Terror and the Arts: Artistic, Literary, and Political Interpretations of Violence from Dostoyevsky to Abu Ghraib PDF
Preview Terror and the Arts: Artistic, Literary, and Political Interpretations of Violence from Dostoyevsky to Abu Ghraib
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Terror and the Arts Artistic, Literary, and Political Interpretations of Violence from Dostoyevsky to Abu Ghraib Edited by Matti Hyvärinen and Lisa Muszynski TERRORANDTHEARTS Copyright © Matti Hyvärinen and Lisa Muszynski, 2008. Softcover reprint of the hardcover 1st edition 2008 978-0-230-60671-5 All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles or reviews. First published in 2008 by PALGRAVE MACMILLAN™ 175 Fifth Avenue, New York, N.Y. 10010 and Houndmills, Basingstoke, Hampshire, England RG21 6XS. Companies and representatives throughout the world. PALGRAVE MACMILLAN is the global academic imprint of the Palgrave Macmillan division of St. Martin’s Press, LLC and of Palgrave Macmillan Ltd. Macmillan®is a registered trademark in the United States, United Kingdom and other countries. Palgrave is a registered trademark in the European Union and other countries. ISBN 978-1-349-37405-2 ISBN 978-0-230-61413-0 (eBook) DOI 10.1057/9780230614130 Library of Congress Cataloging-in-Publication Data Hyvärinen, Matti and Muszynski, Lisa Terror and the arts : artistic, literary, and political interpretations of violence from Dostoyevsky to Abu Ghraib / edited and with an introduction by Matti Hyvärinen and Lisa Muszynski. p. cm. Includes bibliographical references and index. 1. Terror in art. 2. Arts, Modern. I. Hyvärinen, Matti. II. Muszynski, Lisa. NX650.T48T47 2008 700'.4552—dc22 2007047880 A catalogue record of the book is available from the British Library. Design by Scribe Inc. First edition: August 2008 10 9 8 7 6 5 4 3 2 1 Transferred to Digital Printing in 2013 Contents List of Figures and Tables vii Preface and Acknowledgments ix Contributors xi Introduction: The Arts Investigating Terror 1 Matti Hyvärinen and Lisa Muszynski Part 1: Visualizing Terror 1 The Implicated Spectator: From Manet to Botero 25 Frank Möller 2 Art in the Age of Terror: The Israeli Case 41 Dana Arieli-Horowitz 3 The Aura of Terror? 61 Kia Lindroos Part 2: Fictionalizing Terror 4 Dostoyevsky on Terror and the Question of the West 83 Margaret Heller 5 To This Side of Good and Evil: Primo Levi as a Truth-teller 97 Tuija Parvikko 6 Narrating the Trauma: Georges Perec’s W ou le souvenir d’enfance 113 Kuisma Korhonen 7 Too Much Terror? J. M. Coetzee’s Elizabeth Costello 129 and the Circulation of Trauma Matti Hyvärinen vi ● Contents Part 3: Governmental Terror 8 Dictators and Dictatorships: Art and Politics in Romania and Chile (1974–89) 147 Caterina Preda 9 Inciting Mental Terror as Effective Governmental Control: Chinese Propaganda Posters during the Cultural Revolution (1966–76) 165 Minna Valjakka 10 TheSweet Hereafterof Machiavelli and Weber: Discussing Community and Responsibility as Political-ethical Criteria 185 Javier Franzé Part 4: The Terror of Theory 11 The Violence of Lying 207 Olivia Guaraldo 12 Terrorized by Sound? Foucault on Terror, Resistance, and Sonorous Art 225 Lauri Siisiäinen Index 243 Figures and Tables Figure 2.1 Miki Kratsman, “Om el Phaem,” 2002. 45 Figure 2.2 David Reeb, Where are the Soldiers?2003. 45 Figure 2.3 Gal Weinstein, Uday, 2004. 47 Figure 2.4 Gal Weinstein, Qusay, 2004. 47 Figure 2.5 David Wackstein, Swastika, 2001. 51 Figure 2.6 Dganit Berest, The Wall, 2004 (detail). 53 Figure 2.7 David Tartakover, I’m Here, Tel Aviv, 19 October 1994, 2003–2004. (Based on a photograph by Ziv Koren.) 54 Figure 3.1 Guy Raz, “Two Seconds,” 2004–2006. 76 Table 8.1 Comparative view of the two regimes 150 Table 8.2 Comparative view of artistic manifestations 155 Preface and Acknowledgments The idea for this book grew out of a small symposium, “Arts and Terror,” held at the University of Jyväskylä, Finland, in May 2006. The arrangement of the symposium became possible thanks to the Academy of Finland, and its new Centre for Excellence in Political Thought and Conceptual Change. The cen- tre has three research teams; one of them is Politics and the Arts, the organizer of the symposium. We thank all of the participants of the symposium for the enduring discussions and enthusiasm that helped to launch the work for this volume. Moreover, the existence of the international Politics and the Arts group, now a standing group of the European Consortium for Political Research (ECPR), helped greatly in getting in touch with the people inter- ested in the hybrid area of terror and the arts. As in every work of this nature, the editing process is one that owes many thanks to those individuals who enable it. We are particularly grateful to the research team coordinator Anitta Kananen (University of Jyväskylä, Finland), not only for practical arrangements of the event, but also for all kinds of help during the editorial process. Moreover, Professor Michael Shapiro (University of Hawaii, United States) was of great help at a decisive moment in the pub- lication process. Another key person is Peggy Heller (University of King’s College, Halifax, Canada), who jumped in to help as a coeditor, commenta- tor, and consultant whenever and wherever this was needed; Kati Thors at the Copyshop in Espoo has freely given of her time and expertise in all things technical; Annikki Harris (University of Helsinki Language Services) has cooperated at the office, providing Lisa Muszynski with the requisite freedom to work on this project almost continuously, while our families have borne the brunt of the systematic neglect that such focus entails. Special thanks to those nearest and dearest who have the patience to endure us to the end: Tuula H. and Peter, Johann, and Annie M. Matti Hyvärinen and Lisa Muszynski Tampere and Helsinki Contributors Dana Arieli-Horowitz, PhD, is head of the History and Theory Unit at Bezalel, Academy of Arts and Design, Jerusalem. She has published exten- sively on arts under totalitarian regimes in the twentieth century. Among her publications are: Romanticism of Steel: Art and Politics in Nazi Germany(Jerusalem: Magness, Hebrew University Press, 1999); Creators in Overburden: Rabin’s Assassination, Art and Politics (Jerusalem: Magness/ Hebrew University Press, 2005, and winner of the Israeli Prime Minister Award); and The Totalitarian Ideal: Art and Politics Between the Wars (forthcoming, Tel Aviv: Tel Aviv University Press). She is currently work- ing on the relationship between art and politics in Israel, and in particular on art and terror. Javier Franzé, PhD (political science), a lecturer at the Universidad Complutense de Madrid. His field of research is the conceptual history of politics in Western thought, on which he has published ¿Qué es la política? Tres respuestas: Aristótles, Weber, Schmitt(Madrid, Catarata, 2004), as well as various other articles. He also researches the relation between violence, power, and politics, especially focused on its implications for the relation- ship between ethics and politics. Olivia Guaraldo, PhD, is lecturer in political philosophy at the University of Verona. Her main fields of research are political and feminist theory, where she has worked extensively on the thought of Hannah Arendt and its relationship with literature and history (Storylines, 2001; Politica e rac- conto, 2003). She has edited and introduced the Italian translation of Hannah Arendt, Lying in Politics: Reflections on the Pentagon Papers (It. 2006), as well as Judith Butler’s Undoing Gender(It. 2006) and Precarious Life(It. 2004). She is currently working on the relationship between vio- lence and power in modern political thought. She is also a member of the research team Politics and the Arts at the Finnish Centre of Excellence in Political Thought and Conceptual Change.
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