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The Africanist Aesthetic in Global Hip-Hop: Power Moves PDF

230 Pages·2007·23.83 MB·English
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THE AFRICAN 1ST AESTHETIC IN GLOBAL HlP-HOp THE AFRICANIST AESTHETIC IN GLOBAL HlP-Hop POWER MOVES HALIFU OSUMARE palgrave macmillan * THE AFRICAN 1ST AESTHETIC IN GLOBAL HIP-HOP © Halifu Osumare, 2007. Softcover reprint of the hardcover 1st edition 2007978-1-4039-7630-7 All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles or reviews. First published in 2007 by PALGRAVE MACMILLANTM 175 Fifth Avenue, New York, N.Y. 10010 and Houndmills, Basingstoke, Hampshire, England RG21 6XS Companies and representatives throughout the world. PALGRAVE MACMILLAN is the global academic imprint of the Palgrave Macmillan division of St. Martin's Press, LLC and of Palgrave Macmillan Ltd. Macmillan® is a registered trademark in the United States, United Kingdom and other countries. Palgrave is a registered trademark in the European Union and other countries. ISBN 978-0-230-60961-7 ISBN 978-1-137-05964-2 (eBook) DOI 10.1007/978-1-137-05964-2 Library of Congress Cataloging-in-Publication Data Osumare, Halifu. The Africanist aesthetic in global hip-hop: power moves / by Halifu Osumare. p.cm. Includes bibliographical references and index. 1. Rap (Music)-Social aspects. 2. Rap (Music)-Political aspects. 3. Hip-hop-Influence. 4. Intercultural communication. I. Title. ML3918.R370882007 782.421649-dc22 2006049846 A catalogue record for this book is available from the British Library. Design by Newgen Imaging Systems (P) Ltd., Chennai, India. First edition: February 2007 10 9 8 7 6 5 4 3 2 1 Transferred to digital printing in 2007. For Baba Ochosi and Yeye Oya for always keeping me pointed in the right direction, and the ancestors who I know were always looking over my shoulders, for the hip-hop generation who is inheriting the twenty-first century & for those who will come afterwards to continue the beat in new forms CONTENTS Illustrations IX Acknowledgments Xl Introduction: Power Moves from the Hip-Hop Nation to the Hip-Hop Globe 1 1. Phat Beats, Dope Rhymes, and Def Moves: 21 The Africanist Aesthetic Meets the Hip-Hop Globe 2. Beat Streets in the Global Hood: 61 Hip-Hop's Connective Marginalities 3. Props to the Local Boyz: Hip-Hop Culture in Hawai'i 105 4. "It's All About the Benjamins": 149 Postmodernism and Hip-Hop's Appropriation Notes 181 Bibliography 203 Index 213 ILLUSTRATIONS 1.1 Hip-Hop's Two-Pronged Bodily Text 57 1.2 TeN's B-Boying Style 59 2.1 Diagram of Connective Marginalities of Global Hip-Hop 69 2.2 1995 New York Times Front Page: Hammer Performing at Russian Political Rally 75 2.3 The So-Called Jiggers of Japan 95 2.4 Non-Jigger Japanese Hip-Hoppers 97 3.1 Hawaiian Islands in the Northern Pacific Geographically Connecting the Pacific Rim, U.S. Mainland, and Polynesia 106 3.2 Kutmaster Spaz at Work 123 3.3 Partial List of Mainland Rap Artists Who Performed in Honolulu (1987-99) 126 3.4 Ku'e CD Cover by Sudden Rush 143

Description:
Asserting that hip hop culture has become another locus of postmodernity, Osumare explores the intricacies of this phenomenon from the beginning of the Twenty-First century, tracing the aesthetic and socio-political path of the currency of hip hop across the globe.
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