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The Aesthetic Cold War: Decolonization and Global Literature PDF

337 Pages·2022·15.638 MB·English
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the aesthetic cold war The Aesthetic Cold War decolonization and global lite ra t ure peter j. kalliney prince ton university press princet on & oxford Copyright © 2022 by Prince ton University Press Prince ton University Press is committed to the protection of copyright and the intellectual property our authors entrust to us. Copyright promotes the pro gress and integrity of knowledge. Thank you for supporting free speech and the global exchange of ideas by purchasing an authorized edition of this book. If you wish to reproduce or distribute any part of it in any form, please obtain permission. Requests for permission to reproduce material from this work should be sent to permissions@press . princeton . edu Published by Prince ton University Press 41 William Street, Prince ton, New Jersey 08540 6 Oxford Street, Woodstock, Oxfordshire OX20 1TR press . princeton . edu All Rights Reserved ISBN 9780691230634 ISBN (e- book) 9780691230641 British Library Cataloging- in- Publication Data is available Editorial: Anne Savarese & James Collier Production Editorial: Ali Parrington Jacket Design: Katie Osborne Production: Erin Suydam Publicity: Alyssa Sanford & Charlotte Coyne Copyeditor: Michele Rosen Jacket image: Courtesy of the Hanna Holborn Gray Special Collections Research Center, University of Chicago Library. This book has been composed in Arno Printed on acid- free paper. ∞ Printed in the United States of Amer i ca 10 9 8 7 6 5 4 3 2 1 contents List of Illustrations vii Acknowl edgments ix List of Abbreviations xiii Note on Translation and Transliteration xv part i 1 1 Cultural Diplomacy, the Po liti cal Police, and Nonalignment 3 2 A Brief Intellectual History of the Aesthetic Cold War 17 part ii 49 3 Modernism, African Lit er a ture, and the Congress for Cultural Freedom 51 4 Indigeneity and Internationalism: Soviet Diplomacy and Afro- Asian Lit er a ture 83 5 A Failure of Diplomacy: Placing Eileen Chang in Global Literary History 117 part iii 149 6 The Activist Manquée, or How Doris Lessing Became an Experimental Writer 151 v vi Contents 7 Ca rib bean Intellectuals and National Culture: C.L.R. James and Claudia Jones 180 8 Notes from Prison: Individual Testimony Meets Collective Re sis tance 217 Conclusion 245 Notes 251 Bibliography 285 Index 307 illustrations 2.1. Intersection of debates about language choice and aesthetic in de pen dence. 46 3.1. Chinua Achebe, Frances Ademola, Theodore Bull, André Deutsch, Arthur Drayton, Dennis Duerden, Bernard Fonlon, and Bob Leshoai, at the Makerere conference, June 1962. 52 3.2. Françoise Robinet, Dennis Duerden, Gerald Moore, and Langston Hughes at the Makerere conference, June 1962. 69 3.3. “7 T ONE = 7 E TON,” by Rajat Neogy. From Transition magazine #1, November 1961. 72 3.4. Neville Rubin, Elizabeth Spio- Garbrah, and Wole Soyinka at the Makerere conference, June 1962. 76 4.1. Unidentified woman, W.E.B. Du Bois, and Mulk Raj Anand at the Tashkent Conference, 1958. 94 4.2. Sembène Ousmane (center, smoking pipe), Majhemout Diop, and unidentified others at the Tashkent conference, 1958. 97 4.3. Sembène Ousmane, Thu Bon, and Ngũgĩ wa Thiong’o celebrating the Lotus Award at the Alma- Ata Conference, 1973. 98 4.4. Youssef El- Sebai presenting the Lotus Award to Sembène Ousmane at the Alma- Ata Conference, 1973. 99 4.5. Alex La Guma and Chinghiz Aitmatov at the Alma- Ata Conference, 1973. 104 5.1. Installment of Little Ai [Xiao’ai], under pen name Liang Jing. Yibao newspaper (Shanghai), 4 January 1952. 128 vii viii List of Illustrations 5.2. First installment of The Rice- Sprout Song in the USIA magazine World Today [Jinri shijie], 1954. 131 5.3. USIA memo distributed with World Today [Jinri shijie], 1954, page 1. 132 5.4. USIA memo distributed with World Today [Jinri shijie], 1954, page 2. 133 5.5. First manuscript page of “The Spyring” by Eileen Chang. 142 6.1. Doris Lessing’s Communist Party registration card, 1955, from MI5 dossier. 157 6.2. Doris Lessing’s passport photo circa 1950s, from MI5 dossier. 159 6.3. Intercepted letter from Campaign for Nuclear Disarmament, November 1962, with handwritten cross- references to intelligence file numbers of Lessing and other writers in attendance. 165 7.1. Prosecutive Summary, 1951, from Claudia Jones’s FBI dossier. 189 7.2. Claudia Jones reading the West Indian Gazette. 192 7.3. One of the earliest documents in C.L.R. James’s FBI dossier, dated 22 July 1947. 197 7.4. FBI memo in C.L.R. James’s dossier showing heavy redactions, likely concealing names of confidential in for mants and agents. 199 7.5. C.L.R. James’s MI5 dossier springs back to life with this 1953 report, which includes information from an agent about his ocean crossing after he was deported from the United States. Page 1 of this report includes details of his stay in the US and his ocean crossing. 200 7.6. C.L.R. James’s MI5 dossier springs back to life after deportation from the US in 1953. Page 2 of this report includes information from an agent about his ocean crossing. 201 8.1. Harold Pinter reading Jack Mapanje’s poetry at a PEN protest in front of the Malawi High Commission, London, 1987. 231 acknowle dgments this book would not have been pos si ble without the help of archivists and librarians. The staff at the University of Kentucky Library system, the Library of Congress, the Hanna Holborn Gray Special Collections Research Center (University of Chicago), the Harry Ransom Center (University of Texas), the British Library, the National Archives and Rec ords Administration II (United States), the National Archives (United Kingdom), the Mayibuye Centre (Uni- versity of the Western Cape), the Beinecke Library (Yale University), the Bodleian Library (University of Oxford), the Rare Books and Manuscript Library (Columbia University), the Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division (New York Public Library), the National Museum of Labour History (United Kingdom), the British Archive for Con temporary Writing (University of East Anglia), The Keep (University of Sussex), the East Asian Library Special Collections (Uni- versity of Southern California), the Georgetown University Library, and the Rus sian State Archive of Lit er a ture and Art (RGALI) have been enormously helpful. Courtney Taulbee at the University of Kentucky went to g reat lengths to track down rare materials. Research support and leave time also helped. Fellowships from the John Simon Guggenheim Memorial Foundation and the National Endowment for the Humanities were crucial. The dean’s office and the En glish department at the University of Kentucky offered additional support. Jonathan Allison, Jeff Clymer, and Mark Kornbluh deserve special mention. I have benefitted from conversations with colleagues near and far. I learned a lot from Adélékè AdéCk>, Rita Barnard, Greg Barnhisel, Elleke Boehmer, Molly Blasing, Marshall Brown, Eric Bulson, Nesrine Chahine, Laura Chris- man, Katy Clark, Elliott Colla, Eleni Coundouriotis, Jacqueline Couti, Julie Cyzewski, Carole Boyce Davies, Tommy Davis, Rossen Djagalov, Jim En glish, Jed Esty, Harris Feinsod, Leah Feldman, Roger Field, Susan Stanford Friedman, Simon Gikandi, Yogita Goyal, Weihsin Gui, Allan Hepburn, DaMaris Hill, ix

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