, a warm respect and gratitude for the Jesuits who had disciplined his intellect to clarity and order. He wrote, when he was fifty-two: - I was educated for seven years by men who took unrewarded and indefatigable pains to form the minds and morals of youth.... They inspired in me a taste for literature, and sentiments which will be a consolation to me to the end of my life. Nothing will ever efface from my heart the memory of Father Poree, who is equally dear to all who have studied under him. Never did a man make study and virtue so pleasant.... I had the good fortune to be formed by more than one Jesuit of the character of Father Poree. What did I see during the seven years that I was with the Jesuits? The most industrious, frugal, regulated life; all their hours divided between the care they took of us and the exercises of their austere profession. I call to witness the thousands educated by them, as I was; there is not one who would belie my words. `09015 - After graduation Francois proposed to make literature his profession, but his father, warning him that authorship was an open sesame to destitution, insisted on his studying law. For three years Francois, as he put it, "studied the laws of Theodosius and Justinian in order to know the practice of Paris." He resented "the profusion of useless things with which they wished to load my brain; my motto is, TO THE POINT." `09016 Instead of absorbing himself in pandects and precedents he cultivated the society of some skeptical epicureans who met in the Temple- the remains of an old monastery of the Knights Templar in Paris. Their chief was Philippe de Vendome, grand prior of France, who had enormous ecclesiastical revenues and little religious belief. With him were the Abbes Servien, de Bussy, and de Chaulieu, the Marquis de La Fare, the Prince de Conti, and other notables of easy income and gay life. The Abbe de Chaulieu proclaimed that wine and women were the most delectable boons granted to man by a wise and beneficent Nature. `09017 Voltaire adjusted himself without effort to this regimen, and shocked his father by staying out with such revelers till the then ungodly hour of 10 P.M. Presumably at the father's request, Voltaire was appointed page to the French ambassador at The Hague (1713). All the world knows how the excitable youth fell in love with Olympe Dunoyer, pursued her with poetry, and promised her eternal adoration. "Never love equaled mine," he wrote to her, "for never was there a person better worthy of love than you." `09018 The ambassador notified Arouet pere that Francois was not made for diplomacy. The father summoned his son home, disinherited him, and threatened to ship him off to the West Indies. Francois, from Paris, wrote to "Pimpette" that if she did not come to him he would kill himself. Being wiser by two years and one sex, she answered that he had better make his peace with his father and become a good lawyer. He received paternal pardon on condition that he enter a law office and reside with the lawyer. He agreed. Pimpette married a count. It was apparently Voltaire's last romance of passion. He was as high-strung as any poet, he was all nerves and sensitivity, but he was not strongly sexed; he was to have a famous liaison, but it would be far less an attraction of bodies than a mating of minds. His energy flowed out through his pen. Already at the age of twenty-five he wrote to the Marquise de Mimeure: "Friendship is a thousand times more precious than love. It seems to me that I am in no degree made for passion. I find something a bit ridiculous in love... I have made up my mind to renounce it forever." `09019 On September 1, 1715, Louis XIV died, to the great relief of Protestant Europe and Catholic France. It was the end of a reign and an age: a reign of seventy-two years, an age- le grand siecle - that had begun in the glory of martial triumphs, the brilliance of literary masterpieces, the splendor of baroque art, and had ended in the decay of arts and letters, the exhaustion and impoverishment of the people, the defeat and humiliation of France. Everyone turned with hope and doubt to the government that was to succeed the magnificent and unmourned King. II. THE STRUGGLE FOR THE REGENCY: 1715 - There was a new king, Louis XV, great-grandson of Louis XIV, but he was only five years old. He had lost his grandfather, his father, his mother, his brothers, his sisters, his great-grandfather last of all. Who would be regent for him? Two dauphins had preceded Le Roi Soleil to death: his son Louis, who had died in 1711, and his grandson, the Duke of Burgundy, who had died in 1712. Another grandson had been accepted as Philip V of Spain, on condition of renouncing all rights to the throne of France. Two of the old King's illegitimate sons survived him; he had legitimized them, and had decreed that in default of princes of the royal blood, they should inherit his crown. The elder of them, Louis Auguste, Duc du Maine, now forty-five, was an amiable weakling whose consciousness of his club foot intensified his shyness and timidity; he might well have been content with the luxury and ease of his 900,000-livre estate at Sceaux (just outside of Paris), had not his ambitious wife prodded him to compete for the regency. The Duchesse du Maine never forgot that she was the granddaughter of the Great Conde; she maintained an almost royal court at Sceaux, where she patronized artists and poets (including Voltaire), and gathered about her a gay and faithful entourage as a prelude and springboard to sovereignty. She had some charms. She was immaculate in body and garb, so short and slim that she could have been taken for a girl; she had wit and cleverness, a good classical education, a ready tongue, an inexhaustible and exhausting vivacity. She was sure that under her thumb her husband would make a delightful regent. She had prevailed sufficiently with the forces about the dying King to have drawn from him (August 12, 1715) a will that left to the Duc du Maine control of the young Louis' person, education, and household troops, and a place on the Council of Regency. However, a codicil (August 25) to that will named, as president of the Council, Philippe II, Duc d'Orleans. Philippe was the son of the old King's androgynous brother Philippe I ("Monsieur") by a second wife, the robust and realistic Charlotte Elisabeth, Princess Palatine. The youth's education had been entrusted to an abbe whom both Saint-Simon's Memoirs and Duclos' Secret Memoirs of the Regency describe as a cloaca maxima of vices. The son of a provincial apothecary, Guillaume Dubois studied hard, earned his living by tutoring, married, then left his wife, with her consent, to enter the College Saint Michel at Paris, where he paid his tuition by zealously performing menial tasks. Graduating, he accepted a position as aide to Saint-Laurent, officer of the household to "Monsieur." He took the tonsure and minor orders, apparently forgetting his wife. When Saint-Laurent died Dubois was made tutor to the future Regent. According to the rarely impartial Duclos, "the Abbe felt that he would soon be despised by his pupil if he did not corrupt him; he left nothing undone to accomplish this end, and unfortunately was but too successful." `090110 Saint-Simon, who hated unpedigreed talent, enjoyed himself describing Dubois: - A little, pitiful, wizened, herring-gutted man in a flaxen wig, with a weazel's face brightened by some intellect. In familiar terms, he was a regular scamp. All the vices unceasingly fought within him for supremacy, so that a continual uproar filled his mind. Avarice, debauchery, ambition were his gods; perfidy, flattery, footlicking his means of action; complete impiety was his religion; and he held the opinion, as a great principle, that probity and honesty are chimeras with which people deck themselves, but which have no existence.... He had wit, learning, knowledge of the world, and much desire to please and insinuate himself, but all was spoiled by an odor of falsehood which escaped in spite of him through every pore of his body.... Wicked,... treacherous, and ungrateful, expert in the blackest villainies, terribly brazen when detected. He desired everything, envied everything, and wished to seize everything. `090111 - Saint-Simon was close to Philippe's family, and must not be rashly contradicted; we must add, however, that this abbe was a good scholar, an able aide, a wise and successful diplomat, and that Philippe, knowing the man well, remained faithful to him to the end. The pupil, perhaps already botched by his paternal ancestry, took readily to his tutor's instructions, and bettered them in mind and vice. He delighted his teacher by his tenacious memory, his intellectual acumen, his penetrating wit, his understanding and appreciation of literature and art. Dubois secured Fontenelle to ground the youth in science, and Homberg to initiate him into chemistry; later Philippe, like Charles II of England and Voltaire at Cirey, was to have his own laboratory, and seek in chemical experiments some respite from adultery. He painted tolerably, played the lyre, engraved illustrations for books, and collected art with the most discriminating taste. In none of these fields did he dig deeply; his interests were too varied, and his amusements had an option on his time. He was quite devoid of religious belief; even in public he "affected a scandalous impiety." `090112 In this and in his sexual license he gave a symbol and impetus to his country and century. Like most of us he was a confusion of characters. He lied with ease and sly delight at need or whim; he spent millions of francs, drawn from an impoverished people, on his personal pleasures and pursuits; however, he was generous and kindly, affable and tolerant, "naturally good, humane, and compassionate" (said Saint-Simon), `090113 and more faithful to his friends than to his mistresses. He drank himself drunk as a nightly ritual before going to