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The Age of the Avant-garde, 1956-1972 PDF

646 Pages·2009·35.742 MB·English
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TE AGE OF TE /ANFORDE AGE IRE OF 1FE /ANFORDE 1956-1972 HILTON KR4MER WITH A NEW INTRODUCTION BY ROGER KIMBALL ¡3 Routledge Taylor & Francis Croup LONDON AND NEW YORK Originally published in 1973 by Farrar, Straus, and Giroux Published 2009 by Transaction Publishers Published 2017 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN 711 Third Avenue, New York, NY 10017, USA Routledge is an imprint of the Taylor & Francis Group, an informa business New material this edition copyright © 2009 by Taylor & Francis. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Library of Congress Catalog Number: 2008028501 Library of Congress Cataloging-in-Publication Data Kramer, Hilton. The age of the avant-garde, 1956-1972 / Hilton Kramer. p. cm. Originally published: New York : Farrar Straus Giroux,1973. Includes bibliographical references and index. ISBN 978-1-4128-0834-7 (alk. paper) 1. Art, Modern--19th century. 2. Art, Modern--20th century. I. Title. N6447.K72 2008 709.04--dc22 2008028501 ISBN 13: 978-1-4128-0834-7 (pbk) For Esta, with love Acknowledgments Grateful acknowledgment is made to the editors of the following publications, where many of the articles and reviews collected in this volume first appeared: Artforum, Arts Magazine, Boston Mu seum Bulletin, Commentary, Encounter, The Lugano Review, Mod ern Occasions, The Nation, The New Leader, The New York Review of Books, and The Reporter. I also wish to thank The Foundation for Modern Art, Inc. (now the New York Cultural Center in association with Fairleigh Dickinson University) and Terry Dintenfass, Inc., in whose catalogs two of the articles originally appeared. I owe a special debt of gratitude for the generous support and encouragement I have received from my editors and colleagues at The New York Times, and I also wish to thank the editors of the publications mentioned above for their cordial hospitality and advice. Special thanks to my wife Esta for her help and forbearance in preparing the manuscript of this book. Contents INTRODUCTION TO THE TRANSACTION EDITION xvii PREFACE XXV I. The Age of the Avant-Garde 3 II. The Nineteenth Century 23 1 The Turner Revival 23 2 The Radicalism of Courbet 30 3 Late Monet 33 4 The Conscience of Impressionism 36 5 Degas as Expressionist 39 6 I\eo-Impressionism I 42 Neo-Impressionism II 45 7 Odilon Redon: "The Medium of Mind" 48 8 Medardo Rosso 51 9 Simeon Solomon: Preview of a Revival 55 10 The Pre-Raphaelite Revival 58 11 Rediscovering Puvis de Chavannes 60 12 Aubrey Beardsley: The Erotic and the Exquisite 63 13 The Erotic Style 66 14 Whistler: Choosing London over Paris 70 15 Whistler in the Seminar Room 73 16 Mary Cassatt: An American in Paris 76 17 The Stratagems of Realism 79 III. The Twentieth Century 85 Germans and Other Northerners 1 Lovis Corinth 85 2 Edvard Munch 99 3 The Rebellion of Oskar Kokoschka 106 4 Egon Schiele 109 5 Nolde: An Aggrieved Solitary 111 6 Kirchner and Expressionism 114 7 Feininger: A Visionary Cubist 117 8 George Grosz: A Moral Recoil 121 9 Poet and Pedagogue: Paul Klee 125 10 Max Beckmann: "The Quality of Pulsating Life" 130 11 Kandinsky: Theosophy and Abstraction 133 12 Kandinsky: The Last Decade 138 13 Mondrian s Freedom 141 14 Moholy-Nagy 144 15 Rodchenko: Art in the Service of Revolution 147 16 Thinking about Tatlin 150 17 "The World of Art" in Exile 153 18 Oskar Schlemmer s Abstract Universe 156 19 Walter Sickert and the Malaise of English Painting 158 20 Epstein in London 162 21 Barbara Hepworth: From the Avant-Garde to the Establishment 166 22 Henry Moore: A Very English Romantic 168 The School of Paris 1 Matisse: The Paintings 175 2 Matisse: The Sculpture 184 3 Bourdelle: The Age of Innocence 192 4 Vuillard 194 5 Bonnard's Drawings 197 6 Picasso's Radical Inventions 200 7 Picasso's "Guitar" 203 8 Were These Braque's "Great Years"? 206 9 Juan Gris 210 10 The Conversion of Julio Gonzalez 215 11 Laurens: "The Ripening of Forms" 218 12 Lipchitzs Eloquence 220 13 Chagall 223 14 Soutine and the Problem of Expressionism 229 15 Modigliani: Reconsidering a "Little Master" 233 16 Mirô: Enchanted Objects 236 17 Arp: Purity of Heart, Purity of Form 239 18 The Two Archipenkos 241 19 Late Léger 244 20 Duchamp: Resplendent Triviality 247 21 Dali 249 22 Picabias Dada Holiday 252 23 Torres-Garcia: Scenario of Exile 255 24 Giacometti 258 Americans 1 Reflections on Lachaise 269 2 Prendergast 272 3 Marsden Hartley: The Return of the Native 275 4 The Loneliness of Arthur Dove 278 5 The Ordeal of Alfred Maurer 281 6 Introducing H. Lyman Sayen 284 7 Man Ray s Self ^Portrait 286 8 Arnold Friedman: "He Is Not a Pleasant Painter" 290 9 Charles Sheeler: American Pastoral 292 10 The Return of John Storrs 296 11 The Legendary John Graham 299 12 Walkowitz 301 13 Edward Hopper: An American Vision 303 14 The Sculpture of Saul Baizerman 307 15 Romaine Brooks 309 16 Arshile Gorky: Between Two Worlds 313 17 The Confidence of Milton Avery 316 IV. Contemporaries 321 7 The Sculpture of David Smith 321 2 The Jackson Pollock Myth I 335 The Jackson Pollock Myth II 339 3 Robert Motherwell I 342 Robert Motherwell II 344 4 Willem de Kooning I 347 Willem de Kooning II 350 5 Ad Reinhardt 353 6 Jean Dubuffet: Playing the Primitive 356 7 Hofmann in Perspective 360 8 Albers 362 9 Louise Nevelson 365 10 Joseph CornelVs Baudelairean "Voyage" 368 11 Balthus 372

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