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Textile technology and design : from interior space to outer space PDF

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TEXTILE TECHNOLOGY AND DESIGN TEXTILE TECHNOLOGY AND DESIGN From Interior Space to Outer Space EDITED BY DEBORAH SCHNEIDERMAN AND ALEXA GRIFFITH WINTON Bloomsbury Academic An imprint of Bloomsbury Publishing Plc Bloomsbury Academic An imprint of Bloomsbury Publishing Plc 50 Bedford Square 1385 Broadway London New York WC1B 3DP NY 10018 UK USA www.bloomsbury.com BLOOMSBURY and the Diana logo are trademarks of Bloomsbury Publishing Plc First published 2016 © Deborah Schneiderman and Alexa Griffith Winton, 2016 Deborah Schneiderman and Alexa Griffith Winton have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identified as Editors of this work. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury, the editors or individual authors. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: HB: 978-1-4725-2880-3 PB: 978-1-4725-2375-4 ePDF: 978-1-4742-6195-1 ePub: 978-1-4742-6196-8 Library of Congress Cataloging-in-Publication Data Textile technology and design : from interior space to outer space / edited by Deborah Schneiderman and Alexa Griffith Winton. pages cm Includes bibliographical references and index. ISBN 978-1-4725-2880-3 (hardback) -- ISBN 978-1-4725-2375-4 (paperback) 1. Textile fabrics. 2. Industrial equipment--Materials. 3. Textile fabrics in interior decoration. I. Schneiderman, Deborah, 1968- II. Winton, Alexa Griffith. TS1765.T4145 2016 677--dc23 2015019492 Typeset by Fakenham Prepress Solutions, Fakenham, Norfolk NR21 8NN CONTENTS List of Illustrations viii Contributors xii Acknowledgments xvi Foreword by Susan Yelavich xvii Introduction 1 Alexa Griffith Winton and Deborah Schneiderman PART ONE TEXTILE: PLIABLE PLANES, INTERIOR APPLICATIONS, AND FABRICATIONS 7 1 Interstitial Threads: The Body, Textiles, and Interiority in Contemporary Interior Design 9 Alexa Griffith Winton 2 Soft Spaces: From the Textile-clad Interior to Modern Interior Design 17 Anca I. Lasc 3 Felt and the Emerging Interior 31 Helene Renard 4 Tailoring Second and Third Skins 45 Lois Weinthal 5 Interview with Carol Bove 57 Deborah Schneiderman and Alexa Griffith Winton vI CONTENTS PART TWO MECHANICAL AND DIGITAL INNOvATION IN THE INTERIOR REALM 65 6 Ulterior Motives 67 Sarah Strauss 7 Topically Embedded: Surface as Graphic Material 73 Igor Siddiqui 8 Materializing the Digital Realm: Textile of the Modern Age 85 Jonathon Anderson and Laura Schoenthaler 9 Bespoke: Tailoring the Mass-produced Prefabricated Interior 95 Deborah Schneiderman 10 Sensorial Space: Responsive Interiors through Smart Textiles 109 Margarita Benitez 11 Self-actuated Textiles, Interconnectivity, and the Design of the Home as a More Sustainable Timescape 121 Aurélie Mossé 12 Interview with Charlie Morrow: Sound Environment Design 135 Deborah Schneiderman and Alexa Griffith Winton PART THREE EXTREME ENvIRONMENTS AND OUTER SPACE 143 13 Design for Extreme Environments Project [DEEP]: A Case Study of Innovations in Mediating Adverse Conditions on the Human Body 145 Brian F. Davies CONTENTS vII 14 Design for Confinement: The Art and Science of Sensory Deprivation in Space 157 Evan Twyford 15 Fabrics for Space Travel 171 Evelyne Orndoff 16 The Role of Soft Materials in the Design of Extreme Interior Environments for Space Exploration 181 Larry Toups, Matthew Simon, Robert Howard, and A. Scott Howe 17 Interview with Charles Camarda 191 Deborah Schneiderman and Alexa Griffith Winton Index 197 LIST OF ILLUSTRATIONS Plates 1 Numen/For Use, Tape Paris, Palais de Tokyo, Paris, 2014. 2 Loop.pH, Algae Curtain, Lille, France, 2012. 3 A RO, felt-wrapped stair at Knoll Showroom, New York, 2013. 4 D o Ho Suh, The Perfect Home II (detail), 2003. 5 Carol Bove, Caterpillar, 2012. 6 Channel Splitting Simulates Depth, Sarah Strauss. 7 Bloom, Sarah Strauss. Original pattern by LuzElena Wood. 8 Swamped, Sarah Strauss. Original pattern by Rachel Ben-Zadok. 9 Falls, Sarah Strauss. Original pattern by Niketa Shah. 10 I SSSStudio + deSc, Zigzag, view from exterior (2013). 11 J enny Sabin Studio, Branching Morphogenesis, LabStudio, 2008; Jenny E. Sabin, Andrew Lucia, Peter Lloyd Jones; originally on view at the Design and Computation Gallery, SIGGRAPH 2008 and subsequently at Ars Electronica, Linz, Austria, 2009–10. 12 Sawdust screen designed by Emerging Objects, a subsidiary of Rael San Fratello. 13 Kinematics Dress, 2014. Designed by Nervous System. 14 100 Electronic Years. 15 Aurélie Mossé, Reef, detail (2011). 16 I ndividual components of CASiTA readied for assembly. One-inch plywood skeleton components with Tyvek roof and skin. 17 I nterior view of Skylab. The interior of spacecraft can be disorienting, and requires the use of orientation cues and translation guides for crew to navigate. 18 TransHab. 19 Advanced Inflatable Airlock. 20 S leeping bag in crew quarters lined with textiles, cargo transfer bag, astronaut clothing, contingency water container. Also, cargo transfer bags in M-bags strapped down with woven fabric straps, astronaut EVA suit. LIST OF ILLUSTRATIONS IX Figures 1.1 N umen/For Use, interior, Net Blow Up Yokohama, Japan, 2013. 13 1.2 Loop.pH, Atmeture, Letchworth, UK, 2014. 15 2.1 D ésiré Guilmard, “Intérieur de Boudoir” [“Boudoir Interior”], Lith. Destouches, in D. Guilmard, Le Garde-Meuble Ancien et Moderne: Collection de Tentures 113, no. 327 (c.1862). 21 2.2 C élestin-François-Louis Gosse, “Boudoir (Style Louis XVI),” Héliogravure J. et A. Lemercier, in César Daly, “Boudoir et cabinet de travail par M. Gosse, architecte-décorateur,” Revue Générale de l’Architecture et des Travaux Publics 4, no. 13 (1886): 186, Plate 55. 23 2.3 Alexandre Sandier, “Salon, côté de la bibliothèque,” in “La Maison moderne VII: Le Salon (fin),” Revue illustrée 2, no. 18 (June–December 1886): 623–27. 25 2.4 A lexandre Sandier, “Salon – Coin du Salon,” Héliotypie E. le Deley, in Alexandre Sandier, Études d’architecture décorative (Paris: Armand Guérinet, c. 1908), Plate 26. 26 2.5 A nonymous, “Salon Oriental,” in Grands Magasins de la Place Clichy, [Catalogue: Exposition de tapis] (Paris: c. 1898). 27 3.1 F ilzFelt DNA diagram by Ayse Birsel. 37 3.2 F ilzFelt Polka 120 Light Drapery. 39 3.3 Detail of Submaterial wall panel 067. 40 4.1 Back of Hand, in The Moon: Considered as a Planet, a World, and a Satellite by James Nasmyth and James Carpenter, 1874, Plate II. 47 4.2 Shriveled Apple, in The Moon: Considered as a Planet, a World, and a Satellite by James Nasmyth and James Carpenter, 1874, Plate III. 48 4.3 Arktura Ricami Dining Table. 53 4.4 A telier Manferdini, Cherry Blossom Collection, Spring Summer 2007. 54 5.1 Carol Bove, Flora’s Garden II, in the exhibit RA, or Why is an orange like a bell? Maccarone, New York, 2012. 58 5.2 Carol Bove, Strange Events Permit Themselves the Luxury of Occurring, Camden Arts Centre, 2007–8. Setting for A. Pomodoro, 2006. 60 5.3 S tudio view, 2013. Including (from L to R): The WhiteTubular Glyph, 2012; Chesed, 2013; Terma, 2013; Ra, 2013. 62 7.1 I SSSStudio + deSc, Zigzag (2013), view from interior. 77 7.2 ISSSStudio, Tessellated Floorscape (2010). 78 7.3 ISSSStudio, Millefleur (2013). 80 7.4 I SSSStudio + PATH, Bayou-luminescence (2011). 81 7.5 ISSSStudio, Protoplastic (2014). 82 8.1 bitMAPS (2009). 87 8.2 Hylozoic Soil, Musee des Beaux-Arts, Montreal, 2007. 89 8.3 modularArt, Crush, 2009. 92

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